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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #944B52 it is the complementary color #6BB4AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #944B52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #944B52 shade: #994B4D, #AA5D60, #BB6F73, #CC8186 and #DD9399

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #944B52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #944B52 shade: #944B52, #83393F, #72272C, #611519 and #500306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #944B52 shade: #954B52 and #954B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #944B52 shade: #954B52, #954B66, #954B7A, #954B8E and #884B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #944B52 shade matches the following richer shades: #954B52, #A73943, #B92634, #CB1426 and #DD0217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #944B52 shade: #954B52, #835D60, #706F6F, #5E817E and #4C938C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #944B52 shade: #954B7A, #954B66, #954B52, #95574B and #956B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #944B52 shade: #5E2F34, #793D43, #954B52, #AD5C64 and #BA777E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #944B52 shade: #944B52, #8D954B and #4B7095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #944B52 shade: #944B52, #52954B and #4B5295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #944B52 shade: #944B52, #8D954B, #4B958D and #524B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #944B52 shade: #944B52, #77954B, #4B958D and #684B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

Complementary color

CMYK 41 / 0 / 4 / 29

HEX #6BB4AD

RGB 107 180 173

HSL 174.25, 0.33%, 0.56%

LAB 68.6, -24.48, -3.61

 

CMYK 0 / 51 / 50 / 40

HEX #994B4D

RGB 153 75 77

HSL 358.46, 0.34%, 0.45%

LAB 41.75, 32.74, 14.07

 

CMYK 0 / 45 / 44 / 33

HEX #AA5D60

RGB 170 93 96

HSL 357.66, 0.31%, 0.52%

LAB 48.54, 31.61, 12.29

 

CMYK 0 / 41 / 39 / 27

HEX #BB6F73

RGB 187 111 115

HSL 356.84, 0.36%, 0.58%

LAB 55.25, 30.55, 10.79

 

CMYK 0 / 37 / 34 / 20

HEX #CC8186

RGB 204 129 134

HSL 356, 0.42%, 0.65%

LAB 61.88, 29.59, 9.49

 

CMYK 0 / 33 / 31 / 13

HEX #DD9399

RGB 221 147 153

HSL 355.14, 0.52%, 0.72%

LAB 68.42, 28.71, 8.34

 

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

CMYK 0 / 56 / 52 / 49

HEX #83393F

RGB 131 57 63

HSL 355.14, 0.39%, 0.37%

LAB 34.21, 32.44, 11.97

 

CMYK 0 / 66 / 61 / 55

HEX #72272C

RGB 114 39 44

HSL 356, 0.49%, 0.3%

LAB 27.33, 33.46, 14.56

 

CMYK 0 / 78 / 74 / 62

HEX #611519

RGB 97 21 25

HSL 356.84, 0.64%, 0.23%

LAB 20.63, 34.03, 18.1

 

CMYK 0 / 96 / 93 / 69

HEX #500306

RGB 80 3 6

HSL 357.66, 0.93%, 0.16%

LAB 14.31, 33.68, 19.82

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 50 / 50 / 42

HEX #954B4B

RGB 149 75 75

HSL 0, 0.33%, 0.44%

LAB 41.1, 30.97, 14.32

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 50 / 32 / 42

HEX #954B66

RGB 149 75 102

HSL 338.11, 0.33%, 0.44%

LAB 41.82, 34.2, -1.38

 

CMYK 0 / 50 / 18 / 42

HEX #954B7A

RGB 149 75 122

HSL 321.89, 0.33%, 0.44%

LAB 42.5, 37.21, -12.67

 

CMYK 0 / 50 / 5 / 42

HEX #954B8E

RGB 149 75 142

HSL 305.68, 0.33%, 0.44%

LAB 43.32, 40.67, -23.57

 

CMYK 9 / 50 / 0 / 42

HEX #884B95

RGB 136 75 149

HSL 289.46, 0.33%, 0.44%

LAB 41.9, 38.06, -30.14

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 66 / 60 / 35

HEX #A73943

RGB 167 57 67

HSL 354.55, 0.49%, 0.44%

LAB 40.49, 45.83, 18.95

 

CMYK 0 / 79 / 72 / 27

HEX #B92634

RGB 185 38 52

HSL 354.29, 0.66%, 0.44%

LAB 41.13, 57.53, 29.71

 

CMYK 0 / 90 / 81 / 20

HEX #CB1426

RGB 203 20 38

HSL 354.1, 0.82%, 0.44%

LAB 43.27, 65.87, 41.26

 

CMYK 0 / 99 / 90 / 13

HEX #DD0217

RGB 221 2 23

HSL 354.25, 0.98%, 0.44%

LAB 46.28, 71.96, 52.77

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 29 / 27 / 49

HEX #835D60

RGB 131 93 96

HSL 355.26, 0.17%, 0.44%

LAB 43.5, 16.01, 4.47

 

