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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952667 it is the complementary color #6AD998. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952667. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952667 shade: #9A2662, #AB3875, #BC4A88, #CD5C9B and #DE6EAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952667. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952667 shade: #952667, #841454, #730241, #62002E and #51001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952667 shade: #962667, #962649, #96262B and #962626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952667 shade: #962667, #962685, #882696, #6A2696 and #4C2696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952667 shade matches the following richer shades: #962667, #A5176A and #B4086D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952667 shade: #962667, #863565, #774562, #685460 and #58635D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952667 shade: #872696, #962687, #962669, #96264B and #96262E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952667 shade: #54153A, #751E51, #962667, #B62F7E and #CE4193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952667 shade: #952667, #966926 and #269696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952667 shade: #952667, #699626 and #266996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952667 shade: #952667, #966926, #269653 and #265396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952667 shade: #952667, #968A26, #269653 and #263196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

Complementary color

CMYK 51 / 0 / 30 / 15

HEX #6AD998

RGB 106 217 152

HSL 144.86, 0.59%, 0.63%

LAB 79.02, -46.37, 22.53

 

CMYK 0 / 75 / 36 / 40

HEX #9A2662

RGB 154 38 98

HSL 328.97, 0.6%, 0.38%

LAB 36.25, 52.15, -7.03

 

CMYK 0 / 67 / 32 / 33

HEX #AB3875

RGB 171 56 117

HSL 328.17, 0.51%, 0.45%

LAB 42.42, 52.48, -9.39

 

CMYK 0 / 61 / 28 / 26

HEX #BC4A88

RGB 188 74 136

HSL 327.37, 0.46%, 0.51%

LAB 48.72, 52.27, -11.19

 

CMYK 0 / 55 / 24 / 20

HEX #CD5C9B

RGB 205 92 155

HSL 326.55, 0.53%, 0.58%

LAB 55.07, 51.76, -12.63

 

CMYK 0 / 50 / 22 / 13

HEX #DE6EAE

RGB 222 110 174

HSL 325.71, 0.63%, 0.65%

LAB 61.43, 51.11, -13.81

 

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

CMYK 0 / 85 / 36 / 48

HEX #841454

RGB 132 20 84

HSL 325.71, 0.74%, 0.3%

LAB 29.53, 50.09, -8.48

 

CMYK 0 / 98 / 43 / 55

HEX #730241

RGB 115 2 65

HSL 326.55, 0.97%, 0.23%

LAB 23.9, 47.55, -4.52

 

CMYK 0 / 100 / 53 / 62

HEX #62002E

RGB 98 0 46

HSL 331.84, 1%, 0.19%

LAB 19.2, 42.03, 1.43

 

CMYK 0 / 100 / 67 / 68

HEX #51001B

RGB 81 0 27

HSL 340, 1%, 0.16%

LAB 14.56, 36.05, 8.17

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 75 / 51 / 41

HEX #962649

RGB 150 38 73

HSL 341.25, 0.6%, 0.37%

LAB 34.7, 48.45, 6.72

 

CMYK 0 / 75 / 71 / 41

HEX #96262B

RGB 150 38 43

HSL 357.32, 0.6%, 0.37%

LAB 34.08, 46.36, 25.16

 

CMYK 0 / 75 / 75 / 41

HEX #962626

RGB 150 38 38

HSL 0, 0.6%, 0.37%

LAB 34, 46.12, 28.17

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 75 / 11 / 41

HEX #962685

RGB 150 38 133

HSL 309.11, 0.6%, 0.37%

LAB 37.05, 55.82, -27.85

 

CMYK 9 / 75 / 0 / 41

HEX #882696

RGB 136 38 150

HSL 292.5, 0.6%, 0.37%

LAB 35.64, 55.5, -40.66

 

CMYK 29 / 75 / 0 / 41

HEX #6A2696

RGB 106 38 150

HSL 276.43, 0.6%, 0.37%

LAB 31, 49.22, -48.37

 

CMYK 49 / 75 / 0 / 41

HEX #4C2696

RGB 76 38 150

HSL 260.36, 0.6%, 0.37%

LAB 27.09, 43.67, -54.92

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 86 / 36 / 35

HEX #A5176A

RGB 165 23 106

HSL 324.93, 0.76%, 0.37%

LAB 37.21, 60.01, -10.45

 

CMYK 0 / 96 / 39 / 29

HEX #B4086D

RGB 180 8 109

HSL 324.77, 0.91%, 0.37%

LAB 39.55, 66.02, -8.53

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 60 / 25 / 47

HEX #863565

RGB 134 53 101

HSL 324.44, 0.43%, 0.37%

LAB 35.11, 40.27, -11

 

