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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95AF82 it is the complementary color #6A507D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95AF82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95AF82 shade: #9AAF7D, #ABC190, #BCD3A3, #CDE5B6 and #DEF7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95AF82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95AF82 shade: #95AF82, #849D6F, #738B5C, #627949 and #516736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95AF82 shade: #95AF82, #A1AF82, #ADAF82, #AFA582 and #AF9882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95AF82 shade: #95AF82, #89AF82, #82AF87, #82AF93 and #82AFA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95AF82 shade matches the following richer shades: #95AF82, #92BF72, #90D061, #8DE051 and #8BF140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95AF82 shade: #95AF82, #989E93, #9A8EA3, #9D7DB4 and #9F6DC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95AF82 shade: #ADAF82, #A1AF82, #96AF82, #8AAF82 and #82AF87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95AF82 shade: #6B8857, #809F69, #95AF82, #AABF9B and #C0CFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95AF82 shade: #95AF82, #82AFA4 and #AF82A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95AF82 shade: #95AF82, #8296AF and #AF8296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95AF82 shade: #95AF82, #82AFA4, #9B82AF and #AF828D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95AF82 shade: #95AF82, #82ACAF, #9B82AF and #AF8582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

Complementary color

CMYK 15 / 36 / 0 / 51

HEX #6A507D

RGB 106 80 125

HSL 274.67, 0.22%, 0.4%

LAB 38.34, 20.12, -21.35

 

CMYK 12 / 0 / 29 / 31

HEX #9AAF7D

RGB 154 175 125

HSL 85.2, 0.24%, 0.59%

LAB 68.76, -16.21, 23.3

 

CMYK 11 / 0 / 25 / 24

HEX #ABC190

RGB 171 193 144

HSL 86.94, 0.28%, 0.66%

LAB 75.33, -16.2, 22.25

 

CMYK 11 / 0 / 23 / 17

HEX #BCD3A3

RGB 188 211 163

HSL 88.75, 0.35%, 0.73%

LAB 81.8, -16.19, 21.26

 

CMYK 10 / 0 / 21 / 10

HEX #CDE5B6

RGB 205 229 182

HSL 90.64, 0.47%, 0.81%

LAB 88.16, -16.17, 20.32

 

CMYK 10 / 0 / 19 / 3

HEX #DEF7C9

RGB 222 247 201

HSL 92.61, 0.74%, 0.88%

LAB 94.43, -16.15, 19.43

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 16 / 0 / 29 / 38

HEX #849D6F

RGB 132 157 111

HSL 92.61, 0.19%, 0.53%

LAB 61.8, -17.38, 21.26

 

CMYK 17 / 0 / 34 / 45

HEX #738B5C

RGB 115 139 92

HSL 90.64, 0.2%, 0.45%

LAB 54.95, -17.45, 22.4

 

CMYK 19 / 0 / 40 / 53

HEX #627949

RGB 98 121 73

HSL 88.75, 0.25%, 0.38%

LAB 47.95, -17.51, 23.63

 

CMYK 21 / 0 / 48 / 60

HEX #516736

RGB 81 103 54

HSL 86.94, 0.31%, 0.31%

LAB 40.76, -17.53, 24.92

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 8 / 0 / 26 / 31

HEX #A1AF82

RGB 161 175 130

HSL 78.67, 0.22%, 0.6%

LAB 69.36, -12.8, 21.5

 

CMYK 1 / 0 / 26 / 31

HEX #ADAF82

RGB 173 175 130

HSL 62.67, 0.22%, 0.6%

LAB 70.29, -8.18, 22.91

 

CMYK 0 / 6 / 26 / 31

HEX #AFA582

RGB 175 165 130

HSL 46.67, 0.22%, 0.6%

LAB 67.75, -2.06, 19.48

 

CMYK 0 / 13 / 26 / 31

HEX #AF9882

RGB 175 152 130

HSL 29.33, 0.22%, 0.6%

LAB 64.31, 5.04, 14.72

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 22 / 0 / 26 / 31

HEX #89AF82

RGB 137 175 130

HSL 110.67, 0.22%, 0.6%

LAB 67.72, -21.65, 18.98

 

CMYK 26 / 0 / 23 / 31

HEX #82AF87

RGB 130 175 135

HSL 126.67, 0.22%, 0.6%

LAB 67.39, -23.2, 15.74

 

CMYK 26 / 0 / 16 / 31

HEX #82AF93

RGB 130 175 147

HSL 142.67, 0.22%, 0.6%

LAB 67.66, -20.92, 9.53

 

CMYK 26 / 0 / 9 / 31

HEX #82AFA0

RGB 130 175 160

HSL 160, 0.22%, 0.6%

LAB 67.98, -18.25, 2.81

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 24 / 0 / 40 / 25

HEX #92BF72

RGB 146 191 114

HSL 95.06, 0.38%, 0.6%

LAB 72.62, -28.72, 34.1

 

CMYK 31 / 0 / 53 / 18

HEX #90D061

RGB 144 208 97

HSL 94.59, 0.54%, 0.6%

LAB 77.22, -39.34, 48.15

 

