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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94FFF5 it is the complementary color #6B000A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94FFF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94FFF5 shade: #99FFF0, #AAFFFF, #BBFFFF, #CCFFFF and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94FFF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94FFF5 shade: #94FFF5, #83EDE2, #72DBCF, #61C9BC and #50B7A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94FFF5 shade: #93FFF4, #93FFD8, #93FFBB, #93FF9E and #A6FF93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94FFF5 shade: #93FFF4, #93ECFF, #93CFFF, #93B2FF and #9395FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94FFF5 shade matches the following richer shades: #93FFF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94FFF5 shade: #93FFF4, #9CF6ED, #A5EDE6, #ADE5DF and #B6DCD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94FFF5 shade: #93FFBB, #93FFD7, #93FFF4, #93EDFF and #93D0FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94FFF5 shade: #41FFED, #6AFFF1, #93FFF4, #BDFFF8 and #E6FFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94FFF5 shade: #94FFF5, #9E93FF and #FFC993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94FFF5 shade: #94FFF5, #F493FF and #FFF493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94FFF5 shade: #94FFF5, #9E93FF, #FF939E and #F4FF93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94FFF5 shade: #94FFF5, #BE93FF, #FF939E and #D4FF93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

Complementary color

CMYK 0 / 100 / 91 / 58

HEX #6B000A

RGB 107 0 10

HSL 354.39, 1%, 0.21%

LAB 20.63, 42.51, 27.38

 

CMYK 40 / 0 / 6 / 0

HEX #99FFF0

RGB 153 255 240

HSL 171.18, 1%, 0.8%

LAB 93.7, -33.19, -2.21

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

CMYK 45 / 0 / 5 / 7

HEX #83EDE2

RGB 131 237 226

HSL 173.77, 0.75%, 0.72%

LAB 87.43, -33.31, -4.24

 

CMYK 48 / 0 / 5 / 14

HEX #72DBCF

RGB 114 219 207

HSL 173.14, 0.59%, 0.65%

LAB 81.15, -33.34, -3.52

 

CMYK 52 / 0 / 6 / 21

HEX #61C9BC

RGB 97 201 188

HSL 172.5, 0.49%, 0.58%

LAB 74.79, -33.32, -2.74

 

CMYK 56 / 0 / 8 / 28

HEX #50B7A9

RGB 80 183 169

HSL 171.84, 0.42%, 0.52%

LAB 68.34, -33.23, -1.9

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 42 / 0 / 15 / 0

HEX #93FFD8

RGB 147 255 216

HSL 158.33, 1%, 0.79%

LAB 92.87, -39.92, 8.95

 

CMYK 42 / 0 / 27 / 0

HEX #93FFBB

RGB 147 255 187

HSL 142.22, 1%, 0.79%

LAB 92.27, -45.62, 22.96

 

CMYK 42 / 0 / 38 / 0

HEX #93FF9E

RGB 147 255 158

HSL 126.11, 1%, 0.79%

LAB 91.77, -50.51, 36.86

 

CMYK 35 / 0 / 42 / 0

HEX #A6FF93

RGB 166 255 147

HSL 109.44, 1%, 0.79%

LAB 92.46, -46.45, 43.29

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 42 / 7 / 0 / 0

HEX #93ECFF

RGB 147 236 255

HSL 190.56, 1%, 0.79%

LAB 88.64, -21.95, -17.55

 

CMYK 42 / 19 / 0 / 0

HEX #93CFFF

RGB 147 207 255

HSL 206.67, 1%, 0.79%

LAB 80.77, -7.12, -29.53

 

CMYK 42 / 30 / 0 / 0

HEX #93B2FF

RGB 147 178 255

HSL 222.78, 1%, 0.79%

LAB 73.07, 8.67, -41.44

 

CMYK 42 / 42 / 0 / 0

HEX #9395FF

RGB 147 149 255

HSL 238.89, 1%, 0.79%

LAB 65.68, 25.18, -53.05

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 37 / 0 / 4 / 4

HEX #9CF6ED

RGB 156 246 237

HSL 174, 0.83%, 0.79%

LAB 91.28, -28.88, -4.2

 

CMYK 30 / 0 / 3 / 7

HEX #A5EDE6

RGB 165 237 230

HSL 174.17, 0.67%, 0.79%

LAB 89.06, -23.71, -3.77

 

