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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #943397 it is the complementary color #6BCC68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #943397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #943397 shade: #993392, #AA45A5, #BB57B8, #CC69CB and #DD7BDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #943397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #943397 shade: #943397, #832184, #720F71, #61005E and #50004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #943397 shade: #953399, #993380, #993365, #993349 and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #943397 shade: #953399, #7A3399, #5E3399, #433399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #943397 shade matches the following richer shades: #953399, #A522A9, #B411BA and #C401CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #943397 shade: #953399, #864388, #765477, #676467 and #577556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #943397 shade: #5F3399, #7A3399, #953399, #993381 and #993366

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #943397 shade: #591E5B, #77287A, #953399, #B43DB7 and #C357C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #943397 shade: #943397, #994433 and #33996C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #943397 shade: #943397, #999533 and #339995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #943397 shade: #943397, #994433, #369933 and #338899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #943397 shade: #943397, #996233, #369933 and #336999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

Complementary color

CMYK 48 / 0 / 49 / 20

HEX #6BCC68

RGB 107 204 104

HSL 118.2, 0.5%, 0.6%

LAB 74.39, -48.59, 40.95

 

CMYK 0 / 67 / 5 / 40

HEX #993392

RGB 153 51 146

HSL 304.12, 0.5%, 0.4%

LAB 39.94, 53.82, -31.23

 

CMYK 0 / 59 / 3 / 33

HEX #AA45A5

RGB 170 69 165

HSL 302.97, 0.42%, 0.47%

LAB 46.34, 53.78, -32.4

 

CMYK 0 / 53 / 2 / 27

HEX #BB57B8

RGB 187 87 184

HSL 301.8, 0.42%, 0.54%

LAB 52.78, 53.38, -33.27

 

CMYK 0 / 49 / 0 / 20

HEX #CC69CB

RGB 204 105 203

HSL 300.61, 0.49%, 0.61%

LAB 59.21, 52.8, -33.95

 

CMYK 0 / 45 / 0 / 13

HEX #DD7BDE

RGB 221 123 222

HSL 299.39, 0.6%, 0.68%

LAB 65.6, 52.13, -34.5

 

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

CMYK 1 / 75 / 0 / 48

HEX #832184

RGB 131 33 132

HSL 299.39, 0.6%, 0.32%

LAB 33.09, 52.89, -33.69

 

CMYK 0 / 87 / 1 / 55

HEX #720F71

RGB 114 15 113

HSL 300.61, 0.77%, 0.25%

LAB 27.05, 51.2, -31.49

 

CMYK 0 / 100 / 3 / 62

HEX #61005E

RGB 97 0 94

HSL 301.86, 1%, 0.19%

LAB 21.39, 47.91, -28.31

 

CMYK 0 / 100 / 6 / 69

HEX #50004B

RGB 80 0 75

HSL 303.75, 1%, 0.16%

LAB 16.57, 41.54, -23.36

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 0 / 67 / 16 / 40

HEX #993380

RGB 153 51 128

HSL 314.71, 0.5%, 0.4%

LAB 39.07, 50.92, -21.57

 

CMYK 0 / 67 / 34 / 40

HEX #993365

RGB 153 51 101

HSL 330.59, 0.5%, 0.4%

LAB 37.98, 47.18, -6.35

 

CMYK 0 / 67 / 52 / 40

HEX #993349

RGB 153 51 73

HSL 347.06, 0.5%, 0.4%

LAB 37.15, 44.2, 10.24

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 20 / 67 / 0 / 40

HEX #7A3399

RGB 122 51 153

HSL 281.76, 0.5%, 0.4%

LAB 35.61, 47.52, -42.66

 

CMYK 39 / 67 / 0 / 40

HEX #5E3399

RGB 94 51 153

HSL 265.29, 0.5%, 0.4%

LAB 31.91, 41.13, -48.8

 

CMYK 56 / 67 / 0 / 40

HEX #433399

RGB 67 51 153

HSL 249.41, 0.5%, 0.4%

LAB 29.06, 35.76, -53.57

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 2 / 80 / 0 / 34

HEX #A522A9

RGB 165 34 169

HSL 298.22, 0.67%, 0.4%

LAB 41.23, 66.03, -42.91

 

CMYK 3 / 91 / 0 / 27

HEX #B411BA

RGB 180 17 186

HSL 297.87, 0.83%, 0.4%

LAB 43.73, 74.8, -48.84

 

