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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95D5FD it is the complementary color #6A2A02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95D5FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95D5FD shade: #9AD5F8, #ABE7FF, #BCF9FF, #CDFFFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95D5FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95D5FD shade: #95D5FD, #84C3EA, #73B1D7, #629FC4 and #518DB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95D5FD shade: #96D5FC, #96B9FC, #969DFC, #A996FC and #C596FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95D5FD shade: #96D5FC, #96B9FC, #969DFC and #9696FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95D5FD shade matches the following richer shades: #96D5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95D5FD shade: #96D5FC, #9ED3F4, #A7D1EB, #B0CFE2 and #B8CDDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95D5FD shade: #96FCED, #96F0FC, #96D5FC, #96BAFC and #969EFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95D5FD shade: #45B5FB, #6DC5FC, #96D5FC, #BEE5FD and #E6F5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95D5FD shade: #95D5FD, #D296FC and #FCFB96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95D5FD shade: #95D5FD, #FC96D5 and #D5FC96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95D5FD shade: #95D5FD, #D296FC, #FCBD96 and #C0FC96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95D5FD shade: #95D5FD, #F096FC, #FCBD96 and #A2FC96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

Complementary color

CMYK 0 / 60 / 98 / 58

HEX #6A2A02

RGB 106 42 2

HSL 23.08, 0.96%, 0.21%

LAB 25.93, 26.64, 35.96

 

CMYK 38 / 14 / 0 / 3

HEX #9AD5F8

RGB 154 213 248

HSL 202.34, 0.87%, 0.79%

LAB 82.51, -10.31, -23.12

 

CMYK 33 / 9 / 0 / 0

HEX #ABE7FF

RGB 171 231 255

HSL 197.14, 1%, 0.84%

LAB 88.46, -13.35, -17.71

 

CMYK 26 / 2 / 0 / 0

HEX #BCF9FF

RGB 188 249 255

HSL 185.37, 1%, 0.87%

LAB 94.17, -17.67, -9.09

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

CMYK 44 / 17 / 0 / 8

HEX #84C3EA

RGB 132 195 234

HSL 202.94, 0.71%, 0.72%

LAB 75.99, -10.08, -25.66

 

CMYK 47 / 18 / 0 / 16

HEX #73B1D7

RGB 115 177 215

HSL 202.8, 0.56%, 0.65%

LAB 69.47, -9.81, -25.39

 

CMYK 50 / 19 / 0 / 23

HEX #629FC4

RGB 98 159 196

HSL 202.65, 0.45%, 0.58%

LAB 62.83, -9.47, -25.13

 

CMYK 54 / 20 / 0 / 31

HEX #518DB1

RGB 81 141 177

HSL 202.5, 0.38%, 0.51%

LAB 56.06, -9.04, -24.87

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 40 / 27 / 0 / 1

HEX #96B9FC

RGB 150 185 252

HSL 219.41, 0.94%, 0.79%

LAB 74.96, 4.72, -36.87

 

CMYK 40 / 38 / 0 / 1

HEX #969DFC

RGB 150 157 252

HSL 235.88, 0.94%, 0.79%

LAB 67.74, 20.49, -48.14

 

CMYK 33 / 40 / 0 / 1

HEX #A996FC

RGB 169 150 252

HSL 251.18, 0.94%, 0.79%

LAB 67.48, 29.39, -48.46

 

CMYK 22 / 40 / 0 / 1

HEX #C596FC

RGB 197 150 252

HSL 267.65, 0.94%, 0.79%

LAB 69.97, 37.06, -44.37

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 40 / 27 / 0 / 1

HEX #96B9FC

RGB 150 185 252

HSL 219.41, 0.94%, 0.79%

LAB 74.96, 4.72, -36.87

 

CMYK 40 / 38 / 0 / 1

HEX #969DFC

RGB 150 157 252

HSL 235.88, 0.94%, 0.79%

LAB 67.74, 20.49, -48.14

 

CMYK 40 / 40 / 0 / 1

HEX #9696FC

RGB 150 150 252

HSL 240, 0.94%, 0.79%

LAB 66, 24.51, -50.9

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 35 / 14 / 0 / 4

HEX #9ED3F4

RGB 158 211 244

HSL 203.02, 0.8%, 0.79%

LAB 82.05, -9.22, -21.67

 

