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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #942F76 it is the complementary color #6BD089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #942F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #942F76 shade: #992F71, #AA4184, #BB5397, #CC65AA and #DD77BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #942F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #942F76 shade: #942F76, #831D63, #720B50, #61003D and #50002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #942F76 shade: #932E75, #932E5A, #932E3F and #932E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #942F76 shade: #932E75, #932E90, #7A2E93, #5F2E93 and #442E93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #942F76 shade matches the following richer shades: #932E75, #A21E7B and #B20F82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #942F76 shade: #932E75, #833E6E, #734D68, #645D62 and #546D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #942F76 shade: #7A2E93, #932E91, #932E76, #932E5B and #932E40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #942F76 shade: #541A43, #73245C, #932E75, #B2388E and #C64DA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #942F76 shade: #942F76, #935F2E and #2E9387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #942F76 shade: #942F76, #76932E and #2E7693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #942F76 shade: #942F76, #935F2E, #2E934B and #2E6293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #942F76 shade: #942F76, #937D2E, #2E934B and #2E4493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

Complementary color

CMYK 49 / 0 / 34 / 18

HEX #6BD089

RGB 107 208 137

HSL 137.82, 0.52%, 0.62%

LAB 76.1, -45.07, 26.4

 

CMYK 0 / 69 / 26 / 40

HEX #992F71

RGB 153 47 113

HSL 322.64, 0.53%, 0.39%

LAB 37.84, 50.39, -14.12

 

CMYK 0 / 62 / 22 / 33

HEX #AA4184

RGB 170 65 132

HSL 321.71, 0.45%, 0.46%

LAB 44.22, 50.33, -15.86

 

CMYK 0 / 56 / 19 / 27

HEX #BB5397

RGB 187 83 151

HSL 320.77, 0.43%, 0.53%

LAB 50.67, 49.9, -17.19

 

CMYK 0 / 50 / 17 / 20

HEX #CC65AA

RGB 204 101 170

HSL 319.81, 0.5%, 0.6%

LAB 57.12, 49.28, -18.26

 

CMYK 0 / 46 / 14 / 13

HEX #DD77BD

RGB 221 119 189

HSL 318.82, 0.6%, 0.67%

LAB 63.54, 48.58, -19.16

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 0 / 78 / 24 / 49

HEX #831D63

RGB 131 29 99

HSL 318.82, 0.64%, 0.31%

LAB 30.89, 49.08, -16.21

 

CMYK 0 / 90 / 30 / 55

HEX #720B50

RGB 114 11 80

HSL 319.81, 0.82%, 0.25%

LAB 24.94, 47.19, -13.15

 

CMYK 0 / 100 / 37 / 62

HEX #61003D

RGB 97 0 61

HSL 322.27, 1%, 0.19%

LAB 19.55, 43.3, -8.7

 

CMYK 0 / 100 / 48 / 69

HEX #50002A

RGB 80 0 42

HSL 328.5, 1%, 0.16%

LAB 14.8, 37.08, -2.62

 

CMYK 0 / 69 / 20 / 42

HEX #932E75

RGB 147 46 117

HSL 317.82, 0.52%, 0.38%

LAB 36.82, 49.66, -18.28

 

CMYK 0 / 69 / 39 / 42

HEX #932E5A

RGB 147 46 90

HSL 333.86, 0.52%, 0.38%

LAB 35.78, 46.13, -2.75

 

CMYK 0 / 69 / 57 / 42

HEX #932E3F

RGB 147 46 63

HSL 349.9, 0.52%, 0.38%

LAB 35.04, 43.49, 13.56

 

CMYK 0 / 69 / 69 / 42

HEX #932E2E

RGB 147 46 46

HSL 0, 0.52%, 0.38%

LAB 34.71, 42.32, 23.93

 

CMYK 0 / 69 / 20 / 42

HEX #932E75

RGB 147 46 117

HSL 317.82, 0.52%, 0.38%

LAB 36.82, 49.66, -18.28

 

CMYK 0 / 69 / 2 / 42

HEX #932E90

RGB 147 46 144

HSL 301.78, 0.52%, 0.38%

LAB 38.15, 53.97, -32.91

 

CMYK 17 / 69 / 0 / 42

HEX #7A2E93

RGB 122 46 147

HSL 285.15, 0.52%, 0.38%

LAB 34.39, 48.53, -40.95

 

CMYK 35 / 69 / 0 / 42

HEX #5F2E93

RGB 95 46 147

HSL 269.11, 0.52%, 0.38%

LAB 30.62, 42.42, -47.22

 

CMYK 54 / 69 / 0 / 42

HEX #442E93

RGB 68 46 147

HSL 253.07, 0.52%, 0.38%

LAB 27.54, 37.02, -52.36

 

CMYK 0 / 69 / 20 / 42

HEX #932E75

RGB 147 46 117

HSL 317.82, 0.52%, 0.38%

LAB 36.82, 49.66, -18.28

 

CMYK 0 / 81 / 24 / 36

HEX #A21E7B

RGB 162 30 123

HSL 317.73, 0.69%, 0.38%

LAB 37.91, 59.66, -20.12

 

