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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95E03E it is the complementary color #6A1FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95E03E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95E03E shade: #9AE039, #ABF24C, #BCFF5F, #CDFF72 and #DEFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95E03E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95E03E shade: #95E03E, #84CE2B, #73BC18, #62AA05 and #519800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95E03E shade: #94DF3E, #C0DF3E, #DFD33E, #DFA73E and #DF7C3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95E03E shade: #94DF3E, #69DF3E, #3EDF3E, #3EDF69 and #3EDF95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95E03E shade matches the following richer shades: #94DF3E and #96F12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95E03E shade: #94DF3E, #93CD50, #92BB62, #90A974 and #8F9686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95E03E shade: #DFD23E, #C1DF3E, #96DF3E, #6BDF3E and #40DF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95E03E shade: #6AAE1C, #80D222, #94DF3E, #A8E561 and #BBEB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95E03E shade: #95E03E, #3EDFA7 and #DF3ED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95E03E shade: #95E03E, #3E96DF and #DF3E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95E03E shade: #95E03E, #3EDFA7, #863EDF and #DF3E76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95E03E shade: #95E03E, #3EDFD7, #863EDF and #DF3E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

Complementary color

CMYK 45 / 84 / 0 / 24

HEX #6A1FC1

RGB 106 31 193

HSL 267.78, 0.72%, 0.44%

LAB 33.76, 61.93, -69.66

 

CMYK 31 / 0 / 75 / 12

HEX #9AE039

RGB 154 224 57

HSL 85.15, 0.73%, 0.55%

LAB 82.1, -45.9, 69.66

 

CMYK 29 / 0 / 69 / 5

HEX #ABF24C

RGB 171 242 76

HSL 85.66, 0.86%, 0.62%

LAB 88.3, -46.33, 69.57

 

CMYK 26 / 0 / 63 / 0

HEX #BCFF5F

RGB 188 255 95

HSL 85.13, 1%, 0.69%

LAB 93.03, -44.49, 67.56

 

CMYK 20 / 0 / 55 / 0

HEX #CDFF72

RGB 205 255 114

HSL 81.28, 1%, 0.72%

LAB 94.19, -36.77, 61.17

 

CMYK 13 / 0 / 48 / 0

HEX #DEFF85

RGB 222 255 133

HSL 76.23, 1%, 0.76%

LAB 95.47, -28.7, 54.38

 

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

CMYK 36 / 0 / 79 / 19

HEX #84CE2B

RGB 132 206 43

HSL 87.24, 0.65%, 0.49%

LAB 75.59, -46.86, 67.38

 

CMYK 39 / 0 / 87 / 26

HEX #73BC18

RGB 115 188 24

HSL 86.71, 0.77%, 0.42%

LAB 69.24, -46.12, 66.11

 

CMYK 42 / 0 / 97 / 33

HEX #62AA05

RGB 98 170 5

HSL 86.18, 0.94%, 0.34%

LAB 62.81, -45.1, 63.45

 

CMYK 47 / 0 / 100 / 40

HEX #519800

RGB 81 152 0

HSL 88.03, 1%, 0.3%

LAB 56.29, -43.7, 58.71

 

CMYK 34 / 0 / 72 / 13

HEX #94DF3E

RGB 148 223 62

HSL 87.95, 0.72%, 0.56%

LAB 81.52, -47.32, 67.32

 

CMYK 14 / 0 / 72 / 13

HEX #C0DF3E

RGB 192 223 62

HSL 71.55, 0.72%, 0.56%

LAB 84.14, -30.72, 70.77

 

CMYK 0 / 5 / 72 / 13

HEX #DFD33E

RGB 223 211 62

HSL 55.53, 0.72%, 0.56%

LAB 83.24, -12.15, 70.73

 

CMYK 0 / 25 / 72 / 13

HEX #DFA73E

RGB 223 167 62

HSL 39.13, 0.72%, 0.56%

LAB 72.01, 10.69, 59.71

 

CMYK 0 / 44 / 72 / 13

HEX #DF7C3E

RGB 223 124 62

HSL 23.11, 0.72%, 0.56%

LAB 62.04, 33.59, 49.4

 

CMYK 34 / 0 / 72 / 13

HEX #94DF3E

RGB 148 223 62

HSL 87.95, 0.72%, 0.56%

LAB 81.52, -47.32, 67.32

 

CMYK 53 / 0 / 72 / 13

HEX #69DF3E

RGB 105 223 62

HSL 103.98, 0.72%, 0.56%

LAB 79.69, -60.72, 64.89

 

CMYK 72 / 0 / 72 / 13

HEX #3EDF3E

RGB 62 223 62

HSL 120, 0.72%, 0.56%

LAB 78.55, -69.98, 63.36

 

CMYK 72 / 0 / 53 / 13

HEX #3EDF69

RGB 62 223 105

HSL 136.02, 0.72%, 0.56%

LAB 78.94, -65.32, 45.77

 

CMYK 72 / 0 / 33 / 13

HEX #3EDF95

RGB 62 223 149

HSL 152.42, 0.72%, 0.56%

LAB 79.6, -57.82, 24.69

 

CMYK 34 / 0 / 72 / 13

HEX #94DF3E

RGB 148 223 62

HSL 87.95, 0.72%, 0.56%

LAB 81.52, -47.32, 67.32

 

