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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B2E5 it is the complementary color #6B4D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B2E5 shade: #99B2E0, #AAC4F3, #BBD6FF, #CCE8FF and #DDFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B2E5 shade: #94B2E5, #83A0D2, #728EBF, #617CAC and #506A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B2E5 shade: #94B2E5, #949CE5, #A194E5, #B794E5 and #CD94E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B2E5 shade: #94B2E5, #949CE5 and #9494E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B2E5 shade matches the following richer shades: #94B2E5, #89AFEF and #7EACFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B2E5 shade: #94B2E5, #9EB4DA, #A9B7CF, #B4BAC4 and #BFBDBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B2E5 shade: #94DEE5, #94C8E5, #94B3E5, #949DE5 and #A094E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B2E5 shade: #5182D5, #739ADD, #94B2E5, #B5CAED and #D6E1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B2E5 shade: #94B2E5, #D694E5 and #D3E594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B2E5 shade: #94B2E5, #E594B3 and #B3E594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B2E5 shade: #94B2E5, #D694E5, #E5C694 and #A3E594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B2E5 shade: #94B2E5, #E594DB, #E5C694 and #94E59D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

Complementary color

CMYK 0 / 28 / 76 / 58

HEX #6B4D1A

RGB 107 77 26

HSL 37.78, 0.61%, 0.26%

LAB 35.02, 7.17, 33.91

 

CMYK 32 / 21 / 0 / 12

HEX #99B2E0

RGB 153 178 224

HSL 218.87, 0.53%, 0.74%

LAB 72.23, 2.1, -25.9

 

CMYK 30 / 19 / 0 / 5

HEX #AAC4F3

RGB 170 196 243

HSL 218.63, 0.75%, 0.81%

LAB 78.75, 1.82, -26.09

 

CMYK 27 / 16 / 0 / 0

HEX #BBD6FF

RGB 187 214 255

HSL 216.18, 1%, 0.87%

LAB 84.93, -0.06, -22.96

 

CMYK 20 / 9 / 0 / 0

HEX #CCE8FF

RGB 204 232 255

HSL 207.06, 1%, 0.9%

LAB 90.68, -4.42, -14.19

 

CMYK 13 / 2 / 0 / 0

HEX #DDFAFF

RGB 221 250 255

HSL 188.82, 1%, 0.93%

LAB 96.39, -8.37, -5.58

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 38 / 24 / 0 / 18

HEX #83A0D2

RGB 131 160 210

HSL 217.97, 0.47%, 0.67%

LAB 65.45, 2.33, -28.73

 

CMYK 40 / 26 / 0 / 25

HEX #728EBF

RGB 114 142 191

HSL 218.18, 0.38%, 0.6%

LAB 58.68, 2.74, -28.63

 

CMYK 44 / 28 / 0 / 33

HEX #617CAC

RGB 97 124 172

HSL 218.4, 0.31%, 0.53%

LAB 51.76, 3.23, -28.58

 

CMYK 48 / 31 / 0 / 40

HEX #506A99

RGB 80 106 153

HSL 218.63, 0.31%, 0.46%

LAB 44.68, 3.84, -28.56

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 35 / 32 / 0 / 10

HEX #949CE5

RGB 148 156 229

HSL 234.07, 0.61%, 0.74%

LAB 66.31, 14.33, -37.8

 

CMYK 30 / 35 / 0 / 10

HEX #A194E5

RGB 161 148 229

HSL 249.63, 0.61%, 0.74%

LAB 65.29, 22.52, -39.33

 

CMYK 20 / 35 / 0 / 10

HEX #B794E5

RGB 183 148 229

HSL 265.93, 0.61%, 0.74%

LAB 67.21, 28.91, -36.2

 

CMYK 10 / 35 / 0 / 10

HEX #CD94E5

RGB 205 148 229

HSL 282.22, 0.61%, 0.74%

LAB 69.34, 35.55, -32.72

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 35 / 32 / 0 / 10

HEX #949CE5

RGB 148 156 229

HSL 234.07, 0.61%, 0.74%

LAB 66.31, 14.33, -37.8

 

CMYK 35 / 35 / 0 / 10

HEX #9494E5

RGB 148 148 229

HSL 240, 0.61%, 0.74%

LAB 64.27, 18.92, -41

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 43 / 27 / 0 / 6

HEX #89AFEF

RGB 137 175 239

HSL 217.65, 0.76%, 0.74%

LAB 71.02, 3.42, -36.01

 

CMYK 50 / 31 / 0 / 2

HEX #7EACFA

RGB 126 172 250

HSL 217.74, 0.93%, 0.74%

LAB 70.07, 5.62, -43.51

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 28 / 17 / 0 / 15

HEX #9EB4DA

RGB 158 180 218

HSL 218, 0.45%, 0.74%

LAB 72.87, 0.99, -21.61

 

