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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949D51 it is the complementary color #6B62AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949D51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949D51 shade: #999D4C, #AAAF5F, #BBC172, #CCD385 and #DDE598

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949D51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949D51 shade: #949D51, #838B3E, #72792B, #616718 and #505505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949D51 shade: #959E51, #9E9251, #9E7D51, #9E6951 and #9E5451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949D51 shade: #959E51, #809E51, #6B9E51, #579E51 and #519E60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949D51 shade matches the following richer shades: #959E51, #A3B13E, #B2C42A, #C1D817 and #D0EB03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949D51 shade: #959E51, #868A64, #777778, #68648B and #59509F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949D51 shade: #9E7E51, #9E9251, #959E51, #809E51 and #6C9E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949D51 shade: #616735, #7B8243, #959E51, #A8B167 and #B8BF83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949D51 shade: #949D51, #519E69 and #88519E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949D51 shade: #949D51, #51959E and #9E5195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949D51 shade: #949D51, #519E69, #5A519E and #9E5185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949D51 shade: #949D51, #519E80, #5A519E and #9E516E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

Complementary color

CMYK 39 / 44 / 0 / 32

HEX #6B62AE

RGB 107 98 174

HSL 247.11, 0.32%, 0.53%

LAB 45.52, 22.33, -39.49

 

CMYK 3 / 0 / 52 / 38

HEX #999D4C

RGB 153 157 76

HSL 62.96, 0.35%, 0.46%

LAB 62.85, -13.24, 41.4

 

CMYK 3 / 0 / 46 / 31

HEX #AAAF5F

RGB 170 175 95

HSL 63.75, 0.33%, 0.53%

LAB 69.49, -13.66, 40.21

 

CMYK 3 / 0 / 41 / 24

HEX #BBC172

RGB 187 193 114

HSL 64.56, 0.39%, 0.6%

LAB 76.02, -13.99, 39.01

 

CMYK 3 / 0 / 37 / 17

HEX #CCD385

RGB 204 211 133

HSL 65.38, 0.47%, 0.67%

LAB 82.44, -14.26, 37.84

 

CMYK 3 / 0 / 34 / 10

HEX #DDE598

RGB 221 229 152

HSL 66.23, 0.6%, 0.75%

LAB 88.77, -14.48, 36.71

 

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

CMYK 6 / 0 / 55 / 45

HEX #838B3E

RGB 131 139 62

HSL 66.23, 0.38%, 0.39%

LAB 55.72, -14.45, 39.57

 

CMYK 6 / 0 / 64 / 53

HEX #72792B

RGB 114 121 43

HSL 65.38, 0.48%, 0.32%

LAB 48.79, -13.89, 40.57

 

CMYK 6 / 0 / 77 / 60

HEX #616718

RGB 97 103 24

HSL 64.56, 0.62%, 0.25%

LAB 41.7, -13.1, 41.05

 

CMYK 6 / 0 / 94 / 67

HEX #505505

RGB 80 85 5

HSL 63.75, 0.89%, 0.18%

LAB 34.42, -11.99, 40.29

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 0 / 8 / 49 / 38

HEX #9E9251

RGB 158 146 81

HSL 50.65, 0.32%, 0.47%

LAB 60.27, -4.73, 35.85

 

CMYK 0 / 21 / 49 / 38

HEX #9E7D51

RGB 158 125 81

HSL 34.29, 0.32%, 0.47%

LAB 54.59, 6.97, 28.76

 

CMYK 0 / 34 / 49 / 38

HEX #9E6951

RGB 158 105 81

HSL 18.7, 0.32%, 0.47%

LAB 49.46, 18.39, 22.13

 

CMYK 0 / 47 / 49 / 38

HEX #9E5451

RGB 158 84 81

HSL 2.34, 0.32%, 0.47%

LAB 44.52, 30.22, 15.53

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 19 / 0 / 49 / 38

HEX #809E51

RGB 128 158 81

HSL 83.38, 0.32%, 0.47%

LAB 61.34, -23.54, 36.63

 

CMYK 32 / 0 / 49 / 38

HEX #6B9E51

RGB 107 158 81

HSL 99.74, 0.32%, 0.47%

LAB 60.05, -31.5, 34.75

 

CMYK 45 / 0 / 49 / 38

HEX #579E51

RGB 87 158 81

HSL 115.32, 0.32%, 0.47%

LAB 59.04, -38.24, 33.28

 

CMYK 49 / 0 / 39 / 38

HEX #519E60

RGB 81 158 96

HSL 131.69, 0.32%, 0.47%

LAB 59.02, -37.66, 25.25

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 8 / 0 / 65 / 31

HEX #A3B13E

RGB 163 177 62

HSL 67.3, 0.48%, 0.47%

LAB 69.17, -20.37, 55.05

 