CMYK 24 / 0 / 3 / 10

HEX #ADE5DF

RGB 173 229 223

HSL 173.57, 0.52%, 0.79%

LAB 87.12, -18.99, -2.89

 

CMYK 17 / 0 / 2 / 14

HEX #B6DCD8

RGB 182 220 216

HSL 173.68, 0.35%, 0.79%

LAB 85.04, -13.19, -2.19

 

CMYK 42 / 0 / 27 / 0

HEX #93FFBB

RGB 147 255 187

HSL 142.22, 1%, 0.79%

LAB 92.27, -45.62, 22.96

 

CMYK 42 / 0 / 16 / 0

HEX #93FFD7

RGB 147 255 215

HSL 157.78, 1%, 0.79%

LAB 92.85, -40.13, 9.43

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 42 / 7 / 0 / 0

HEX #93EDFF

RGB 147 237 255

HSL 190, 1%, 0.79%

LAB 88.92, -22.44, -17.14

 

CMYK 42 / 18 / 0 / 0

HEX #93D0FF

RGB 147 208 255

HSL 206.11, 1%, 0.79%

LAB 81.04, -7.65, -29.11

 

CMYK 75 / 0 / 7 / 0

HEX #41FFED

RGB 65 255 237

HSL 174.32, 1%, 0.63%

LAB 91.12, -49.62, -4.73

 

CMYK 58 / 0 / 5 / 0

HEX #6AFFF1

RGB 106 255 241

HSL 174.36, 1%, 0.71%

LAB 92.1, -42.89, -5.27

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF4

RGB 147 255 244

HSL 173.89, 1%, 0.79%

LAB 93.56, -33.72, -4.51

 

CMYK 26 / 0 / 3 / 0

HEX #BDFFF8

RGB 189 255 248

HSL 173.64, 1%, 0.87%

LAB 95.63, -21.83, -3.31

 

CMYK 10 / 0 / 1 / 0

HEX #E6FFFC

RGB 230 255 252

HSL 172.8, 1%, 0.95%

LAB 98.18, -8.63, -1.34

 

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

CMYK 38 / 42 / 0 / 0

HEX #9E93FF

RGB 158 147 255

HSL 246.11, 1%, 0.79%

LAB 66.03, 29.04, -52.46

 

CMYK 0 / 21 / 42 / 0

HEX #FFC993

RGB 255 201 147

HSL 30, 1%, 0.79%

LAB 84.56, 12.43, 34.28

 

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

CMYK 4 / 42 / 0 / 0

HEX #F493FF

RGB 244 147 255

HSL 293.89, 1%, 0.79%

LAB 74.39, 52.67, -38.73

 

CMYK 0 / 4 / 42 / 0

HEX #FFF493

RGB 255 244 147

HSL 53.89, 1%, 0.79%

LAB 95.19, -9.44, 47.94

 

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

CMYK 38 / 42 / 0 / 0

HEX #9E93FF

RGB 158 147 255

HSL 246.11, 1%, 0.79%

LAB 66.03, 29.04, -52.46

 

CMYK 0 / 42 / 38 / 0

HEX #FF939E

RGB 255 147 158

HSL 353.89, 1%, 0.79%

LAB 72.63, 41.72, 12.11

 

CMYK 4 / 0 / 42 / 0

HEX #F4FF93

RGB 244 255 147

HSL 66.11, 1%, 0.79%

LAB 97.17, -19.02, 50.23

 

CMYK 42 / 0 / 4 / 0

HEX #94FFF5

RGB 148 255 245

HSL 174.39, 1%, 0.79%

LAB 93.63, -33.25, -4.93

 

CMYK 25 / 42 / 0 / 0

HEX #BE93FF

RGB 190 147 255

HSL 263.89, 1%, 0.79%

LAB 68.78, 37.45, -47.93

 

CMYK 0 / 42 / 38 / 0

HEX #FF939E

RGB 255 147 158

HSL 353.89, 1%, 0.79%

LAB 72.63, 41.72, 12.11

 

CMYK 17 / 0 / 42 / 0

HEX #D4FF93

RGB 212 255 147

HSL 83.89, 1%, 0.79%

LAB 95, -30.88, 47.05

 

Description

Color code: HEX #94FFF5 | qconv.com Color code: HEX #94FFF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 255 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 255 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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