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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94D344 it is the complementary color #6B2CBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94D344. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94D344 shade: #99D33F, #AAE552, #BBF765, #CCFF78 and #DDFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94D344. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94D344 shade: #94D344, #83C131, #72AF1E, #619D0B and #508B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94D344 shade: #94D345, #BBD345, #D3C545, #D39E45 and #D37845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94D344 shade: #94D345, #6ED345, #47D345, #45D368 and #45D38E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94D344 shade matches the following richer shades: #94D345, #96E532 and #99F81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94D344 shade: #94D345, #92C057, #90AE6A, #8E9B7C and #8B898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94D344 shade: #D3C545, #BBD345, #95D345, #6FD345 and #49D345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94D344 shade: #6AA025, #80C12D, #94D345, #A7DB66 and #BAE387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94D344 shade: #94D344, #45D39F and #D345CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94D344 shade: #94D344, #4595D3 and #D34595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94D344 shade: #94D344, #45D39F, #8245D3 and #D34579

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94D344 shade: #94D344, #45D3C9, #8245D3 and #D3454E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

Complementary color

CMYK 43 / 76 / 0 / 27

HEX #6B2CBB

RGB 107 44 187

HSL 266.43, 0.62%, 0.45%

LAB 35.03, 55.72, -64.03

 

CMYK 27 / 0 / 70 / 17

HEX #99D33F

RGB 153 211 63

HSL 83.51, 0.63%, 0.54%

LAB 78.3, -40.3, 63.84

 

CMYK 26 / 0 / 64 / 10

HEX #AAE552

RGB 170 229 82

HSL 84.08, 0.74%, 0.61%

LAB 84.58, -40.65, 63.38

 

CMYK 24 / 0 / 59 / 3

HEX #BBF765

RGB 187 247 101

HSL 84.66, 0.9%, 0.68%

LAB 90.79, -40.89, 62.62

 

CMYK 20 / 0 / 53 / 0

HEX #CCFF78

RGB 204 255 120

HSL 82.67, 1%, 0.74%

LAB 94.19, -36.59, 58.5

 

CMYK 13 / 0 / 45 / 0

HEX #DDFF8B

RGB 221 255 139

HSL 77.59, 1%, 0.77%

LAB 95.48, -28.46, 51.57

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 32 / 0 / 75 / 24

HEX #83C131

RGB 131 193 49

HSL 85.83, 0.6%, 0.47%

LAB 71.68, -41.39, 61.81

 

CMYK 35 / 0 / 83 / 31

HEX #72AF1E

RGB 114 175 30

HSL 85.24, 0.71%, 0.4%

LAB 65.22, -40.79, 61.21

 

CMYK 38 / 0 / 93 / 38

HEX #619D0B

RGB 97 157 11

HSL 84.66, 0.87%, 0.33%

LAB 58.68, -39.91, 59.26

 

CMYK 42 / 0 / 100 / 45

HEX #508B00

RGB 80 139 0

HSL 85.47, 1%, 0.27%

LAB 52.03, -38.69, 55.37

 

CMYK 30 / 0 / 67 / 17

HEX #94D345

RGB 148 211 69

HSL 86.62, 0.62%, 0.55%

LAB 78.06, -41.73, 61.24

 

CMYK 11 / 0 / 67 / 17

HEX #BBD345

RGB 187 211 69

HSL 70.14, 0.62%, 0.55%

LAB 80.51, -26.68, 64.54

 

CMYK 0 / 7 / 67 / 17

HEX #D3C545

RGB 211 197 69

HSL 54.08, 0.62%, 0.55%

LAB 78.58, -9.78, 63.18

 

CMYK 0 / 25 / 67 / 17

HEX #D39E45

RGB 211 158 69

HSL 37.61, 0.62%, 0.55%

LAB 68.56, 10.74, 52.67

 

CMYK 0 / 43 / 67 / 17

HEX #D37845

RGB 211 120 69

HSL 21.55, 0.62%, 0.55%

LAB 59.63, 31.22, 42.78

 

CMYK 30 / 0 / 67 / 17

HEX #94D345

RGB 148 211 69

HSL 86.62, 0.62%, 0.55%

LAB 78.06, -41.73, 61.24

 

CMYK 48 / 0 / 67 / 17

HEX #6ED345

RGB 110 211 69

HSL 102.68, 0.62%, 0.55%

LAB 76.27, -54.3, 58.82

 

CMYK 66 / 0 / 67 / 17

HEX #47D345

RGB 71 211 69

HSL 119.15, 0.62%, 0.55%

LAB 75.05, -63.91, 57.15

 

CMYK 67 / 0 / 51 / 17

HEX #45D368

RGB 69 211 104

HSL 134.79, 0.62%, 0.55%

LAB 75.36, -60.12, 41.89

 

CMYK 67 / 0 / 33 / 17

HEX #45D38E

RGB 69 211 142

HSL 150.85, 0.62%, 0.55%

LAB 75.95, -53.54, 23.4

 

CMYK 30 / 0 / 67 / 17

HEX #94D345

RGB 148 211 69

HSL 86.62, 0.62%, 0.55%

LAB 78.06, -41.73, 61.24

 