CMYK 0 / 42 / 18 / 53

HEX #774562

RGB 119 69 98

HSL 325.2, 0.27%, 0.37%

LAB 36.1, 25.85, -7.83

 

CMYK 0 / 19 / 8 / 59

HEX #685460

RGB 104 84 96

HSL 324, 0.11%, 0.37%

LAB 38.07, 10.53, -3.83

 

CMYK 11 / 0 / 6 / 61

HEX #58635D

RGB 88 99 93

HSL 147.27, 0.06%, 0.37%

LAB 40.88, -5.54, 1.96

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 0 / 75 / 10 / 41

HEX #962687

RGB 150 38 135

HSL 308.04, 0.6%, 0.37%

LAB 37.15, 56.13, -28.92

 

CMYK 0 / 75 / 30 / 41

HEX #962669

RGB 150 38 105

HSL 324.11, 0.6%, 0.37%

LAB 35.77, 51.89, -12.27

 

CMYK 0 / 75 / 50 / 41

HEX #96264B

RGB 150 38 75

HSL 340.18, 0.6%, 0.37%

LAB 34.76, 48.63, 5.5

 

CMYK 0 / 75 / 69 / 41

HEX #96262E

RGB 150 38 46

HSL 355.71, 0.6%, 0.37%

LAB 34.12, 46.52, 23.34

 

CMYK 0 / 75 / 31 / 67

HEX #54153A

RGB 84 21 58

HSL 324.76, 0.6%, 0.21%

LAB 18.91, 32.88, -7.82

 

CMYK 0 / 74 / 31 / 54

HEX #751E51

RGB 117 30 81

HSL 324.83, 0.59%, 0.29%

LAB 27.59, 42.41, -9.72

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 74 / 31 / 29

HEX #B62F7E

RGB 182 47 126

HSL 324.89, 0.59%, 0.45%

LAB 43.48, 59.96, -13.13

 

CMYK 0 / 68 / 29 / 19

HEX #CE4193

RGB 206 65 147

HSL 325.11, 0.59%, 0.53%

LAB 50.7, 62.54, -14.5

 

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

CMYK 0 / 30 / 75 / 41

HEX #966926

RGB 150 105 38

HSL 35.89, 0.6%, 0.37%

LAB 47.91, 11.53, 43.08

 

CMYK 75 / 0 / 0 / 41

HEX #269696

RGB 38 150 150

HSL 180, 0.6%, 0.37%

LAB 56.51, -29.68, -8.86

 

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

CMYK 30 / 0 / 75 / 41

HEX #699626

RGB 105 150 38

HSL 84.11, 0.6%, 0.37%

LAB 57.03, -32.63, 50.88

 

CMYK 75 / 30 / 0 / 41

HEX #266996

RGB 38 105 150

HSL 204.11, 0.6%, 0.37%

LAB 42.33, -5.18, -30.59

 

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

CMYK 0 / 30 / 75 / 41

HEX #966926

RGB 150 105 38

HSL 35.89, 0.6%, 0.37%

LAB 47.91, 11.53, 43.08

 

CMYK 75 / 0 / 45 / 41

HEX #269653

RGB 38 150 83

HSL 144.11, 0.6%, 0.37%

LAB 54.92, -46.31, 26.66

 

CMYK 75 / 45 / 0 / 41

HEX #265396

RGB 38 83 150

HSL 215.89, 0.6%, 0.37%

LAB 35.6, 8.8, -41.26

 

CMYK 0 / 74 / 31 / 42

HEX #952667

RGB 149 38 103

HSL 324.86, 0.59%, 0.37%

LAB 35.51, 51.36, -11.42

 

CMYK 0 / 8 / 75 / 41

HEX #968A26

RGB 150 138 38

HSL 53.57, 0.6%, 0.37%

LAB 56.88, -7.07, 51.9

 

CMYK 75 / 0 / 45 / 41

HEX #269653

RGB 38 150 83

HSL 144.11, 0.6%, 0.37%

LAB 54.92, -46.31, 26.66

 

CMYK 75 / 67 / 0 / 41

HEX #263196

RGB 38 49 150

HSL 234.11, 0.6%, 0.37%

LAB 26.19, 31.68, -56.52

 

Description

Color code: HEX #952667 | qconv.com Color code: HEX #952667 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 38 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 38 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 31 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 31% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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