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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94FDDE it is the complementary color #6B0221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94FDDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94FDDE shade: #99FDD9, #AAFFEC, #BBFFFF, #CCFFFF and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94FDDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94FDDE shade: #94FDDE, #83EBCB, #72D9B8, #61C7A5 and #50B592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94FDDE shade: #96FCDE, #96FCC2, #96FCA7, #A0FC96 and #BCFC96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94FDDE shade: #96FCDE, #96FCFA, #96E3FC, #96C8FC and #96ACFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94FDDE shade matches the following richer shades: #96FCDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94FDDE shade: #96FCDE, #9EF4DA, #A7EBD7, #B0E2D3 and #B8DAD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94FDDE shade: #96FCA7, #96FCC2, #96FCDE, #96FCF9 and #96E4FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94FDDE shade: #45FBC5, #6DFCD1, #96FCDE, #BEFDEB and #E6FEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94FDDE shade: #94FDDE, #96A0FC and #FCB496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94FDDE shade: #94FDDE, #DE96FC and #FCDE96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94FDDE shade: #94FDDE, #96A0FC, #FC96B4 and #FCF296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94FDDE shade: #94FDDE, #AA96FC, #FC96B4 and #E8FC96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

Complementary color

CMYK 0 / 98 / 69 / 58

HEX #6B0221

RGB 107 2 33

HSL 342.29, 0.96%, 0.21%

LAB 21.13, 42.95, 13.67

 

CMYK 40 / 0 / 14 / 1

HEX #99FDD9

RGB 153 253 217

HSL 158.4, 0.96%, 0.8%

LAB 92.59, -37.27, 8.06

 

CMYK 33 / 0 / 7 / 0

HEX #AAFFEC

RGB 170 255 236

HSL 166.59, 1%, 0.83%

LAB 94.36, -29.67, 0.92

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

CMYK 44 / 0 / 14 / 8

HEX #83EBCB

RGB 131 235 203

HSL 161.54, 0.72%, 0.72%

LAB 86.28, -37.66, 6.15

 

CMYK 47 / 0 / 15 / 15

HEX #72D9B8

RGB 114 217 184

HSL 160.78, 0.58%, 0.65%

LAB 79.99, -37.8, 7.04

 

CMYK 51 / 0 / 17 / 22

HEX #61C7A5

RGB 97 199 165

HSL 160, 0.48%, 0.58%

LAB 73.61, -37.91, 8

 

CMYK 56 / 0 / 19 / 29

HEX #50B592

RGB 80 181 146

HSL 159.21, 0.41%, 0.51%

LAB 67.15, -37.95, 9.04

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 40 / 0 / 23 / 1

HEX #96FCC2

RGB 150 252 194

HSL 145.88, 0.94%, 0.79%

LAB 91.68, -42.2, 18.59

 

CMYK 40 / 0 / 34 / 1

HEX #96FCA7

RGB 150 252 167

HSL 130, 0.94%, 0.79%

LAB 91.19, -46.97, 31.62

 

CMYK 37 / 0 / 40 / 1

HEX #A0FC96

RGB 160 252 150

HSL 114.12, 0.94%, 0.79%

LAB 91.37, -46.61, 40.38

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC96

RGB 188 252 150

HSL 97.65, 0.94%, 0.79%

LAB 92.8, -37.56, 42.51

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 40 / 0 / 1 / 1

HEX #96FCFA

RGB 150 252 250

HSL 178.82, 0.94%, 0.79%

LAB 93.02, -30.19, -8.41

 

CMYK 40 / 10 / 0 / 1

HEX #96E3FC

RGB 150 227 252

HSL 194.71, 0.94%, 0.79%

LAB 86.23, -17.49, -19.61

 

CMYK 40 / 21 / 0 / 1

HEX #96C8FC

RGB 150 200 252

HSL 210.59, 0.94%, 0.79%

LAB 78.94, -3.44, -30.72

 

CMYK 40 / 32 / 0 / 1

HEX #96ACFC

RGB 150 172 252

HSL 227.06, 0.94%, 0.79%

LAB 71.57, 11.97, -42.15

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 35 / 0 / 11 / 4

HEX #9EF4DA

RGB 158 244 218

HSL 161.86, 0.8%, 0.79%

LAB 90.34, -31.57, 4.32

 