CMYK 37 / 0 / 64 / 12

HEX #8DE051

RGB 141 224 81

HSL 94.83, 0.7%, 0.6%

LAB 81.6, -48.76, 60.12

 

CMYK 42 / 0 / 73 / 5

HEX #8BF140

RGB 139 241 64

HSL 94.58, 0.86%, 0.6%

LAB 86.39, -57.42, 71.31

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 4 / 0 / 7 / 38

HEX #989E93

RGB 152 158 147

HSL 92.73, 0.05%, 0.6%

LAB 64.35, -4.24, 4.99

 

CMYK 6 / 13 / 0 / 36

HEX #9A8EA3

RGB 154 142 163

HSL 274.29, 0.1%, 0.6%

LAB 60.66, 8.53, -9.45

 

CMYK 13 / 31 / 0 / 29

HEX #9D7DB4

RGB 157 125 180

HSL 274.91, 0.27%, 0.6%

LAB 57.2, 22.91, -24.38

 

CMYK 19 / 44 / 0 / 23

HEX #9F6DC4

RGB 159 109 196

HSL 274.48, 0.42%, 0.6%

LAB 54.34, 36.23, -37.97

 

CMYK 1 / 0 / 26 / 31

HEX #ADAF82

RGB 173 175 130

HSL 62.67, 0.22%, 0.6%

LAB 70.29, -8.18, 22.91

 

CMYK 8 / 0 / 26 / 31

HEX #A1AF82

RGB 161 175 130

HSL 78.67, 0.22%, 0.6%

LAB 69.36, -12.8, 21.5

 

CMYK 14 / 0 / 26 / 31

HEX #96AF82

RGB 150 175 130

HSL 93.33, 0.22%, 0.6%

LAB 68.57, -16.94, 20.3

 

CMYK 21 / 0 / 26 / 31

HEX #8AAF82

RGB 138 175 130

HSL 109.33, 0.22%, 0.6%

LAB 67.78, -21.29, 19.08

 

CMYK 26 / 0 / 23 / 31

HEX #82AF87

RGB 130 175 135

HSL 126.67, 0.22%, 0.6%

LAB 67.39, -23.2, 15.74

 

CMYK 21 / 0 / 36 / 47

HEX #6B8857

RGB 107 136 87

HSL 95.51, 0.22%, 0.44%

LAB 53.41, -19.76, 23.05

 

CMYK 19 / 0 / 34 / 38

HEX #809F69

RGB 128 159 105

HSL 94.44, 0.22%, 0.52%

LAB 62, -20.85, 24.77

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 11 / 0 / 19 / 25

HEX #AABF9B

RGB 170 191 155

HSL 95, 0.22%, 0.68%

LAB 74.93, -13.79, 15.8

 

CMYK 7 / 0 / 13 / 19

HEX #C0CFB4

RGB 192 207 180

HSL 93.33, 0.22%, 0.76%

LAB 81.36, -9.97, 11.7

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 26 / 0 / 6 / 31

HEX #82AFA4

RGB 130 175 164

HSL 165.33, 0.22%, 0.6%

LAB 68.08, -17.38, 0.75

 

CMYK 0 / 26 / 5 / 31

HEX #AF82A7

RGB 175 130 167

HSL 310.67, 0.22%, 0.6%

LAB 59.77, 23.53, -12.86

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 26 / 14 / 0 / 31

HEX #8296AF

RGB 130 150 175

HSL 213.33, 0.22%, 0.6%

LAB 61.35, -1.33, -15.4

 

CMYK 0 / 26 / 14 / 31

HEX #AF8296

RGB 175 130 150

HSL 333.33, 0.22%, 0.6%

LAB 59.23, 20.51, -3.92

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 26 / 0 / 6 / 31

HEX #82AFA4

RGB 130 175 164

HSL 165.33, 0.22%, 0.6%

LAB 68.08, -17.38, 0.75

 

CMYK 11 / 26 / 0 / 31

HEX #9B82AF

RGB 155 130 175

HSL 273.33, 0.22%, 0.6%

LAB 58.06, 18.28, -20.21

 

CMYK 0 / 26 / 19 / 31

HEX #AF828D

RGB 175 130 141

HSL 345.33, 0.22%, 0.6%

LAB 58.98, 19.02, 0.88

 

CMYK 15 / 0 / 26 / 31

HEX #95AF82

RGB 149 175 130

HSL 94.67, 0.22%, 0.6%

LAB 68.51, -17.31, 20.19

 

CMYK 26 / 2 / 0 / 31

HEX #82ACAF

RGB 130 172 175

HSL 184, 0.22%, 0.6%

LAB 67.54, -13.34, -6.15

 

CMYK 11 / 26 / 0 / 31

HEX #9B82AF

RGB 155 130 175

HSL 273.33, 0.22%, 0.6%

LAB 58.06, 18.28, -20.21

 

CMYK 0 / 24 / 26 / 31

HEX #AF8582

RGB 175 133 130

HSL 4, 0.22%, 0.6%

LAB 59.43, 15.64, 7.85

 

Description

Color code: HEX #95AF82 | qconv.com Color code: HEX #95AF82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 175 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 175 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 26% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Главная - Фотостудия...
Link: http://www.color-of-life.com.ua

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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