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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948C7C it is the complementary color #6B7383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948C7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948C7C shade: #998C77, #AA9E8A, #BBB09D, #CCC2B0 and #DDD4C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948C7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948C7C shade: #948C7C, #837A69, #726856, #615643 and #504430

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948C7C shade: #938B7B, #93847B, #937E7B and #937B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948C7C shade: #938B7B, #93917B, #8E937B, #87937B and #81937B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948C7C shade matches the following richer shades: #938B7B, #A69167, #B99854, #CD9E40 and #E0A52D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948C7C shade: #938B7B, #7F848E, #6C7EA1, #5877B5 and #4571C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948C7C shade: #937E7B, #93847B, #938B7B, #93917B and #8E937B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948C7C shade: #676154, #7D7667, #938B7B, #A59F91 and #B8B3A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948C7C shade: #948C7C, #7E937B and #817B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948C7C shade: #948C7C, #7B938B and #8B7B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948C7C shade: #948C7C, #7E937B, #7B8393 and #8F7B93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948C7C shade: #948C7C, #7B937F, #7B8393 and #937B8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

Complementary color

CMYK 18 / 12 / 0 / 49

HEX #6B7383

RGB 107 115 131

HSL 220, 0.1%, 0.47%

LAB 48.29, 0.62, -9.8

 

CMYK 0 / 8 / 22 / 40

HEX #998C77

RGB 153 140 119

HSL 37.06, 0.14%, 0.53%

LAB 58.84, 1.32, 12.99

 

CMYK 0 / 7 / 19 / 33

HEX #AA9E8A

RGB 170 158 138

HSL 37.5, 0.16%, 0.6%

LAB 65.62, 1, 12.03

 

CMYK 0 / 6 / 16 / 27

HEX #BBB09D

RGB 187 176 157

HSL 38, 0.18%, 0.67%

LAB 72.26, 0.72, 11.14

 

CMYK 0 / 5 / 14 / 20

HEX #CCC2B0

RGB 204 194 176

HSL 38.57, 0.22%, 0.75%

LAB 78.78, 0.46, 10.3

 

CMYK 0 / 4 / 12 / 13

HEX #DDD4C3

RGB 221 212 195

HSL 39.23, 0.28%, 0.82%

LAB 85.2, 0.24, 9.5

 

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

CMYK 0 / 7 / 20 / 49

HEX #837A69

RGB 131 122 105

HSL 39.23, 0.11%, 0.46%

LAB 51.57, 0.43, 10.55

 

CMYK 0 / 9 / 25 / 55

HEX #726856

RGB 114 104 86

HSL 38.57, 0.14%, 0.39%

LAB 44.45, 0.78, 11.58

 

CMYK 0 / 11 / 31 / 62

HEX #615643

RGB 97 86 67

HSL 38, 0.18%, 0.32%

LAB 37.12, 1.2, 12.72

 

CMYK 0 / 15 / 40 / 69

HEX #504430

RGB 80 68 48

HSL 37.5, 0.25%, 0.25%

LAB 29.55, 1.75, 14.02

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 0 / 10 / 16 / 42

HEX #93847B

RGB 147 132 123

HSL 22.5, 0.1%, 0.53%

LAB 56.22, 4.1, 6.92

 

CMYK 0 / 14 / 16 / 42

HEX #937E7B

RGB 147 126 123

HSL 7.5, 0.1%, 0.53%

LAB 54.61, 7.53, 4.6

 

CMYK 0 / 16 / 16 / 42

HEX #937B7B

RGB 147 123 123

HSL 0, 0.1%, 0.53%

LAB 53.81, 9.26, 3.45

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 3 / 0 / 16 / 42

HEX #8E937B

RGB 142 147 123

HSL 72.5, 0.1%, 0.53%

LAB 59.93, -6.24, 12.11

 

CMYK 8 / 0 / 16 / 42

HEX #87937B

RGB 135 147 123

HSL 90, 0.1%, 0.53%

LAB 59.39, -8.91, 11.26

 

CMYK 12 / 0 / 16 / 42

HEX #81937B

RGB 129 147 123

HSL 105, 0.1%, 0.53%

LAB 58.94, -11.17, 10.57

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 0 / 13 / 38 / 35

HEX #A69167

RGB 166 145 103

HSL 40, 0.26%, 0.53%

LAB 61.08, 1.64, 25.19

 

CMYK 0 / 18 / 55 / 27

HEX #B99854

RGB 185 152 84

HSL 40.4, 0.42%, 0.53%

LAB 64.49, 3.89, 40.03

 

CMYK 0 / 23 / 69 / 20

HEX #CD9E40

RGB 205 158 64

HSL 40, 0.59%, 0.53%

LAB 67.88, 7.87, 54

 