CMYK 34 / 0 / 78 / 10

HEX #96E532

RGB 150 229 50

HSL 86.48, 0.77%, 0.55%

LAB 83.31, -49.75, 72.85

 

CMYK 38 / 0 / 88 / 3

HEX #99F81F

RGB 153 248 31

HSL 86.27, 0.94%, 0.55%

LAB 88.93, -57.01, 82.16

 

CMYK 30 / 0 / 67 / 17

HEX #94D345

RGB 148 211 69

HSL 86.62, 0.62%, 0.55%

LAB 78.06, -41.73, 61.24

 

CMYK 24 / 0 / 55 / 25

HEX #92C057

RGB 146 192 87

HSL 86.29, 0.45%, 0.55%

LAB 72.56, -32.36, 47.38

 

CMYK 17 / 0 / 39 / 32

HEX #90AE6A

RGB 144 174 106

HSL 86.47, 0.3%, 0.55%

LAB 67.46, -22.2, 31.58

 

CMYK 8 / 0 / 20 / 39

HEX #8E9B7C

RGB 142 155 124

HSL 85.16, 0.13%, 0.55%

LAB 62.21, -10.41, 14.73

 

CMYK 3 / 4 / 0 / 44

HEX #8B898F

RGB 139 137 143

HSL 260, 0.03%, 0.55%

LAB 57.43, 1.93, -2.94

 

CMYK 0 / 7 / 67 / 17

HEX #D3C545

RGB 211 197 69

HSL 54.08, 0.62%, 0.55%

LAB 78.58, -9.78, 63.18

 

CMYK 11 / 0 / 67 / 17

HEX #BBD345

RGB 187 211 69

HSL 70.14, 0.62%, 0.55%

LAB 80.51, -26.68, 64.54

 

CMYK 29 / 0 / 67 / 17

HEX #95D345

RGB 149 211 69

HSL 86.2, 0.62%, 0.55%

LAB 78.12, -41.37, 61.32

 

CMYK 47 / 0 / 67 / 17

HEX #6FD345

RGB 111 211 69

HSL 102.25, 0.62%, 0.55%

LAB 76.31, -54.01, 58.87

 

CMYK 65 / 0 / 67 / 17

HEX #49D345

RGB 73 211 69

HSL 118.31, 0.62%, 0.55%

LAB 75.1, -63.51, 57.21

 

CMYK 34 / 0 / 77 / 37

HEX #6AA025

RGB 106 160 37

HSL 86.34, 0.62%, 0.39%

LAB 60.19, -36.85, 54.31

 

CMYK 34 / 0 / 77 / 24

HEX #80C12D

RGB 128 193 45

HSL 86.35, 0.62%, 0.47%

LAB 71.5, -42.71, 62.89

 

CMYK 30 / 0 / 67 / 17

HEX #94D345

RGB 148 211 69

HSL 86.62, 0.62%, 0.55%

LAB 78.06, -41.73, 61.24

 

CMYK 24 / 0 / 53 / 14

HEX #A7DB66

RGB 167 219 102

HSL 86.67, 0.62%, 0.63%

LAB 81.75, -35.53, 51.5

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 67 / 0 / 25 / 17

HEX #45D39F

RGB 69 211 159

HSL 158.03, 0.62%, 0.55%

LAB 76.29, -49.93, 14.89

 

CMYK 0 / 67 / 2 / 17

HEX #D345CE

RGB 211 69 206

HSL 302.11, 0.62%, 0.55%

LAB 54.62, 70.72, -42.79

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 67 / 29 / 0 / 17

HEX #4595D3

RGB 69 149 211

HSL 206.2, 0.62%, 0.55%

LAB 59.4, -4.82, -38.93

 

CMYK 0 / 67 / 29 / 17

HEX #D34595

RGB 211 69 149

HSL 326.2, 0.62%, 0.55%

LAB 52.15, 62.64, -13.41

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 67 / 0 / 25 / 17

HEX #45D39F

RGB 69 211 159

HSL 158.03, 0.62%, 0.55%

LAB 76.29, -49.93, 14.89

 

CMYK 38 / 67 / 0 / 17

HEX #8245D3

RGB 130 69 211

HSL 265.77, 0.62%, 0.55%

LAB 43.81, 54.2, -63.59

 

CMYK 0 / 67 / 43 / 17

HEX #D34579

RGB 211 69 121

HSL 338.03, 0.62%, 0.55%

LAB 51.25, 59.56, 1.99

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 67 / 0 / 5 / 17

HEX #45D3C9

RGB 69 211 201

HSL 175.77, 0.62%, 0.55%

LAB 77.32, -39.52, -6.1

 

CMYK 38 / 67 / 0 / 17

HEX #8245D3

RGB 130 69 211

HSL 265.77, 0.62%, 0.55%

LAB 43.81, 54.2, -63.59

 

CMYK 0 / 67 / 63 / 17

HEX #D3454E

RGB 211 69 78

HSL 356.2, 0.62%, 0.55%

LAB 50.28, 56.12, 26.49

 

Description

Color code: HEX #94D344 | qconv.com Color code: HEX #94D344 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 211 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 211 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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