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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94F13B it is the complementary color #6B0EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94F13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94F13B shade: #99F136, #AAFF49, #BBFF5C, #CCFF6F and #DDFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94F13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94F13B shade: #94F13B, #83DF28, #72CD15, #61BB02 and #50A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94F13B shade: #94F13B, #C5F13B, #F1EC3B, #F1BB3B and #F18A3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94F13B shade: #94F13B, #63F13B, #3BF144, #3BF175 and #3BF1A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94F13B shade matches the following richer shades: #94F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94F13B shade: #94F13B, #94E04C, #95CF5D, #95BE6E and #95AD7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94F13B shade: #F1EB3B, #C6F13B, #96F13B, #65F13B and #3BF141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94F13B shade: #6BCC0E, #7FEE14, #94F13B, #A9F462 and #BEF688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94F13B shade: #94F13B, #3BF1BA and #F13BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94F13B shade: #94F13B, #3B96F1 and #F13B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94F13B shade: #94F13B, #3BF1BA, #963BF1 and #F13B72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94F13B shade: #94F13B, #3BF1F1, #963BF1 and #F13B3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

Complementary color

CMYK 45 / 93 / 0 / 23

HEX #6B0EC4

RGB 107 14 196

HSL 270.66, 0.87%, 0.41%

LAB 32.76, 66.98, -73.07

 

CMYK 37 / 0 / 78 / 5

HEX #99F136

RGB 153 241 54

HSL 88.24, 0.87%, 0.58%

LAB 86.97, -53.4, 75.16

 

CMYK 33 / 0 / 71 / 0

HEX #AAFF49

RGB 170 255 73

HSL 88.02, 1%, 0.64%

LAB 91.93, -52.28, 74.27

 

CMYK 27 / 0 / 64 / 0

HEX #BBFF5C

RGB 187 255 92

HSL 85.03, 1%, 0.68%

LAB 92.95, -45.07, 68.65

 

CMYK 20 / 0 / 56 / 0

HEX #CCFF6F

RGB 204 255 111

HSL 81.25, 1%, 0.72%

LAB 94.1, -37.4, 62.35

 

CMYK 13 / 0 / 49 / 0

HEX #DDFF82

RGB 221 255 130

HSL 76.32, 1%, 0.75%

LAB 95.37, -29.37, 55.63

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 41 / 0 / 82 / 13

HEX #83DF28

RGB 131 223 40

HSL 90.16, 0.74%, 0.52%

LAB 80.6, -54.19, 72.7

 

CMYK 44 / 0 / 90 / 20

HEX #72CD15

RGB 114 205 21

HSL 89.67, 0.81%, 0.44%

LAB 74.38, -53.32, 70.97

 

CMYK 48 / 0 / 99 / 27

HEX #61BB02

RGB 97 187 2

HSL 89.19, 0.98%, 0.37%

LAB 68.08, -52.16, 67.98

 

CMYK 53 / 0 / 100 / 34

HEX #50A900

RGB 80 169 0

HSL 91.6, 1%, 0.33%

LAB 61.72, -50.59, 62.95

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 0 / 2 / 76 / 5

HEX #F1EC3B

RGB 241 236 59

HSL 58.35, 0.87%, 0.59%

LAB 91.24, -17.11, 79.68

 

CMYK 0 / 22 / 76 / 5

HEX #F1BB3B

RGB 241 187 59

HSL 42.2, 0.87%, 0.59%

LAB 78.79, 7.68, 68.13

 

CMYK 0 / 43 / 76 / 5

HEX #F18A3B

RGB 241 138 59

HSL 26.04, 0.87%, 0.59%

LAB 67.42, 33.42, 57.09

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 59 / 0 / 76 / 5

HEX #63F13B

RGB 99 241 59

HSL 106.81, 0.87%, 0.59%

LAB 84.93, -68.7, 71

 

CMYK 76 / 0 / 72 / 5

HEX #3BF144

RGB 59 241 68

HSL 122.97, 0.87%, 0.59%

LAB 84.1, -75.48, 66.91

 

CMYK 76 / 0 / 51 / 5

HEX #3BF175

RGB 59 241 117

HSL 139.12, 0.87%, 0.59%

LAB 84.55, -70.07, 46.97

 

CMYK 76 / 0 / 31 / 5

HEX #3BF1A6

RGB 59 241 166

HSL 155.27, 0.87%, 0.59%

LAB 85.3, -61.49, 23.7

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 34 / 0 / 66 / 12

HEX #94E04C

RGB 148 224 76

HSL 90.81, 0.7%, 0.59%

LAB 81.91, -46.78, 62.56

 

