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Color name
HEX #9539AB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9539AB it is the complementary color #6AC654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9539AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9539AB shade: #9A39A6, #AB4BB9, #BC5DCC, #CD6FDF and #DE81F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9539AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9539AB shade: #9539AB, #842798, #731585, #620372 and #51005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9539AB shade: #9539AC, #AC39A3, #AC3984, #AC3965 and #AC3946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9539AB shade: #9539AC, #7739AC, #5839AC and #3939AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9539AB shade matches the following richer shades: #9539AC, #A126BE, #AC14D1 and #B801E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9539AB shade: #9539AC, #8A4B99, #7F5E86, #737174 and #688361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9539AB shade: #5739AC, #7639AC, #9539AC, #AC39A4 and #AC3985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9539AB shade: #60246E, #7B2F8D, #9539AC, #AC4BC3 and #BA6ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9539AB shade: #9539AB, #AC3939 and #39AC67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9539AB shade: #9539AB, #AC9539 and #39AC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9539AB shade: #9539AB, #AC3939, #50AC39 and #39ACAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9539AB shade: #9539AB, #AC5B39, #50AC39 and #3989AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

Complementary color

CMYK 46 / 0 / 58 / 22

HEX #6AC654

RGB 106 198 84

HSL 108.42, 0.5%, 0.55%

LAB 72.29, -48.91, 47.94

 

CMYK 7 / 66 / 0 / 35

HEX #9A39A6

RGB 154 57 166

HSL 293.39, 0.49%, 0.44%

LAB 42.08, 55.13, -39.88

 

CMYK 8 / 59 / 0 / 27

HEX #AB4BB9

RGB 171 75 185

HSL 292.36, 0.44%, 0.51%

LAB 48.5, 54.93, -40.73

 

CMYK 8 / 54 / 0 / 20

HEX #BC5DCC

RGB 188 93 204

HSL 291.35, 0.52%, 0.58%

LAB 54.95, 54.45, -41.34

 

CMYK 8 / 50 / 0 / 13

HEX #CD6FDF

RGB 205 111 223

HSL 290.36, 0.64%, 0.65%

LAB 61.37, 53.81, -41.81

 

CMYK 8 / 47 / 0 / 5

HEX #DE81F2

RGB 222 129 242

HSL 289.38, 0.81%, 0.73%

LAB 67.76, 53.11, -42.19

 

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

CMYK 13 / 74 / 0 / 40

HEX #842798

RGB 132 39 152

HSL 289.38, 0.59%, 0.37%

LAB 35.25, 54.65, -42.55

 

CMYK 14 / 84 / 0 / 48

HEX #731585

RGB 115 21 133

HSL 290.36, 0.73%, 0.3%

LAB 29.09, 53.44, -40.87

 

CMYK 14 / 97 / 0 / 55

HEX #620372

RGB 98 3 114

HSL 291.35, 0.95%, 0.23%

LAB 23.26, 50.87, -38.38

 

CMYK 15 / 100 / 0 / 63

HEX #51005F

RGB 81 0 95

HSL 291.16, 1%, 0.19%

LAB 18.26, 45.25, -34.19

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 0 / 67 / 5 / 33

HEX #AC39A3

RGB 172 57 163

HSL 304.7, 0.5%, 0.45%

LAB 44.72, 59.01, -33.73

 

CMYK 0 / 67 / 23 / 33

HEX #AC3984

RGB 172 57 132

HSL 320.87, 0.5%, 0.45%

LAB 43.3, 54.32, -17.23

 

CMYK 0 / 67 / 41 / 33

HEX #AC3965

RGB 172 57 101

HSL 337.04, 0.5%, 0.45%

LAB 42.21, 50.52, 0.26

 

CMYK 0 / 67 / 59 / 33

HEX #AC3946

RGB 172 57 70

HSL 353.22, 0.5%, 0.45%

LAB 41.44, 47.74, 18.51

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 31 / 67 / 0 / 33

HEX #7739AC

RGB 119 57 172

HSL 272.35, 0.5%, 0.45%

LAB 37.53, 48.29, -51.01

 

CMYK 49 / 67 / 0 / 33

HEX #5839AC

RGB 88 57 172

HSL 256.17, 0.5%, 0.45%

LAB 33.94, 41.92, -57

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 15 / 80 / 0 / 25

HEX #A126BE

RGB 161 38 190

HSL 288.55, 0.67%, 0.45%

LAB 42.28, 67.81, -53.68

 

