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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94FF91 it is the complementary color #6B006E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94FF91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94FF91 shade: #99FF8C, #AAFF9F, #BBFFB2, #CCFFC5 and #DDFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94FF91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94FF91 shade: #94FF91, #83ED7E, #72DB6B, #61C958 and #50B745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94FF91 shade: #91FF8E, #B0FF8E, #CEFF8E, #ECFF8E and #FFF38E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94FF91 shade: #91FF8E, #8EFFA9, #8EFFC8, #8EFFE6 and #8EF9FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94FF91 shade matches the following richer shades: #91FF8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94FF91 shade: #91FF8E, #9AF597, #A3ECA0, #ABE3AA and #B4DAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94FF91 shade: #CEFF8E, #B0FF8E, #92FF8E, #8EFFA8 and #8EFFC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94FF91 shade: #41FF3C, #69FF65, #91FF8E, #B9FFB8 and #E2FFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94FF91 shade: #94FF91, #8EECFF and #FF8EBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94FF91 shade: #94FF91, #8E92FF and #FF8E92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94FF91 shade: #94FF91, #8EECFF, #FB8EFF and #FFA18E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94FF91 shade: #94FF91, #8ECAFF, #FB8EFF and #FFC38E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

Complementary color

CMYK 3 / 100 / 0 / 57

HEX #6B006E

RGB 107 0 110

HSL 298.36, 1%, 0.22%

LAB 24.49, 52.35, -33.73

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8C

RGB 153 255 140

HSL 113.22, 1%, 0.77%

LAB 91.77, -51.35, 45.66

 

CMYK 33 / 0 / 38 / 0

HEX #AAFF9F

RGB 170 255 159

HSL 113.13, 1%, 0.81%

LAB 92.83, -43.53, 37.94

 

CMYK 27 / 0 / 30 / 0

HEX #BBFFB2

RGB 187 255 178

HSL 112.99, 1%, 0.85%

LAB 94.01, -35.28, 30.21

 

CMYK 20 / 0 / 23 / 0

HEX #CCFFC5

RGB 204 255 197

HSL 112.76, 1%, 0.89%

LAB 95.32, -26.73, 22.54

 

CMYK 13 / 0 / 15 / 0

HEX #DDFFD8

RGB 221 255 216

HSL 112.31, 1%, 0.92%

LAB 96.76, -17.97, 15.01

 

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

CMYK 45 / 0 / 47 / 7

HEX #83ED7E

RGB 131 237 126

HSL 117.3, 0.76%, 0.71%

LAB 85.45, -52.25, 44.25

 

CMYK 48 / 0 / 51 / 14

HEX #72DB6B

RGB 114 219 107

HSL 116.25, 0.61%, 0.64%

LAB 79.21, -52.28, 45.5

 

CMYK 52 / 0 / 56 / 21

HEX #61C958

RGB 97 201 88

HSL 115.22, 0.51%, 0.57%

LAB 72.9, -52.2, 46.72

 

CMYK 56 / 0 / 62 / 28

HEX #50B745

RGB 80 183 69

HSL 114.21, 0.45%, 0.49%

LAB 66.52, -51.92, 47.86

 

CMYK 43 / 0 / 44 / 0

HEX #91FF8E

RGB 145 255 142

HSL 118.41, 1%, 0.78%

LAB 91.46, -53.4, 44.24

 

CMYK 31 / 0 / 44 / 0

HEX #B0FF8E

RGB 176 255 142

HSL 101.95, 1%, 0.78%

LAB 92.88, -43.9, 46.34

 

CMYK 19 / 0 / 44 / 0

HEX #CEFF8E

RGB 206 255 142

HSL 86.02, 1%, 0.78%

LAB 94.57, -33.6, 48.81

 

CMYK 7 / 0 / 44 / 0

HEX #ECFF8E

RGB 236 255 142

HSL 70.09, 1%, 0.78%

LAB 96.54, -22.55, 51.69

 

CMYK 0 / 5 / 44 / 0

HEX #FFF38E

RGB 255 243 142

HSL 53.63, 1%, 0.78%

LAB 94.87, -9.43, 49.95

 

CMYK 43 / 0 / 44 / 0

HEX #91FF8E

RGB 145 255 142

HSL 118.41, 1%, 0.78%

LAB 91.46, -53.4, 44.24

 

CMYK 44 / 0 / 34 / 0

HEX #8EFFA9

RGB 142 255 169

HSL 134.34, 1%, 0.78%

LAB 91.75, -50.11, 31.31

 

CMYK 44 / 0 / 22 / 0

HEX #8EFFC8

RGB 142 255 200

HSL 150.8, 1%, 0.78%

LAB 92.33, -44.44, 16.37

 

CMYK 44 / 0 / 10 / 0

HEX #8EFFE6

RGB 142 255 230

HSL 166.73, 1%, 0.78%

LAB 93.01, -38.11, 1.89

 

CMYK 44 / 2 / 0 / 0

HEX #8EF9FF

RGB 142 249 255

HSL 183.19, 1%, 0.78%

LAB 92.01, -29.41, -12.54

 

CMYK 43 / 0 / 44 / 0

HEX #91FF8E

RGB 145 255 142

HSL 118.41, 1%, 0.78%

LAB 91.46, -53.4, 44.24

 