CMYK 38 / 0 / 82 / 5

HEX #96F12B

RGB 150 241 43

HSL 87.58, 0.88%, 0.56%

LAB 86.79, -54.88, 77.81

 

CMYK 34 / 0 / 72 / 13

HEX #94DF3E

RGB 148 223 62

HSL 87.95, 0.72%, 0.56%

LAB 81.52, -47.32, 67.32

 

CMYK 28 / 0 / 61 / 20

HEX #93CD50

RGB 147 205 80

HSL 87.84, 0.56%, 0.56%

LAB 76.34, -38.58, 54.86

 

CMYK 22 / 0 / 48 / 27

HEX #92BB62

RGB 146 187 98

HSL 87.64, 0.4%, 0.56%

LAB 71.24, -28.81, 40.47

 

CMYK 15 / 0 / 31 / 34

HEX #90A974

RGB 144 169 116

HSL 88.3, 0.24%, 0.56%

LAB 66.19, -18.26, 24.58

 

CMYK 5 / 0 / 11 / 41

HEX #8F9686

RGB 143 150 134

HSL 86.25, 0.07%, 0.56%

LAB 61.11, -5.58, 7.57

 

CMYK 0 / 6 / 72 / 13

HEX #DFD23E

RGB 223 210 62

HSL 55.16, 0.72%, 0.56%

LAB 82.98, -11.64, 70.48

 

CMYK 13 / 0 / 72 / 13

HEX #C1DF3E

RGB 193 223 62

HSL 71.18, 0.72%, 0.56%

LAB 84.21, -30.32, 70.86

 

CMYK 33 / 0 / 72 / 13

HEX #96DF3E

RGB 150 223 62

HSL 87.2, 0.72%, 0.56%

LAB 81.62, -46.62, 67.46

 

CMYK 52 / 0 / 72 / 13

HEX #6BDF3E

RGB 107 223 62

HSL 103.23, 0.72%, 0.56%

LAB 79.76, -60.18, 64.98

 

CMYK 71 / 0 / 72 / 13

HEX #40DF3E

RGB 64 223 62

HSL 119.25, 0.72%, 0.56%

LAB 78.59, -69.66, 63.42

 

CMYK 39 / 0 / 84 / 32

HEX #6AAE1C

RGB 106 174 28

HSL 87.95, 0.72%, 0.4%

LAB 64.5, -43.33, 60.92

 

CMYK 39 / 0 / 84 / 18

HEX #80D222

RGB 128 210 34

HSL 87.95, 0.72%, 0.48%

LAB 76.56, -50.26, 70.5

 

CMYK 34 / 0 / 72 / 13

HEX #94DF3E

RGB 148 223 62

HSL 87.95, 0.72%, 0.56%

LAB 81.52, -47.32, 67.32

 

CMYK 27 / 0 / 58 / 10

HEX #A8E561

RGB 168 229 97

HSL 87.73, 0.72%, 0.64%

LAB 84.6, -40.14, 57.06

 

CMYK 20 / 0 / 44 / 8

HEX #BBEB84

RGB 187 235 132

HSL 87.96, 0.72%, 0.72%

LAB 87.8, -32.36, 44.9

 

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

CMYK 72 / 0 / 25 / 13

HEX #3EDFA7

RGB 62 223 167

HSL 159.13, 0.72%, 0.56%

LAB 79.95, -54, 15.77

 

CMYK 0 / 72 / 4 / 13

HEX #DF3ED7

RGB 223 62 215

HSL 302.98, 0.72%, 0.56%

LAB 56.13, 77.12, -45.41

 

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

CMYK 72 / 33 / 0 / 13

HEX #3E96DF

RGB 62 150 223

HSL 207.2, 0.72%, 0.56%

LAB 60.04, -2.29, -44.64

 

CMYK 0 / 72 / 33 / 13

HEX #DF3E96

RGB 223 62 150

HSL 327.2, 0.72%, 0.56%

LAB 53.31, 68.47, -12.05

 

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

CMYK 72 / 0 / 25 / 13

HEX #3EDFA7

RGB 62 223 167

HSL 159.13, 0.72%, 0.56%

LAB 79.95, -54, 15.77

 

CMYK 40 / 72 / 0 / 13

HEX #863EDF

RGB 134 62 223

HSL 266.83, 0.72%, 0.56%

LAB 44, 61.18, -70.12

 

CMYK 0 / 72 / 47 / 13

HEX #DF3E76

RGB 223 62 118

HSL 339.13, 0.72%, 0.56%

LAB 52.33, 65.29, 5.63

 

CMYK 33 / 0 / 72 / 12

HEX #95E03E

RGB 149 224 62

HSL 87.78, 0.72%, 0.56%

LAB 81.86, -47.39, 67.68

 

CMYK 72 / 0 / 4 / 13

HEX #3EDFD7

RGB 62 223 215

HSL 177.02, 0.72%, 0.56%

LAB 81.13, -41.98, -7.96

 

CMYK 40 / 72 / 0 / 13

HEX #863EDF

RGB 134 62 223

HSL 266.83, 0.72%, 0.56%

LAB 44, 61.18, -70.12

 

CMYK 0 / 72 / 69 / 13

HEX #DF3E46

RGB 223 62 70

HSL 357.02, 0.72%, 0.56%

LAB 51.35, 62.02, 32.99

 

Description

Color code: HEX #95E03E | qconv.com Color code: HEX #95E03E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 224 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 224 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 72 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 72% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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