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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DEEC it is the complementary color #6B2113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DEEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DEEC shade: #99DEE7, #AAF0FA, #BBFFFF, #CCFFFF and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DEEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DEEC shade: #94DEEC, #83CCD9, #72BAC6, #61A8B3 and #5096A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DEEC shade: #92DDEB, #92C5EB, #92ADEB, #9295EB and #A792EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DEEC shade: #92DDEB, #92C5EB, #92ADEB, #9295EB and #9292EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DEEC shade matches the following richer shades: #92DDEB and #88E4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DEEC shade: #92DDEB, #9CD6E1, #A7CFD7, #B1C8CC and #BBC1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DEEC shade: #92EBC9, #92EBE1, #92DEEB, #92C6EB and #92AEEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DEEC shade: #4CC8DF, #6FD2E5, #92DDEB, #B5E8F2 and #D8F3F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DEEC shade: #94DEEC, #B192EB and #EBD592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DEEC shade: #94DEEC, #EB92DE and #DEEB92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DEEC shade: #94DEEC, #B192EB, #EBA092 and #CCEB92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DEEC shade: #94DEEC, #CC92EB, #EBA092 and #B1EB92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

Complementary color

CMYK 0 / 69 / 82 / 58

HEX #6B2113

RGB 107 33 19

HSL 9.55, 0.7%, 0.25%

LAB 24.51, 32.17, 26.83

 

CMYK 34 / 4 / 0 / 9

HEX #99DEE7

RGB 153 222 231

HSL 186.92, 0.62%, 0.75%

LAB 84.37, -19.34, -11.3

 

CMYK 32 / 4 / 0 / 2

HEX #AAF0FA

RGB 170 240 250

HSL 187.5, 0.89%, 0.82%

LAB 90.67, -19.3, -11.79

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

CMYK 40 / 6 / 0 / 15

HEX #83CCD9

RGB 131 204 217

HSL 189.07, 0.53%, 0.68%

LAB 77.89, -19.43, -13.64

 

CMYK 42 / 6 / 0 / 22

HEX #72BAC6

RGB 114 186 198

HSL 188.57, 0.42%, 0.61%

LAB 71.4, -19.4, -13.14

 

CMYK 46 / 6 / 0 / 30

HEX #61A8B3

RGB 97 168 179

HSL 188.05, 0.35%, 0.54%

LAB 64.8, -19.33, -12.63

 

CMYK 50 / 6 / 0 / 37

HEX #5096A0

RGB 80 150 160

HSL 187.5, 0.33%, 0.47%

LAB 58.09, -19.21, -12.08

 

CMYK 38 / 6 / 0 / 8

HEX #92DDEB

RGB 146 221 235

HSL 189.44, 0.69%, 0.75%

LAB 83.87, -19.71, -14.2

 

CMYK 38 / 16 / 0 / 8

HEX #92C5EB

RGB 146 197 235

HSL 205.62, 0.69%, 0.75%

LAB 77.31, -7.31, -24.13

 

CMYK 38 / 26 / 0 / 8

HEX #92ADEB

RGB 146 173 235

HSL 221.8, 0.69%, 0.75%

LAB 70.87, 5.78, -34.02

 

CMYK 38 / 37 / 0 / 8

HEX #9295EB

RGB 146 149 235

HSL 237.98, 0.69%, 0.75%

LAB 64.65, 19.42, -43.73

 

CMYK 29 / 38 / 0 / 8

HEX #A792EB

RGB 167 146 235

HSL 254.16, 0.69%, 0.75%

LAB 65.57, 26.84, -42.16

 

CMYK 38 / 6 / 0 / 8

HEX #92DDEB

RGB 146 221 235

HSL 189.44, 0.69%, 0.75%

LAB 83.87, -19.71, -14.2

 

CMYK 38 / 16 / 0 / 8

HEX #92C5EB

RGB 146 197 235

HSL 205.62, 0.69%, 0.75%

LAB 77.31, -7.31, -24.13

 

CMYK 38 / 26 / 0 / 8

HEX #92ADEB

RGB 146 173 235

HSL 221.8, 0.69%, 0.75%

LAB 70.87, 5.78, -34.02

 

CMYK 38 / 37 / 0 / 8

HEX #9295EB

RGB 146 149 235

HSL 237.98, 0.69%, 0.75%

LAB 64.65, 19.42, -43.73

 

CMYK 38 / 38 / 0 / 8

HEX #9292EB

RGB 146 146 235

HSL 240, 0.69%, 0.75%

LAB 63.89, 21.15, -44.92

 

CMYK 38 / 6 / 0 / 8

HEX #92DDEB

RGB 146 221 235

HSL 189.44, 0.69%, 0.75%

LAB 83.87, -19.71, -14.2

 

CMYK 45 / 7 / 0 / 4

HEX #88E4F6

RGB 136 228 246

HSL 189.82, 0.86%, 0.75%

LAB 85.69, -22.86, -17.32

 

CMYK 38 / 6 / 0 / 8

HEX #92DDEB

RGB 146 221 235

HSL 189.44, 0.69%, 0.75%

LAB 83.87, -19.71, -14.2

 

