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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94983D it is the complementary color #6B67C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94983D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94983D shade: #999838, #AAAA4B, #BBBC5E, #CCCE71 and #DDE084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94983D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94983D shade: #94983D, #83862A, #727417, #616204 and #505000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94983D shade: #95993D, #99843D, #996B3D, #99523D and #993D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94983D shade: #95993D, #7C993D, #63993D, #4A993D and #3D9948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94983D shade matches the following richer shades: #95993D, #A4AA2B, #B4BB1A and #C4CD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94983D shade: #95993D, #85874E, #75765F, #656571 and #555382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94983D shade: #996B3D, #99833D, #96993D, #7D993D and #64993D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94983D shade: #5B5E25, #787B31, #95993D, #B1B649 and #BEC266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94983D shade: #94983D, #3D9952 and #773D99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94983D shade: #94983D, #3D9699 and #993D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94983D shade: #94983D, #3D9952, #403D99 and #993D83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94983D shade: #94983D, #3D996E, #403D99 and #993D68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

Complementary color

CMYK 45 / 47 / 0 / 24

HEX #6B67C2

RGB 107 103 194

HSL 242.64, 0.43%, 0.58%

LAB 47.91, 25.13, -47.32

 

CMYK 0 / 1 / 63 / 40

HEX #999838

RGB 153 152 56

HSL 59.38, 0.46%, 0.41%

LAB 61.23, -12.2, 48.99

 

CMYK 0 / 0 / 56 / 33

HEX #AAAA4B

RGB 170 170 75

HSL 60, 0.39%, 0.48%

LAB 67.88, -12.89, 48.05

 

CMYK 1 / 0 / 50 / 26

HEX #BBBC5E

RGB 187 188 94

HSL 60.64, 0.41%, 0.55%

LAB 74.41, -13.44, 46.94

 

CMYK 1 / 0 / 45 / 19

HEX #CCCE71

RGB 204 206 113

HSL 61.29, 0.49%, 0.63%

LAB 80.83, -13.89, 45.78

 

CMYK 1 / 0 / 41 / 12

HEX #DDE084

RGB 221 224 132

HSL 61.96, 0.6%, 0.7%

LAB 87.17, -14.25, 44.61

 

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

CMYK 2 / 0 / 69 / 47

HEX #83862A

RGB 131 134 42

HSL 61.96, 0.52%, 0.35%

LAB 54.07, -13.3, 46.97

 

CMYK 2 / 0 / 80 / 55

HEX #727417

RGB 114 116 23

HSL 61.29, 0.67%, 0.27%

LAB 47.14, -12.34, 47.02

 

CMYK 1 / 0 / 96 / 62

HEX #616204

RGB 97 98 4

HSL 60.64, 0.92%, 0.2%

LAB 40.06, -11.07, 45.68

 

CMYK 0 / 0 / 100 / 69

HEX #505000

RGB 80 80 0

HSL 60, 1%, 0.16%

LAB 32.79, -9.3, 40.75

 

CMYK 3 / 0 / 60 / 40

HEX #95993D

RGB 149 153 61

HSL 62.61, 0.43%, 0.42%

LAB 61.23, -14.12, 46.64

 

CMYK 0 / 14 / 60 / 40

HEX #99843D

RGB 153 132 61

HSL 46.3, 0.43%, 0.42%

LAB 55.7, -0.98, 40.55

 

CMYK 0 / 30 / 60 / 40

HEX #996B3D

RGB 153 107 61

HSL 30, 0.43%, 0.42%

LAB 49.04, 13.23, 32.77

 

CMYK 0 / 46 / 60 / 40

HEX #99523D

RGB 153 82 61

HSL 13.7, 0.43%, 0.42%

LAB 42.98, 27.47, 25.34

 

CMYK 0 / 60 / 60 / 40

HEX #993D3D

RGB 153 61 61

HSL 0, 0.43%, 0.42%

LAB 38.63, 38.55, 19.79

 

CMYK 3 / 0 / 60 / 40

HEX #95993D

RGB 149 153 61

HSL 62.61, 0.43%, 0.42%

LAB 61.23, -14.12, 46.64

 

CMYK 19 / 0 / 60 / 40

HEX #7C993D

RGB 124 153 61

HSL 78.91, 0.43%, 0.42%

LAB 59.35, -24.7, 44.03

 

CMYK 35 / 0 / 60 / 40

HEX #63993D

RGB 99 153 61

HSL 95.22, 0.43%, 0.42%

LAB 57.82, -34.4, 41.89

 

CMYK 52 / 0 / 60 / 40

HEX #4A993D

RGB 74 153 61

HSL 111.52, 0.43%, 0.42%

LAB 56.66, -42.64, 40.25

 

CMYK 60 / 0 / 53 / 40

HEX #3D9948

RGB 61 153 72

HSL 127.17, 0.43%, 0.42%

LAB 56.33, -44.69, 34.33

 

CMYK 3 / 0 / 60 / 40

HEX #95993D

RGB 149 153 61

HSL 62.61, 0.43%, 0.42%

LAB 61.23, -14.12, 46.64

 

CMYK 4 / 0 / 75 / 33

HEX #A4AA2B

RGB 164 170 43

HSL 62.83, 0.6%, 0.42%

LAB 67.14, -17.47, 60.26

 

CMYK 4 / 0 / 86 / 27

HEX #B4BB1A

RGB 180 187 26

HSL 62.61, 0.76%, 0.42%

LAB 73.1, -19.7, 70.61

 

