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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DF33 it is the complementary color #6B20CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DF33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DF33 shade: #99DF2E, #AAF141, #BBFF54, #CCFF67 and #DDFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DF33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DF33 shade: #94DF33, #83CD20, #72BB0D, #61A900 and #509700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DF33 shade: #94DF34, #C2DF34, #DFCD34, #DF9F34 and #DF7134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DF33 shade: #94DF34, #66DF34, #38DF34, #34DF5E and #34DF8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DF33 shade matches the following richer shades: #94DF34 and #97F221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DF33 shade: #94DF34, #92CC47, #8FB95A, #8DA66D and #8A937F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DF33 shade: #DFCE34, #C2DF34, #95DF34, #67DF34 and #39DF34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DF33 shade: #69A61A, #80CA1F, #94DF34, #A7E457 and #BAEA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DF33 shade: #94DF33, #34DFA0 and #DF34D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DF33 shade: #94DF33, #3495DF and #DF3495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DF33 shade: #94DF33, #34DFA0, #7E34DF and #DF3472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DF33 shade: #94DF33, #34DFD3, #7E34DF and #DF343F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

Complementary color

CMYK 48 / 84 / 0 / 20

HEX #6B20CC

RGB 107 32 204

HSL 266.16, 0.73%, 0.46%

LAB 35.04, 64.33, -73.99

 

CMYK 31 / 0 / 79 / 13

HEX #99DF2E

RGB 153 223 46

HSL 83.73, 0.73%, 0.53%

LAB 81.7, -46.37, 72.54

 

CMYK 29 / 0 / 73 / 5

HEX #AAF141

RGB 170 241 65

HSL 84.2, 0.86%, 0.6%

LAB 87.89, -46.92, 72.96

 

CMYK 27 / 0 / 67 / 0

HEX #BBFF54

RGB 187 255 84

HSL 83.86, 1%, 0.66%

LAB 92.89, -45.63, 71.64

 

CMYK 20 / 0 / 60 / 0

HEX #CCFF67

RGB 204 255 103

HSL 80.13, 1%, 0.7%

LAB 94.03, -38.05, 65.66

 

CMYK 13 / 0 / 52 / 0

HEX #DDFF7A

RGB 221 255 122

HSL 75.34, 1%, 0.74%

LAB 95.29, -30.11, 59.16

 

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

CMYK 36 / 0 / 84 / 20

HEX #83CD20

RGB 131 205 32

HSL 85.66, 0.73%, 0.46%

LAB 75.2, -47.25, 69.83

 

CMYK 39 / 0 / 93 / 27

HEX #72BB0D

RGB 114 187 13

HSL 85.17, 0.87%, 0.39%

LAB 68.86, -46.34, 67.62

 

CMYK 43 / 0 / 100 / 34

HEX #61A900

RGB 97 169 0

HSL 85.56, 1%, 0.33%

LAB 62.44, -45.14, 63.81

 

CMYK 47 / 0 / 100 / 41

HEX #509700

RGB 80 151 0

HSL 88.21, 1%, 0.3%

LAB 55.93, -43.63, 58.4

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 13 / 0 / 77 / 13

HEX #C2DF34

RGB 194 223 52

HSL 70.18, 0.73%, 0.54%

LAB 84.22, -30.38, 74.06

 

CMYK 0 / 8 / 77 / 13

HEX #DFCD34

RGB 223 205 52

HSL 53.68, 0.73%, 0.54%

LAB 81.62, -9.53, 72.51

 

CMYK 0 / 29 / 77 / 13

HEX #DF9F34

RGB 223 159 52

HSL 37.54, 0.73%, 0.54%

LAB 69.99, 14.53, 61.72

 

CMYK 0 / 49 / 77 / 13

HEX #DF7134

RGB 223 113 52

HSL 21.4, 0.73%, 0.54%

LAB 59.66, 38.82, 51.66

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 54 / 0 / 77 / 13

HEX #66DF34

RGB 102 223 52

HSL 102.46, 0.73%, 0.54%

LAB 79.53, -62.16, 67.98

 

CMYK 75 / 0 / 77 / 13

HEX #38DF34

RGB 56 223 52

HSL 118.6, 0.73%, 0.54%

LAB 78.38, -71.62, 66.48

 

CMYK 77 / 0 / 58 / 13

HEX #34DF5E

RGB 52 223 94

HSL 134.74, 0.73%, 0.54%

LAB 78.64, -68.18, 50.44

 

CMYK 77 / 0 / 37 / 13

HEX #34DF8C

RGB 52 223 140

HSL 150.88, 0.73%, 0.54%

LAB 79.27, -60.88, 28.85

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 38 / 0 / 86 / 5

HEX #97F221

RGB 151 242 33

HSL 86.12, 0.89%, 0.54%

LAB 87.09, -55.27, 80.21

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 28 / 0 / 65 / 20

HEX #92CC47

RGB 146 204 71

HSL 86.17, 0.57%, 0.54%

LAB 75.92, -39.23, 58.16

 

