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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95CFE9 it is the complementary color #6A3016. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95CFE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95CFE9 shade: #9ACFE4, #ABE1F7, #BCF3FF, #CDFFFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95CFE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95CFE9 shade: #95CFE9, #84BDD6, #73ABC3, #6299B0 and #51879D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95CFE9 shade: #95CFE9, #95B8E9, #95A1E9, #9F95E9 and #B595E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95CFE9 shade: #95CFE9, #95B8E9, #95A1E9 and #9595E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95CFE9 shade matches the following richer shades: #95CFE9, #8AD3F3 and #80D7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95CFE9 shade: #95CFE9, #9FCBDF, #A9C7D4, #B4C3CA and #BEBFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95CFE9 shade: #95E9D5, #95E6E9, #95D0E9, #95B9E9 and #95A3E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95CFE9 shade: #50B0DB, #72BFE2, #95CFE9, #B7DEF0 and #D9EEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95CFE9 shade: #95CFE9, #BF95E9 and #E9E095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95CFE9 shade: #95CFE9, #E995D0 and #D0E995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95CFE9 shade: #95CFE9, #BF95E9, #E9AE95 and #BFE995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95CFE9 shade: #95CFE9, #D895E9, #E9AE95 and #A6E995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

Complementary color

CMYK 0 / 55 / 79 / 58

HEX #6A3016

RGB 106 48 22

HSL 18.57, 0.66%, 0.25%

LAB 27.4, 23.97, 28.04

 

CMYK 32 / 9 / 0 / 11

HEX #9ACFE4

RGB 154 207 228

HSL 197.03, 0.58%, 0.75%

LAB 80.23, -12.14, -15.9

 

CMYK 31 / 9 / 0 / 3

HEX #ABE1F7

RGB 171 225 247

HSL 197.37, 0.83%, 0.82%

LAB 86.61, -12.18, -16.29

 

CMYK 26 / 5 / 0 / 0

HEX #BCF3FF

RGB 188 243 255

HSL 190.75, 1%, 0.87%

LAB 92.58, -14.69, -11.45

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 38 / 12 / 0 / 16

HEX #84BDD6

RGB 132 189 214

HSL 198.29, 0.5%, 0.68%

LAB 73.65, -12.18, -18.4

 

CMYK 41 / 12 / 0 / 24

HEX #73ABC3

RGB 115 171 195

HSL 198, 0.4%, 0.61%

LAB 67.06, -12.06, -18.04

 

CMYK 44 / 13 / 0 / 31

HEX #6299B0

RGB 98 153 176

HSL 197.69, 0.33%, 0.54%

LAB 60.35, -11.91, -17.67

 

CMYK 48 / 14 / 0 / 38

HEX #51879D

RGB 81 135 157

HSL 197.37, 0.32%, 0.47%

LAB 53.5, -11.7, -17.29

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 36 / 21 / 0 / 9

HEX #95B8E9

RGB 149 184 233

HSL 215, 0.66%, 0.75%

LAB 73.9, -0.01, -28.24

 

CMYK 36 / 31 / 0 / 9

HEX #95A1E9

RGB 149 161 233

HSL 231.43, 0.66%, 0.75%

LAB 67.85, 12.82, -37.61

 

CMYK 32 / 36 / 0 / 9

HEX #9F95E9

RGB 159 149 233

HSL 247.14, 0.66%, 0.75%

LAB 65.55, 22.4, -41.13

 

CMYK 22 / 36 / 0 / 9

HEX #B595E9

RGB 181 149 233

HSL 262.86, 0.66%, 0.75%

LAB 67.43, 28.68, -38.07

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 36 / 21 / 0 / 9

HEX #95B8E9

RGB 149 184 233

HSL 215, 0.66%, 0.75%

LAB 73.9, -0.01, -28.24

 

CMYK 36 / 31 / 0 / 9

HEX #95A1E9

RGB 149 161 233

HSL 231.43, 0.66%, 0.75%

LAB 67.85, 12.82, -37.61

 

CMYK 36 / 36 / 0 / 9

HEX #9595E9

RGB 149 149 233

HSL 240, 0.66%, 0.75%

LAB 64.78, 19.68, -42.4

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 43 / 13 / 0 / 5

HEX #8AD3F3

RGB 138 211 243

HSL 198.29, 0.81%, 0.75%

LAB 81, -14.58, -22.83

 

CMYK 49 / 15 / 0 / 1

HEX #80D7FD

RGB 128 215 253

HSL 198.24, 0.97%, 0.75%

LAB 81.99, -16.26, -26.67

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 29 / 9 / 0 / 13

HEX #9FCBDF

RGB 159 203 223

HSL 198.75, 0.5%, 0.75%

LAB 79.28, -9.83, -14.63

 

