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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #944AB3 it is the complementary color #6BB54C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #944AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #944AB3 shade: #994AAE, #AA5CC1, #BB6ED4, #CC80E7 and #DD92FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #944AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #944AB3 shade: #944AB3, #8338A0, #72268D, #61147A and #500267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #944AB3 shade: #9549B5, #B249B5, #B5499A, #B5497E and #B54961

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #944AB3 shade: #9549B5, #7849B5, #5B49B5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #944AB3 shade matches the following richer shades: #9549B5, #9D35C9, #A620DE and #AE0CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #944AB3 shade: #9549B5, #8C5EA0, #84738B, #7C8777 and #739C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #944AB3 shade: #5B49B5, #7849B5, #9449B5, #B149B5 and #B5499C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #944AB3 shade: #65327A, #7D3D97, #9549B5, #A667C1 and #B784CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #944AB3 shade: #944AB3, #B54954 and #49B56A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #944AB3 shade: #944AB3, #B59449 and #49B594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #944AB3 shade: #944AB3, #B54954, #6AB549 and #49B5AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #944AB3 shade: #944AB3, #B55F49, #6AB549 and #499FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

Complementary color

CMYK 41 / 0 / 58 / 29

HEX #6BB54C

RGB 107 181 76

HSL 102.29, 0.42%, 0.5%

LAB 67.05, -42.41, 45.57

 

CMYK 12 / 57 / 0 / 32

HEX #994AAE

RGB 153 74 174

HSL 287.4, 0.4%, 0.49%

LAB 45.26, 48.56, -39.58

 

CMYK 12 / 52 / 0 / 24

HEX #AA5CC1

RGB 170 92 193

HSL 286.34, 0.45%, 0.56%

LAB 51.89, 47.9, -40.01

 

CMYK 12 / 48 / 0 / 17

HEX #BB6ED4

RGB 187 110 212

HSL 285.29, 0.54%, 0.63%

LAB 58.48, 47.15, -40.33

 

CMYK 12 / 45 / 0 / 9

HEX #CC80E7

RGB 204 128 231

HSL 284.27, 0.68%, 0.7%

LAB 65, 46.38, -40.59

 

CMYK 12 / 42 / 0 / 2

HEX #DD92FA

RGB 221 146 250

HSL 283.27, 0.91%, 0.78%

LAB 71.44, 45.62, -40.81

 

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

CMYK 18 / 65 / 0 / 37

HEX #8338A0

RGB 131 56 160

HSL 283.27, 0.48%, 0.42%

LAB 38.18, 48.82, -42.69

 

CMYK 19 / 73 / 0 / 45

HEX #72268D

RGB 114 38 141

HSL 284.27, 0.58%, 0.35%

LAB 31.55, 48.92, -41.9

 

CMYK 20 / 84 / 0 / 52

HEX #61147A

RGB 97 20 122

HSL 285.29, 0.72%, 0.28%

LAB 25.1, 48.13, -40.54

 

CMYK 22 / 98 / 0 / 60

HEX #500267

RGB 80 2 103

HSL 286.34, 0.96%, 0.21%

LAB 18.92, 46.08, -38.41

 

CMYK 18 / 60 / 0 / 29

HEX #9549B5

RGB 149 73 181

HSL 282.22, 0.43%, 0.5%

LAB 44.93, 49.48, -44.25

 

CMYK 2 / 60 / 0 / 29

HEX #B249B5

RGB 178 73 181

HSL 298.33, 0.43%, 0.5%

LAB 48.97, 56.9, -37.6

 

CMYK 0 / 60 / 15 / 29

HEX #B5499A

RGB 181 73 154

HSL 315, 0.43%, 0.5%

LAB 48.16, 53.22, -22.9

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 60 / 46 / 29

HEX #B54961

RGB 181 73 97

HSL 346.67, 0.43%, 0.5%

LAB 46.25, 45.94, 8.72

 

CMYK 18 / 60 / 0 / 29

HEX #9549B5

RGB 149 73 181

HSL 282.22, 0.43%, 0.5%

LAB 44.93, 49.48, -44.25

 

CMYK 34 / 60 / 0 / 29

HEX #7849B5

RGB 120 73 181

HSL 266.11, 0.43%, 0.5%

LAB 41.37, 42.34, -50.15

 

CMYK 50 / 60 / 0 / 29

HEX #5B49B5

RGB 91 73 181

HSL 250, 0.43%, 0.5%

LAB 38.42, 35.86, -55.06

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 18 / 60 / 0 / 29

HEX #9549B5

RGB 149 73 181

HSL 282.22, 0.43%, 0.5%

LAB 44.93, 49.48, -44.25

 

CMYK 22 / 74 / 0 / 21

HEX #9D35C9

RGB 157 53 201

HSL 282.16, 0.58%, 0.5%

LAB 44.13, 64.21, -57.12

 

CMYK 25 / 86 / 0 / 13

HEX #A620DE

RGB 166 32 222

HSL 282.32, 0.75%, 0.5%

LAB 44.82, 76.09, -68.03

 

CMYK 28 / 95 / 0 / 5

HEX #AE0CF2

RGB 174 12 242

HSL 282.26, 0.91%, 0.5%

LAB 46.54, 84.01, -76.51

 

