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Color name
HEX #94887C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94887C it is the complementary color #6B7783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94887C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94887C shade: #998877, #AA9A8A, #BBAC9D, #CCBEB0 and #DDD0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94887C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94887C shade: #94887C, #837669, #726456, #615243 and #504030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94887C shade: #93877B, #93807B and #937B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94887C shade: #93877B, #938D7B, #92937B, #8B937B and #85937B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94887C shade matches the following richer shades: #93877B, #A68767, #B98754, #CD8740 and #E0872D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94887C shade: #93877B, #7F878E, #6C87A1, #5887B5 and #4587C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94887C shade: #937B7B, #93807B, #93877B, #938D7B and #92937B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94887C shade: #675D54, #7D7267, #93877B, #A59B91 and #B8B0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94887C shade: #94887C, #82937B and #7D7B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94887C shade: #94887C, #7B9387 and #877B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94887C shade: #94887C, #82937B, #7B8793 and #8B7B93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94887C shade: #94887C, #7B937B, #7B8793 and #937B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

Complementary color

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 0 / 11 / 22 / 40

HEX #998877

RGB 153 136 119

HSL 30, 0.14%, 0.53%

LAB 57.76, 3.57, 11.47

 

CMYK 0 / 9 / 19 / 33

HEX #AA9A8A

RGB 170 154 138

HSL 30, 0.16%, 0.6%

LAB 64.56, 3.2, 10.53

 

CMYK 0 / 8 / 16 / 27

HEX #BBAC9D

RGB 187 172 157

HSL 30, 0.18%, 0.67%

LAB 71.22, 2.87, 9.66

 

CMYK 0 / 7 / 14 / 20

HEX #CCBEB0

RGB 204 190 176

HSL 30, 0.22%, 0.75%

LAB 77.76, 2.58, 8.83

 

CMYK 0 / 6 / 12 / 13

HEX #DDD0C3

RGB 221 208 195

HSL 30, 0.28%, 0.82%

LAB 84.19, 2.32, 8.05

 

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

CMYK 0 / 10 / 20 / 49

HEX #837669

RGB 131 118 105

HSL 30, 0.11%, 0.46%

LAB 50.45, 2.74, 8.98

 

CMYK 0 / 12 / 25 / 55

HEX #726456

RGB 114 100 86

HSL 30, 0.14%, 0.39%

LAB 43.31, 3.14, 9.99

 

CMYK 0 / 15 / 31 / 62

HEX #615243

RGB 97 82 67

HSL 30, 0.18%, 0.32%

LAB 35.95, 3.65, 11.11

 

CMYK 0 / 20 / 40 / 69

HEX #504030

RGB 80 64 48

HSL 30, 0.25%, 0.25%

LAB 28.34, 4.3, 12.41

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 0 / 13 / 16 / 42

HEX #93807B

RGB 147 128 123

HSL 12.5, 0.1%, 0.53%

LAB 55.15, 6.38, 5.37

 

CMYK 0 / 16 / 16 / 42

HEX #937B7B

RGB 147 123 123

HSL 0, 0.1%, 0.53%

LAB 53.81, 9.26, 3.45

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 0 / 4 / 16 / 42

HEX #938D7B

RGB 147 141 123

HSL 45, 0.1%, 0.53%

LAB 58.68, -0.97, 10.4

 

CMYK 1 / 0 / 16 / 42

HEX #92937B

RGB 146 147 123

HSL 62.5, 0.1%, 0.53%

LAB 60.26, -4.69, 12.61

 

CMYK 5 / 0 / 16 / 42

HEX #8B937B

RGB 139 147 123

HSL 80, 0.1%, 0.53%

LAB 59.7, -7.39, 11.74

 

CMYK 10 / 0 / 16 / 42

HEX #85937B

RGB 133 147 123

HSL 95, 0.1%, 0.53%

LAB 59.24, -9.67, 11.03

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 0 / 19 / 38 / 35

HEX #A68767

RGB 166 135 103

HSL 30.48, 0.26%, 0.53%

LAB 58.43, 7.21, 21.66

 

CMYK 0 / 27 / 55 / 27

HEX #B98754

RGB 185 135 84

HSL 30.3, 0.42%, 0.53%

LAB 60.14, 13.26, 34.73

 

CMYK 0 / 34 / 69 / 20

HEX #CD8740

RGB 205 135 64

HSL 30.21, 0.59%, 0.53%

LAB 62.23, 20.37, 47.96

 

CMYK 0 / 40 / 80 / 12

HEX #E0872D

RGB 224 135 45

HSL 30.17, 0.74%, 0.53%

LAB 64.46, 27.52, 59.28

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 11 / 5 / 0 / 44

HEX #7F878E

RGB 127 135 142

HSL 208, 0.06%, 0.53%

LAB 55.88, -1.45, -4.76

 

