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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9441C2 it is the complementary color #6BBE3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9441C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9441C2 shade: #9941BD, #AA53D0, #BB65E3, #CC77F6 and #DD89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9441C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9441C2 shade: #9441C2, #832FAF, #721D9C, #610B89 and #500076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9441C2 shade: #9442C1, #B642C1, #C142AA, #C14288 and #C14265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9441C2 shade: #9442C1, #7142C1, #4F42C1 and #4242C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9441C2 shade matches the following richer shades: #9442C1, #9A2ED5, #9F19EA and #A505FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9441C2 shade: #9442C1, #8E56AD, #886A99, #827E85 and #7D9370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9441C2 shade: #4F42C1, #7142C1, #9342C1, #B542C1 and #C142AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9441C2 shade: #652B86, #7D35A5, #9442C1, #A561CB and #B780D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9441C2 shade: #9441C2, #C14257 and #42C160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9441C2 shade: #9441C2, #C19342 and #42C193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9441C2 shade: #9441C2, #C14257, #71C142 and #42C1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9441C2 shade: #9441C2, #C15342, #71C142 and #42B0C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

Complementary color

CMYK 44 / 0 / 68 / 25

HEX #6BBE3D

RGB 107 190 61

HSL 98.6, 0.51%, 0.49%

LAB 69.68, -47.57, 54.97

 

CMYK 19 / 66 / 0 / 26

HEX #9941BD

RGB 153 65 189

HSL 282.58, 0.49%, 0.5%

LAB 44.56, 55.94, -49.49

 

CMYK 18 / 60 / 0 / 18

HEX #AA53D0

RGB 170 83 208

HSL 281.76, 0.57%, 0.57%

LAB 51.02, 55.5, -50

 

CMYK 18 / 56 / 0 / 11

HEX #BB65E3

RGB 187 101 227

HSL 280.95, 0.69%, 0.64%

LAB 57.48, 54.86, -50.35

 

CMYK 17 / 52 / 0 / 4

HEX #CC77F6

RGB 204 119 246

HSL 280.16, 0.88%, 0.72%

LAB 63.9, 54.12, -50.6

 

CMYK 13 / 46 / 0 / 0

HEX #DD89FF

RGB 221 137 255

HSL 282.71, 1%, 0.77%

LAB 69.81, 51.31, -46.08

 

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

CMYK 25 / 73 / 0 / 31

HEX #832FAF

RGB 131 47 175

HSL 279.38, 0.58%, 0.44%

LAB 37.76, 56.02, -52.35

 

CMYK 27 / 81 / 0 / 39

HEX #721D9C

RGB 114 29 156

HSL 280.16, 0.69%, 0.36%

LAB 31.48, 55.45, -51.21

 

CMYK 29 / 92 / 0 / 46

HEX #610B89

RGB 97 11 137

HSL 280.95, 0.85%, 0.29%

LAB 25.52, 53.59, -49.3

 

CMYK 32 / 100 / 0 / 54

HEX #500076

RGB 80 0 118

HSL 280.68, 1%, 0.23%

LAB 20.1, 49.69, -46.24

 

CMYK 23 / 66 / 0 / 24

HEX #9442C1

RGB 148 66 193

HSL 278.74, 0.51%, 0.51%

LAB 44.29, 55.2, -52.28

 

CMYK 6 / 66 / 0 / 24

HEX #B642C1

RGB 182 66 193

HSL 294.8, 0.51%, 0.51%

LAB 49.12, 62.98, -44.3

 

CMYK 0 / 66 / 12 / 24

HEX #C142AA

RGB 193 66 170

HSL 310.87, 0.51%, 0.51%

LAB 49.66, 61.88, -29.9

 

CMYK 0 / 66 / 30 / 24

HEX #C14288

RGB 193 66 136

HSL 326.93, 0.51%, 0.51%

LAB 48.27, 57.16, -11.78

 

CMYK 0 / 66 / 48 / 24

HEX #C14265

RGB 193 66 101

HSL 343.46, 0.51%, 0.51%

LAB 47.2, 53.36, 7.91

 

CMYK 23 / 66 / 0 / 24

HEX #9442C1

RGB 148 66 193

HSL 278.74, 0.51%, 0.51%

LAB 44.29, 55.2, -52.28

 

CMYK 41 / 66 / 0 / 24

HEX #7142C1

RGB 113 66 193

HSL 262.2, 0.51%, 0.51%

LAB 40.01, 47.73, -59.42

 

CMYK 59 / 66 / 0 / 24

HEX #4F42C1

RGB 79 66 193

HSL 246.14, 0.51%, 0.51%

LAB 36.76, 41.57, -64.85

 

CMYK 66 / 66 / 0 / 24

HEX #4242C1

RGB 66 66 193

HSL 240, 0.51%, 0.51%

LAB 35.8, 39.65, -66.46

 

CMYK 23 / 66 / 0 / 24

HEX #9442C1

RGB 148 66 193

HSL 278.74, 0.51%, 0.51%

LAB 44.29, 55.2, -52.28

 

CMYK 28 / 78 / 0 / 16

HEX #9A2ED5

RGB 154 46 213

HSL 278.8, 0.67%, 0.51%

LAB 43.69, 68.57, -64.78

 

CMYK 32 / 89 / 0 / 8

HEX #9F19EA

RGB 159 25 234

HSL 278.47, 0.83%, 0.51%

LAB 44.24, 78.85, -75.84

 