CMYK 18 / 60 / 0 / 29

HEX #9549B5

RGB 149 73 181

HSL 282.22, 0.43%, 0.5%

LAB 44.93, 49.48, -44.25

 

CMYK 13 / 41 / 0 / 37

HEX #8C5EA0

RGB 140 94 160

HSL 281.82, 0.26%, 0.5%

LAB 47.13, 30.94, -28.49

 

CMYK 5 / 17 / 0 / 45

HEX #84738B

RGB 132 115 139

HSL 282.5, 0.09%, 0.5%

LAB 50.72, 11.31, -10.66

 

CMYK 8 / 0 / 12 / 47

HEX #7C8777

RGB 124 135 119

HSL 101.25, 0.06%, 0.5%

LAB 55.02, -7.2, 7.23

 

CMYK 26 / 0 / 37 / 39

HEX #739C62

RGB 115 156 98

HSL 102.41, 0.23%, 0.5%

LAB 60.16, -25.23, 25.99

 

CMYK 50 / 60 / 0 / 29

HEX #5B49B5

RGB 91 73 181

HSL 250, 0.43%, 0.5%

LAB 38.42, 35.86, -55.06

 

CMYK 34 / 60 / 0 / 29

HEX #7849B5

RGB 120 73 181

HSL 266.11, 0.43%, 0.5%

LAB 41.37, 42.34, -50.15

 

CMYK 18 / 60 / 0 / 29

HEX #9449B5

RGB 148 73 181

HSL 281.67, 0.43%, 0.5%

LAB 44.8, 49.23, -44.47

 

CMYK 2 / 60 / 0 / 29

HEX #B149B5

RGB 177 73 181

HSL 297.78, 0.43%, 0.5%

LAB 48.82, 56.65, -37.84

 

CMYK 0 / 60 / 14 / 29

HEX #B5499C

RGB 181 73 156

HSL 313.89, 0.43%, 0.5%

LAB 48.25, 53.53, -23.96

 

CMYK 17 / 59 / 0 / 52

HEX #65327A

RGB 101 50 122

HSL 282.5, 0.42%, 0.34%

LAB 30.53, 35.65, -31.8

 

CMYK 17 / 60 / 0 / 41

HEX #7D3D97

RGB 125 61 151

HSL 282.67, 0.42%, 0.42%

LAB 37.72, 42.86, -38.05

 

CMYK 18 / 60 / 0 / 29

HEX #9549B5

RGB 149 73 181

HSL 282.22, 0.43%, 0.5%

LAB 44.93, 49.48, -44.25

 

CMYK 14 / 47 / 0 / 24

HEX #A667C1

RGB 166 103 193

HSL 282, 0.42%, 0.58%

LAB 53.66, 40.93, -37.26

 

CMYK 10 / 35 / 0 / 20

HEX #B784CC

RGB 183 132 204

HSL 282.5, 0.41%, 0.66%

LAB 62.45, 32.38, -29.67

 

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

CMYK 0 / 60 / 54 / 29

HEX #B54954

RGB 181 73 84

HSL 353.89, 0.43%, 0.5%

LAB 45.95, 44.74, 16.23

 

CMYK 60 / 0 / 41 / 29

HEX #49B56A

RGB 73 181 106

HSL 138.33, 0.43%, 0.5%

LAB 66.14, -47.65, 29.2

 

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

CMYK 0 / 18 / 60 / 29

HEX #B59449

RGB 181 148 73

HSL 41.67, 0.43%, 0.5%

LAB 62.91, 3.46, 43.61

 

CMYK 60 / 0 / 18 / 29

HEX #49B594

RGB 73 181 148

HSL 161.67, 0.43%, 0.5%

LAB 66.98, -38.95, 7.67

 

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

CMYK 0 / 60 / 54 / 29

HEX #B54954

RGB 181 73 84

HSL 353.89, 0.43%, 0.5%

LAB 45.95, 44.74, 16.23

 

CMYK 41 / 0 / 60 / 29

HEX #6AB549

RGB 106 181 73

HSL 101.67, 0.43%, 0.5%

LAB 66.97, -43.06, 46.85

 

CMYK 60 / 0 / 6 / 29

HEX #49B5AA

RGB 73 181 170

HSL 173.89, 0.43%, 0.5%

LAB 67.55, -33.38, -3.64

 

CMYK 17 / 59 / 0 / 30

HEX #944AB3

RGB 148 74 179

HSL 282.29, 0.42%, 0.5%

LAB 44.87, 48.3, -43.18

 

CMYK 0 / 48 / 60 / 29

HEX #B55F49

RGB 181 95 73

HSL 12.22, 0.43%, 0.5%

LAB 50.08, 32.72, 28.16

 

CMYK 41 / 0 / 60 / 29

HEX #6AB549

RGB 106 181 73

HSL 101.67, 0.43%, 0.5%

LAB 66.97, -43.06, 46.85

 

CMYK 60 / 12 / 0 / 29

HEX #499FB5

RGB 73 159 181

HSL 192.22, 0.43%, 0.5%

LAB 61.26, -19.27, -19.19

 

Description

Color code: HEX #944AB3 | qconv.com Color code: HEX #944AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 74 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 74 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 59 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 59% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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