CMYK 33 / 16 / 0 / 37

HEX #6C87A1

RGB 108 135 161

HSL 209.43, 0.22%, 0.53%

LAB 55.16, -3.13, -16.94

 

CMYK 51 / 25 / 0 / 29

HEX #5887B5

RGB 88 135 181

HSL 209.68, 0.39%, 0.53%

LAB 54.8, -2.77, -29.07

 

CMYK 66 / 33 / 0 / 22

HEX #4587C8

RGB 69 135 200

HSL 209.77, 0.54%, 0.53%

LAB 54.83, -0.43, -39.92

 

CMYK 0 / 16 / 16 / 42

HEX #937B7B

RGB 147 123 123

HSL 0, 0.1%, 0.53%

LAB 53.81, 9.26, 3.45

 

CMYK 0 / 13 / 16 / 42

HEX #93807B

RGB 147 128 123

HSL 12.5, 0.1%, 0.53%

LAB 55.15, 6.38, 5.37

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 0 / 4 / 16 / 42

HEX #938D7B

RGB 147 141 123

HSL 45, 0.1%, 0.53%

LAB 58.68, -0.97, 10.4

 

CMYK 1 / 0 / 16 / 42

HEX #92937B

RGB 146 147 123

HSL 62.5, 0.1%, 0.53%

LAB 60.26, -4.69, 12.61

 

CMYK 0 / 10 / 18 / 60

HEX #675D54

RGB 103 93 84

HSL 28.42, 0.1%, 0.37%

LAB 40.17, 2.36, 6.63

 

CMYK 0 / 9 / 18 / 51

HEX #7D7267

RGB 125 114 103

HSL 30, 0.1%, 0.45%

LAB 48.73, 2.29, 7.64

 

CMYK 0 / 8 / 16 / 42

HEX #93877B

RGB 147 135 123

HSL 30, 0.1%, 0.53%

LAB 57.04, 2.4, 8.08

 

CMYK 0 / 6 / 12 / 35

HEX #A59B91

RGB 165 155 145

HSL 30, 0.1%, 0.61%

LAB 64.55, 1.89, 6.54

 

CMYK 0 / 4 / 9 / 28

HEX #B8B0A8

RGB 184 176 168

HSL 30, 0.1%, 0.69%

LAB 72.27, 1.43, 5.1

 

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

CMYK 12 / 0 / 16 / 42

HEX #82937B

RGB 130 147 123

HSL 102.5, 0.1%, 0.53%

LAB 59.01, -10.79, 10.68

 

CMYK 15 / 16 / 0 / 42

HEX #7D7B93

RGB 125 123 147

HSL 245, 0.1%, 0.53%

LAB 52.54, 5.89, -12.67

 

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

CMYK 16 / 0 / 8 / 42

HEX #7B9387

RGB 123 147 135

HSL 150, 0.1%, 0.53%

LAB 58.81, -11.01, 3.51

 

CMYK 8 / 16 / 0 / 42

HEX #877B93

RGB 135 123 147

HSL 270, 0.1%, 0.53%

LAB 53.41, 9.39, -11.28

 

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

CMYK 12 / 0 / 16 / 42

HEX #82937B

RGB 130 147 123

HSL 102.5, 0.1%, 0.53%

LAB 59.01, -10.79, 10.68

 

CMYK 16 / 8 / 0 / 42

HEX #7B8793

RGB 123 135 147

HSL 210, 0.1%, 0.53%

LAB 55.73, -1.73, -7.9

 

CMYK 5 / 16 / 0 / 42

HEX #8B7B93

RGB 139 123 147

HSL 280, 0.1%, 0.53%

LAB 53.77, 10.82, -10.69

 

CMYK 0 / 8 / 16 / 42

HEX #94887C

RGB 148 136 124

HSL 30, 0.1%, 0.53%

LAB 57.42, 2.4, 8.06

 

CMYK 16 / 0 / 16 / 42

HEX #7B937B

RGB 123 147 123

HSL 120, 0.1%, 0.53%

LAB 58.52, -13.37, 9.91

 

CMYK 16 / 8 / 0 / 42

HEX #7B8793

RGB 123 135 147

HSL 210, 0.1%, 0.53%

LAB 55.73, -1.73, -7.9

 

CMYK 0 / 16 / 0 / 42

HEX #937B93

RGB 147 123 147

HSL 300, 0.1%, 0.53%

LAB 54.53, 13.7, -9.48

 

Description

Color code: HEX #94887C | qconv.com Color code: HEX #94887C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 136 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 136 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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