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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9548B5 it is the complementary color #6AB74A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9548B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9548B5 shade: #9A48B0, #AB5AC3, #BC6CD6, #CD7EE9 and #DE90FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9548B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9548B5 shade: #9548B5, #8436A2, #73248F, #62127C and #510069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9548B5 shade: #9648B6, #B348B6, #B6489B, #B6487D and #B64860

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9548B5 shade: #9648B6, #7848B6, #5B48B6 and #4848B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9548B5 shade matches the following richer shades: #9648B6, #9E34CA, #A71FDF and #AF0AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9548B5 shade: #9648B6, #8D5DA1, #85718D, #7C8678 and #749B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9548B5 shade: #5A48B6, #7848B6, #9548B6, #B248B6 and #B6489C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9548B5 shade: #65317B, #7D3C98, #9648B6, #A766C2 and #B883CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9548B5 shade: #9548B5, #B64853 and #48B669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9548B5 shade: #9548B5, #B69548 and #48B695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9548B5 shade: #9548B5, #B64853, #69B648 and #48B6AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9548B5 shade: #9548B5, #B65E48, #69B648 and #48A0B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

Complementary color

CMYK 42 / 0 / 60 / 28

HEX #6AB74A

RGB 106 183 74

HSL 102.39, 0.43%, 0.5%

LAB 67.6, -43.8, 47.1

 

CMYK 13 / 59 / 0 / 31

HEX #9A48B0

RGB 154 72 176

HSL 287.31, 0.42%, 0.49%

LAB 45.14, 50.21, -40.94

 

CMYK 12 / 54 / 0 / 24

HEX #AB5AC3

RGB 171 90 195

HSL 286.29, 0.47%, 0.56%

LAB 51.74, 49.6, -41.4

 

CMYK 12 / 50 / 0 / 16

HEX #BC6CD6

RGB 188 108 214

HSL 285.28, 0.56%, 0.63%

LAB 58.29, 48.88, -41.74

 

CMYK 12 / 46 / 0 / 9

HEX #CD7EE9

RGB 205 126 233

HSL 284.3, 0.71%, 0.7%

LAB 64.79, 48.12, -42.01

 

CMYK 12 / 43 / 0 / 1

HEX #DE90FC

RGB 222 144 252

HSL 283.33, 0.95%, 0.78%

LAB 71.22, 47.35, -42.24

 

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

CMYK 19 / 67 / 0 / 36

HEX #8436A2

RGB 132 54 162

HSL 283.33, 0.5%, 0.42%

LAB 38.11, 50.42, -44

 

CMYK 20 / 75 / 0 / 44

HEX #73248F

RGB 115 36 143

HSL 284.3, 0.6%, 0.35%

LAB 31.55, 50.37, -43.11

 

CMYK 21 / 85 / 0 / 51

HEX #62127C

RGB 98 18 124

HSL 285.28, 0.75%, 0.28%

LAB 25.21, 49.34, -41.61

 

CMYK 23 / 100 / 0 / 59

HEX #510069

RGB 81 0 105

HSL 286.29, 1%, 0.21%

LAB 19.1, 47.18, -39.43

 

CMYK 18 / 60 / 0 / 29

HEX #9648B6

RGB 150 72 182

HSL 282.55, 0.43%, 0.5%

LAB 44.94, 50.44, -44.82

 

CMYK 2 / 60 / 0 / 29

HEX #B348B6

RGB 179 72 182

HSL 298.36, 0.43%, 0.5%

LAB 49, 57.78, -38.11

 

CMYK 0 / 60 / 15 / 29

HEX #B6489B

RGB 182 72 155

HSL 314.73, 0.43%, 0.5%

LAB 48.19, 54.11, -23.44

 

CMYK 0 / 60 / 31 / 29

HEX #B6487D

RGB 182 72 125

HSL 331.09, 0.43%, 0.5%

LAB 47.05, 49.9, -7.15

 

CMYK 0 / 60 / 47 / 29

HEX #B64860

RGB 182 72 96

HSL 346.91, 0.43%, 0.5%

LAB 46.21, 46.65, 9.3

 

CMYK 18 / 60 / 0 / 29

HEX #9648B6

RGB 150 72 182

HSL 282.55, 0.43%, 0.5%

LAB 44.94, 50.44, -44.82

 

CMYK 34 / 60 / 0 / 29

HEX #7848B6

RGB 120 72 182

HSL 266.18, 0.43%, 0.5%

LAB 41.22, 43.14, -50.97

 

CMYK 50 / 60 / 0 / 29

HEX #5B48B6

RGB 91 72 182

HSL 250.36, 0.43%, 0.5%

LAB 38.26, 36.76, -55.9

 

CMYK 60 / 60 / 0 / 29

HEX #4848B6

RGB 72 72 182

HSL 240, 0.43%, 0.5%

LAB 36.72, 33.19, -58.47

 

CMYK 18 / 60 / 0 / 29

HEX #9648B6

RGB 150 72 182

HSL 282.55, 0.43%, 0.5%

LAB 44.94, 50.44, -44.82

 

CMYK 22 / 74 / 0 / 21

HEX #9E34CA

RGB 158 52 202

HSL 282.4, 0.59%, 0.5%

LAB 44.22, 64.97, -57.56

 

CMYK 25 / 86 / 0 / 13

HEX #A71FDF

RGB 167 31 223

HSL 282.5, 0.76%, 0.5%

LAB 44.97, 76.65, -68.34

 