CMYK 0 / 26 / 80 / 12

HEX #E0A52D

RGB 224 165 45

HSL 40.22, 0.74%, 0.53%

LAB 71.52, 11.5, 65.69

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 11 / 7 / 0 / 44

HEX #7F848E

RGB 127 132 142

HSL 220, 0.06%, 0.53%

LAB 55.04, 0.26, -6.01

 

CMYK 33 / 22 / 0 / 37

HEX #6C7EA1

RGB 108 126 161

HSL 219.62, 0.22%, 0.53%

LAB 52.6, 2.09, -20.85

 

CMYK 51 / 34 / 0 / 29

HEX #5877B5

RGB 88 119 181

HSL 220, 0.39%, 0.53%

LAB 50.22, 6.72, -36.23

 

CMYK 66 / 44 / 0 / 22

HEX #4571C8

RGB 69 113 200

HSL 219.85, 0.54%, 0.53%

LAB 48.57, 12.93, -49.85

 

CMYK 0 / 14 / 16 / 42

HEX #937E7B

RGB 147 126 123

HSL 7.5, 0.1%, 0.53%

LAB 54.61, 7.53, 4.6

 

CMYK 0 / 10 / 16 / 42

HEX #93847B

RGB 147 132 123

HSL 22.5, 0.1%, 0.53%

LAB 56.22, 4.1, 6.92

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 3 / 0 / 16 / 42

HEX #8E937B

RGB 142 147 123

HSL 72.5, 0.1%, 0.53%

LAB 59.93, -6.24, 12.11

 

CMYK 0 / 6 / 18 / 60

HEX #676154

RGB 103 97 84

HSL 41.05, 0.1%, 0.37%

LAB 41.33, -0.05, 8.27

 

CMYK 0 / 6 / 18 / 51

HEX #7D7667

RGB 125 118 103

HSL 40.91, 0.1%, 0.45%

LAB 49.85, -0.03, 9.23

 

CMYK 0 / 5 / 16 / 42

HEX #938B7B

RGB 147 139 123

HSL 40, 0.1%, 0.53%

LAB 58.13, 0.15, 9.63

 

CMYK 0 / 4 / 12 / 35

HEX #A59F91

RGB 165 159 145

HSL 42, 0.1%, 0.61%

LAB 65.62, -0.31, 8.08

 

CMYK 0 / 3 / 9 / 28

HEX #B8B3A8

RGB 184 179 168

HSL 41.25, 0.1%, 0.69%

LAB 73.06, -0.18, 6.23

 

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

CMYK 14 / 0 / 16 / 42

HEX #7E937B

RGB 126 147 123

HSL 112.5, 0.1%, 0.53%

LAB 58.73, -12.28, 10.24

 

CMYK 12 / 16 / 0 / 42

HEX #817B93

RGB 129 123 147

HSL 255, 0.1%, 0.53%

LAB 52.88, 7.28, -12.12

 

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

CMYK 16 / 0 / 5 / 42

HEX #7B938B

RGB 123 147 139

HSL 160, 0.1%, 0.53%

LAB 58.92, -10.18, 1.39

 

CMYK 5 / 16 / 0 / 42

HEX #8B7B93

RGB 139 123 147

HSL 280, 0.1%, 0.53%

LAB 53.77, 10.82, -10.69

 

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

CMYK 14 / 0 / 16 / 42

HEX #7E937B

RGB 126 147 123

HSL 112.5, 0.1%, 0.53%

LAB 58.73, -12.28, 10.24

 

CMYK 16 / 11 / 0 / 42

HEX #7B8393

RGB 123 131 147

HSL 220, 0.1%, 0.53%

LAB 54.61, 0.56, -9.58

 

CMYK 3 / 16 / 0 / 42

HEX #8F7B93

RGB 143 123 147

HSL 290, 0.1%, 0.53%

LAB 54.15, 12.25, -10.1

 

CMYK 0 / 5 / 16 / 42

HEX #948C7C

RGB 148 140 124

HSL 40, 0.1%, 0.53%

LAB 58.52, 0.15, 9.61

 

CMYK 16 / 0 / 14 / 42

HEX #7B937F

RGB 123 147 127

HSL 130, 0.1%, 0.53%

LAB 58.61, -12.61, 7.77

 

CMYK 16 / 11 / 0 / 42

HEX #7B8393

RGB 123 131 147

HSL 220, 0.1%, 0.53%

LAB 54.61, 0.56, -9.58

 

CMYK 0 / 16 / 3 / 42

HEX #937B8F

RGB 147 123 143

HSL 310, 0.1%, 0.53%

LAB 54.4, 12.91, -7.35

 

Description

Color code: HEX #948C7C | qconv.com Color code: HEX #948C7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 140 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 140 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 16% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 大阪風俗 ホテヘル やんちゃな子猫グルー...
Link: http://yanneko.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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