CMYK 18 / 12 / 0 / 19

HEX #A9B7CF

RGB 169 183 207

HSL 217.89, 0.28%, 0.74%

LAB 74.07, 0.2, -13.73

 

CMYK 8 / 5 / 0 / 23

HEX #B4BAC4

RGB 180 186 196

HSL 217.5, 0.12%, 0.74%

LAB 75.33, -0.12, -5.77

 

CMYK 0 / 1 / 3 / 25

HEX #BFBDBA

RGB 191 189 186

HSL 36, 0.04%, 0.74%

LAB 76.69, 0.16, 1.75

 

CMYK 35 / 3 / 0 / 10

HEX #94DEE5

RGB 148 222 229

HSL 185.19, 0.61%, 0.74%

LAB 84.07, -21.14, -10.72

 

CMYK 35 / 13 / 0 / 10

HEX #94C8E5

RGB 148 200 229

HSL 201.48, 0.61%, 0.74%

LAB 78.03, -9.88, -19.79

 

CMYK 35 / 22 / 0 / 10

HEX #94B3E5

RGB 148 179 229

HSL 217.04, 0.61%, 0.74%

LAB 72.36, 1.42, -28.45

 

CMYK 35 / 31 / 0 / 10

HEX #949DE5

RGB 148 157 229

HSL 233.33, 0.61%, 0.74%

LAB 66.57, 13.76, -37.4

 

CMYK 30 / 35 / 0 / 10

HEX #A094E5

RGB 160 148 229

HSL 248.89, 0.61%, 0.74%

LAB 65.21, 22.24, -39.46

 

CMYK 62 / 39 / 0 / 16

HEX #5182D5

RGB 81 130 213

HSL 217.73, 0.61%, 0.58%

LAB 54.57, 9.12, -47.64

 

CMYK 48 / 30 / 0 / 13

HEX #739ADD

RGB 115 154 221

HSL 217.92, 0.61%, 0.66%

LAB 63.32, 4.75, -38.21

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 24 / 15 / 0 / 7

HEX #B5CAED

RGB 181 202 237

HSL 217.5, 0.61%, 0.82%

LAB 80.84, 0.41, -19.63

 

CMYK 13 / 8 / 0 / 4

HEX #D6E1F5

RGB 214 225 245

HSL 218.71, 0.61%, 0.9%

LAB 89.27, 0.21, -10.98

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 7 / 35 / 0 / 10

HEX #D694E5

RGB 214 148 229

HSL 288.89, 0.61%, 0.74%

LAB 70.27, 38.3, -31.21

 

CMYK 8 / 0 / 35 / 10

HEX #D3E594

RGB 211 229 148

HSL 73.33, 0.61%, 0.74%

LAB 87.98, -18.73, 37.55

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 0 / 35 / 22 / 10

HEX #E594B3

RGB 229 148 179

HSL 337.04, 0.61%, 0.74%

LAB 70.24, 34.68, -3.41

 

CMYK 22 / 0 / 35 / 10

HEX #B3E594

RGB 179 229 148

HSL 97.04, 0.61%, 0.74%

LAB 85.89, -30.35, 34.41

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 7 / 35 / 0 / 10

HEX #D694E5

RGB 214 148 229

HSL 288.89, 0.61%, 0.74%

LAB 70.27, 38.3, -31.21

 

CMYK 0 / 14 / 35 / 10

HEX #E5C694

RGB 229 198 148

HSL 37.04, 0.61%, 0.74%

LAB 81.39, 3.94, 29.12

 

CMYK 29 / 0 / 35 / 10

HEX #A3E594

RGB 163 229 148

HSL 108.89, 0.61%, 0.74%

LAB 84.98, -35.78, 33.05

 

CMYK 35 / 22 / 0 / 10

HEX #94B2E5

RGB 148 178 229

HSL 217.78, 0.61%, 0.74%

LAB 72.09, 1.97, -28.86

 

CMYK 0 / 35 / 4 / 10

HEX #E594DB

RGB 229 148 219

HSL 307.41, 0.61%, 0.74%

LAB 71.52, 41.14, -23.64

 

CMYK 0 / 14 / 35 / 10

HEX #E5C694

RGB 229 198 148

HSL 37.04, 0.61%, 0.74%

LAB 81.39, 3.94, 29.12

 

CMYK 35 / 0 / 31 / 10

HEX #94E59D

RGB 148 229 157

HSL 126.67, 0.61%, 0.74%

LAB 84.36, -39.14, 27.5

 

Description

Color code: HEX #94B2E5 | qconv.com Color code: HEX #94B2E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 178 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 178 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 22 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 22% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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