CMYK 43 / 0 / 44 / 0

HEX #91FF8E

RGB 145 255 142

HSL 118.41, 1%, 0.78%

LAB 91.46, -53.4, 44.24

 

CMYK 37 / 0 / 38 / 4

HEX #9AF597

RGB 154 245 151

HSL 118.09, 0.82%, 0.78%

LAB 89.12, -45.29, 36.9

 

CMYK 31 / 0 / 32 / 7

HEX #A3ECA0

RGB 163 236 160

HSL 117.63, 0.67%, 0.78%

LAB 87.15, -37.14, 29.85

 

CMYK 25 / 0 / 25 / 11

HEX #ABE3AA

RGB 171 227 170

HSL 118.95, 0.5%, 0.78%

LAB 85.25, -28.75, 22.2

 

CMYK 17 / 0 / 18 / 15

HEX #B4DAB3

RGB 180 218 179

HSL 118.46, 0.35%, 0.78%

LAB 83.5, -19.84, 15.13

 

CMYK 19 / 0 / 44 / 0

HEX #CEFF8E

RGB 206 255 142

HSL 86.02, 1%, 0.78%

LAB 94.57, -33.6, 48.81

 

CMYK 31 / 0 / 44 / 0

HEX #B0FF8E

RGB 176 255 142

HSL 101.95, 1%, 0.78%

LAB 92.88, -43.9, 46.34

 

CMYK 43 / 0 / 44 / 0

HEX #92FF8E

RGB 146 255 142

HSL 117.88, 1%, 0.78%

LAB 91.5, -53.12, 44.3

 

CMYK 44 / 0 / 34 / 0

HEX #8EFFA8

RGB 142 255 168

HSL 133.81, 1%, 0.78%

LAB 91.73, -50.28, 31.79

 

CMYK 44 / 0 / 22 / 0

HEX #8EFFC6

RGB 142 255 198

HSL 149.73, 1%, 0.78%

LAB 92.29, -44.84, 17.34

 

CMYK 75 / 0 / 76 / 0

HEX #41FF3C

RGB 65 255 60

HSL 118.46, 1%, 0.62%

LAB 88.43, -79.38, 73.83

 

CMYK 59 / 0 / 60 / 0

HEX #69FF65

RGB 105 255 101

HSL 118.44, 1%, 0.7%

LAB 89.61, -68.61, 60.34

 

CMYK 43 / 0 / 44 / 0

HEX #91FF8E

RGB 145 255 142

HSL 118.41, 1%, 0.78%

LAB 91.46, -53.4, 44.24

 

CMYK 27 / 0 / 28 / 0

HEX #B9FFB8

RGB 185 255 184

HSL 119.15, 1%, 0.86%

LAB 94.01, -34.98, 27.16

 

CMYK 11 / 0 / 12 / 0

HEX #E2FFE1

RGB 226 255 225

HSL 118, 1%, 0.94%

LAB 97.28, -14.78, 11.19

 

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

CMYK 44 / 7 / 0 / 0

HEX #8EECFF

RGB 142 236 255

HSL 190.09, 1%, 0.78%

LAB 88.43, -23.12, -17.9

 

CMYK 0 / 44 / 25 / 0

HEX #FF8EBF

RGB 255 142 191

HSL 333.98, 1%, 0.78%

LAB 72.47, 48.32, -6.43

 

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

CMYK 44 / 43 / 0 / 0

HEX #8E92FF

RGB 142 146 255

HSL 237.88, 1%, 0.78%

LAB 64.59, 25.72, -54.81

 

CMYK 0 / 44 / 43 / 0

HEX #FF8E92

RGB 255 142 146

HSL 357.88, 1%, 0.78%

LAB 71.34, 42.96, 16.96

 

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

CMYK 44 / 7 / 0 / 0

HEX #8EECFF

RGB 142 236 255

HSL 190.09, 1%, 0.78%

LAB 88.43, -23.12, -17.9

 

CMYK 2 / 44 / 0 / 0

HEX #FB8EFF

RGB 251 142 255

HSL 297.88, 1%, 0.78%

LAB 74.24, 57.15, -38.91

 

CMYK 0 / 37 / 44 / 0

HEX #FFA18E

RGB 255 161 142

HSL 10.09, 1%, 0.78%

LAB 75.27, 32.81, 24.54

 

CMYK 42 / 0 / 43 / 0

HEX #94FF91

RGB 148 255 145

HSL 118.36, 1%, 0.78%

LAB 91.62, -52.13, 43.03

 

CMYK 44 / 21 / 0 / 0

HEX #8ECAFF

RGB 142 202 255

HSL 208.14, 1%, 0.78%

LAB 79.16, -5.68, -32.01

 

CMYK 2 / 44 / 0 / 0

HEX #FB8EFF

RGB 251 142 255

HSL 297.88, 1%, 0.78%

LAB 74.24, 57.15, -38.91

 

CMYK 0 / 24 / 44 / 0

HEX #FFC38E

RGB 255 195 142

HSL 28.14, 1%, 0.78%

LAB 83.04, 15.04, 34.88

 

Description

Color code: HEX #94FF91 | qconv.com Color code: HEX #94FF91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 255 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 255 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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