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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9558AC it is the complementary color #6AA753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9558AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9558AC shade: #9A58A7, #AB6ABA, #BC7CCD, #CD8EE0 and #DEA0F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9558AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9558AC shade: #9558AC, #844699, #733486, #622273 and #511060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9558AC shade: #9557AC, #AC57AC, #AC5795, #AC577F and #AC5768

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9558AC shade: #9557AC, #7E57AC, #6757AC and #5757AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9558AC shade matches the following richer shades: #9557AC, #9E43C0, #A72FD4, #B01AE9 and #B906FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9558AC shade: #9557AC, #8C6B98, #828084, #79946F and #70A85B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9558AC shade: #6757AC, #7D57AC, #9457AC, #AB57AC and #AC5797

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9558AC shade: #663A76, #7E4892, #9557AC, #A673BA and #B88EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9558AC shade: #9558AC, #AC575E and #57AC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9558AC shade: #9558AC, #AC9457 and #57AC94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9558AC shade: #9558AC, #AC575E, #6FAC57 and #57ACA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9558AC shade: #9558AC, #AC6957, #6FAC57 and #579AAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

Complementary color

CMYK 37 / 0 / 50 / 35

HEX #6AA753

RGB 106 167 83

HSL 103.57, 0.34%, 0.49%

LAB 62.78, -35.76, 37.08

 

CMYK 8 / 47 / 0 / 35

HEX #9A58A7

RGB 154 88 167

HSL 290.13, 0.31%, 0.5%

LAB 47.8, 40.1, -31.44

 

CMYK 8 / 43 / 0 / 27

HEX #AB6ABA

RGB 171 106 186

HSL 288.75, 0.37%, 0.57%

LAB 54.57, 39.31, -31.78

 

CMYK 8 / 40 / 0 / 20

HEX #BC7CCD

RGB 188 124 205

HSL 287.41, 0.45%, 0.65%

LAB 61.23, 38.54, -32.07

 

CMYK 8 / 37 / 0 / 12

HEX #CD8EE0

RGB 205 142 224

HSL 286.1, 0.57%, 0.72%

LAB 67.8, 37.79, -32.34

 

CMYK 9 / 34 / 0 / 5

HEX #DEA0F3

RGB 222 160 243

HSL 284.82, 0.78%, 0.79%

LAB 74.28, 37.07, -32.59

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 14 / 54 / 0 / 40

HEX #844699

RGB 132 70 153

HSL 284.82, 0.37%, 0.44%

LAB 40.55, 40.46, -34.71

 

CMYK 14 / 61 / 0 / 47

HEX #733486

RGB 115 52 134

HSL 286.1, 0.44%, 0.36%

LAB 33.61, 41.12, -34.26

 

CMYK 15 / 70 / 0 / 55

HEX #622273

RGB 98 34 115

HSL 287.41, 0.54%, 0.29%

LAB 26.67, 41.43, -33.53

 

CMYK 16 / 83 / 0 / 62

HEX #511060

RGB 81 16 96

HSL 288.75, 0.71%, 0.22%

LAB 19.9, 40.85, -32.2

 

CMYK 13 / 49 / 0 / 33

HEX #9557AC

RGB 149 87 172

HSL 283.76, 0.34%, 0.51%

LAB 47.22, 40.22, -35.35

 

CMYK 0 / 49 / 0 / 33

HEX #AC57AC

RGB 172 87 172

HSL 300, 0.34%, 0.51%

LAB 50.18, 46.93, -30.5

 

CMYK 0 / 49 / 13 / 33

HEX #AC5795

RGB 172 87 149

HSL 316.24, 0.34%, 0.51%

LAB 49.2, 42.9, -18.45

 

CMYK 0 / 49 / 26 / 33

HEX #AC577F

RGB 172 87 127

HSL 331.76, 0.34%, 0.51%

LAB 48.41, 39.5, -6.49

 

CMYK 0 / 49 / 40 / 33

HEX #AC5768

RGB 172 87 104

HSL 348, 0.34%, 0.51%

LAB 47.73, 36.5, 6.39

 

CMYK 13 / 49 / 0 / 33

HEX #9557AC

RGB 149 87 172

HSL 283.76, 0.34%, 0.51%

LAB 47.22, 40.22, -35.35

 

CMYK 27 / 49 / 0 / 33

HEX #7E57AC

RGB 126 87 172

HSL 267.53, 0.34%, 0.51%

LAB 44.56, 33.65, -39.71

 

CMYK 40 / 49 / 0 / 33

HEX #6757AC

RGB 103 87 172

HSL 251.29, 0.34%, 0.51%

LAB 42.27, 27.45, -43.49

 

CMYK 49 / 49 / 0 / 33

HEX #5757AC

RGB 87 87 172

HSL 240, 0.34%, 0.51%

LAB 40.93, 23.51, -45.72

 

CMYK 13 / 49 / 0 / 33

HEX #9557AC

RGB 149 87 172

HSL 283.76, 0.34%, 0.51%

LAB 47.22, 40.22, -35.35

 

CMYK 18 / 65 / 0 / 25

HEX #9E43C0

RGB 158 67 192

HSL 283.68, 0.5%, 0.51%

LAB 45.76, 56.8, -49.28

 