CMYK 31 / 5 / 0 / 12

HEX #9CD6E1

RGB 156 214 225

HSL 189.57, 0.53%, 0.75%

LAB 82.16, -15.89, -11.39

 

CMYK 22 / 4 / 0 / 16

HEX #A7CFD7

RGB 167 207 215

HSL 190, 0.38%, 0.75%

LAB 80.6, -11.36, -8.32

 

CMYK 13 / 2 / 0 / 20

HEX #B1C8CC

RGB 177 200 204

HSL 188.89, 0.21%, 0.75%

LAB 79.05, -6.92, -4.63

 

CMYK 4 / 1 / 0 / 24

HEX #BBC1C2

RGB 187 193 194

HSL 188.57, 0.05%, 0.75%

LAB 77.64, -1.87, -1.23

HEX #BBC1C2

CMYK 38 / 0 / 14 / 8

HEX #92EBC9

RGB 146 235 201

HSL 157.08, 0.69%, 0.75%

LAB 86.87, -34.2, 8.13

 

CMYK 38 / 0 / 4 / 8

HEX #92EBE1

RGB 146 235 225

HSL 173.26, 0.69%, 0.75%

LAB 87.47, -28.94, -3.59

 

CMYK 38 / 6 / 0 / 8

HEX #92DEEB

RGB 146 222 235

HSL 188.76, 0.69%, 0.75%

LAB 84.15, -20.21, -13.79

 

CMYK 38 / 16 / 0 / 8

HEX #92C6EB

RGB 146 198 235

HSL 204.94, 0.69%, 0.75%

LAB 77.58, -7.84, -23.71

 

CMYK 38 / 26 / 0 / 8

HEX #92AEEB

RGB 146 174 235

HSL 221.12, 0.69%, 0.75%

LAB 71.13, 5.22, -33.61

 

CMYK 66 / 10 / 0 / 13

HEX #4CC8DF

RGB 76 200 223

HSL 189.39, 0.7%, 0.59%

LAB 74.93, -27.02, -21.53

 

CMYK 52 / 8 / 0 / 10

HEX #6FD2E5

RGB 111 210 229

HSL 189.66, 0.69%, 0.67%

LAB 79.12, -23.94, -18.31

 

CMYK 38 / 6 / 0 / 8

HEX #92DDEB

RGB 146 221 235

HSL 189.44, 0.69%, 0.75%

LAB 83.87, -19.71, -14.2

 

CMYK 25 / 4 / 0 / 5

HEX #B5E8F2

RGB 181 232 242

HSL 189.84, 0.7%, 0.83%

LAB 88.9, -14.04, -10.19

 

CMYK 13 / 2 / 0 / 3

HEX #D8F3F8

RGB 216 243 248

HSL 189.38, 0.7%, 0.91%

LAB 94.09, -7.78, -5.39

 

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

CMYK 25 / 38 / 0 / 8

HEX #B192EB

RGB 177 146 235

HSL 260.9, 0.69%, 0.75%

LAB 66.45, 29.67, -40.73

 

CMYK 0 / 9 / 38 / 8

HEX #EBD592

RGB 235 213 146

HSL 45.17, 0.69%, 0.75%

LAB 85.67, -1.71, 35.91

 

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

CMYK 0 / 38 / 6 / 8

HEX #EB92DE

RGB 235 146 222

HSL 308.76, 0.69%, 0.75%

LAB 71.89, 44.59, -24.67

 

CMYK 6 / 0 / 38 / 8

HEX #DEEB92

RGB 222 235 146

HSL 68.76, 0.69%, 0.75%

LAB 90.33, -17.76, 41.74

 

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

CMYK 25 / 38 / 0 / 8

HEX #B192EB

RGB 177 146 235

HSL 260.9, 0.69%, 0.75%

LAB 66.45, 29.67, -40.73

 

CMYK 0 / 32 / 38 / 8

HEX #EBA092

RGB 235 160 146

HSL 9.44, 0.69%, 0.75%

LAB 72.81, 26.18, 18.63

 

CMYK 13 / 0 / 38 / 8

HEX #CCEB92

RGB 204 235 146

HSL 80.9, 0.69%, 0.75%

LAB 89.08, -24.48, 39.88

 

CMYK 37 / 6 / 0 / 7

HEX #94DEEC

RGB 148 222 236

HSL 189.55, 0.7%, 0.75%

LAB 84.27, -19.45, -14.12

 

CMYK 13 / 38 / 0 / 8

HEX #CC92EB

RGB 204 146 235

HSL 279.1, 0.69%, 0.75%

LAB 69.04, 37.57, -36.49

 

CMYK 0 / 32 / 38 / 8

HEX #EBA092

RGB 235 160 146

HSL 9.44, 0.69%, 0.75%

LAB 72.81, 26.18, 18.63

 

CMYK 25 / 0 / 38 / 8

HEX #B1EB92

RGB 177 235 146

HSL 99.1, 0.69%, 0.75%

LAB 87.41, -34.1, 37.39

 

Description

Color code: HEX #94DEEC | qconv.com Color code: HEX #94DEEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 222 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 222 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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