CMYK 4 / 0 / 96 / 20

HEX #C4CD09

RGB 196 205 9

HSL 62.76, 0.92%, 0.42%

LAB 79.28, -22.02, 78.46

 

CMYK 3 / 0 / 60 / 40

HEX #95993D

RGB 149 153 61

HSL 62.61, 0.43%, 0.42%

LAB 61.23, -14.12, 46.64

 

CMYK 1 / 0 / 42 / 47

HEX #85874E

RGB 133 135 78

HSL 62.11, 0.27%, 0.42%

LAB 54.93, -9.78, 30.34

 

CMYK 1 / 0 / 19 / 54

HEX #75765F

RGB 117 118 95

HSL 62.61, 0.11%, 0.42%

LAB 48.96, -4.63, 12.57

 

CMYK 11 / 11 / 0 / 56

HEX #656571

RGB 101 101 113

HSL 240, 0.06%, 0.42%

LAB 43.16, 2.62, -6.73

 

CMYK 35 / 36 / 0 / 49

HEX #555382

RGB 85 83 130

HSL 242.55, 0.22%, 0.42%

LAB 37.35, 12.72, -26.12

 

CMYK 0 / 30 / 60 / 40

HEX #996B3D

RGB 153 107 61

HSL 30, 0.43%, 0.42%

LAB 49.04, 13.23, 32.77

 

CMYK 0 / 14 / 60 / 40

HEX #99833D

RGB 153 131 61

HSL 45.65, 0.43%, 0.42%

LAB 55.42, -0.42, 40.24

 

CMYK 2 / 0 / 60 / 40

HEX #96993D

RGB 150 153 61

HSL 61.96, 0.43%, 0.42%

LAB 61.31, -13.68, 46.75

 

CMYK 18 / 0 / 60 / 40

HEX #7D993D

RGB 125 153 61

HSL 78.26, 0.43%, 0.42%

LAB 59.42, -24.29, 44.12

 

CMYK 35 / 0 / 60 / 40

HEX #64993D

RGB 100 153 61

HSL 94.57, 0.43%, 0.42%

LAB 57.87, -34.03, 41.96

 

CMYK 3 / 0 / 61 / 63

HEX #5B5E25

RGB 91 94 37

HSL 63.16, 0.44%, 0.26%

LAB 38.49, -9.94, 31.62

 

CMYK 2 / 0 / 60 / 52

HEX #787B31

RGB 120 123 49

HSL 62.43, 0.43%, 0.34%

LAB 49.95, -11.81, 39.15

 

CMYK 3 / 0 / 60 / 40

HEX #95993D

RGB 149 153 61

HSL 62.61, 0.43%, 0.42%

LAB 61.23, -14.12, 46.64

 

CMYK 3 / 0 / 60 / 29

HEX #B1B649

RGB 177 182 73

HSL 62.75, 0.43%, 0.5%

LAB 71.75, -16.25, 53.42

 

CMYK 2 / 0 / 47 / 24

HEX #BEC266

RGB 190 194 102

HSL 62.61, 0.43%, 0.58%

LAB 76.37, -14.53, 45.47

 

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

CMYK 60 / 0 / 46 / 40

HEX #3D9952

RGB 61 153 82

HSL 133.7, 0.43%, 0.42%

LAB 56.47, -43.14, 29.31

 

CMYK 22 / 60 / 0 / 40

HEX #773D99

RGB 119 61 153

HSL 277.83, 0.43%, 0.42%

LAB 37.04, 41.74, -40.39

 

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

CMYK 60 / 2 / 0 / 40

HEX #3D9699

RGB 61 150 153

HSL 181.96, 0.43%, 0.42%

LAB 57.18, -25.23, -9.52

 

CMYK 0 / 60 / 2 / 40

HEX #993D96

RGB 153 61 150

HSL 301.96, 0.43%, 0.42%

LAB 41.71, 50.19, -30.88

 

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

CMYK 60 / 0 / 46 / 40

HEX #3D9952

RGB 61 153 82

HSL 133.7, 0.43%, 0.42%

LAB 56.47, -43.14, 29.31

 

CMYK 58 / 60 / 0 / 40

HEX #403D99

RGB 64 61 153

HSL 241.96, 0.43%, 0.42%

LAB 31.18, 28.95, -50.14

 

CMYK 0 / 60 / 14 / 40

HEX #993D83

RGB 153 61 131

HSL 314.35, 0.43%, 0.42%

LAB 40.81, 46.97, -20.71

 

CMYK 3 / 0 / 60 / 40

HEX #94983D

RGB 148 152 61

HSL 62.64, 0.43%, 0.42%

LAB 60.86, -14.03, 46.21

 

CMYK 60 / 0 / 28 / 40

HEX #3D996E

RGB 61 153 110

HSL 151.96, 0.43%, 0.42%

LAB 56.98, -37.74, 14.64

 

CMYK 58 / 60 / 0 / 40

HEX #403D99

RGB 64 61 153

HSL 241.96, 0.43%, 0.42%

LAB 31.18, 28.95, -50.14

 

CMYK 0 / 60 / 32 / 40

HEX #993D68

RGB 153 61 104

HSL 331.96, 0.43%, 0.42%

LAB 39.76, 43.02, -5.59

 

Description

Color code: HEX #94983D | qconv.com Color code: HEX #94983D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 152 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 152 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 60 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 60% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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