CMYK 0 / 1 / 1 / 56

HEX #706F6F

RGB 112 111 111

HSL 0, 0%, 0.44%

LAB 46.92, 0.39, 0.13

 

CMYK 27 / 0 / 2 / 49

HEX #5E817E

RGB 94 129 126

HSL 174.86, 0.16%, 0.44%

LAB 51.37, -12.97, -2.38

 

CMYK 48 / 0 / 5 / 42

HEX #4C938C

RGB 76 147 140

HSL 174.08, 0.32%, 0.44%

LAB 56.38, -24.09, -3.2

 

CMYK 0 / 50 / 18 / 42

HEX #954B7A

RGB 149 75 122

HSL 321.89, 0.33%, 0.44%

LAB 42.5, 37.21, -12.67

 

CMYK 0 / 50 / 32 / 42

HEX #954B66

RGB 149 75 102

HSL 338.11, 0.33%, 0.44%

LAB 41.82, 34.2, -1.38

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 42 / 50 / 42

HEX #95574B

RGB 149 87 75

HSL 9.73, 0.33%, 0.44%

LAB 43.82, 24.27, 17.98

 

CMYK 0 / 28 / 50 / 42

HEX #956B4B

RGB 149 107 75

HSL 25.95, 0.33%, 0.44%

LAB 48.78, 12.75, 24.5

 

CMYK 0 / 50 / 45 / 63

HEX #5E2F34

RGB 94 47 52

HSL 353.62, 0.33%, 0.28%

LAB 25.75, 21.9, 6.51

 

CMYK 0 / 50 / 45 / 53

HEX #793D43

RGB 121 61 67

HSL 354, 0.33%, 0.36%

LAB 33.58, 26.72, 8.29

 

CMYK 0 / 50 / 45 / 42

HEX #954B52

RGB 149 75 82

HSL 354.32, 0.33%, 0.44%

LAB 41.27, 31.72, 10.22

 

CMYK 0 / 47 / 42 / 32

HEX #AD5C64

RGB 173 92 100

HSL 354.07, 0.33%, 0.52%

LAB 48.83, 33.75, 10.37

 

CMYK 0 / 36 / 32 / 27

HEX #BA777E

RGB 186 119 126

HSL 353.73, 0.33%, 0.6%

LAB 57.21, 27.17, 7.15

 

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

CMYK 5 / 0 / 50 / 42

HEX #8D954B

RGB 141 149 75

HSL 66.49, 0.33%, 0.44%

LAB 59.59, -14.21, 37.78

 

CMYK 50 / 25 / 0 / 42

HEX #4B7095

RGB 75 112 149

HSL 210, 0.33%, 0.44%

LAB 45.98, -2.34, -24.19

 

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

CMYK 45 / 0 / 50 / 42

HEX #52954B

RGB 82 149 75

HSL 114.32, 0.33%, 0.44%

LAB 55.88, -36.69, 32.42

 

CMYK 50 / 45 / 0 / 42

HEX #4B5295

RGB 75 82 149

HSL 234.32, 0.33%, 0.44%

LAB 37.3, 16.44, -37.82

 

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

CMYK 5 / 0 / 50 / 42

HEX #8D954B

RGB 141 149 75

HSL 66.49, 0.33%, 0.44%

LAB 59.59, -14.21, 37.78

 

CMYK 50 / 0 / 5 / 42

HEX #4B958D

RGB 75 149 141

HSL 173.51, 0.33%, 0.44%

LAB 56.99, -25.08, -2.88

 

CMYK 45 / 50 / 0 / 42

HEX #524B95

RGB 82 75 149

HSL 245.68, 0.33%, 0.44%

LAB 35.98, 22.69, -39.9

 

CMYK 0 / 49 / 45 / 42

HEX #944B52

RGB 148 75 82

HSL 354.25, 0.33%, 0.44%

LAB 41.12, 31.33, 9.99

 

CMYK 20 / 0 / 50 / 42

HEX #77954B

RGB 119 149 75

HSL 84.32, 0.33%, 0.44%

LAB 57.97, -23.29, 35.45

 

CMYK 50 / 0 / 5 / 42

HEX #4B958D

RGB 75 149 141

HSL 173.51, 0.33%, 0.44%

LAB 56.99, -25.08, -2.88

 

CMYK 30 / 50 / 0 / 42

HEX #684B95

RGB 104 75 149

HSL 263.51, 0.33%, 0.44%

LAB 38.1, 28.64, -36.39

 

Description

Color code: HEX #944B52 | qconv.com Color code: HEX #944B52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 75 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 75 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 45 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 45% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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