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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955B46 it is the complementary color #6AA4B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955B46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955B46 shade: #9A5B41, #AB6D54, #BC7F67, #CD917A and #DEA38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955B46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955B46 shade: #955B46, #844933, #733720, #62250D and #511300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955B46 shade: #955B46 and #954646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955B46 shade: #955B46, #957046, #958546, #8F9546 and #799546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955B46 shade matches the following richer shades: #955B46, #A65234, #B84A22 and #CA4210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955B46 shade: #955B46, #836357, #716B69, #5F747B and #4E7C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955B46 shade: #95465C, #954647, #955946, #956E46 and #958446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955B46 shade: #5D382B, #794A38, #955B46, #AF6D55 and #BC8571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955B46 shade: #955B46, #719546 and #465295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955B46 shade: #955B46, #469559 and #594695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955B46 shade: #955B46, #719546, #468195 and #694695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955B46 shade: #955B46, #599546, #468195 and #814695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

Complementary color

CMYK 43 / 11 / 0 / 27

HEX #6AA4B9

RGB 106 164 185

HSL 195.95, 0.36%, 0.57%

LAB 64.26, -13.33, -16.76

 

CMYK 0 / 41 / 58 / 40

HEX #9A5B41

RGB 154 91 65

HSL 17.53, 0.41%, 0.43%

LAB 45.27, 23.16, 25.92

 

CMYK 0 / 36 / 51 / 33

HEX #AB6D54

RGB 171 109 84

HSL 17.24, 0.34%, 0.5%

LAB 52.1, 21.89, 24.17

 

CMYK 0 / 32 / 45 / 26

HEX #BC7F67

RGB 188 127 103

HSL 16.94, 0.39%, 0.57%

LAB 58.83, 20.78, 22.63

 

CMYK 0 / 29 / 40 / 20

HEX #CD917A

RGB 205 145 122

HSL 16.63, 0.45%, 0.64%

LAB 65.46, 19.82, 21.25

 

CMYK 0 / 27 / 36 / 13

HEX #DEA38D

RGB 222 163 141

HSL 16.3, 0.55%, 0.71%

LAB 71.99, 18.98, 20.01

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 45 / 61 / 48

HEX #844933

RGB 132 73 51

HSL 16.3, 0.44%, 0.36%

LAB 37.68, 22.86, 23.99

 

CMYK 0 / 52 / 72 / 55

HEX #733720

RGB 115 55 32

HSL 16.63, 0.56%, 0.29%

LAB 30.6, 24.47, 26.2

 

CMYK 0 / 62 / 87 / 62

HEX #62250D

RGB 98 37 13

HSL 16.94, 0.77%, 0.22%

LAB 23.5, 26.26, 28.52

 

CMYK 0 / 77 / 100 / 68

HEX #511300

RGB 81 19 0

HSL 14.07, 1%, 0.16%

LAB 16.58, 27.9, 25.2

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 53 / 53 / 42

HEX #954646

RGB 149 70 70

HSL 0, 0.36%, 0.43%

LAB 39.94, 33.18, 15.82

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 25 / 53 / 42

HEX #957046

RGB 149 112 70

HSL 31.9, 0.36%, 0.43%

LAB 50, 9.36, 28.88

 

CMYK 0 / 11 / 53 / 42

HEX #958546

RGB 149 133 70

HSL 47.85, 0.36%, 0.43%

LAB 55.69, -2.55, 35.85

 

CMYK 4 / 0 / 53 / 42

HEX #8F9546

RGB 143 149 70

HSL 64.56, 0.36%, 0.43%

LAB 59.69, -13.84, 40.46

 

CMYK 19 / 0 / 53 / 42

HEX #799546

RGB 121 149 70

HSL 81.27, 0.36%, 0.43%

LAB 58.04, -23.04, 38.11

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 51 / 69 / 35

HEX #A65234

RGB 166 82 52

HSL 15.79, 0.52%, 0.43%

LAB 44.79, 32.19, 33.16

 

CMYK 0 / 60 / 82 / 28

HEX #B84A22

RGB 184 74 34

HSL 16, 0.69%, 0.43%

LAB 45.91, 42.46, 44.63

 

CMYK 0 / 67 / 92 / 21

HEX #CA4210

RGB 202 66 16

HSL 16.13, 0.85%, 0.43%

LAB 47.61, 52.04, 54.53

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 24 / 34 / 49

HEX #836357

RGB 131 99 87

HSL 16.36, 0.2%, 0.43%

LAB 44.85, 11.12, 11.82

 