CMYK 21 / 78 / 0 / 17

HEX #A72FD4

RGB 167 47 212

HSL 283.64, 0.66%, 0.51%

LAB 45.64, 70.3, -60.97

 

CMYK 24 / 89 / 0 / 9

HEX #B01AE9

RGB 176 26 233

HSL 283.48, 0.82%, 0.51%

LAB 46.78, 80.75, -71.03

 

CMYK 27 / 98 / 0 / 1

HEX #B906FD

RGB 185 6 253

HSL 283.48, 0.98%, 0.51%

LAB 48.93, 87.84, -78.71

 

CMYK 13 / 49 / 0 / 33

HEX #9557AC

RGB 149 87 172

HSL 283.76, 0.34%, 0.51%

LAB 47.22, 40.22, -35.35

 

CMYK 8 / 30 / 0 / 40

HEX #8C6B98

RGB 140 107 152

HSL 284, 0.18%, 0.51%

LAB 49.93, 21.61, -19.45

 

CMYK 2 / 3 / 0 / 48

HEX #828084

RGB 130 128 132

HSL 270, 0.02%, 0.51%

LAB 53.87, 1.55, -1.9

 

CMYK 18 / 0 / 25 / 42

HEX #79946F

RGB 121 148 111

HSL 103.78, 0.15%, 0.51%

LAB 58.41, -16.81, 16.51

 

CMYK 33 / 0 / 46 / 34

HEX #70A85B

RGB 112 168 91

HSL 103.64, 0.31%, 0.51%

LAB 63.51, -33.09, 33.97

 

CMYK 40 / 49 / 0 / 33

HEX #6757AC

RGB 103 87 172

HSL 251.29, 0.34%, 0.51%

LAB 42.27, 27.45, -43.49

 

CMYK 27 / 49 / 0 / 33

HEX #7D57AC

RGB 125 87 172

HSL 266.82, 0.34%, 0.51%

LAB 44.45, 33.37, -39.89

 

CMYK 14 / 49 / 0 / 33

HEX #9457AC

RGB 148 87 172

HSL 283.06, 0.34%, 0.51%

LAB 47.09, 39.93, -35.55

 

CMYK 1 / 49 / 0 / 33

HEX #AB57AC

RGB 171 87 172

HSL 299.29, 0.34%, 0.51%

LAB 50.04, 46.64, -30.72

 

CMYK 0 / 49 / 12 / 33

HEX #AC5797

RGB 172 87 151

HSL 314.82, 0.34%, 0.51%

LAB 49.28, 43.23, -19.51

 

CMYK 14 / 51 / 0 / 54

HEX #663A76

RGB 102 58 118

HSL 284, 0.34%, 0.35%

LAB 32.17, 30.48, -26.68

 

CMYK 14 / 51 / 0 / 43

HEX #7E4892

RGB 126 72 146

HSL 283.78, 0.34%, 0.43%

LAB 39.82, 36.08, -31.68

 

CMYK 13 / 49 / 0 / 33

HEX #9557AC

RGB 149 87 172

HSL 283.76, 0.34%, 0.51%

LAB 47.22, 40.22, -35.35

 

CMYK 11 / 38 / 0 / 27

HEX #A673BA

RGB 166 115 186

HSL 283.1, 0.34%, 0.59%

LAB 56, 32.78, -29.59

 

CMYK 8 / 29 / 0 / 22

HEX #B88EC7

RGB 184 142 199

HSL 284.21, 0.34%, 0.67%

LAB 64.69, 26.1, -23.41

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 0 / 49 / 45 / 33

HEX #AC575E

RGB 172 87 94

HSL 355.06, 0.34%, 0.51%

LAB 47.49, 35.38, 12.08

 

CMYK 49 / 0 / 34 / 33

HEX #57AC72

RGB 87 172 114

HSL 139.06, 0.34%, 0.51%

LAB 63.95, -38.94, 22.12

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 0 / 14 / 49 / 33

HEX #AC9457

RGB 172 148 87

HSL 43.06, 0.34%, 0.51%

LAB 62.2, 0.78, 35.38

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 0 / 49 / 45 / 33

HEX #AC575E

RGB 172 87 94

HSL 355.06, 0.34%, 0.51%

LAB 47.49, 35.38, 12.08

 

CMYK 35 / 0 / 49 / 33

HEX #6FAC57

RGB 111 172 87

HSL 103.06, 0.34%, 0.51%

LAB 64.62, -35.8, 37.38

 

CMYK 49 / 0 / 4 / 33

HEX #57ACA5

RGB 87 172 165

HSL 175.06, 0.34%, 0.51%

LAB 65.16, -27.45, -4.34

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 0 / 39 / 49 / 33

HEX #AC6957

RGB 172 105 87

HSL 12.71, 0.34%, 0.51%

LAB 51.34, 24.83, 21.45

 

CMYK 35 / 0 / 49 / 33

HEX #6FAC57

RGB 111 172 87

HSL 103.06, 0.34%, 0.51%

LAB 64.62, -35.8, 37.38

 

CMYK 49 / 10 / 0 / 33

HEX #579AAC

RGB 87 154 172

HSL 192.71, 0.34%, 0.51%

LAB 59.99, -16.29, -15.99

 

Description

Color code: HEX #9558AC | qconv.com Color code: HEX #9558AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 88 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 88 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 49 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 49% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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