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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954669 it is the complementary color #6AB996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954669 shade: #9A4664, #AB5877, #BC6A8A, #CD7C9D and #DE8EB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954669 shade: #954669, #843456, #732243, #621030 and #51001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954669 shade: #954669, #954653 and #954646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954669 shade: #954669, #95467E, #954693, #814695 and #6B4695

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954669 shade matches the following richer shades: #954669, #A63467, #B82265 and #CA1063

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954669 shade: #954669, #83576B, #71696D, #5F7B6F and #4E8D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954669 shade: #954693, #95467E, #954669, #954654 and #954C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954669 shade: #5D2B41, #793855, #954669, #AF557D and #BC7192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954669 shade: #954669, #958146 and #468995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954669 shade: #954669, #699546 and #466995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954669 shade: #954669, #958146, #469571 and #465995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954669 shade: #954669, #919546, #469571 and #4A4695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

Complementary color

CMYK 43 / 0 / 19 / 27

HEX #6AB996

RGB 106 185 150

HSL 153.42, 0.36%, 0.57%

LAB 69.44, -32.47, 10.25

 

CMYK 0 / 55 / 35 / 40

HEX #9A4664

RGB 154 70 100

HSL 338.57, 0.38%, 0.44%

LAB 41.49, 38.37, -0.53

 

CMYK 0 / 49 / 30 / 33

HEX #AB5877

RGB 171 88 119

HSL 337.59, 0.33%, 0.51%

LAB 48.22, 37.51, -1.98

 

CMYK 0 / 44 / 27 / 26

HEX #BC6A8A

RGB 188 106 138

HSL 336.59, 0.38%, 0.58%

LAB 54.9, 36.63, -3.17

 

CMYK 0 / 40 / 23 / 20

HEX #CD7C9D

RGB 205 124 157

HSL 335.56, 0.45%, 0.65%

LAB 61.51, 35.78, -4.19

 

CMYK 0 / 36 / 21 / 13

HEX #DE8EB0

RGB 222 142 176

HSL 334.5, 0.55%, 0.71%

LAB 68.03, 34.97, -5.09

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 61 / 35 / 48

HEX #843456

RGB 132 52 86

HSL 334.5, 0.43%, 0.36%

LAB 34.05, 38.01, -3.03

 

CMYK 0 / 70 / 42 / 55

HEX #732243

RGB 115 34 67

HSL 335.56, 0.54%, 0.29%

LAB 27.28, 38.39, -0.87

 

CMYK 0 / 84 / 51 / 62

HEX #621030

RGB 98 16 48

HSL 336.59, 0.72%, 0.22%

LAB 20.75, 37.93, 2.25

 

CMYK 0 / 100 / 64 / 68

HEX #51001D

RGB 81 0 29

HSL 338.52, 1%, 0.16%

LAB 14.61, 36.2, 6.76

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 53 / 44 / 42

HEX #954653

RGB 149 70 83

HSL 350.13, 0.36%, 0.43%

LAB 40.24, 34.51, 8.16

 

CMYK 0 / 53 / 53 / 42

HEX #954646

RGB 149 70 70

HSL 0, 0.36%, 0.43%

LAB 39.94, 33.18, 15.82

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 53 / 15 / 42

HEX #95467E

RGB 149 70 126

HSL 317.47, 0.36%, 0.43%

LAB 41.65, 40.48, -16.41

 

CMYK 0 / 53 / 1 / 42

HEX #954693

RGB 149 70 147

HSL 301.52, 0.36%, 0.43%

LAB 42.58, 44.17, -27.75

 

CMYK 13 / 53 / 0 / 42

HEX #814695

RGB 129 70 149

HSL 284.81, 0.36%, 0.43%

LAB 39.94, 38.73, -33.28

 

CMYK 28 / 53 / 0 / 42

HEX #6B4695

RGB 107 70 149

HSL 268.1, 0.36%, 0.43%

LAB 37.25, 32.47, -37.71

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 69 / 38 / 35

HEX #A63467

RGB 166 52 103

HSL 333.16, 0.52%, 0.43%

LAB 40.48, 50.96, -3.66

 

CMYK 0 / 82 / 45 / 28

HEX #B82265

RGB 184 34 101

HSL 333.2, 0.69%, 0.43%

LAB 41.65, 61.68, -0.3

 