CMYK 0 / 5 / 7 / 56

HEX #716B69

RGB 113 107 105

HSL 15, 0.04%, 0.43%

LAB 45.7, 1.95, 1.95

 

CMYK 23 / 6 / 0 / 52

HEX #5F747B

RGB 95 116 123

HSL 195, 0.13%, 0.43%

LAB 47.44, -6.02, -6.42

 

CMYK 45 / 12 / 0 / 45

HEX #4E7C8D

RGB 78 124 141

HSL 196.19, 0.29%, 0.43%

LAB 49.45, -10.95, -14.14

 

CMYK 0 / 53 / 38 / 42

HEX #95465C

RGB 149 70 92

HSL 343.29, 0.36%, 0.43%

LAB 40.48, 35.57, 2.89

 

CMYK 0 / 53 / 52 / 42

HEX #954647

RGB 149 70 71

HSL 359.24, 0.36%, 0.43%

LAB 39.96, 33.28, 15.23

 

CMYK 0 / 40 / 53 / 42

HEX #955946

RGB 149 89 70

HSL 14.43, 0.36%, 0.43%

LAB 44.2, 22.63, 21.47

 

CMYK 0 / 26 / 53 / 42

HEX #956E46

RGB 149 110 70

HSL 30.38, 0.36%, 0.43%

LAB 49.48, 10.52, 28.22

 

CMYK 0 / 11 / 53 / 42

HEX #958446

RGB 149 132 70

HSL 47.09, 0.36%, 0.43%

LAB 55.42, -1.99, 35.52

 

CMYK 0 / 40 / 54 / 64

HEX #5D382B

RGB 93 56 43

HSL 15.6, 0.37%, 0.27%

LAB 27.65, 14.87, 15

 

CMYK 0 / 39 / 54 / 53

HEX #794A38

RGB 121 74 56

HSL 16.62, 0.37%, 0.35%

LAB 36.46, 17.9, 19.09

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 0 / 38 / 51 / 31

HEX #AF6D55

RGB 175 109 85

HSL 16, 0.36%, 0.51%

LAB 52.63, 23.64, 24.38

 

CMYK 0 / 29 / 40 / 26

HEX #BC8571

RGB 188 133 113

HSL 16, 0.36%, 0.59%

LAB 60.48, 18.57, 19.2

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 24 / 0 / 53 / 42

HEX #719546

RGB 113 149 70

HSL 87.34, 0.36%, 0.43%

LAB 57.51, -26.24, 37.35

 

CMYK 53 / 45 / 0 / 42

HEX #465295

RGB 70 82 149

HSL 230.89, 0.36%, 0.43%

LAB 36.94, 15.23, -38.41

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 53 / 0 / 40 / 42

HEX #469559

RGB 70 149 89

HSL 134.43, 0.36%, 0.43%

LAB 55.6, -37.97, 24.48

 

CMYK 40 / 53 / 0 / 42

HEX #594695

RGB 89 70 149

HSL 254.43, 0.36%, 0.43%

LAB 35.35, 27.64, -40.87

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 24 / 0 / 53 / 42

HEX #719546

RGB 113 149 70

HSL 87.34, 0.36%, 0.43%

LAB 57.51, -26.24, 37.35

 

CMYK 53 / 13 / 0 / 42

HEX #468195

RGB 70 129 149

HSL 195.19, 0.36%, 0.43%

LAB 50.89, -13.39, -16.67

 

CMYK 30 / 53 / 0 / 42

HEX #694695

RGB 105 70 149

HSL 266.58, 0.36%, 0.43%

LAB 37.03, 31.92, -38.09

 

CMYK 0 / 39 / 53 / 42

HEX #955B46

RGB 149 91 70

HSL 15.95, 0.36%, 0.43%

LAB 44.68, 21.49, 22.1

 

CMYK 40 / 0 / 53 / 42

HEX #599546

RGB 89 149 70

HSL 105.57, 0.36%, 0.43%

LAB 56.15, -35.07, 35.39

 

CMYK 53 / 13 / 0 / 42

HEX #468195

RGB 70 129 149

HSL 195.19, 0.36%, 0.43%

LAB 50.89, -13.39, -16.67

 

CMYK 13 / 53 / 0 / 42

HEX #814695

RGB 129 70 149

HSL 284.81, 0.36%, 0.43%

LAB 39.94, 38.73, -33.28

 

Description

Color code: HEX #955B46 | qconv.com Color code: HEX #955B46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 91 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 91 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 53 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 53% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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