CMYK 28 / 96 / 0 / 4

HEX #AF0AF4

RGB 175 10 244

HSL 282.31, 0.92%, 0.5%

LAB 46.79, 84.68, -77.22

 

CMYK 18 / 60 / 0 / 29

HEX #9648B6

RGB 150 72 182

HSL 282.55, 0.43%, 0.5%

LAB 44.94, 50.44, -44.82

 

CMYK 12 / 42 / 0 / 37

HEX #8D5DA1

RGB 141 93 161

HSL 282.35, 0.27%, 0.5%

LAB 47.06, 32.05, -29.18

 

CMYK 6 / 20 / 0 / 45

HEX #85718D

RGB 133 113 141

HSL 282.86, 0.11%, 0.5%

LAB 50.36, 13.27, -12.38

 

CMYK 7 / 0 / 10 / 47

HEX #7C8678

RGB 124 134 120

HSL 102.86, 0.06%, 0.5%

LAB 54.75, -6.45, 6.28

 

CMYK 25 / 0 / 36 / 39

HEX #749B63

RGB 116 155 99

HSL 101.79, 0.22%, 0.5%

LAB 59.94, -24.21, 25.16

 

CMYK 51 / 60 / 0 / 29

HEX #5A48B6

RGB 90 72 182

HSL 249.82, 0.43%, 0.5%

LAB 38.17, 36.56, -56.05

 

CMYK 34 / 60 / 0 / 29

HEX #7848B6

RGB 120 72 182

HSL 266.18, 0.43%, 0.5%

LAB 41.22, 43.14, -50.97

 

CMYK 18 / 60 / 0 / 29

HEX #9548B6

RGB 149 72 182

HSL 282, 0.43%, 0.5%

LAB 44.8, 50.19, -45.04

 

CMYK 2 / 60 / 0 / 29

HEX #B248B6

RGB 178 72 182

HSL 297.82, 0.43%, 0.5%

LAB 48.86, 57.52, -38.35

 

CMYK 0 / 60 / 14 / 29

HEX #B6489C

RGB 182 72 156

HSL 314.18, 0.43%, 0.5%

LAB 48.23, 54.26, -23.96

 

CMYK 18 / 60 / 0 / 52

HEX #65317B

RGB 101 49 123

HSL 282.16, 0.43%, 0.34%

LAB 30.38, 36.43, -32.65

 

CMYK 18 / 61 / 0 / 40

HEX #7D3C98

RGB 125 60 152

HSL 282.39, 0.43%, 0.42%

LAB 37.59, 43.6, -38.87

 

CMYK 18 / 60 / 0 / 29

HEX #9648B6

RGB 150 72 182

HSL 282.55, 0.43%, 0.5%

LAB 44.94, 50.44, -44.82

 

CMYK 14 / 47 / 0 / 24

HEX #A766C2

RGB 167 102 194

HSL 282.39, 0.43%, 0.58%

LAB 53.61, 41.97, -37.9

 

CMYK 10 / 36 / 0 / 20

HEX #B883CD

RGB 184 131 205

HSL 282.97, 0.43%, 0.66%

LAB 62.36, 33.46, -30.35

 

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

CMYK 0 / 60 / 54 / 29

HEX #B64853

RGB 182 72 83

HSL 354, 0.43%, 0.5%

LAB 45.91, 45.48, 16.82

 

CMYK 60 / 0 / 42 / 29

HEX #48B669

RGB 72 182 105

HSL 138, 0.43%, 0.5%

LAB 66.41, -48.44, 30.07

 

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

CMYK 0 / 18 / 60 / 29

HEX #B69548

RGB 182 149 72

HSL 42, 0.43%, 0.5%

LAB 63.27, 3.28, 44.53

 

CMYK 60 / 0 / 18 / 29

HEX #48B695

RGB 72 182 149

HSL 162, 0.43%, 0.5%

LAB 67.28, -39.35, 7.54

 

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

CMYK 0 / 60 / 54 / 29

HEX #B64853

RGB 182 72 83

HSL 354, 0.43%, 0.5%

LAB 45.91, 45.48, 16.82

 

CMYK 42 / 0 / 60 / 29

HEX #69B648

RGB 105 182 72

HSL 102, 0.43%, 0.5%

LAB 67.22, -43.91, 47.58

 

CMYK 60 / 0 / 6 / 29

HEX #48B6AB

RGB 72 182 171

HSL 174, 0.43%, 0.5%

LAB 67.85, -33.77, -3.75

 

CMYK 18 / 60 / 0 / 29

HEX #9548B5

RGB 149 72 181

HSL 282.39, 0.43%, 0.5%

LAB 44.75, 49.98, -44.54

 

CMYK 0 / 48 / 60 / 29

HEX #B65E48

RGB 182 94 72

HSL 12, 0.43%, 0.5%

LAB 50, 33.57, 28.66

 

CMYK 42 / 0 / 60 / 29

HEX #69B648

RGB 105 182 72

HSL 102, 0.43%, 0.5%

LAB 67.22, -43.91, 47.58

 

CMYK 60 / 12 / 0 / 29

HEX #48A0B6

RGB 72 160 182

HSL 192, 0.43%, 0.5%

LAB 61.57, -19.68, -19.3

 

Description

Color code: HEX #9548B5 | qconv.com Color code: HEX #9548B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 72 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 72 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 60 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 60% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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