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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95A2C4 it is the complementary color #6A5D3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95A2C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95A2C4 shade: #9AA2BF, #ABB4D2, #BCC6E5, #CDD8F8 and #DEEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95A2C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95A2C4 shade: #95A2C4, #8490B1, #737E9E, #626C8B and #515A78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95A2C4 shade: #96A3C4, #9696C4, #A296C4, #AE96C4 and #BB96C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95A2C4 shade: #96A3C4, #9696C4 and #9696C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95A2C4 shade matches the following richer shades: #96A3C4, #899DD1, #7C97DE, #6E91EB and #618BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95A2C4 shade: #96A3C4, #A3A9B7, #B0AEA9, #BEB49C and #CBBA8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95A2C4 shade: #96BBC4, #96AFC4, #96A3C4, #9697C4 and #A196C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95A2C4 shade: #6174A6, #7C8BB5, #96A3C4, #B0BAD3 and #CBD1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95A2C4 shade: #95A2C4, #C096C4 and #B5C496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95A2C4 shade: #95A2C4, #C496A3 and #A3C496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95A2C4 shade: #95A2C4, #C096C4, #C4B796 and #9AC496

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95A2C4 shade: #95A2C4, #C496BA, #C4B796 and #96C4A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

Complementary color

CMYK 0 / 12 / 44 / 58

HEX #6A5D3B

RGB 106 93 59

HSL 43.4, 0.28%, 0.32%

LAB 39.93, -0.04, 21.44

 

CMYK 19 / 15 / 0 / 25

HEX #9AA2BF

RGB 154 162 191

HSL 227.03, 0.22%, 0.68%

LAB 66.88, 3.35, -15.85

 

CMYK 19 / 14 / 0 / 18

HEX #ABB4D2

RGB 171 180 210

HSL 226.15, 0.3%, 0.75%

LAB 73.52, 3.13, -16.18

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E5

RGB 188 198 229

HSL 225.37, 0.44%, 0.82%

LAB 80.03, 2.92, -16.52

 

CMYK 17 / 13 / 0 / 3

HEX #CDD8F8

RGB 205 216 248

HSL 224.65, 0.75%, 0.89%

LAB 86.44, 2.72, -16.87

 

CMYK 13 / 8 / 0 / 0

HEX #DEEAFF

RGB 222 234 255

HSL 218.18, 1%, 0.94%

LAB 92.4, 0.09, -11.5

 

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

CMYK 25 / 19 / 0 / 31

HEX #8490B1

RGB 132 144 177

HSL 224, 0.22%, 0.61%

LAB 59.91, 3.19, -18.71

 

CMYK 27 / 20 / 0 / 38

HEX #737E9E

RGB 115 126 158

HSL 224.65, 0.18%, 0.54%

LAB 52.99, 3.48, -18.47

 

CMYK 29 / 22 / 0 / 45

HEX #626C8B

RGB 98 108 139

HSL 225.37, 0.17%, 0.46%

LAB 45.89, 3.8, -18.27

 

CMYK 33 / 25 / 0 / 53

HEX #515A78

RGB 81 90 120

HSL 226.15, 0.19%, 0.39%

LAB 38.58, 4.19, -18.1

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 23 / 23 / 0 / 23

HEX #9696C4

RGB 150 150 196

HSL 240, 0.28%, 0.68%

LAB 63.58, 10.01, -23.7

 

CMYK 17 / 23 / 0 / 23

HEX #A296C4

RGB 162 150 196

HSL 255.65, 0.28%, 0.68%

LAB 64.55, 13.81, -22.13

 

CMYK 11 / 23 / 0 / 23

HEX #AE96C4

RGB 174 150 196

HSL 271.3, 0.28%, 0.68%

LAB 65.59, 17.71, -20.44

 

CMYK 5 / 23 / 0 / 23

HEX #BB96C4

RGB 187 150 196

HSL 288.26, 0.28%, 0.68%

LAB 66.8, 22.02, -18.5

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 23 / 23 / 0 / 23

HEX #9696C4

RGB 150 150 196

HSL 240, 0.28%, 0.68%

LAB 63.58, 10.01, -23.7

 

CMYK 23 / 23 / 0 / 23

HEX #9696C4

RGB 150 150 196

HSL 240, 0.28%, 0.68%

LAB 63.58, 10.01, -23.7

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 34 / 25 / 0 / 18

HEX #899DD1

RGB 137 157 209

HSL 223.33, 0.44%, 0.68%

LAB 64.99, 5.43, -28.85

 

CMYK 44 / 32 / 0 / 13

HEX #7C97DE

RGB 124 151 222

HSL 223.47, 0.6%, 0.68%

LAB 63.09, 8.97, -39.09

 

CMYK 53 / 38 / 0 / 8

HEX #6E91EB

RGB 110 145 235

HSL 223.2, 0.76%, 0.68%

LAB 61.28, 13.11, -49.2

 

