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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957082 it is the complementary color #6A8F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957082 shade: #9A707D, #AB8290, #BC94A3, #CDA6B6 and #DEB8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957082 shade: #957082, #845E6F, #734C5C, #623A49 and #512836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957082 shade: #946F81, #946F77 and #946F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957082 shade: #946F81, #946F8B, #936F94, #896F94 and #7F6F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957082 shade matches the following richer shades: #946F81, #A95B80, #BD4680, #D1327F and #E51E7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957082 shade: #946F81, #808382, #6C9782, #58AB83 and #43C083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957082 shade: #936F94, #946F8C, #946F82, #946F78 and #94706F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957082 shade: #664B58, #7D5D6C, #946F81, #A68796 and #B79EAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957082 shade: #957082, #94896F and #6F9194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957082 shade: #957082, #82946F and #6F8294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957082 shade: #957082, #94896F, #6F9482 and #6F7A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957082 shade: #957082, #94946F, #6F9482 and #6F6F94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

Complementary color

CMYK 26 / 0 / 13 / 44

HEX #6A8F7D

RGB 106 143 125

HSL 150.81, 0.15%, 0.49%

LAB 56.28, -16.81, 5.43

 

CMYK 0 / 27 / 19 / 40

HEX #9A707D

RGB 154 112 125

HSL 341.43, 0.17%, 0.52%

LAB 51.77, 18.67, -0.6

 

CMYK 0 / 24 / 16 / 33

HEX #AB8290

RGB 171 130 144

HSL 339.51, 0.2%, 0.59%

LAB 58.64, 18.01, -1.39

 

CMYK 0 / 21 / 13 / 26

HEX #BC94A3

RGB 188 148 163

HSL 337.5, 0.23%, 0.66%

LAB 65.37, 17.42, -2.12

 

CMYK 0 / 19 / 11 / 20

HEX #CDA6B6

RGB 205 166 182

HSL 335.38, 0.28%, 0.73%

LAB 71.98, 16.88, -2.8

 

CMYK 0 / 17 / 9 / 13

HEX #DEB8C9

RGB 222 184 201

HSL 333.16, 0.37%, 0.8%

LAB 78.48, 16.4, -3.45

 

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

CMYK 0 / 29 / 16 / 48

HEX #845E6F

RGB 132 94 111

HSL 333.16, 0.17%, 0.44%

LAB 44.32, 18.3, -3.46

 

CMYK 0 / 34 / 20 / 55

HEX #734C5C

RGB 115 76 92

HSL 335.38, 0.2%, 0.37%

LAB 37.09, 19.08, -2.63

 

CMYK 0 / 41 / 26 / 62

HEX #623A49

RGB 98 58 73

HSL 337.5, 0.26%, 0.31%

LAB 29.67, 19.97, -1.65

 

CMYK 0 / 51 / 33 / 68

HEX #512836

RGB 81 40 54

HSL 339.51, 0.34%, 0.24%

LAB 22.06, 20.98, -0.4

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 0 / 25 / 20 / 42

HEX #946F77

RGB 148 111 119

HSL 347.03, 0.15%, 0.51%

LAB 50.68, 15.93, 1.28

 

CMYK 0 / 25 / 25 / 42

HEX #946F6F

RGB 148 111 111

HSL 0, 0.15%, 0.51%

LAB 50.47, 14.65, 5.7

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 0 / 25 / 6 / 42

HEX #946F8B

RGB 148 111 139

HSL 314.59, 0.15%, 0.51%

LAB 51.3, 19.48, -9.63

 

CMYK 1 / 25 / 0 / 42

HEX #936F94

RGB 147 111 148

HSL 298.38, 0.15%, 0.51%

LAB 51.51, 20.88, -14.62

 

CMYK 7 / 25 / 0 / 42

HEX #896F94

RGB 137 111 148

HSL 282.16, 0.15%, 0.51%

LAB 50.48, 17.36, -16.27

 

CMYK 14 / 25 / 0 / 42

HEX #7F6F94

RGB 127 111 148

HSL 265.95, 0.15%, 0.51%

LAB 49.52, 13.9, -17.83

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 0 / 46 / 24 / 34

HEX #A95B80

RGB 169 91 128

HSL 331.54, 0.31%, 0.51%

LAB 48.85, 36.48, -6.48

 

CMYK 0 / 63 / 32 / 26

HEX #BD4680

RGB 189 70 128

HSL 330.76, 0.47%, 0.51%

LAB 47.95, 53.32, -7.5

 

CMYK 0 / 76 / 39 / 18

HEX #D1327F

RGB 209 50 127

HSL 330.94, 0.63%, 0.51%

LAB 48.72, 66.18, -5.38

 