CMYK 18 / 90 / 0 / 18

HEX #AC14D1

RGB 172 20 209

HSL 288.25, 0.83%, 0.45%

LAB 44.05, 76.88, -61.77

 

CMYK 19 / 100 / 0 / 11

HEX #B801E3

RGB 184 1 227

HSL 288.58, 0.99%, 0.45%

LAB 46.66, 83.62, -67.77

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 10 / 51 / 0 / 40

HEX #8A4B99

RGB 138 75 153

HSL 288.46, 0.34%, 0.45%

LAB 42.36, 39.49, -31.8

 

CMYK 5 / 30 / 0 / 47

HEX #7F5E86

RGB 127 94 134

HSL 289.5, 0.18%, 0.45%

LAB 44.57, 20.94, -17.05

 

CMYK 1 / 3 / 0 / 55

HEX #737174

RGB 115 113 116

HSL 280, 0.01%, 0.45%

LAB 47.9, 1.38, -1.39

 

CMYK 21 / 0 / 26 / 49

HEX #688361

RGB 104 131 97

HSL 107.65, 0.15%, 0.45%

LAB 51.88, -16.61, 15.29

 

CMYK 49 / 67 / 0 / 33

HEX #5739AC

RGB 87 57 172

HSL 255.65, 0.5%, 0.45%

LAB 33.84, 41.73, -57.17

 

CMYK 31 / 67 / 0 / 33

HEX #7639AC

RGB 118 57 172

HSL 271.83, 0.5%, 0.45%

LAB 37.4, 48.07, -51.23

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 0 / 67 / 5 / 33

HEX #AC39A4

RGB 172 57 164

HSL 304.17, 0.5%, 0.45%

LAB 44.77, 59.18, -34.25

 

CMYK 0 / 67 / 23 / 33

HEX #AC3985

RGB 172 57 133

HSL 320.35, 0.5%, 0.45%

LAB 43.35, 54.46, -17.78

 

CMYK 13 / 67 / 0 / 57

HEX #60246E

RGB 96 36 110

HSL 288.65, 0.51%, 0.29%

LAB 26.37, 38.91, -30.82

 

CMYK 13 / 67 / 0 / 45

HEX #7B2F8D

RGB 123 47 141

HSL 288.51, 0.5%, 0.37%

LAB 34.33, 47.08, -37.37

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 12 / 62 / 0 / 24

HEX #AC4BC3

RGB 172 75 195

HSL 288.5, 0.5%, 0.53%

LAB 49.18, 57.11, -45.44

 

CMYK 9 / 48 / 0 / 20

HEX #BA6ACD

RGB 186 106 205

HSL 288.48, 0.5%, 0.61%

LAB 57.23, 47.55, -38.35

 

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 67 / 0 / 40 / 33

HEX #39AC67

RGB 57 172 103

HSL 144, 0.5%, 0.45%

LAB 62.81, -47.9, 26.33

 

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

CMYK 0 / 13 / 67 / 33

HEX #AC9539

RGB 172 149 57

HSL 48, 0.5%, 0.45%

LAB 62.14, -2.13, 50.02

 

CMYK 67 / 0 / 13 / 33

HEX #39AC95

RGB 57 172 149

HSL 168, 0.5%, 0.45%

LAB 63.79, -37.56, 2.47

 

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 53 / 0 / 67 / 33

HEX #50AC39

RGB 80 172 57

HSL 108, 0.5%, 0.45%

LAB 62.93, -48.91, 49.09

 

CMYK 67 / 0 / 0 / 33

HEX #39ACAC

RGB 57 172 172

HSL 180, 0.5%, 0.45%

LAB 64.45, -31.22, -9.4

 

CMYK 13 / 67 / 0 / 33

HEX #9539AB

RGB 149 57 171

HSL 288.42, 0.5%, 0.45%

LAB 41.62, 54.9, -43.63

 

CMYK 0 / 47 / 67 / 33

HEX #AC5B39

RGB 172 91 57

HSL 17.74, 0.5%, 0.45%

LAB 47.69, 30.11, 33.98

 

CMYK 53 / 0 / 67 / 33

HEX #50AC39

RGB 80 172 57

HSL 108, 0.5%, 0.45%

LAB 62.93, -48.91, 49.09

 

CMYK 67 / 20 / 0 / 33

HEX #3989AC

RGB 57 137 172

HSL 198.26, 0.5%, 0.45%

LAB 53.75, -13.09, -25.64

 

Description

Color code: HEX #9539AB | qconv.com Color code: HEX #9539AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 57 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 57 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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