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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94AB46 it is the complementary color #6B54B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94AB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94AB46 shade: #99AB41, #AABD54, #BBCF67, #CCE17A and #DDF38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94AB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94AB46 shade: #94AB46, #839933, #728720, #61750D and #506300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94AB46 shade: #93AA45, #AAA545, #AA8A45, #AA6F45 and #AA5445

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94AB46 shade: #93AA45, #78AA45, #5CAA45, #45AA49 and #45AA64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94AB46 shade matches the following richer shades: #93AA45, #9DBD32, #A8D01E and #B2E40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94AB46 shade: #93AA45, #889658, #7E836C, #73707F and #695C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94AB46 shade: #AA8A45, #AAA545, #94AA45, #79AA45 and #5EAA45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94AB46 shade: #606F2D, #798C39, #93AA45, #A6BC5C and #B6C879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94AB46 shade: #94AB46, #45AA6F and #9745AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94AB46 shade: #94AB46, #4594AA and #AA4594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94AB46 shade: #94AB46, #45AA6F, #5B45AA and #AA4580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94AB46 shade: #94AB46, #45AA8D, #5B45AA and #AA4562

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

Complementary color

CMYK 42 / 55 / 0 / 27

HEX #6B54B9

RGB 107 84 185

HSL 253.66, 0.42%, 0.53%

LAB 42.72, 33.99, -50.4

 

CMYK 11 / 0 / 62 / 33

HEX #99AB41

RGB 153 171 65

HSL 70.19, 0.45%, 0.46%

LAB 66.73, -21.35, 50.95

 

CMYK 10 / 0 / 56 / 26

HEX #AABD54

RGB 170 189 84

HSL 70.86, 0.44%, 0.54%

LAB 73.27, -21.78, 50.01

 

CMYK 10 / 0 / 50 / 19

HEX #BBCF67

RGB 187 207 103

HSL 71.54, 0.52%, 0.61%

LAB 79.71, -22.11, 48.94

 

CMYK 9 / 0 / 46 / 12

HEX #CCE17A

RGB 204 225 122

HSL 72.23, 0.63%, 0.68%

LAB 86.05, -22.37, 47.81

 

CMYK 9 / 0 / 42 / 5

HEX #DDF38D

RGB 221 243 141

HSL 72.94, 0.81%, 0.75%

LAB 92.31, -22.57, 46.68

 

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

CMYK 14 / 0 / 67 / 40

HEX #839933

RGB 131 153 51

HSL 72.94, 0.5%, 0.4%

LAB 59.75, -22.57, 49.05

 

CMYK 16 / 0 / 76 / 47

HEX #728720

RGB 114 135 32

HSL 72.23, 0.62%, 0.33%

LAB 52.96, -21.95, 49.31

 

CMYK 17 / 0 / 89 / 54

HEX #61750D

RGB 97 117 13

HSL 71.54, 0.8%, 0.25%

LAB 46.03, -21.06, 48.39

 

CMYK 19 / 0 / 100 / 61

HEX #506300

RGB 80 99 0

HSL 71.52, 1%, 0.19%

LAB 38.95, -19.84, 45.33

 

CMYK 14 / 0 / 59 / 33

HEX #93AA45

RGB 147 170 69

HSL 73.66, 0.42%, 0.47%

LAB 66.05, -23.02, 48.28

 

CMYK 0 / 3 / 59 / 33

HEX #AAA545

RGB 170 165 69

HSL 57.03, 0.42%, 0.47%

LAB 66.43, -10.74, 49.21

 

CMYK 0 / 19 / 59 / 33

HEX #AA8A45

RGB 170 138 69

HSL 40.99, 0.42%, 0.47%

LAB 59.12, 3.85, 40.92

 

CMYK 0 / 35 / 59 / 33

HEX #AA6F45

RGB 170 111 69

HSL 24.95, 0.42%, 0.47%

LAB 52.22, 19.02, 32.73

 

CMYK 0 / 51 / 59 / 33

HEX #AA5445

RGB 170 84 69

HSL 8.91, 0.42%, 0.47%

LAB 46.06, 33.9, 25.06

 

CMYK 14 / 0 / 59 / 33

HEX #93AA45

RGB 147 170 69

HSL 73.66, 0.42%, 0.47%

LAB 66.05, -23.02, 48.28

 

CMYK 29 / 0 / 59 / 33

HEX #78AA45

RGB 120 170 69

HSL 89.7, 0.42%, 0.47%

LAB 64.3, -33.67, 45.84

 

CMYK 46 / 0 / 59 / 33

HEX #5CAA45

RGB 92 170 69

HSL 106.34, 0.42%, 0.47%

LAB 62.89, -43.33, 43.85

 

CMYK 59 / 0 / 57 / 33

HEX #45AA49

RGB 69 170 73

HSL 122.38, 0.42%, 0.47%

LAB 62.08, -49.25, 40.8

 

CMYK 59 / 0 / 41 / 33

HEX #45AA64

RGB 69 170 100

HSL 138.42, 0.42%, 0.47%

LAB 62.45, -45.14, 27.53

 

CMYK 14 / 0 / 59 / 33

HEX #93AA45

RGB 147 170 69

HSL 73.66, 0.42%, 0.47%

LAB 66.05, -23.02, 48.28

 

CMYK 17 / 0 / 74 / 26

HEX #9DBD32

RGB 157 189 50

HSL 73.81, 0.58%, 0.47%

LAB 72.09, -29.42, 62.41

 

CMYK 19 / 0 / 86 / 18

HEX #A8D01E

RGB 168 208 30

HSL 73.48, 0.75%, 0.47%

LAB 78.19, -34.63, 73.66

 