CMYK 0 / 92 / 51 / 21

HEX #CA1063

RGB 202 16 99

HSL 333.23, 0.85%, 0.43%

LAB 43.99, 69.29, 4.79

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 34 / 18 / 49

HEX #83576B

RGB 131 87 107

HSL 332.73, 0.2%, 0.43%

LAB 42.31, 21.37, -4

 

CMYK 0 / 7 / 4 / 56

HEX #71696D

RGB 113 105 109

HSL 330, 0.04%, 0.43%

LAB 45.25, 3.92, -1.11

 

CMYK 23 / 0 / 10 / 52

HEX #5F7B6F

RGB 95 123 111

HSL 154.29, 0.13%, 0.43%

LAB 49.19, -12.76, 3.26

 

CMYK 45 / 0 / 20 / 45

HEX #4E8D71

RGB 78 141 113

HSL 153.33, 0.29%, 0.43%

LAB 53.88, -27.17, 8.69

 

CMYK 0 / 53 / 1 / 42

HEX #954693

RGB 149 70 147

HSL 301.52, 0.36%, 0.43%

LAB 42.58, 44.17, -27.75

 

CMYK 0 / 53 / 15 / 42

HEX #95467E

RGB 149 70 126

HSL 317.47, 0.36%, 0.43%

LAB 41.65, 40.48, -16.41

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 53 / 44 / 42

HEX #954654

RGB 149 70 84

HSL 349.37, 0.36%, 0.43%

LAB 40.26, 34.63, 7.57

 

CMYK 0 / 49 / 53 / 42

HEX #954C46

RGB 149 76 70

HSL 4.56, 0.36%, 0.43%

LAB 41.22, 29.94, 17.54

 

CMYK 0 / 54 / 30 / 64

HEX #5D2B41

RGB 93 43 65

HSL 333.6, 0.37%, 0.27%

LAB 25.07, 25.69, -3.24

 

CMYK 0 / 54 / 30 / 53

HEX #793855

RGB 121 56 85

HSL 333.23, 0.37%, 0.35%

LAB 33.03, 31.89, -4.1

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 51 / 29 / 31

HEX #AF557D

RGB 175 85 125

HSL 333.33, 0.36%, 0.51%

LAB 48.38, 41.29, -5.3

 

CMYK 0 / 40 / 22 / 26

HEX #BC7192

RGB 188 113 146

HSL 333.6, 0.36%, 0.59%

LAB 56.66, 34.03, -5.24

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 13 / 53 / 42

HEX #958146

RGB 149 129 70

HSL 44.81, 0.36%, 0.43%

LAB 54.59, -0.31, 34.52

 

CMYK 53 / 8 / 0 / 42

HEX #468995

RGB 70 137 149

HSL 189.11, 0.36%, 0.43%

LAB 53.34, -17.76, -12.95

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 30 / 0 / 53 / 42

HEX #699546

RGB 105 149 70

HSL 93.42, 0.36%, 0.43%

LAB 57.02, -29.32, 36.64

 

CMYK 53 / 30 / 0 / 42

HEX #466995

RGB 70 105 149

HSL 213.42, 0.36%, 0.43%

LAB 43.62, 0.66, -27.88

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 0 / 13 / 53 / 42

HEX #958146

RGB 149 129 70

HSL 44.81, 0.36%, 0.43%

LAB 54.59, -0.31, 34.52

 

CMYK 53 / 0 / 24 / 42

HEX #469571

RGB 70 149 113

HSL 152.66, 0.36%, 0.43%

LAB 56.08, -33.15, 11.74

 

CMYK 53 / 40 / 0 / 42

HEX #465995

RGB 70 89 149

HSL 225.57, 0.36%, 0.43%

LAB 38.93, 10.71, -35.26

 

CMYK 0 / 53 / 30 / 42

HEX #954669

RGB 149 70 105

HSL 333.42, 0.36%, 0.43%

LAB 40.88, 37.28, -4.62

 

CMYK 3 / 0 / 53 / 42

HEX #919546

RGB 145 149 70

HSL 63.04, 0.36%, 0.43%

LAB 59.85, -12.99, 40.69

 

CMYK 53 / 0 / 24 / 42

HEX #469571

RGB 70 149 113

HSL 152.66, 0.36%, 0.43%

LAB 56.08, -33.15, 11.74

 

CMYK 50 / 53 / 0 / 42

HEX #4A4695

RGB 74 70 149

HSL 243.04, 0.36%, 0.43%

LAB 34, 23.95, -43.11

 

Description

Color code: HEX #954669 | qconv.com Color code: HEX #954669 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 70 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 70 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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