CMYK 3 / 100 / 0 / 21

HEX #C401CA

RGB 196 1 202

HSL 298.21, 0.99%, 0.4%

LAB 47, 81.4, -52.76

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 1 / 51 / 0 / 47

HEX #864388

RGB 134 67 136

HSL 298.26, 0.34%, 0.4%

LAB 39.34, 39.14, -26.28

 

CMYK 1 / 29 / 0 / 53

HEX #765477

RGB 118 84 119

HSL 298.29, 0.17%, 0.4%

LAB 40.45, 20.56, -14.32

 

CMYK 0 / 3 / 0 / 60

HEX #676467

RGB 103 100 103

HSL 300, 0.01%, 0.4%

LAB 42.73, 1.8, -1.28

 

CMYK 26 / 0 / 26 / 54

HEX #577556

RGB 87 117 86

HSL 118.06, 0.15%, 0.4%

LAB 46.21, -17.49, 13.68

 

CMYK 38 / 67 / 0 / 40

HEX #5F3399

RGB 95 51 153

HSL 265.88, 0.5%, 0.4%

LAB 32.03, 41.35, -48.6

 

CMYK 20 / 67 / 0 / 40

HEX #7A3399

RGB 122 51 153

HSL 281.76, 0.5%, 0.4%

LAB 35.61, 47.52, -42.66

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 0 / 67 / 16 / 40

HEX #993381

RGB 153 51 129

HSL 314.12, 0.5%, 0.4%

LAB 39.11, 51.07, -22.11

 

CMYK 0 / 67 / 33 / 40

HEX #993366

RGB 153 51 102

HSL 330, 0.5%, 0.4%

LAB 38.02, 47.31, -6.93

 

CMYK 2 / 67 / 0 / 64

HEX #591E5B

RGB 89 30 91

HSL 298.03, 0.5%, 0.24%

LAB 23.03, 35.97, -23.82

 

CMYK 2 / 67 / 0 / 52

HEX #77287A

RGB 119 40 122

HSL 297.8, 0.51%, 0.32%

LAB 31.45, 45.46, -30.16

 

CMYK 3 / 67 / 0 / 40

HEX #953399

RGB 149 51 153

HSL 297.65, 0.5%, 0.4%

LAB 39.68, 54.04, -35.93

 

CMYK 2 / 67 / 0 / 28

HEX #B43DB7

RGB 180 61 183

HSL 298.52, 0.5%, 0.48%

LAB 47.57, 62.74, -40.95

 

CMYK 2 / 56 / 0 / 22

HEX #C357C7

RGB 195 87 199

HSL 297.86, 0.5%, 0.56%

LAB 54.6, 58.21, -38.97

 

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

CMYK 0 / 56 / 67 / 40

HEX #994433

RGB 153 68 51

HSL 10, 0.5%, 0.4%

LAB 39.82, 34.31, 27.36

 

CMYK 67 / 0 / 29 / 40

HEX #33996C

RGB 51 153 108

HSL 153.53, 0.5%, 0.4%

LAB 56.65, -40.2, 15.27

 

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

CMYK 0 / 3 / 67 / 40

HEX #999533

RGB 153 149 51

HSL 57.65, 0.5%, 0.4%

LAB 60.34, -10.94, 50.22

 

CMYK 67 / 0 / 3 / 40

HEX #339995

RGB 51 153 149

HSL 177.65, 0.5%, 0.4%

LAB 57.71, -29.62, -6.48

 

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

CMYK 0 / 56 / 67 / 40

HEX #994433

RGB 153 68 51

HSL 10, 0.5%, 0.4%

LAB 39.82, 34.31, 27.36

 

CMYK 65 / 0 / 67 / 40

HEX #369933

RGB 54 153 51

HSL 118.24, 0.5%, 0.4%

LAB 55.89, -48.94, 43.78

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 2 / 66 / 0 / 41

HEX #943397

RGB 148 51 151

HSL 298.2, 0.5%, 0.4%

LAB 39.41, 53.44, -35.16

 

CMYK 0 / 36 / 67 / 40

HEX #996233

RGB 153 98 51

HSL 27.65, 0.5%, 0.4%

LAB 46.64, 17.67, 35.36

 

CMYK 65 / 0 / 67 / 40

HEX #369933

RGB 54 153 51

HSL 118.24, 0.5%, 0.4%

LAB 55.89, -48.94, 43.78

 

CMYK 67 / 31 / 0 / 40

HEX #336999

RGB 51 105 153

HSL 208.24, 0.5%, 0.4%

LAB 42.92, -1.99, -31.41

 

Description

Color code: HEX #943397 | qconv.com Color code: HEX #943397 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 51 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 51 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 66 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 66% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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