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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954523 it is the complementary color #6ABADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954523 shade: #9A451E, #AB5731, #BC6944, #CD7B57 and #DE8D6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954523 shade: #954523, #843310, #732100, #620F00 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954523 shade: #944422, #942622 and #942222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954523 shade: #944422, #946322, #948222, #889422 and #699422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954523 shade matches the following richer shades: #944422, #A33E14 and #B23805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954523 shade: #944422, #854A31, #775040, #68564F and #595C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954523 shade: #94223F, #942422, #944322, #946122 and #947F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954523 shade: #512513, #73351B, #944422, #B6542A and #D06639

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954523 shade: #954523, #5D9422 and #223094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954523 shade: #954523, #229443 and #432294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954523 shade: #954523, #5D9422, #227494 and #592294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954523 shade: #954523, #3B9422, #227494 and #7C2294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

Complementary color

CMYK 52 / 15 / 0 / 14

HEX #6ABADC

RGB 106 186 220

HSL 197.89, 0.62%, 0.64%

LAB 71.79, -15.24, -24.6

 

CMYK 0 / 55 / 81 / 40

HEX #9A451E

RGB 154 69 30

HSL 18.87, 0.67%, 0.36%

LAB 39.95, 33.12, 39.11

 

CMYK 0 / 49 / 71 / 33

HEX #AB5731

RGB 171 87 49

HSL 18.69, 0.55%, 0.43%

LAB 46.57, 31.39, 37.03

 

CMYK 0 / 44 / 64 / 26

HEX #BC6944

RGB 188 105 68

HSL 18.5, 0.47%, 0.5%

LAB 53.18, 29.82, 34.99

 

CMYK 0 / 40 / 58 / 20

HEX #CD7B57

RGB 205 123 87

HSL 18.31, 0.54%, 0.57%

LAB 59.74, 28.41, 33.13

 

CMYK 0 / 36 / 52 / 13

HEX #DE8D6A

RGB 222 141 106

HSL 18.1, 0.64%, 0.64%

LAB 66.23, 27.16, 31.43

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 0 / 61 / 88 / 48

HEX #843310

RGB 132 51 16

HSL 18.1, 0.78%, 0.29%

LAB 32.5, 33.06, 37.54

 

CMYK 0 / 71 / 100 / 55

HEX #732100

RGB 115 33 0

HSL 17.22, 1%, 0.23%

LAB 25.96, 34.68, 37.43

 

CMYK 0 / 85 / 100 / 62

HEX #620F00

RGB 98 15 0

HSL 9.18, 1%, 0.19%

LAB 19.8, 35.62, 29.94

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 54 / 77 / 42

HEX #944422

RGB 148 68 34

HSL 17.89, 0.63%, 0.36%

LAB 38.8, 31.36, 35.59

 

CMYK 0 / 74 / 77 / 42

HEX #942622

RGB 148 38 34

HSL 2.11, 0.63%, 0.36%

LAB 33.56, 45.28, 29.97

 

CMYK 0 / 77 / 77 / 42

HEX #942222

RGB 148 34 34

HSL 0, 0.63%, 0.36%

LAB 33.04, 46.72, 29.4

 

CMYK 0 / 54 / 77 / 42

HEX #944422

RGB 148 68 34

HSL 17.89, 0.63%, 0.36%

LAB 38.8, 31.36, 35.59

 

CMYK 0 / 33 / 77 / 42

HEX #946322

RGB 148 99 34

HSL 34.21, 0.63%, 0.36%

LAB 46.09, 13.88, 42.98

 

CMYK 0 / 12 / 77 / 42

HEX #948222

RGB 148 130 34

HSL 50.53, 0.63%, 0.36%

LAB 54.42, -3.78, 51

 

CMYK 8 / 0 / 77 / 42

HEX #889422

RGB 136 148 34

HSL 66.32, 0.63%, 0.36%

LAB 58.54, -18.85, 54.46

 

CMYK 29 / 0 / 77 / 42

HEX #699422

RGB 105 148 34

HSL 82.63, 0.63%, 0.36%

LAB 56.39, -31.94, 51.67

 

CMYK 0 / 54 / 77 / 42

HEX #944422

RGB 148 68 34

HSL 17.89, 0.63%, 0.36%

LAB 38.8, 31.36, 35.59

 

CMYK 0 / 62 / 88 / 36

HEX #A33E14

RGB 163 62 20

HSL 17.62, 0.78%, 0.36%

LAB 40.05, 39.85, 44.35

 

CMYK 0 / 69 / 97 / 30

HEX #B23805

RGB 178 56 5

HSL 17.69, 0.95%, 0.36%

LAB 41.7, 47.72, 51.8

 

