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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94CC04 it is the complementary color #6B33FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94CC04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94CC04 shade: #99CC00, #AADE12, #BBF025, #CCFF38 and #DDFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94CC04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94CC04 shade: #94CC04, #83BA00, #72A800, #619600 and #508400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94CC04 shade: #94CC04, #CACC04, #CC9804, #CC6204 and #CC2C04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94CC04 shade: #94CC04, #5ECC04, #28CC04, #04CC16 and #04CC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94CC04 shade matches the following richer shades: #94CC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94CC04 shade: #94CC04, #8DBC15, #85AB26, #7E9A36 and #768947

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94CC04 shade: #CC9704, #CCCC04, #97CC04, #61CC04 and #2CCC04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94CC04 shade: #5A7C02, #77A403, #94CC04, #B2F505 and #BFFA28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94CC04 shade: #94CC04, #04CC61 and #B204CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94CC04 shade: #94CC04, #0497CC and #CC0497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94CC04 shade: #94CC04, #04CC61, #3904CC and #CC046F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94CC04 shade: #94CC04, #04CC9E, #3904CC and #CC0433

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

Complementary color

CMYK 57 / 80 / 0 / 2

HEX #6B33FB

RGB 107 51 251

HSL 256.8, 0.96%, 0.59%

LAB 41.94, 69.18, -89.44

 

CMYK 25 / 0 / 100 / 20

HEX #99CC00

RGB 153 204 0

HSL 75, 1%, 0.4%

LAB 76.04, -39.28, 75.59

 

CMYK 23 / 0 / 92 / 13

HEX #AADE12

RGB 170 222 18

HSL 75.29, 0.85%, 0.47%

LAB 82.29, -40.39, 79.05

 

CMYK 22 / 0 / 85 / 6

HEX #BBF025

RGB 187 240 37

HSL 75.67, 0.87%, 0.54%

LAB 88.46, -41.34, 81.35

 

CMYK 20 / 0 / 78 / 0

HEX #CCFF38

RGB 204 255 56

HSL 75.38, 1%, 0.61%

LAB 93.73, -40.8, 81.82

 

CMYK 13 / 0 / 71 / 0

HEX #DDFF4B

RGB 221 255 75

HSL 71.33, 1%, 0.65%

LAB 94.91, -33.4, 77.52

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 30 / 0 / 100 / 27

HEX #83BA00

RGB 131 186 0

HSL 77.74, 1%, 0.36%

LAB 69.43, -39.87, 69.97

 

CMYK 32 / 0 / 100 / 34

HEX #72A800

RGB 114 168 0

HSL 79.29, 1%, 0.33%

LAB 63, -38.51, 64.62

 

CMYK 35 / 0 / 100 / 41

HEX #619600

RGB 97 150 0

HSL 81.2, 1%, 0.29%

LAB 56.44, -37.11, 59.16

 

CMYK 39 / 0 / 100 / 48

HEX #508400

RGB 80 132 0

HSL 83.64, 1%, 0.26%

LAB 49.75, -35.67, 53.59

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 1 / 0 / 98 / 20

HEX #CACC04

RGB 202 204 4

HSL 60.6, 0.96%, 0.41%

LAB 79.47, -19.03, 79.29

 

CMYK 0 / 25 / 98 / 20

HEX #CC9804

RGB 204 152 4

HSL 44.4, 0.96%, 0.41%

LAB 65.98, 8.89, 69.62

 

CMYK 0 / 52 / 98 / 20

HEX #CC6204

RGB 204 98 4

HSL 28.2, 0.96%, 0.41%

LAB 53.58, 37.82, 61.38

 

CMYK 0 / 78 / 98 / 20

HEX #CC2C04

RGB 204 44 4

HSL 12, 0.96%, 0.41%

LAB 45.15, 60.28, 56.63

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 54 / 0 / 98 / 20

HEX #5ECC04

RGB 94 204 4

HSL 93, 0.96%, 0.41%

LAB 73.27, -59.24, 71.82

 

CMYK 80 / 0 / 98 / 20

HEX #28CC04

RGB 40 204 4

HSL 109.2, 0.96%, 0.41%

LAB 71.99, -70.01, 70.26

 

CMYK 98 / 0 / 89 / 20

HEX #04CC16

RGB 4 204 22

HSL 125.4, 0.96%, 0.41%

LAB 71.74, -72.17, 67.64

 

CMYK 98 / 0 / 63 / 20

HEX #04CC4C

RGB 4 204 76

HSL 141.6, 0.96%, 0.41%

LAB 72.05, -68.19, 50.7

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 25 / 0 / 89 / 26

HEX #8DBC15

RGB 141 188 21

HSL 76.89, 0.8%, 0.41%

LAB 70.65, -36.49, 68.44

 