CMYK 61 / 44 / 0 / 2

HEX #618BF9

RGB 97 139 249

HSL 223.42, 0.93%, 0.68%

LAB 59.75, 18.63, -59.39

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 11 / 8 / 0 / 28

HEX #A3A9B7

RGB 163 169 183

HSL 222, 0.12%, 0.68%

LAB 69.17, 0.71, -7.91

 

CMYK 0 / 1 / 4 / 31

HEX #B0AEA9

RGB 176 174 169

HSL 42.86, 0.04%, 0.68%

LAB 71.12, -0.21, 2.8

 

CMYK 0 / 5 / 18 / 25

HEX #BEB49C

RGB 190 180 156

HSL 42.35, 0.21%, 0.68%

LAB 73.54, -0.46, 13.52

 

CMYK 0 / 8 / 30 / 20

HEX #CBBA8F

RGB 203 186 143

HSL 43, 0.37%, 0.68%

LAB 75.94, -0.52, 24.03

 

CMYK 23 / 5 / 0 / 23

HEX #96BBC4

RGB 150 187 196

HSL 191.74, 0.28%, 0.68%

LAB 73.55, -10.34, -8.63

 

CMYK 23 / 11 / 0 / 23

HEX #96AFC4

RGB 150 175 196

HSL 207.39, 0.28%, 0.68%

LAB 70.27, -3.91, -13.55

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 23 / 23 / 0 / 23

HEX #9697C4

RGB 150 151 196

HSL 238.7, 0.28%, 0.68%

LAB 63.84, 9.44, -23.3

 

CMYK 18 / 23 / 0 / 23

HEX #A196C4

RGB 161 150 196

HSL 254.35, 0.28%, 0.68%

LAB 64.46, 13.48, -22.26

 

CMYK 42 / 30 / 0 / 35

HEX #6174A6

RGB 97 116 166

HSL 223.48, 0.28%, 0.52%

LAB 49.23, 6.26, -29.02

 

CMYK 31 / 23 / 0 / 29

HEX #7C8BB5

RGB 124 139 181

HSL 224.21, 0.28%, 0.6%

LAB 58.12, 4.62, -23.77

 

CMYK 23 / 17 / 0 / 23

HEX #96A3C4

RGB 150 163 196

HSL 223.04, 0.28%, 0.68%

LAB 67.02, 2.69, -18.44

 

CMYK 17 / 12 / 0 / 17

HEX #B0BAD3

RGB 176 186 211

HSL 222.86, 0.28%, 0.76%

LAB 75.48, 1.68, -13.73

 

CMYK 10 / 7 / 0 / 12

HEX #CBD1E1

RGB 203 209 225

HSL 223.64, 0.27%, 0.84%

LAB 83.83, 1.05, -8.6

 

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

CMYK 2 / 23 / 0 / 23

HEX #C096C4

RGB 192 150 196

HSL 294.78, 0.28%, 0.68%

LAB 67.28, 23.7, -17.72

 

CMYK 8 / 0 / 23 / 23

HEX #B5C496

RGB 181 196 150

HSL 79.57, 0.28%, 0.68%

LAB 76.98, -13.12, 21.43

 

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

CMYK 0 / 23 / 17 / 23

HEX #C496A3

RGB 196 150 163

HSL 343.04, 0.28%, 0.68%

LAB 66.67, 19.25, -0.13

 

CMYK 17 / 0 / 23 / 23

HEX #A3C496

RGB 163 196 150

HSL 103.04, 0.28%, 0.68%

LAB 75.74, -19.66, 19.53

 

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

CMYK 2 / 23 / 0 / 23

HEX #C096C4

RGB 192 150 196

HSL 294.78, 0.28%, 0.68%

LAB 67.28, 23.7, -17.72

 

CMYK 0 / 7 / 23 / 23

HEX #C4B796

RGB 196 183 150

HSL 43.04, 0.28%, 0.68%

LAB 74.7, -0.67, 18.47

 

CMYK 21 / 0 / 23 / 23

HEX #9AC496

RGB 154 196 150

HSL 114.78, 0.28%, 0.68%

LAB 75.17, -22.8, 18.65

 

CMYK 24 / 17 / 0 / 23

HEX #95A2C4

RGB 149 162 196

HSL 223.4, 0.28%, 0.68%

LAB 66.68, 2.93, -18.96

 

CMYK 0 / 23 / 5 / 23

HEX #C496BA

RGB 196 150 186

HSL 313.04, 0.28%, 0.68%

LAB 67.35, 23.19, -12

 

CMYK 0 / 7 / 23 / 23

HEX #C4B796

RGB 196 183 150

HSL 43.04, 0.28%, 0.68%

LAB 74.7, -0.67, 18.47

 

CMYK 23 / 0 / 18 / 23

HEX #96C4A0

RGB 150 196 160

HSL 133.04, 0.28%, 0.68%

LAB 75.14, -22.38, 13.21

 

Description

Color code: HEX #95A2C4 | qconv.com Color code: HEX #95A2C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 162 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 162 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 17 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 17% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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