CMYK 0 / 54 / 77 / 42

HEX #944422

RGB 148 68 34

HSL 17.89, 0.63%, 0.36%

LAB 38.8, 31.36, 35.59

 

CMYK 0 / 44 / 63 / 48

HEX #854A31

RGB 133 74 49

HSL 17.86, 0.46%, 0.36%

LAB 38.03, 22.56, 25.65

 

CMYK 0 / 33 / 46 / 53

HEX #775040

RGB 119 80 64

HSL 17.45, 0.3%, 0.36%

LAB 37.9, 14.29, 16.04

 

CMYK 0 / 17 / 24 / 59

HEX #68564F

RGB 104 86 79

HSL 16.8, 0.14%, 0.36%

LAB 38.13, 6.18, 6.84

 

CMYK 5 / 2 / 0 / 63

HEX #595C5E

RGB 89 92 94

HSL 204, 0.03%, 0.36%

LAB 38.87, -0.74, -1.56

 

CMYK 0 / 77 / 57 / 42

HEX #94223F

RGB 148 34 63

HSL 344.74, 0.63%, 0.36%

LAB 33.56, 48.42, 11.58

 

CMYK 0 / 76 / 77 / 42

HEX #942422

RGB 148 36 34

HSL 1.05, 0.63%, 0.36%

LAB 33.29, 46.02, 29.68

 

CMYK 0 / 55 / 77 / 42

HEX #944322

RGB 148 67 34

HSL 17.37, 0.63%, 0.36%

LAB 38.6, 31.89, 35.37

 

CMYK 0 / 34 / 77 / 42

HEX #946122

RGB 148 97 34

HSL 33.16, 0.63%, 0.36%

LAB 45.58, 15.04, 42.48

 

CMYK 0 / 14 / 77 / 42

HEX #947F22

RGB 148 127 34

HSL 48.95, 0.63%, 0.36%

LAB 53.59, -2.11, 50.22

 

CMYK 0 / 54 / 77 / 68

HEX #512513

RGB 81 37 19

HSL 17.42, 0.62%, 0.2%

LAB 20.52, 18.98, 21.1

 

CMYK 0 / 54 / 77 / 55

HEX #73351B

RGB 115 53 27

HSL 17.73, 0.62%, 0.28%

LAB 30.08, 25.32, 28.53

 

CMYK 0 / 54 / 77 / 42

HEX #944422

RGB 148 68 34

HSL 17.89, 0.63%, 0.36%

LAB 38.8, 31.36, 35.59

 

CMYK 0 / 54 / 77 / 29

HEX #B6542A

RGB 182 84 42

HSL 18, 0.63%, 0.44%

LAB 47.56, 37.05, 42.23

 

CMYK 0 / 51 / 73 / 18

HEX #D06639

RGB 208 102 57

HSL 17.88, 0.62%, 0.52%

LAB 55.29, 38.76, 43.99

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 37 / 0 / 77 / 42

HEX #5D9422

RGB 93 148 34

HSL 88.95, 0.63%, 0.36%

LAB 55.71, -36.55, 50.79

 

CMYK 77 / 68 / 0 / 42

HEX #223094

RGB 34 48 148

HSL 232.63, 0.63%, 0.36%

LAB 25.54, 31.15, -56.36

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 77 / 0 / 55 / 42

HEX #229443

RGB 34 148 67

HSL 137.37, 0.63%, 0.36%

LAB 53.95, -48.85, 33.82

 

CMYK 55 / 77 / 0 / 42

HEX #432294

RGB 67 34 148

HSL 257.37, 0.63%, 0.36%

LAB 25.18, 43.7, -56.85

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 37 / 0 / 77 / 42

HEX #5D9422

RGB 93 148 34

HSL 88.95, 0.63%, 0.36%

LAB 55.71, -36.55, 50.79

 

CMYK 77 / 22 / 0 / 42

HEX #227494

RGB 34 116 148

HSL 196.84, 0.63%, 0.36%

LAB 45.59, -12.92, -24.33

 

CMYK 40 / 77 / 0 / 42

HEX #592294

RGB 89 34 148

HSL 268.95, 0.63%, 0.36%

LAB 27.86, 47.28, -52.36

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 77 / 22 / 0 / 42

HEX #227494

RGB 34 116 148

HSL 196.84, 0.63%, 0.36%

LAB 45.59, -12.92, -24.33

 

CMYK 16 / 77 / 0 / 42

HEX #7C2294

RGB 124 34 148

HSL 287.37, 0.63%, 0.36%

LAB 33.06, 54.01, -43.68

 

Description

Color code: HEX #954523 | qconv.com Color code: HEX #954523 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 69 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 69 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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