CMYK 28 / 0 / 55 / 19

HEX #95CF5D

RGB 149 207 93

HSL 90.53, 0.54%, 0.59%

LAB 77.16, -37.53, 50.01

 

CMYK 22 / 0 / 42 / 25

HEX #95BE6E

RGB 149 190 110

HSL 90.75, 0.38%, 0.59%

LAB 72.46, -27.66, 35.98

 

CMYK 14 / 0 / 27 / 32

HEX #95AD7F

RGB 149 173 127

HSL 91.3, 0.22%, 0.59%

LAB 67.88, -16.75, 20.97

 

CMYK 0 / 2 / 76 / 5

HEX #F1EB3B

RGB 241 235 59

HSL 58.02, 0.87%, 0.59%

LAB 90.98, -16.62, 79.44

 

CMYK 18 / 0 / 76 / 5

HEX #C6F13B

RGB 198 241 59

HSL 74.18, 0.87%, 0.59%

LAB 89.5, -36.75, 76.95

 

CMYK 38 / 0 / 76 / 5

HEX #96F13B

RGB 150 241 59

HSL 90, 0.87%, 0.59%

LAB 86.85, -54.15, 73.51

 

CMYK 58 / 0 / 76 / 5

HEX #65F13B

RGB 101 241 59

HSL 106.15, 0.87%, 0.59%

LAB 84.99, -68.23, 71.08

 

CMYK 76 / 0 / 73 / 5

HEX #3BF141

RGB 59 241 65

HSL 121.98, 0.87%, 0.59%

LAB 84.08, -75.71, 67.91

 

CMYK 48 / 0 / 93 / 20

HEX #6BCC0E

RGB 107 204 14

HSL 90.63, 0.87%, 0.43%

LAB 73.77, -55.29, 71.36

 

CMYK 47 / 0 / 92 / 7

HEX #7FEE14

RGB 127 238 20

HSL 90.55, 0.87%, 0.51%

LAB 84.85, -61.72, 79.98

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 31 / 0 / 60 / 4

HEX #A9F462

RGB 169 244 98

HSL 90.82, 0.87%, 0.67%

LAB 88.93, -46.21, 61.53

 

CMYK 23 / 0 / 45 / 4

HEX #BEF688

RGB 190 246 136

HSL 90.55, 0.86%, 0.75%

LAB 91.07, -35.87, 47.1

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 76 / 0 / 23 / 5

HEX #3BF1BA

RGB 59 241 186

HSL 161.87, 0.87%, 0.59%

LAB 85.7, -57.15, 13.93

 

CMYK 0 / 76 / 7 / 5

HEX #F13BDF

RGB 241 59 223

HSL 305.93, 0.87%, 0.59%

LAB 59.12, 82.93, -45.02

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 76 / 38 / 0 / 5

HEX #3B96F1

RGB 59 150 241

HSL 210, 0.87%, 0.59%

LAB 60.86, 3.69, -53.3

 

CMYK 0 / 76 / 38 / 5

HEX #F13B96

RGB 241 59 150

HSL 330, 0.87%, 0.59%

LAB 56.12, 74, -7.52

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 76 / 0 / 23 / 5

HEX #3BF1BA

RGB 59 241 186

HSL 161.87, 0.87%, 0.59%

LAB 85.7, -57.15, 13.93

 

CMYK 38 / 76 / 0 / 5

HEX #963BF1

RGB 150 59 241

HSL 270, 0.87%, 0.59%

LAB 46.93, 69.27, -75.46

 

CMYK 0 / 76 / 53 / 5

HEX #F13B72

RGB 241 59 114

HSL 341.87, 0.87%, 0.59%

LAB 55.12, 70.87, 12.42

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 76 / 0 / 0 / 5

HEX #3BF1F1

RGB 59 241 241

HSL 180, 0.87%, 0.59%

LAB 87.09, -43.07, -12.82

 

CMYK 38 / 76 / 0 / 5

HEX #963BF1

RGB 150 59 241

HSL 270, 0.87%, 0.59%

LAB 46.93, 69.27, -75.46

 

CMYK 0 / 76 / 76 / 5

HEX #F13B3B

RGB 241 59 59

HSL 0, 0.87%, 0.59%

LAB 54.18, 67.86, 43.33

 

Description

Color code: HEX #94F13B | qconv.com Color code: HEX #94F13B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 241 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 241 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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