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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94D500 it is the complementary color #6B2AFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94D500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94D500 shade: #99D500, #AAE70E, #BBF921, #CCFF34 and #DDFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94D500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94D500 shade: #94D500, #83C300, #72B100, #619F00 and #508D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94D500 shade: #94D600, #CED600, #D6A400, #D66A00 and #D63000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94D500 shade: #94D600, #5BD600, #21D600, #00D618 and #00D652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94D500 shade matches the following richer shades: #94D600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94D500 shade: #94D600, #8EC411, #87B322, #80A233 and #799045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94D500 shade: #D6A400, #CFD600, #95D600, #5CD600 and #23D600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94D500 shade: #5B8300, #78AC00, #94D600, #B1FF00 and #BDFF29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94D500 shade: #94D500, #00D66B and #C000D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94D500 shade: #94D500, #0095D6 and #D60095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94D500 shade: #94D500, #00D66B, #4000D6 and #D6006B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94D500 shade: #94D500, #00D6AB, #4000D6 and #D6002A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

Complementary color

CMYK 58 / 84 / 0 / 0

HEX #6B2AFF

RGB 107 42 255

HSL 258.31, 1%, 0.58%

LAB 41.22, 73.48, -92.87

 

CMYK 28 / 0 / 100 / 16

HEX #99D500

RGB 153 213 0

HSL 76.9, 1%, 0.42%

LAB 78.67, -43.21, 77.6

 

CMYK 26 / 0 / 94 / 9

HEX #AAE70E

RGB 170 231 14

HSL 76.87, 0.89%, 0.48%

LAB 84.86, -44.37, 81.55

 

CMYK 25 / 0 / 87 / 2

HEX #BBF921

RGB 187 249 33

HSL 77.22, 0.95%, 0.55%

LAB 90.97, -45.34, 84.23

 

CMYK 20 / 0 / 80 / 0

HEX #CCFF34

RGB 204 255 52

HSL 75.07, 1%, 0.6%

LAB 93.71, -40.95, 82.86

 

CMYK 13 / 0 / 72 / 0

HEX #DDFF47

RGB 221 255 71

HSL 71.09, 1%, 0.64%

LAB 94.89, -33.59, 78.83

 

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

CMYK 33 / 0 / 100 / 24

HEX #83C300

RGB 131 195 0

HSL 79.69, 1%, 0.38%

LAB 72.13, -43.76, 72.05

 

CMYK 36 / 0 / 100 / 31

HEX #72B100

RGB 114 177 0

HSL 81.36, 1%, 0.35%

LAB 65.77, -42.4, 66.75

 

CMYK 39 / 0 / 100 / 38

HEX #619F00

RGB 97 159 0

HSL 83.4, 1%, 0.31%

LAB 59.29, -40.99, 61.36

 

CMYK 43 / 0 / 100 / 45

HEX #508D00

RGB 80 141 0

HSL 85.96, 1%, 0.28%

LAB 52.68, -39.53, 55.87

 

CMYK 31 / 0 / 100 / 16

HEX #94D600

RGB 148 214 0

HSL 78.5, 1%, 0.42%

LAB 78.69, -45.51, 77.49

 

CMYK 4 / 0 / 100 / 16

HEX #CED600

RGB 206 214 0

HSL 62.24, 1%, 0.42%

LAB 82.49, -22.27, 82.03

 

CMYK 0 / 23 / 100 / 16

HEX #D6A400

RGB 214 164 0

HSL 45.98, 1%, 0.42%

LAB 70.07, 6.83, 73.48

 

CMYK 0 / 50 / 100 / 16

HEX #D66A00

RGB 214 106 0

HSL 29.72, 1%, 0.42%

LAB 56.69, 37.71, 64.81

 

CMYK 0 / 78 / 100 / 16

HEX #D63000

RGB 214 48 0

HSL 13.46, 1%, 0.42%

LAB 47.51, 62.05, 60

 

CMYK 31 / 0 / 100 / 16

HEX #94D600

RGB 148 214 0

HSL 78.5, 1%, 0.42%

LAB 78.69, -45.51, 77.49

 

CMYK 57 / 0 / 100 / 16

HEX #5BD600

RGB 91 214 0

HSL 94.49, 1%, 0.42%

LAB 76.26, -63.57, 74.56

 

CMYK 85 / 0 / 100 / 16

HEX #21D600

RGB 33 214 0

HSL 110.75, 1%, 0.42%

LAB 75.09, -73.66, 73.12

 

CMYK 100 / 0 / 89 / 16

HEX #00D618

RGB 0 214 24

HSL 126.73, 1%, 0.42%

LAB 74.93, -74.96, 70.02

 

CMYK 100 / 0 / 62 / 16

HEX #00D652

RGB 0 214 82

HSL 142.99, 1%, 0.42%

LAB 75.27, -70.61, 51.74

 

CMYK 31 / 0 / 100 / 16

HEX #94D600

RGB 148 214 0

HSL 78.5, 1%, 0.42%

LAB 78.69, -45.51, 77.49

 