CMYK 35 / 98 / 0 / 0

HEX #A505FE

RGB 165 5 254

HSL 278.55, 0.99%, 0.51%

LAB 45.99, 85.84, -84.19

 

CMYK 23 / 66 / 0 / 24

HEX #9442C1

RGB 148 66 193

HSL 278.74, 0.51%, 0.51%

LAB 44.29, 55.2, -52.28

 

CMYK 18 / 50 / 0 / 32

HEX #8E56AD

RGB 142 86 173

HSL 278.62, 0.35%, 0.51%

LAB 46.21, 38.97, -37.58

 

CMYK 11 / 31 / 0 / 40

HEX #886A99

RGB 136 106 153

HSL 278.3, 0.19%, 0.51%

LAB 49.3, 21.06, -21.03

 

CMYK 2 / 5 / 0 / 48

HEX #827E85

RGB 130 126 133

HSL 274.29, 0.03%, 0.51%

LAB 53.34, 2.9, -3.26

 

CMYK 15 / 0 / 24 / 42

HEX #7D9370

RGB 125 147 112

HSL 97.71, 0.14%, 0.51%

LAB 58.41, -14.61, 16

 

CMYK 59 / 66 / 0 / 24

HEX #4F42C1

RGB 79 66 193

HSL 246.14, 0.51%, 0.51%

LAB 36.76, 41.57, -64.85

 

CMYK 41 / 66 / 0 / 24

HEX #7142C1

RGB 113 66 193

HSL 262.2, 0.51%, 0.51%

LAB 40.01, 47.73, -59.42

 

CMYK 24 / 66 / 0 / 24

HEX #9342C1

RGB 147 66 193

HSL 278.27, 0.51%, 0.51%

LAB 44.16, 54.98, -52.51

 

CMYK 6 / 66 / 0 / 24

HEX #B542C1

RGB 181 66 193

HSL 294.33, 0.51%, 0.51%

LAB 48.97, 62.75, -44.54

 

CMYK 0 / 66 / 11 / 24

HEX #C142AC

RGB 193 66 172

HSL 309.92, 0.51%, 0.51%

LAB 49.75, 62.18, -30.93

 

CMYK 25 / 68 / 0 / 47

HEX #652B86

RGB 101 43 134

HSL 278.24, 0.51%, 0.35%

LAB 29.95, 42.11, -40.23

 

CMYK 24 / 68 / 0 / 35

HEX #7D35A5

RGB 125 53 165

HSL 278.57, 0.51%, 0.43%

LAB 37.16, 49.92, -47.39

 

CMYK 23 / 66 / 0 / 24

HEX #9442C1

RGB 148 66 193

HSL 278.74, 0.51%, 0.51%

LAB 44.29, 55.2, -52.28

 

CMYK 19 / 52 / 0 / 20

HEX #A561CB

RGB 165 97 203

HSL 278.49, 0.5%, 0.59%

LAB 52.8, 46.04, -44.36

 

CMYK 14 / 40 / 0 / 16

HEX #B780D5

RGB 183 128 213

HSL 278.82, 0.5%, 0.67%

LAB 61.92, 36.5, -35.54

 

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

CMYK 0 / 66 / 55 / 24

HEX #C14257

RGB 193 66 87

HSL 350.08, 0.51%, 0.51%

LAB 46.87, 52.16, 16

 

CMYK 66 / 0 / 50 / 24

HEX #42C160

RGB 66 193 96

HSL 134.17, 0.51%, 0.51%

LAB 69.57, -55.34, 38.63

 

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

CMYK 0 / 24 / 66 / 24

HEX #C19342

RGB 193 147 66

HSL 38.27, 0.51%, 0.51%

LAB 63.83, 8.76, 48.37

 

CMYK 66 / 0 / 24 / 24

HEX #42C193

RGB 66 193 147

HSL 158.27, 0.51%, 0.51%

LAB 70.46, -45.68, 13.12

 

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

CMYK 0 / 66 / 55 / 24

HEX #C14257

RGB 193 66 87

HSL 350.08, 0.51%, 0.51%

LAB 46.87, 52.16, 16

 

CMYK 41 / 0 / 66 / 24

HEX #71C142

RGB 113 193 66

HSL 97.8, 0.51%, 0.51%

LAB 70.9, -46.45, 54.33

 

CMYK 66 / 0 / 11 / 24

HEX #42C1AC

RGB 66 193 172

HSL 170.08, 0.51%, 0.51%

LAB 71.06, -39.58, 0.39

 

CMYK 24 / 66 / 0 / 24

HEX #9441C2

RGB 148 65 194

HSL 278.6, 0.51%, 0.51%

LAB 44.19, 55.88, -53.03

 

CMYK 0 / 57 / 66 / 24

HEX #C15342

RGB 193 83 66

HSL 8.03, 0.51%, 0.51%

LAB 49.4, 42.98, 31.73

 

CMYK 41 / 0 / 66 / 24

HEX #71C142

RGB 113 193 66

HSL 97.8, 0.51%, 0.51%

LAB 70.9, -46.45, 54.33

 

CMYK 66 / 9 / 0 / 24

HEX #42B0C1

RGB 66 176 193

HSL 188.03, 0.51%, 0.51%

LAB 66.57, -25.59, -17.86

 

Description

Color code: HEX #9441C2 | qconv.com Color code: HEX #9441C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 65 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 65 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 66 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 66% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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