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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956364 it is the complementary color #6A9C9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956364 shade: #9A635F, #AB7572, #BC8785, #CD9998 and #DEABAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956364 shade: #956364, #845151, #733F3E, #622D2B and #511B18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956364 shade: #956364 and #956363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956364 shade: #956364, #956372, #95637F, #95638D and #916395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956364 shade matches the following richer shades: #956364, #AA4F51, #BE3B3E, #D2272A and #E61317

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956364 shade: #956364, #817878, #6D8C8B, #59A09F and #45B4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956364 shade: #956380, #956372, #956365, #956F63 and #957C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956364 shade: #644243, #7D5354, #956364, #A77B7C and #B79495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956364 shade: #956364, #8D9563 and #637995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956364 shade: #956364, #659563 and #636595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956364 shade: #956364, #8D9563, #639594 and #6C6395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956364 shade: #956364, #7E9563, #639594 and #7B6395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

Complementary color

CMYK 32 / 0 / 1 / 39

HEX #6A9C9B

RGB 106 156 155

HSL 178.8, 0.2%, 0.51%

LAB 60.96, -16.82, -4.82

 

CMYK 0 / 36 / 38 / 40

HEX #9A635F

RGB 154 99 95

HSL 4.07, 0.24%, 0.49%

LAB 47.78, 21.77, 11.51

 

CMYK 0 / 32 / 33 / 33

HEX #AB7572

RGB 171 117 114

HSL 3.16, 0.25%, 0.56%

LAB 54.65, 20.84, 10.25

 

CMYK 0 / 28 / 29 / 26

HEX #BC8785

RGB 188 135 133

HSL 2.18, 0.29%, 0.63%

LAB 61.41, 20.02, 9.14

 

CMYK 0 / 25 / 26 / 20

HEX #CD9998

RGB 205 153 152

HSL 1.13, 0.35%, 0.7%

LAB 68.04, 19.3, 8.13

 

CMYK 0 / 23 / 23 / 13

HEX #DEABAB

RGB 222 171 171

HSL 0, 0.44%, 0.77%

LAB 74.57, 18.65, 7.21

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 39 / 39 / 48

HEX #845151

RGB 132 81 81

HSL 0, 0.24%, 0.42%

LAB 40.22, 21.37, 9.02

 

CMYK 0 / 45 / 46 / 55

HEX #733F3E

RGB 115 63 62

HSL 1.13, 0.3%, 0.35%

LAB 33.02, 22.49, 10.58

 

CMYK 0 / 54 / 56 / 62

HEX #622D2B

RGB 98 45 43

HSL 2.18, 0.39%, 0.28%

LAB 25.71, 23.76, 12.56

 

CMYK 0 / 67 / 70 / 68

HEX #511B18

RGB 81 27 24

HSL 3.16, 0.54%, 0.21%

LAB 18.36, 25.08, 15.27

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 34 / 23 / 42

HEX #956372

RGB 149 99 114

HSL 342, 0.2%, 0.49%

LAB 47.66, 22.47, -0.13

 

CMYK 0 / 34 / 15 / 42

HEX #95637F

RGB 149 99 127

HSL 326.4, 0.2%, 0.49%

LAB 48.06, 24.62, -7.33

 

CMYK 0 / 34 / 5 / 42

HEX #95638D

RGB 149 99 141

HSL 309.6, 0.2%, 0.49%

LAB 48.56, 27.16, -14.94

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 54 / 52 / 33

HEX #AA4F51

RGB 170 79 81

HSL 358.68, 0.37%, 0.49%

LAB 45.27, 37.52, 16.83

 

CMYK 0 / 69 / 67 / 25

HEX #BE3B3E

RGB 190 59 62

HSL 358.63, 0.53%, 0.49%

LAB 44.83, 52.36, 28.38

 

CMYK 0 / 81 / 80 / 18

HEX #D2272A

RGB 210 39 42

HSL 358.95, 0.69%, 0.49%

LAB 46.07, 64.05, 42.31

 

CMYK 0 / 92 / 90 / 10

HEX #E61317

RGB 230 19 23

HSL 358.86, 0.85%, 0.49%

LAB 48.7, 72.62, 55.32

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 7 / 7 / 49

HEX #817878

RGB 129 120 120

HSL 0, 0.04%, 0.49%

LAB 51.22, 3.44, 1.23

 