CMYK 23 / 0 / 51 / 27

HEX #8FB95A

RGB 143 185 90

HSL 86.53, 0.4%, 0.54%

LAB 70.37, -29.88, 43.3

 

CMYK 15 / 0 / 34 / 35

HEX #8DA66D

RGB 141 166 109

HSL 86.32, 0.24%, 0.54%

LAB 64.99, -18.89, 26.73

 

CMYK 6 / 0 / 14 / 42

HEX #8A937F

RGB 138 147 127

HSL 87, 0.08%, 0.54%

LAB 59.71, -7.07, 9.49

 

CMYK 0 / 8 / 77 / 13

HEX #DFCE34

RGB 223 206 52

HSL 54.04, 0.73%, 0.54%

LAB 81.88, -10.04, 72.75

 

CMYK 13 / 0 / 77 / 13

HEX #C2DF34

RGB 194 223 52

HSL 70.18, 0.73%, 0.54%

LAB 84.22, -30.38, 74.06

 

CMYK 33 / 0 / 77 / 13

HEX #95DF34

RGB 149 223 52

HSL 85.96, 0.73%, 0.54%

LAB 81.52, -47.52, 70.57

 

CMYK 54 / 0 / 77 / 13

HEX #67DF34

RGB 103 223 52

HSL 102.11, 0.73%, 0.54%

LAB 79.56, -61.9, 68.02

 

CMYK 74 / 0 / 77 / 13

HEX #39DF34

RGB 57 223 52

HSL 118.25, 0.73%, 0.54%

LAB 78.4, -71.47, 66.5

 

CMYK 37 / 0 / 84 / 35

HEX #69A61A

RGB 105 166 26

HSL 86.14, 0.73%, 0.38%

LAB 61.96, -40.37, 59.15

 

CMYK 37 / 0 / 85 / 21

HEX #80CA1F

RGB 128 202 31

HSL 85.96, 0.73%, 0.46%

LAB 74.14, -47.1, 69.08

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 27 / 0 / 62 / 11

HEX #A7E457

RGB 167 228 87

HSL 85.96, 0.72%, 0.62%

LAB 84.17, -40.91, 60.84

 

CMYK 21 / 0 / 47 / 8

HEX #BAEA7B

RGB 186 234 123

HSL 85.95, 0.73%, 0.7%

LAB 87.35, -33.27, 48.65

 

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

CMYK 77 / 0 / 28 / 13

HEX #34DFA0

RGB 52 223 160

HSL 157.89, 0.73%, 0.54%

LAB 79.64, -56.78, 18.99

 

CMYK 0 / 77 / 3 / 13

HEX #DF34D9

RGB 223 52 217

HSL 302.11, 0.73%, 0.54%

LAB 55.23, 80.3, -47.96

 

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

CMYK 77 / 33 / 0 / 13

HEX #3495DF

RGB 52 149 223

HSL 205.96, 0.73%, 0.54%

LAB 59.48, -2.95, -45.53

 

CMYK 0 / 77 / 33 / 13

HEX #DF3495

RGB 223 52 149

HSL 325.96, 0.73%, 0.54%

LAB 52.19, 71.44, -13.15

 

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

CMYK 77 / 0 / 28 / 13

HEX #34DFA0

RGB 52 223 160

HSL 157.89, 0.73%, 0.54%

LAB 79.64, -56.78, 18.99

 

CMYK 43 / 77 / 0 / 13

HEX #7E34DF

RGB 126 52 223

HSL 265.96, 0.73%, 0.54%

LAB 41.56, 64.15, -74.15

 

CMYK 0 / 77 / 49 / 13

HEX #DF3472

RGB 223 52 114

HSL 338.25, 0.73%, 0.54%

LAB 51.1, 68.1, 6.28

 

CMYK 34 / 0 / 77 / 13

HEX #94DF33

RGB 148 223 51

HSL 86.16, 0.73%, 0.54%

LAB 81.46, -47.92, 70.8

 

CMYK 77 / 0 / 5 / 13

HEX #34DFD3

RGB 52 223 211

HSL 175.79, 0.73%, 0.54%

LAB 80.85, -44.16, -6.26

 

CMYK 43 / 77 / 0 / 13

HEX #7E34DF

RGB 126 52 223

HSL 265.96, 0.73%, 0.54%

LAB 41.56, 64.15, -74.15

 

CMYK 0 / 77 / 72 / 13

HEX #DF343F

RGB 223 52 63

HSL 356.14, 0.73%, 0.54%

LAB 50.1, 64.93, 35.57

 

Description

Color code: HEX #94DF33 | qconv.com Color code: HEX #94DF33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 223 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 223 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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