CMYK 0 / 92 / 27 / 30

HEX #B20F82

RGB 178 15 130

HSL 317.67, 0.84%, 0.38%

LAB 40.28, 67.01, -20.57

 

CMYK 0 / 69 / 20 / 42

HEX #932E75

RGB 147 46 117

HSL 317.82, 0.52%, 0.38%

LAB 36.82, 49.66, -18.28

 

CMYK 0 / 53 / 16 / 49

HEX #833E6E

RGB 131 62 110

HSL 318.26, 0.36%, 0.38%

LAB 36.74, 36.1, -14.25

 

CMYK 0 / 33 / 10 / 55

HEX #734D68

RGB 115 77 104

HSL 317.37, 0.2%, 0.38%

LAB 37.76, 20.67, -9.15

 

CMYK 0 / 7 / 2 / 61

HEX #645D62

RGB 100 93 98

HSL 317.14, 0.04%, 0.38%

LAB 40.28, 3.82, -1.85

 

CMYK 23 / 0 / 17 / 57

HEX #546D5B

RGB 84 109 91

HSL 136.8, 0.13%, 0.38%

LAB 43.62, -13.23, 7.07

 

CMYK 17 / 69 / 0 / 42

HEX #7A2E93

RGB 122 46 147

HSL 285.15, 0.52%, 0.38%

LAB 34.39, 48.53, -40.95

 

CMYK 0 / 69 / 1 / 42

HEX #932E91

RGB 147 46 145

HSL 301.19, 0.52%, 0.38%

LAB 38.2, 54.14, -33.43

 

CMYK 0 / 69 / 20 / 42

HEX #932E76

RGB 147 46 118

HSL 317.23, 0.52%, 0.38%

LAB 36.86, 49.81, -18.84

 

CMYK 0 / 69 / 38 / 42

HEX #932E5B

RGB 147 46 91

HSL 333.27, 0.52%, 0.38%

LAB 35.82, 46.25, -3.34

 

CMYK 0 / 69 / 56 / 42

HEX #932E40

RGB 147 46 64

HSL 349.31, 0.52%, 0.38%

LAB 35.06, 43.57, 12.94

 

CMYK 0 / 69 / 20 / 67

HEX #541A43

RGB 84 26 67

HSL 317.59, 0.53%, 0.22%

LAB 20.16, 31.97, -12.16

 

CMYK 0 / 69 / 20 / 55

HEX #73245C

RGB 115 36 92

HSL 317.47, 0.52%, 0.3%

LAB 28.59, 40.93, -15.46

 

CMYK 0 / 69 / 20 / 42

HEX #932E75

RGB 147 46 117

HSL 317.82, 0.52%, 0.38%

LAB 36.82, 49.66, -18.28

 

CMYK 0 / 69 / 20 / 30

HEX #B2388E

RGB 178 56 142

HSL 317.7, 0.52%, 0.46%

LAB 44.58, 57.75, -21.26

 

CMYK 0 / 61 / 18 / 22

HEX #C64DA2

RGB 198 77 162

HSL 317.85, 0.51%, 0.54%

LAB 51.75, 57.49, -21.89

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 0 / 35 / 69 / 42

HEX #935F2E

RGB 147 95 46

HSL 29.11, 0.52%, 0.38%

LAB 45.06, 16.4, 36

 

CMYK 69 / 0 / 8 / 42

HEX #2E9387

RGB 46 147 135

HSL 172.87, 0.52%, 0.38%

LAB 55.28, -31.53, -2.08

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 20 / 0 / 69 / 42

HEX #76932E

RGB 118 147 46

HSL 77.23, 0.52%, 0.38%

LAB 56.99, -25.4, 47.99

 

CMYK 69 / 20 / 0 / 42

HEX #2E7693

RGB 46 118 147

HSL 197.23, 0.52%, 0.38%

LAB 46.5, -12.65, -22.3

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 0 / 35 / 69 / 42

HEX #935F2E

RGB 147 95 46

HSL 29.11, 0.52%, 0.38%

LAB 45.06, 16.4, 36

 

CMYK 69 / 0 / 49 / 42

HEX #2E934B

RGB 46 147 75

HSL 137.23, 0.52%, 0.38%

LAB 53.98, -45.15, 29.77

 

CMYK 69 / 33 / 0 / 42

HEX #2E6293

RGB 46 98 147

HSL 209.11, 0.52%, 0.38%

LAB 40.28, -0.72, -31.99

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 0 / 15 / 69 / 42

HEX #937D2E

RGB 147 125 46

HSL 46.93, 0.52%, 0.38%

LAB 53.02, -0.82, 44.61

 

CMYK 69 / 0 / 49 / 42

HEX #2E934B

RGB 46 147 75

HSL 137.23, 0.52%, 0.38%

LAB 53.98, -45.15, 29.77

 

CMYK 69 / 54 / 0 / 42

HEX #2E4493

RGB 46 68 147

HSL 226.93, 0.52%, 0.38%

LAB 31.4, 18.95, -46.18

 

Description

Color code: HEX #942F76 | qconv.com Color code: HEX #942F76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 47 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 47 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 20 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 20% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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