CMYK 22 / 0 / 1 / 45

HEX #6D8C8B

RGB 109 140 139

HSL 178.06, 0.12%, 0.49%

LAB 55.96, -11.07, -3.06

 

CMYK 44 / 0 / 1 / 37

HEX #59A09F

RGB 89 160 159

HSL 179.15, 0.29%, 0.49%

LAB 61.45, -22.51, -6.45

 

CMYK 62 / 0 / 1 / 29

HEX #45B4B2

RGB 69 180 178

HSL 178.92, 0.45%, 0.49%

LAB 67.37, -31.43, -8.34

 

CMYK 0 / 34 / 14 / 42

HEX #956380

RGB 149 99 128

HSL 325.2, 0.2%, 0.49%

LAB 48.1, 24.79, -7.88

 

CMYK 0 / 34 / 23 / 42

HEX #956372

RGB 149 99 114

HSL 342, 0.2%, 0.49%

LAB 47.66, 22.47, -0.13

 

CMYK 0 / 34 / 32 / 42

HEX #956365

RGB 149 99 101

HSL 357.6, 0.2%, 0.49%

LAB 47.3, 20.54, 7.16

 

CMYK 0 / 26 / 34 / 42

HEX #956F63

RGB 149 111 99

HSL 14.4, 0.2%, 0.49%

LAB 50.29, 13.31, 12.54

 

CMYK 0 / 17 / 34 / 42

HEX #957C63

RGB 149 124 99

HSL 30, 0.2%, 0.49%

LAB 53.71, 5.83, 17.27

 

CMYK 0 / 34 / 33 / 61

HEX #644243

RGB 100 66 67

HSL 358.24, 0.2%, 0.33%

LAB 31.83, 14.91, 5.4

 

CMYK 0 / 34 / 33 / 51

HEX #7D5354

RGB 125 83 84

HSL 358.57, 0.2%, 0.41%

LAB 39.89, 17.69, 6.57

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 0 / 26 / 26 / 35

HEX #A77B7C

RGB 167 123 124

HSL 358.64, 0.2%, 0.57%

LAB 55.92, 17.27, 6.18

 

CMYK 0 / 19 / 19 / 28

HEX #B79495

RGB 183 148 149

HSL 358.29, 0.2%, 0.65%

LAB 64.5, 13.26, 4.43

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 5 / 0 / 34 / 42

HEX #8D9563

RGB 141 149 99

HSL 69.6, 0.2%, 0.49%

LAB 59.94, -11.37, 25.49

 

CMYK 34 / 19 / 0 / 42

HEX #637995

RGB 99 121 149

HSL 213.6, 0.2%, 0.49%

LAB 50.09, -0.94, -17.74

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 32 / 0 / 34 / 42

HEX #659563

RGB 101 149 99

HSL 117.6, 0.2%, 0.49%

LAB 57.23, -26.59, 21.4

 

CMYK 34 / 32 / 0 / 42

HEX #636595

RGB 99 101 149

HSL 237.6, 0.2%, 0.49%

LAB 44.42, 11.11, -26.49

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 5 / 0 / 34 / 42

HEX #8D9563

RGB 141 149 99

HSL 69.6, 0.2%, 0.49%

LAB 59.94, -11.37, 25.49

 

CMYK 34 / 0 / 1 / 42

HEX #639594

RGB 99 149 148

HSL 178.8, 0.2%, 0.49%

LAB 58.31, -16.88, -4.82

 

CMYK 28 / 34 / 0 / 42

HEX #6C6395

RGB 108 99 149

HSL 250.8, 0.2%, 0.49%

LAB 44.63, 15.13, -26.09

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 15 / 0 / 34 / 42

HEX #7E9563

RGB 126 149 99

HSL 87.6, 0.2%, 0.49%

LAB 58.82, -17.35, 23.8

 

CMYK 34 / 0 / 1 / 42

HEX #639594

RGB 99 149 148

HSL 178.8, 0.2%, 0.49%

LAB 58.31, -16.88, -4.82

 

CMYK 17 / 34 / 0 / 42

HEX #7B6395

RGB 123 99 149

HSL 268.8, 0.2%, 0.49%

LAB 46.05, 19.97, -23.79

 

Description

Color code: HEX #956364 | qconv.com Color code: HEX #956364 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 99 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 99 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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