CMYK 22 / 0 / 95 / 11

HEX #B2E40B

RGB 178 228 11

HSL 73.82, 0.91%, 0.47%

LAB 84.47, -40.04, 81.73

 

CMYK 14 / 0 / 59 / 33

HEX #93AA45

RGB 147 170 69

HSL 73.66, 0.42%, 0.47%

LAB 66.05, -23.02, 48.28

 

CMYK 9 / 0 / 41 / 41

HEX #889658

RGB 136 150 88

HSL 73.55, 0.26%, 0.47%

LAB 59.66, -15.37, 31.01

 

CMYK 4 / 0 / 18 / 49

HEX #7E836C

RGB 126 131 108

HSL 73.04, 0.1%, 0.47%

LAB 53.76, -6.17, 11.83

 

CMYK 9 / 12 / 0 / 50

HEX #73707F

RGB 115 112 127

HSL 252, 0.06%, 0.47%

LAB 47.96, 4.32, -7.85

 

CMYK 29 / 37 / 0 / 42

HEX #695C93

RGB 105 92 147

HSL 254.18, 0.23%, 0.47%

LAB 42.41, 17.97, -28.39

 

CMYK 0 / 19 / 59 / 33

HEX #AA8A45

RGB 170 138 69

HSL 40.99, 0.42%, 0.47%

LAB 59.12, 3.85, 40.92

 

CMYK 0 / 3 / 59 / 33

HEX #AAA545

RGB 170 165 69

HSL 57.03, 0.42%, 0.47%

LAB 66.43, -10.74, 49.21

 

CMYK 13 / 0 / 59 / 33

HEX #94AA45

RGB 148 170 69

HSL 73.07, 0.42%, 0.47%

LAB 66.12, -22.6, 48.38

 

CMYK 29 / 0 / 59 / 33

HEX #79AA45

RGB 121 170 69

HSL 89.11, 0.42%, 0.47%

LAB 64.36, -33.29, 45.92

 

CMYK 45 / 0 / 59 / 33

HEX #5EAA45

RGB 94 170 69

HSL 105.15, 0.42%, 0.47%

LAB 62.98, -42.7, 43.98

 

CMYK 14 / 0 / 59 / 56

HEX #606F2D

RGB 96 111 45

HSL 73.64, 0.42%, 0.31%

LAB 44.3, -16.37, 34.23

 

CMYK 14 / 0 / 59 / 45

HEX #798C39

RGB 121 140 57

HSL 73.73, 0.42%, 0.39%

LAB 55.19, -19.72, 41.19

 

CMYK 14 / 0 / 59 / 33

HEX #93AA45

RGB 147 170 69

HSL 73.66, 0.42%, 0.47%

LAB 66.05, -23.02, 48.28

 

CMYK 12 / 0 / 51 / 26

HEX #A6BC5C

RGB 166 188 92

HSL 73.75, 0.42%, 0.55%

LAB 72.79, -22.16, 45.6

 

CMYK 9 / 0 / 40 / 22

HEX #B6C879

RGB 182 200 121

HSL 73.67, 0.42%, 0.63%

LAB 77.66, -18.69, 37.46

 

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

CMYK 59 / 0 / 35 / 33

HEX #45AA6F

RGB 69 170 111

HSL 144.95, 0.42%, 0.47%

LAB 62.64, -43.09, 21.87

 

CMYK 11 / 59 / 0 / 33

HEX #9745AA

RGB 151 69 170

HSL 288.71, 0.42%, 0.47%

LAB 43.85, 49.68, -39.46

 

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

CMYK 59 / 13 / 0 / 33

HEX #4594AA

RGB 69 148 170

HSL 193.07, 0.42%, 0.47%

LAB 57.41, -17.56, -18.85

 

CMYK 0 / 59 / 13 / 33

HEX #AA4594

RGB 170 69 148

HSL 313.07, 0.42%, 0.47%

LAB 45.55, 50.94, -23.48

 

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

CMYK 59 / 0 / 35 / 33

HEX #45AA6F

RGB 69 170 111

HSL 144.95, 0.42%, 0.47%

LAB 62.64, -43.09, 21.87

 

CMYK 46 / 59 / 0 / 33

HEX #5B45AA

RGB 91 69 170

HSL 253.07, 0.42%, 0.47%

LAB 36.71, 34.95, -51.3

 

CMYK 0 / 59 / 25 / 33

HEX #AA4580

RGB 170 69 128

HSL 324.95, 0.42%, 0.47%

LAB 44.75, 47.93, -12.63

 

CMYK 13 / 0 / 59 / 33

HEX #94AB46

RGB 148 171 70

HSL 73.66, 0.42%, 0.47%

LAB 66.42, -23.02, 48.26

 

CMYK 59 / 0 / 17 / 33

HEX #45AA8D

RGB 69 170 141

HSL 162.77, 0.42%, 0.47%

LAB 63.29, -36.48, 6.25

 

CMYK 46 / 59 / 0 / 33

HEX #5B45AA

RGB 91 69 170

HSL 253.07, 0.42%, 0.47%

LAB 36.71, 34.95, -51.3

 

CMYK 0 / 59 / 42 / 33

HEX #AA4562

RGB 170 69 98

HSL 342.77, 0.42%, 0.47%

LAB 43.78, 44.18, 4.34

 

Description

Color code: HEX #94AB46 | qconv.com Color code: HEX #94AB46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 171 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 171 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 59% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - 5 A Side Football Ed...
Link: http://www.worldoffootball.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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