CMYK 9 / 0 / 79 / 23

HEX #B2C42A

RGB 178 196 42

HSL 67.01, 0.65%, 0.47%

LAB 75.52, -24.48, 68.66

 

CMYK 11 / 0 / 89 / 15

HEX #C1D817

RGB 193 216 23

HSL 67.15, 0.81%, 0.47%

LAB 82.12, -28.36, 78.84

 

CMYK 11 / 0 / 99 / 8

HEX #D0EB03

RGB 208 235 3

HSL 66.98, 0.97%, 0.47%

LAB 88.37, -31.35, 86.22

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 3 / 0 / 28 / 46

HEX #868A64

RGB 134 138 100

HSL 66.32, 0.16%, 0.47%

LAB 56.25, -8.11, 19.92

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 25 / 28 / 0 / 45

HEX #68648B

RGB 104 100 139

HSL 246.15, 0.16%, 0.47%

LAB 44.12, 10.62, -20.94

 

CMYK 44 / 50 / 0 / 38

HEX #59509F

RGB 89 80 159

HSL 246.84, 0.33%, 0.47%

LAB 38.49, 24.37, -41.88

 

CMYK 0 / 20 / 49 / 38

HEX #9E7E51

RGB 158 126 81

HSL 35.06, 0.32%, 0.47%

LAB 54.85, 6.4, 29.1

 

CMYK 0 / 8 / 49 / 38

HEX #9E9251

RGB 158 146 81

HSL 50.65, 0.32%, 0.47%

LAB 60.27, -4.73, 35.85

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 19 / 0 / 49 / 38

HEX #809E51

RGB 128 158 81

HSL 83.38, 0.32%, 0.47%

LAB 61.34, -23.54, 36.63

 

CMYK 32 / 0 / 49 / 38

HEX #6C9E51

RGB 108 158 81

HSL 98.96, 0.32%, 0.47%

LAB 60.1, -31.14, 34.83

 

CMYK 6 / 0 / 49 / 60

HEX #616735

RGB 97 103 53

HSL 67.2, 0.32%, 0.31%

LAB 42, -10.67, 27.29

 

CMYK 5 / 0 / 48 / 49

HEX #7B8243

RGB 123 130 67

HSL 66.67, 0.32%, 0.39%

LAB 52.49, -12.59, 33.02

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 5 / 0 / 42 / 31

HEX #A8B167

RGB 168 177 103

HSL 67.3, 0.32%, 0.55%

LAB 70, -14.64, 36.73

 

CMYK 4 / 0 / 31 / 25

HEX #B8BF83

RGB 184 191 131

HSL 67, 0.32%, 0.63%

LAB 75.51, -12.1, 29.53

 

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

CMYK 49 / 0 / 34 / 38

HEX #519E69

RGB 81 158 105

HSL 138.7, 0.32%, 0.47%

LAB 59.18, -36.02, 20.55

 

CMYK 14 / 49 / 0 / 38

HEX #88519E

RGB 136 81 158

HSL 282.86, 0.32%, 0.47%

LAB 43.64, 36.67, -32.81

 

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

CMYK 49 / 6 / 0 / 38

HEX #51959E

RGB 81 149 158

HSL 187.01, 0.32%, 0.47%

LAB 57.76, -19.01, -11.42

 

CMYK 0 / 49 / 6 / 38

HEX #9E5195

RGB 158 81 149

HSL 307.01, 0.32%, 0.47%

LAB 46.07, 41.59, -23.42

 

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

CMYK 49 / 0 / 34 / 38

HEX #519E69

RGB 81 158 105

HSL 138.7, 0.32%, 0.47%

LAB 59.18, -36.02, 20.55

 

CMYK 43 / 49 / 0 / 38

HEX #5A519E

RGB 90 81 158

HSL 247.01, 0.32%, 0.47%

LAB 38.77, 23.69, -40.82

 

CMYK 0 / 49 / 16 / 38

HEX #9E5185

RGB 158 81 133

HSL 319.48, 0.32%, 0.47%

LAB 45.42, 38.83, -14.8

 

CMYK 6 / 0 / 48 / 38

HEX #949D51

RGB 148 157 81

HSL 67.11, 0.32%, 0.47%

LAB 62.51, -14.86, 38.39

 

CMYK 49 / 0 / 19 / 38

HEX #519E80

RGB 81 158 128

HSL 156.62, 0.32%, 0.47%

LAB 59.67, -31.2, 8.41

 

CMYK 43 / 49 / 0 / 38

HEX #5A519E

RGB 90 81 158

HSL 247.01, 0.32%, 0.47%

LAB 38.77, 23.69, -40.82

 

CMYK 0 / 49 / 30 / 38

HEX #9E516E

RGB 158 81 110

HSL 337.4, 0.32%, 0.47%

LAB 44.63, 35.34, -2.01

 

Description

Color code: HEX #949D51 | qconv.com Color code: HEX #949D51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 157 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 157 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 48 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 48% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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