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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E9A1 it is the complementary color #6B165E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E9A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E9A1 shade: #99E99C, #AAFBAF, #BBFFC2, #CCFFD5 and #DDFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E9A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E9A1 shade: #94E9A1, #83D78E, #72C57B, #61B368 and #50A155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E9A1 shade: #95E9A2, #9EE995, #B5E995, #CCE995 and #E3E995

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E9A1 shade: #95E9A2, #95E9B8, #95E9CF, #95E9E6 and #95D5E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E9A1 shade matches the following richer shades: #95E9A2, #8AF39A and #80FD93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E9A1 shade: #95E9A2, #9FDFA9, #A9D4B0, #B4CAB7 and #BEC0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E9A1 shade: #B5E995, #9EE995, #95E9A1, #95E9B8 and #95E9CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E9A1 shade: #50DB65, #72E283, #95E9A2, #B7F0C0 and #D9F7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E9A1 shade: #94E9A1, #95CBE9 and #E995AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E9A1 shade: #94E9A1, #A195E9 and #E9A195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E9A1 shade: #94E9A1, #95CBE9, #E995DC and #E9B295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E9A1 shade: #94E9A1, #95B2E9, #E995DC and #E9CB95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

Complementary color

CMYK 0 / 79 / 12 / 58

HEX #6B165E

RGB 107 22 94

HSL 309.18, 0.66%, 0.25%

LAB 25.28, 44.51, -22.02

 

CMYK 34 / 0 / 33 / 9

HEX #99E99C

RGB 153 233 156

HSL 122.25, 0.65%, 0.76%

LAB 85.73, -39.56, 29.89

 

CMYK 32 / 0 / 30 / 2

HEX #AAFBAF

RGB 170 251 175

HSL 123.7, 0.91%, 0.83%

LAB 91.97, -39.32, 28.81

 

CMYK 27 / 0 / 24 / 0

HEX #BBFFC2

RGB 187 255 194

HSL 126.18, 1%, 0.87%

LAB 94.3, -32.7, 22.51

 

CMYK 20 / 0 / 16 / 0

HEX #CCFFD5

RGB 204 255 213

HSL 130.59, 1%, 0.9%

LAB 95.65, -24.03, 14.83

 

CMYK 13 / 0 / 9 / 0

HEX #DDFFE8

RGB 221 255 232

HSL 139.41, 1%, 0.93%

LAB 97.11, -15.19, 7.31

 

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

CMYK 39 / 0 / 34 / 16

HEX #83D78E

RGB 131 215 142

HSL 127.86, 0.51%, 0.68%

LAB 79.26, -40.51, 28.22

 

CMYK 42 / 0 / 38 / 23

HEX #72C57B

RGB 114 197 123

HSL 126.51, 0.42%, 0.61%

LAB 72.85, -40.74, 29.42

 

CMYK 46 / 0 / 42 / 30

HEX #61B368

RGB 97 179 104

HSL 125.12, 0.35%, 0.54%

LAB 66.35, -40.93, 30.69

 

CMYK 50 / 0 / 47 / 37

HEX #50A155

RGB 80 161 85

HSL 123.7, 0.34%, 0.47%

LAB 59.75, -41.04, 32.03

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A2

RGB 149 233 162

HSL 129.29, 0.66%, 0.75%

LAB 85.64, -39.79, 26.68

 

CMYK 32 / 0 / 36 / 9

HEX #9EE995

RGB 158 233 149

HSL 113.57, 0.66%, 0.75%

LAB 85.86, -39.07, 33.67

 

CMYK 22 / 0 / 36 / 9

HEX #B5E995

RGB 181 233 149

HSL 97.14, 0.66%, 0.75%

LAB 87.13, -31.38, 35.57

 

CMYK 12 / 0 / 36 / 9

HEX #CCE995

RGB 204 233 149

HSL 80.71, 0.66%, 0.75%

LAB 88.58, -23.15, 37.74

 

CMYK 3 / 0 / 36 / 9

HEX #E3E995

RGB 227 233 149

HSL 64.29, 0.66%, 0.75%

LAB 90.22, -14.54, 40.18

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A2

RGB 149 233 162

HSL 129.29, 0.66%, 0.75%

LAB 85.64, -39.79, 26.68

 

CMYK 36 / 0 / 21 / 9

HEX #95E9B8

RGB 149 233 184

HSL 145, 0.66%, 0.75%

LAB 86.07, -35.83, 15.88

 

CMYK 36 / 0 / 11 / 9

HEX #95E9CF

RGB 149 233 207

HSL 161.43, 0.66%, 0.75%

LAB 86.59, -31.18, 4.59

 

CMYK 36 / 0 / 1 / 9

HEX #95E9E6

RGB 149 233 230

HSL 177.86, 0.66%, 0.75%

LAB 87.18, -26.05, -6.62

 

CMYK 36 / 9 / 0 / 9

HEX #95D5E9

RGB 149 213 233

HSL 194.29, 0.66%, 0.75%

LAB 81.76, -15.37, -16.29

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A2

RGB 149 233 162

HSL 129.29, 0.66%, 0.75%

LAB 85.64, -39.79, 26.68

 