CMYK 29 / 11 / 0 / 8

HEX #A7D1EB

RGB 167 209 235

HSL 202.94, 0.63%, 0.79%

LAB 81.74, -7.85, -17.3

 

CMYK 22 / 8 / 0 / 11

HEX #B0CFE2

RGB 176 207 226

HSL 202.8, 0.46%, 0.79%

LAB 81.48, -6.21, -12.82

 

CMYK 16 / 6 / 0 / 15

HEX #B8CDDA

RGB 184 205 218

HSL 202.94, 0.31%, 0.79%

LAB 81.24, -4.4, -8.84

 

CMYK 40 / 0 / 6 / 1

HEX #96FCED

RGB 150 252 237

HSL 171.18, 0.94%, 0.79%

LAB 92.67, -33.21, -2.18

 

CMYK 40 / 5 / 0 / 1

HEX #96F0FC

RGB 150 240 252

HSL 187.06, 0.94%, 0.79%

LAB 89.78, -23.94, -14.27

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 40 / 26 / 0 / 1

HEX #96BAFC

RGB 150 186 252

HSL 218.82, 0.94%, 0.79%

LAB 75.22, 4.17, -36.46

 

CMYK 40 / 37 / 0 / 1

HEX #969EFC

RGB 150 158 252

HSL 235.29, 0.94%, 0.79%

LAB 68, 19.92, -47.75

 

CMYK 73 / 28 / 0 / 2

HEX #45B5FB

RGB 69 181 251

HSL 203.08, 0.96%, 0.63%

LAB 70.37, -9.22, -43.74

 

CMYK 57 / 22 / 0 / 1

HEX #6DC5FC

RGB 109 197 252

HSL 203.08, 0.96%, 0.71%

LAB 76.2, -11.08, -35.1

 

CMYK 40 / 15 / 0 / 1

HEX #96D5FC

RGB 150 213 252

HSL 202.94, 0.94%, 0.79%

LAB 82.43, -10.31, -25.37

 

CMYK 25 / 9 / 0 / 1

HEX #BEE5FD

RGB 190 229 253

HSL 202.86, 0.94%, 0.87%

LAB 88.96, -7.46, -15.81

 

CMYK 9 / 4 / 0 / 0

HEX #E6F5FE

RGB 230 245 254

HSL 202.5, 0.92%, 0.95%

LAB 95.7, -3.21, -6.02

 

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

CMYK 17 / 40 / 0 / 1

HEX #D296FC

RGB 210 150 252

HSL 275.29, 0.94%, 0.79%

LAB 71.24, 40.75, -42.29

 

CMYK 0 / 0 / 40 / 1

HEX #FCFB96

RGB 252 251 150

HSL 59.41, 0.94%, 0.79%

LAB 96.78, -13.73, 48.43

 

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

CMYK 0 / 40 / 15 / 1

HEX #FC96D5

RGB 252 150 213

HSL 322.94, 0.94%, 0.79%

LAB 74.39, 46.48, -15.74

 

CMYK 15 / 0 / 40 / 1

HEX #D5FC96

RGB 213 252 150

HSL 82.94, 0.94%, 0.79%

LAB 94.3, -28.77, 44.73

 

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

CMYK 17 / 40 / 0 / 1

HEX #D296FC

RGB 210 150 252

HSL 275.29, 0.94%, 0.79%

LAB 71.24, 40.75, -42.29

 

CMYK 0 / 25 / 40 / 1

HEX #FCBD96

RGB 252 189 150

HSL 22.94, 0.94%, 0.79%

LAB 81.45, 17.84, 28.54

 

CMYK 24 / 0 / 40 / 1

HEX #C0FC96

RGB 192 252 150

HSL 95.29, 0.94%, 0.79%

LAB 93.03, -36.19, 42.84

 

CMYK 41 / 16 / 0 / 1

HEX #95D5FD

RGB 149 213 253

HSL 203.08, 0.96%, 0.79%

LAB 82.42, -10.3, -25.93

 

CMYK 5 / 40 / 0 / 1

HEX #F096FC

RGB 240 150 252

HSL 292.94, 0.94%, 0.79%

LAB 74.42, 49.43, -37.1

 

CMYK 0 / 25 / 40 / 1

HEX #FCBD96

RGB 252 189 150

HSL 22.94, 0.94%, 0.79%

LAB 81.45, 17.84, 28.54

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

Description

Color code: HEX #95D5FD | qconv.com Color code: HEX #95D5FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 213 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 213 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 16 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 16% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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