CMYK 0 / 87 / 45 / 10

HEX #E51E7F

RGB 229 30 127

HSL 330.75, 0.79%, 0.51%

LAB 50.83, 75.75, -1.86

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 2 / 0 / 1 / 49

HEX #808382

RGB 128 131 130

HSL 160, 0.01%, 0.51%

LAB 54.48, -1.31, 0.14

 

CMYK 28 / 0 / 14 / 41

HEX #6C9782

RGB 108 151 130

HSL 150.7, 0.17%, 0.51%

LAB 58.91, -19.29, 6.37

 

CMYK 49 / 0 / 23 / 33

HEX #58AB83

RGB 88 171 131

HSL 151.08, 0.33%, 0.51%

LAB 64.03, -34.81, 12.93

 

CMYK 65 / 0 / 32 / 25

HEX #43C083

RGB 67 192 131

HSL 150.72, 0.5%, 0.51%

LAB 69.85, -48.56, 20.88

 

CMYK 1 / 25 / 0 / 42

HEX #936F94

RGB 147 111 148

HSL 298.38, 0.15%, 0.51%

LAB 51.51, 20.88, -14.62

 

CMYK 0 / 25 / 5 / 42

HEX #946F8C

RGB 148 111 140

HSL 312.97, 0.15%, 0.51%

LAB 51.33, 19.67, -10.16

 

CMYK 0 / 25 / 12 / 42

HEX #946F82

RGB 148 111 130

HSL 329.19, 0.15%, 0.51%

LAB 51.01, 17.82, -4.75

 

CMYK 0 / 25 / 19 / 42

HEX #946F78

RGB 148 111 120

HSL 345.41, 0.15%, 0.51%

LAB 50.71, 16.09, 0.73

 

CMYK 0 / 24 / 25 / 42

HEX #94706F

RGB 148 112 111

HSL 1.62, 0.15%, 0.51%

LAB 50.72, 14.07, 6.07

 

CMYK 0 / 26 / 14 / 60

HEX #664B58

RGB 102 75 88

HSL 331.11, 0.15%, 0.35%

LAB 35.13, 13.74, -3.19

 

CMYK 0 / 26 / 14 / 51

HEX #7D5D6C

RGB 125 93 108

HSL 331.88, 0.15%, 0.43%

LAB 43.17, 15.63, -3.42

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 0 / 19 / 10 / 35

HEX #A68796

RGB 166 135 150

HSL 330.97, 0.15%, 0.59%

LAB 59.56, 14.35, -3.54

 

CMYK 0 / 14 / 7 / 28

HEX #B79EAA

RGB 183 158 170

HSL 331.2, 0.15%, 0.67%

LAB 67.59, 11.26, -2.83

 

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

CMYK 0 / 7 / 25 / 42

HEX #94896F

RGB 148 137 111

HSL 42.16, 0.15%, 0.51%

LAB 57.4, -0.23, 15.46

 

CMYK 25 / 2 / 0 / 42

HEX #6F9194

RGB 111 145 148

HSL 184.86, 0.15%, 0.51%

LAB 57.82, -11.06, -5.47

 

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

CMYK 12 / 0 / 25 / 42

HEX #82946F

RGB 130 148 111

HSL 89.19, 0.15%, 0.51%

LAB 59.04, -13.4, 17.48

 

CMYK 25 / 12 / 0 / 42

HEX #6F8294

RGB 111 130 148

HSL 209.19, 0.15%, 0.51%

LAB 53.47, -2.64, -11.95

 

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

CMYK 0 / 7 / 25 / 42

HEX #94896F

RGB 148 137 111

HSL 42.16, 0.15%, 0.51%

LAB 57.4, -0.23, 15.46

 

CMYK 25 / 0 / 12 / 42

HEX #6F9482

RGB 111 148 130

HSL 150.81, 0.15%, 0.51%

LAB 58.2, -16.72, 5.37

 

CMYK 25 / 18 / 0 / 42

HEX #6F7A94

RGB 111 122 148

HSL 222.16, 0.15%, 0.51%

LAB 51.19, 2.01, -15.4

 

CMYK 0 / 25 / 13 / 42

HEX #957082

RGB 149 112 130

HSL 330.81, 0.15%, 0.51%

LAB 51.37, 17.62, -4.2

 

CMYK 0 / 0 / 25 / 42

HEX #94946F

RGB 148 148 111

HSL 60, 0.15%, 0.51%

LAB 60.45, -6.31, 19.63

 

CMYK 25 / 0 / 12 / 42

HEX #6F9482

RGB 111 148 130

HSL 150.81, 0.15%, 0.51%

LAB 58.2, -16.72, 5.37

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

Description

Color code: HEX #957082 | qconv.com Color code: HEX #957082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 112 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 112 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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