CMYK 43 / 0 / 37 / 5

HEX #8AF39A

RGB 138 243 154

HSL 129.14, 0.81%, 0.75%

LAB 87.89, -48.63, 33.66

 

CMYK 49 / 0 / 42 / 1

HEX #80FD93

RGB 128 253 147

HSL 129.12, 0.97%, 0.75%

LAB 90.3, -56.46, 40.2

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A2

RGB 149 233 162

HSL 129.29, 0.66%, 0.75%

LAB 85.64, -39.79, 26.68

 

CMYK 29 / 0 / 24 / 13

HEX #9FDFA9

RGB 159 223 169

HSL 129.38, 0.5%, 0.75%

LAB 83.45, -30.91, 20.12

 

CMYK 20 / 0 / 17 / 17

HEX #A9D4B0

RGB 169 212 176

HSL 129.77, 0.33%, 0.75%

LAB 81.1, -21.09, 13.24

 

CMYK 11 / 0 / 9 / 21

HEX #B4CAB7

RGB 180 202 183

HSL 128.18, 0.17%, 0.75%

LAB 79.25, -11.04, 6.97

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BE

RGB 190 192 190

HSL 120, 0.02%, 0.75%

LAB 77.5, -1.06, 0.75

 

CMYK 22 / 0 / 36 / 9

HEX #B5E995

RGB 181 233 149

HSL 97.14, 0.66%, 0.75%

LAB 87.13, -31.38, 35.57

 

CMYK 32 / 0 / 36 / 9

HEX #9EE995

RGB 158 233 149

HSL 113.57, 0.66%, 0.75%

LAB 85.86, -39.07, 33.67

 

CMYK 36 / 0 / 31 / 9

HEX #95E9A1

RGB 149 233 161

HSL 128.57, 0.66%, 0.75%

LAB 85.63, -39.96, 27.16

 

CMYK 36 / 0 / 21 / 9

HEX #95E9B8

RGB 149 233 184

HSL 145, 0.66%, 0.75%

LAB 86.07, -35.83, 15.88

 

CMYK 36 / 0 / 12 / 9

HEX #95E9CE

RGB 149 233 206

HSL 160.71, 0.66%, 0.75%

LAB 86.57, -31.39, 5.08

 

CMYK 63 / 0 / 54 / 14

HEX #50DB65

RGB 80 219 101

HSL 129.06, 0.66%, 0.59%

LAB 78.06, -61.28, 46.67

 

CMYK 50 / 0 / 42 / 11

HEX #72E283

RGB 114 226 131

HSL 129.11, 0.66%, 0.67%

LAB 81.63, -51.71, 36.8

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A2

RGB 149 233 162

HSL 129.29, 0.66%, 0.75%

LAB 85.64, -39.79, 26.68

 

CMYK 24 / 0 / 20 / 6

HEX #B7F0C0

RGB 183 240 192

HSL 129.47, 0.66%, 0.83%

LAB 89.95, -27.28, 17.43

 

CMYK 12 / 0 / 10 / 3

HEX #D9F7DE

RGB 217 247 222

HSL 130, 0.65%, 0.91%

LAB 94.55, -14.33, 8.74

 

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE9

RGB 149 203 233

HSL 201.43, 0.66%, 0.75%

LAB 79.03, -10.19, -20.41

 

CMYK 0 / 36 / 27 / 9

HEX #E995AA

RGB 233 149 170

HSL 345, 0.66%, 0.75%

LAB 70.68, 34.29, 2.3

 

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

CMYK 31 / 36 / 0 / 9

HEX #A195E9

RGB 161 149 233

HSL 248.57, 0.66%, 0.75%

LAB 65.71, 22.96, -40.87

 

CMYK 0 / 31 / 36 / 9

HEX #E9A195

RGB 233 161 149

HSL 8.57, 0.66%, 0.75%

LAB 72.88, 25.24, 17.04

 

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE9

RGB 149 203 233

HSL 201.43, 0.66%, 0.75%

LAB 79.03, -10.19, -20.41

 

CMYK 0 / 36 / 6 / 9

HEX #E995DC

RGB 233 149 220

HSL 309.29, 0.66%, 0.75%

LAB 72.22, 42.06, -23.09

 

CMYK 0 / 24 / 36 / 9

HEX #E9B295

RGB 233 178 149

HSL 20.71, 0.66%, 0.75%

LAB 76.88, 16.18, 22.56

 

CMYK 36 / 0 / 31 / 9

HEX #94E9A1

RGB 148 233 161

HSL 129.18, 0.66%, 0.75%

LAB 85.58, -40.26, 27.09

 

CMYK 36 / 24 / 0 / 9

HEX #95B2E9

RGB 149 178 233

HSL 219.29, 0.66%, 0.75%

LAB 72.3, 3.28, -30.7

 

CMYK 0 / 36 / 6 / 9

HEX #E995DC

RGB 233 149 220

HSL 309.29, 0.66%, 0.75%

LAB 72.22, 42.06, -23.09

 

CMYK 0 / 13 / 36 / 9

HEX #E9CB95

RGB 233 203 149

HSL 38.57, 0.66%, 0.75%

LAB 83.02, 3.01, 30.84

 

Description

Color code: HEX #94E9A1 | qconv.com Color code: HEX #94E9A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 233 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 233 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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