CMYK 31 / 0 / 100 / 16

HEX #94D600

RGB 148 214 0

HSL 78.5, 1%, 0.42%

LAB 78.69, -45.51, 77.49

 

CMYK 28 / 0 / 91 / 23

HEX #8EC411

RGB 142 196 17

HSL 78.1, 0.84%, 0.42%

LAB 73.07, -39.76, 71.1

 

CMYK 25 / 0 / 81 / 30

HEX #87B322

RGB 135 179 34

HSL 78.21, 0.68%, 0.42%

LAB 67.66, -34.35, 62.76

 

CMYK 21 / 0 / 69 / 36

HEX #80A233

RGB 128 162 51

HSL 78.38, 0.52%, 0.42%

LAB 62.23, -28.25, 51.56

 

CMYK 16 / 0 / 52 / 44

HEX #799045

RGB 121 144 69

HSL 78.4, 0.35%, 0.42%

LAB 56.53, -20.61, 36.81

 

CMYK 0 / 23 / 100 / 16

HEX #D6A400

RGB 214 164 0

HSL 45.98, 1%, 0.42%

LAB 70.07, 6.83, 73.48

 

CMYK 3 / 0 / 100 / 16

HEX #CFD600

RGB 207 214 0

HSL 61.96, 1%, 0.42%

LAB 82.57, -21.84, 82.13

 

CMYK 30 / 0 / 100 / 16

HEX #95D600

RGB 149 214 0

HSL 78.22, 1%, 0.42%

LAB 78.74, -45.14, 77.55

 

CMYK 57 / 0 / 100 / 16

HEX #5CD600

RGB 92 214 0

HSL 94.21, 1%, 0.42%

LAB 76.29, -63.32, 74.59

 

CMYK 84 / 0 / 100 / 16

HEX #23D600

RGB 35 214 0

HSL 110.19, 1%, 0.42%

LAB 75.11, -73.46, 73.15

 

CMYK 31 / 0 / 100 / 49

HEX #5B8300

RGB 91 131 0

HSL 78.32, 1%, 0.26%

LAB 50.05, -30.88, 54.09

 

CMYK 30 / 0 / 100 / 33

HEX #78AC00

RGB 120 172 0

HSL 78.14, 1%, 0.34%

LAB 64.56, -37.96, 65.97

 

CMYK 31 / 0 / 100 / 16

HEX #94D600

RGB 148 214 0

HSL 78.5, 1%, 0.42%

LAB 78.69, -45.51, 77.49

 

CMYK 31 / 0 / 100 / 0

HEX #B1FF00

RGB 177 255 0

HSL 78.35, 1%, 0.5%

LAB 92.07, -51.99, 88.44

 

CMYK 26 / 0 / 84 / 0

HEX #BDFF29

RGB 189 255 41

HSL 78.5, 1%, 0.58%

LAB 92.79, -46.93, 84.26

 

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

CMYK 100 / 0 / 50 / 16

HEX #00D66B

RGB 0 214 107

HSL 150, 1%, 0.42%

LAB 75.55, -67.14, 40.5

 

CMYK 10 / 100 / 0 / 16

HEX #C000D6

RGB 192 0 214

HSL 293.83, 1%, 0.42%

LAB 47.06, 82.71, -59.63

 

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

CMYK 100 / 30 / 0 / 16

HEX #0095D6

RGB 0 149 214

HSL 198.22, 1%, 0.42%

LAB 58.37, -9.49, -42.31

 

CMYK 0 / 100 / 30 / 16

HEX #D60095

RGB 214 0 149

HSL 318.22, 1%, 0.42%

LAB 47.58, 77.92, -20.32

 

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

CMYK 100 / 0 / 50 / 16

HEX #00D66B

RGB 0 214 107

HSL 150, 1%, 0.42%

LAB 75.55, -67.14, 40.5

 

CMYK 70 / 100 / 0 / 16

HEX #4000D6

RGB 64 0 214

HSL 257.94, 1%, 0.42%

LAB 29.27, 70.49, -89.49

 

CMYK 0 / 100 / 50 / 16

HEX #D6006B

RGB 214 0 107

HSL 330, 1%, 0.42%

LAB 46.12, 74.12, 3.19

 

CMYK 31 / 0 / 100 / 16

HEX #94D500

RGB 148 213 0

HSL 78.31, 1%, 0.42%

LAB 78.39, -45.09, 77.26

 

CMYK 100 / 0 / 20 / 16

HEX #00D6AB

RGB 0 214 171

HSL 167.94, 1%, 0.42%

LAB 76.7, -53.93, 8.97

 

CMYK 70 / 100 / 0 / 16

HEX #4000D6

RGB 64 0 214

HSL 257.94, 1%, 0.42%

LAB 29.27, 70.49, -89.49

 

CMYK 0 / 100 / 80 / 16

HEX #D6002A

RGB 214 0 42

HSL 348.22, 1%, 0.42%

LAB 44.89, 70.83, 41.4

 

Description

Color code: HEX #94D500 | qconv.com Color code: HEX #94D500 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 213 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 213 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 100% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - EnviaFlores.com® | E...
Link: http://www.enviaflores.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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