CMYK 29 / 0 / 9 / 8

HEX #A7EBD7

RGB 167 235 215

HSL 162.35, 0.63%, 0.79%

LAB 88.23, -25.37, 2.88

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 16 / 0 / 5 / 15

HEX #B8DAD0

RGB 184 218 208

HSL 162.35, 0.31%, 0.79%

LAB 84.43, -13.14, 1.16

 

CMYK 40 / 0 / 34 / 1

HEX #96FCA7

RGB 150 252 167

HSL 130, 0.94%, 0.79%

LAB 91.19, -46.97, 31.62

 

CMYK 40 / 0 / 23 / 1

HEX #96FCC2

RGB 150 252 194

HSL 145.88, 0.94%, 0.79%

LAB 91.68, -42.2, 18.59

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 40 / 0 / 1 / 1

HEX #96FCF9

RGB 150 252 249

HSL 178.24, 0.94%, 0.79%

LAB 92.99, -30.43, -7.93

 

CMYK 40 / 10 / 0 / 1

HEX #96E4FC

RGB 150 228 252

HSL 194.12, 0.94%, 0.79%

LAB 86.5, -17.99, -19.19

 

CMYK 73 / 0 / 22 / 2

HEX #45FBC5

RGB 69 251 197

HSL 162.2, 0.96%, 0.63%

LAB 89.06, -57.37, 13.01

 

CMYK 57 / 0 / 17 / 1

HEX #6DFCD1

RGB 109 252 209

HSL 161.96, 0.96%, 0.71%

LAB 90.54, -48.65, 9.04

 

CMYK 40 / 0 / 12 / 1

HEX #96FCDE

RGB 150 252 222

HSL 162.35, 0.94%, 0.79%

LAB 92.3, -36.53, 5.04

 

CMYK 25 / 0 / 7 / 1

HEX #BEFDEB

RGB 190 253 235

HSL 162.86, 0.94%, 0.87%

LAB 94.82, -23.25, 2.22

 

CMYK 9 / 0 / 3 / 0

HEX #E6FEF7

RGB 230 254 247

HSL 162.5, 0.92%, 0.95%

LAB 97.8, -9.06, 0.68

 

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

CMYK 40 / 37 / 0 / 1

HEX #96A0FC

RGB 150 160 252

HSL 234.12, 0.94%, 0.79%

LAB 68.5, 18.78, -46.95

 

CMYK 0 / 29 / 40 / 1

HEX #FCB496

RGB 252 180 150

HSL 17.65, 0.94%, 0.79%

LAB 79.35, 22.57, 25.71

 

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

CMYK 12 / 40 / 0 / 1

HEX #DE96FC

RGB 222 150 252

HSL 282.35, 0.94%, 0.79%

LAB 72.48, 44.2, -40.28

 

CMYK 0 / 12 / 40 / 1

HEX #FCDE96

RGB 252 222 150

HSL 42.35, 0.94%, 0.79%

LAB 89.46, 0.75, 39.09

 

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

CMYK 40 / 37 / 0 / 1

HEX #96A0FC

RGB 150 160 252

HSL 234.12, 0.94%, 0.79%

LAB 68.5, 18.78, -46.95

 

CMYK 0 / 40 / 29 / 1

HEX #FC96B4

RGB 252 150 180

HSL 342.35, 0.94%, 0.79%

LAB 73.42, 41.8, 1.01

 

CMYK 0 / 4 / 40 / 1

HEX #FCF296

RGB 252 242 150

HSL 54.12, 0.94%, 0.79%

LAB 94.48, -9.3, 45.54

 

CMYK 42 / 0 / 12 / 1

HEX #94FDDE

RGB 148 253 222

HSL 162.29, 0.96%, 0.79%

LAB 92.5, -37.49, 5.31

 

CMYK 33 / 40 / 0 / 1

HEX #AA96FC

RGB 170 150 252

HSL 251.76, 0.94%, 0.79%

LAB 67.57, 29.66, -48.32

 

CMYK 0 / 40 / 29 / 1

HEX #FC96B4

RGB 252 150 180

HSL 342.35, 0.94%, 0.79%

LAB 73.42, 41.8, 1.01

 

CMYK 8 / 0 / 40 / 1

HEX #E8FC96

RGB 232 252 150

HSL 71.76, 0.94%, 0.79%

LAB 95.57, -21.78, 46.6

 

Description

Color code: HEX #94FDDE | qconv.com Color code: HEX #94FDDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 253 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 253 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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