CMYK 20 / 6 / 0 / 17

HEX #A9C7D4

RGB 169 199 212

HSL 198.14, 0.33%, 0.75%

LAB 78.48, -7.24, -9.84

 

CMYK 11 / 3 / 0 / 21

HEX #B4C3CA

RGB 180 195 202

HSL 199.09, 0.17%, 0.75%

LAB 77.87, -3.71, -5.27

 

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

 

CMYK 36 / 0 / 9 / 9

HEX #95E9D5

RGB 149 233 213

HSL 165.71, 0.66%, 0.75%

LAB 86.74, -29.89, 1.66

 

CMYK 36 / 1 / 0 / 9

HEX #95E6E9

RGB 149 230 233

HSL 182.14, 0.66%, 0.75%

LAB 86.44, -23.88, -9.3

 

CMYK 36 / 11 / 0 / 9

HEX #95D0E9

RGB 149 208 233

HSL 197.86, 0.66%, 0.75%

LAB 80.4, -12.79, -18.35

 

CMYK 36 / 21 / 0 / 9

HEX #95B9E9

RGB 149 185 233

HSL 214.29, 0.66%, 0.75%

LAB 74.17, -0.56, -27.83

 

CMYK 36 / 30 / 0 / 9

HEX #95A3E9

RGB 149 163 233

HSL 230, 0.66%, 0.75%

LAB 68.36, 11.68, -36.8

 

CMYK 63 / 20 / 0 / 14

HEX #50B0DB

RGB 80 176 219

HSL 198.56, 0.66%, 0.59%

LAB 67.93, -15.29, -30.08

 

CMYK 50 / 15 / 0 / 11

HEX #72BFE2

RGB 114 191 226

HSL 198.75, 0.66%, 0.67%

LAB 73.76, -14.4, -24.82

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 24 / 8 / 0 / 6

HEX #B7DEF0

RGB 183 222 240

HSL 198.95, 0.66%, 0.83%

LAB 86.31, -8.8, -12.99

 

CMYK 12 / 4 / 0 / 3

HEX #D9EEF7

RGB 217 238 247

HSL 198, 0.65%, 0.91%

LAB 92.85, -5.13, -6.7

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 18 / 36 / 0 / 9

HEX #BF95E9

RGB 191 149 233

HSL 270, 0.66%, 0.75%

LAB 68.35, 31.63, -36.55

 

CMYK 0 / 4 / 36 / 9

HEX #E9E095

RGB 233 224 149

HSL 53.57, 0.66%, 0.75%

LAB 88.35, -7.75, 37.86

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 0 / 36 / 11 / 9

HEX #E995D0

RGB 233 149 208

HSL 317.86, 0.66%, 0.75%

LAB 71.81, 40.03, -17.1

 

CMYK 11 / 0 / 36 / 9

HEX #D0E995

RGB 208 233 149

HSL 77.86, 0.66%, 0.75%

LAB 88.86, -21.68, 38.15

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 18 / 36 / 0 / 9

HEX #BF95E9

RGB 191 149 233

HSL 270, 0.66%, 0.75%

LAB 68.35, 31.63, -36.55

 

CMYK 0 / 25 / 36 / 9

HEX #E9AE95

RGB 233 174 149

HSL 17.86, 0.66%, 0.75%

LAB 75.93, 18.31, 21.25

 

CMYK 18 / 0 / 36 / 9

HEX #BFE995

RGB 191 233 149

HSL 90, 0.66%, 0.75%

LAB 87.74, -27.86, 36.48

 

CMYK 36 / 11 / 0 / 9

HEX #95CFE9

RGB 149 207 233

HSL 198.57, 0.66%, 0.75%

LAB 80.12, -12.27, -18.76

 

CMYK 7 / 36 / 0 / 9

HEX #D895E9

RGB 216 149 233

HSL 287.86, 0.66%, 0.75%

LAB 70.86, 39.16, -32.48

 

CMYK 0 / 25 / 36 / 9

HEX #E9AE95

RGB 233 174 149

HSL 17.86, 0.66%, 0.75%

LAB 75.93, 18.31, 21.25

 

CMYK 29 / 0 / 36 / 9

HEX #A6E995

RGB 166 233 149

HSL 107.86, 0.66%, 0.75%

LAB 86.28, -36.47, 34.3

 

Description

Color code: HEX #95CFE9 | qconv.com Color code: HEX #95CFE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 207 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 207 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 11 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 11% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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