CMYK 22 / 0 / 78 / 33

HEX #85AB26

RGB 133 171 38

HSL 77.14, 0.64%, 0.41%

LAB 65.16, -31.26, 59.25

 

CMYK 18 / 0 / 65 / 40

HEX #7E9A36

RGB 126 154 54

HSL 76.8, 0.48%, 0.41%

LAB 59.72, -24.95, 47.63

 

CMYK 14 / 0 / 48 / 46

HEX #768947

RGB 118 137 71

HSL 77.27, 0.32%, 0.41%

LAB 54.24, -18, 32.95

 

CMYK 0 / 26 / 98 / 20

HEX #CC9704

RGB 204 151 4

HSL 44.1, 0.96%, 0.41%

LAB 65.73, 9.44, 69.44

 

CMYK 0 / 0 / 98 / 20

HEX #CCCC04

RGB 204 204 4

HSL 60, 0.96%, 0.41%

LAB 79.63, -18.18, 79.48

 

CMYK 26 / 0 / 98 / 20

HEX #97CC04

RGB 151 204 4

HSL 75.9, 0.96%, 0.41%

LAB 75.93, -40.01, 75.05

 

CMYK 52 / 0 / 98 / 20

HEX #61CC04

RGB 97 204 4

HSL 92.1, 0.96%, 0.41%

LAB 73.37, -58.41, 71.95

 

CMYK 78 / 0 / 98 / 20

HEX #2CCC04

RGB 44 204 4

HSL 108, 0.96%, 0.41%

LAB 72.05, -69.51, 70.33

 

CMYK 27 / 0 / 98 / 51

HEX #5A7C02

RGB 90 124 2

HSL 76.72, 0.97%, 0.25%

LAB 47.74, -27.92, 51.89

 

CMYK 27 / 0 / 98 / 36

HEX #77A403

RGB 119 164 3

HSL 76.77, 0.96%, 0.33%

LAB 62.07, -34.7, 63.61

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 27 / 0 / 98 / 4

HEX #B2F505

RGB 178 245 5

HSL 76.75, 0.96%, 0.49%

LAB 89.29, -47.43, 85.95

 

CMYK 24 / 0 / 84 / 2

HEX #BFFA28

RGB 191 250 40

HSL 76.86, 0.95%, 0.57%

LAB 91.51, -44.08, 83.42

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 98 / 0 / 52 / 20

HEX #04CC61

RGB 4 204 97

HSL 147.9, 0.96%, 0.41%

LAB 72.28, -65.36, 41.31

 

CMYK 13 / 98 / 0 / 20

HEX #B204CC

RGB 178 4 204

HSL 292.2, 0.96%, 0.41%

LAB 44.11, 78.7, -58.74

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 98 / 26 / 0 / 20

HEX #0497CC

RGB 4 151 204

HSL 195.9, 0.96%, 0.41%

LAB 58.53, -14.16, -36.46

 

CMYK 0 / 98 / 26 / 20

HEX #CC0497

RGB 204 4 151

HSL 315.9, 0.96%, 0.41%

LAB 45.85, 75.83, -24.36

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 98 / 0 / 52 / 20

HEX #04CC61

RGB 4 204 97

HSL 147.9, 0.96%, 0.41%

LAB 72.28, -65.36, 41.31

 

CMYK 72 / 98 / 0 / 20

HEX #3904CC

RGB 57 4 204

HSL 255.9, 0.96%, 0.41%

LAB 27.62, 67.14, -86.44

 

CMYK 0 / 98 / 46 / 20

HEX #CC046F

RGB 204 4 111

HSL 327.9, 0.96%, 0.41%

LAB 44.34, 71.89, -2.14

 

CMYK 27 / 0 / 98 / 20

HEX #94CC04

RGB 148 204 4

HSL 76.8, 0.96%, 0.41%

LAB 75.76, -41.16, 74.84

 

CMYK 98 / 0 / 23 / 20

HEX #04CC9E

RGB 4 204 158

HSL 166.2, 0.96%, 0.41%

LAB 73.34, -53.12, 11.15

 

CMYK 72 / 98 / 0 / 20

HEX #3904CC

RGB 57 4 204

HSL 255.9, 0.96%, 0.41%

LAB 27.62, 67.14, -86.44

 

CMYK 0 / 98 / 75 / 20

HEX #CC0433

RGB 204 4 51

HSL 345.9, 0.96%, 0.41%

LAB 43.01, 68.32, 33.49

 

Description

Color code: HEX #94CC04 | qconv.com Color code: HEX #94CC04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 204 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 204 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 98 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 98% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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