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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9426D5 it is the complementary color #6BD92A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9426D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9426D5 shade: #9926D0, #AA38E3, #BB4AF6, #CC5CFF and #DD6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9426D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9426D5 shade: #9426D5, #8314C2, #7202AF, #61009C and #500089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9426D5 shade: #9325D4, #C225D4, #D425B7, #D42587 and #D42558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9426D5 shade: #9325D4, #6425D4, #3525D4 and #2525D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9426D5 shade matches the following richer shades: #9325D4 and #9811E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9426D5 shade: #9325D4, #8E39C0, #894DAB, #836297 and #7E7683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9426D5 shade: #3425D4, #6225D4, #9125D4, #C025D4 and #D425BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9426D5 shade: #62198E, #7B1FB1, #9325D4, #A544DE and #B668E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9426D5 shade: #9426D5, #D42545 and #25D44B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9426D5 shade: #9426D5, #D49125 and #25D491

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9426D5 shade: #9426D5, #D42545, #68D425 and #25D4B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9426D5 shade: #9426D5, #D43925, #68D425 and #25C0D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

Complementary color

CMYK 51 / 0 / 81 / 15

HEX #6BD92A

RGB 107 217 42

HSL 97.71, 0.7%, 0.51%

LAB 77.83, -59.17, 69.32

 

CMYK 26 / 82 / 0 / 18

HEX #9926D0

RGB 153 38 208

HSL 280.59, 0.69%, 0.48%

LAB 42.33, 69.87, -64.13

 

CMYK 25 / 75 / 0 / 11

HEX #AA38E3

RGB 170 56 227

HSL 280, 0.75%, 0.55%

LAB 48.16, 70.77, -65.43

 

CMYK 24 / 70 / 0 / 4

HEX #BB4AF6

RGB 187 74 246

HSL 279.42, 0.91%, 0.63%

LAB 54.15, 71, -66.31

 

CMYK 20 / 64 / 0 / 0

HEX #CC5CFF

RGB 204 92 255

HSL 281.23, 1%, 0.68%

LAB 59.63, 68.79, -62.37

 

CMYK 13 / 57 / 0 / 0

HEX #DD6EFF

RGB 221 110 255

HSL 285.93, 1%, 0.72%

LAB 64.76, 64.59, -54.06

 

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

CMYK 32 / 90 / 0 / 24

HEX #8314C2

RGB 131 20 194

HSL 278.28, 0.81%, 0.42%

LAB 36.41, 68.24, -65.77

 

CMYK 35 / 99 / 0 / 31

HEX #7202AF

RGB 114 2 175

HSL 278.84, 0.98%, 0.35%

LAB 31.15, 65.14, -63.22

 

CMYK 38 / 100 / 0 / 39

HEX #61009C

RGB 97 0 156

HSL 277.31, 1%, 0.31%

LAB 26.57, 59.67, -59.34

 

CMYK 42 / 100 / 0 / 46

HEX #500089

RGB 80 0 137

HSL 275.04, 1%, 0.27%

LAB 21.99, 53.77, -55.21

 

CMYK 31 / 83 / 0 / 17

HEX #9325D4

RGB 147 37 212

HSL 277.71, 0.7%, 0.49%

LAB 41.66, 70.02, -67.57

 

CMYK 8 / 83 / 0 / 17

HEX #C225D4

RGB 194 37 212

HSL 293.83, 0.7%, 0.49%

LAB 48.94, 77.76, -55.43

 

CMYK 0 / 83 / 14 / 17

HEX #D425B7

RGB 212 37 183

HSL 309.94, 0.7%, 0.49%

LAB 50.38, 76.84, -36.16

 

CMYK 0 / 83 / 36 / 17

HEX #D42587

RGB 212 37 135

HSL 326.4, 0.7%, 0.49%

LAB 48.35, 71.15, -10.74

 

CMYK 0 / 83 / 58 / 17

HEX #D42558

RGB 212 37 88

HSL 342.51, 0.7%, 0.49%

LAB 47.01, 67.23, 16.15

 

CMYK 31 / 83 / 0 / 17

HEX #9325D4

RGB 147 37 212

HSL 277.71, 0.7%, 0.49%

LAB 41.66, 70.02, -67.57

 

CMYK 53 / 83 / 0 / 17

HEX #6425D4

RGB 100 37 212

HSL 261.6, 0.7%, 0.49%

LAB 35.57, 63.79, -77.78

 

CMYK 75 / 83 / 0 / 17

HEX #3525D4

RGB 53 37 212

HSL 245.49, 0.7%, 0.49%

LAB 31.42, 59.73, -84.77

 

CMYK 83 / 83 / 0 / 17

HEX #2525D4

RGB 37 37 212

HSL 240, 0.7%, 0.49%

LAB 30.57, 58.91, -86.22

 

CMYK 31 / 83 / 0 / 17

HEX #9325D4

RGB 147 37 212

HSL 277.71, 0.7%, 0.49%

LAB 41.66, 70.02, -67.57

 

CMYK 34 / 93 / 0 / 9

HEX #9811E8

RGB 152 17 232

HSL 277.67, 0.86%, 0.49%

LAB 42.62, 78.9, -77.41

 

CMYK 31 / 83 / 0 / 17

HEX #9325D4

RGB 147 37 212

HSL 277.71, 0.7%, 0.49%

LAB 41.66, 70.02, -67.57

 

CMYK 26 / 70 / 0 / 25

HEX #8E39C0

RGB 142 57 192

HSL 277.78, 0.54%, 0.49%

LAB 41.97, 57.73, -55.48

 

CMYK 20 / 55 / 0 / 33

HEX #894DAB

RGB 137 77 171

HSL 278.3, 0.38%, 0.49%

LAB 43.6, 42.06, -40.56

 

CMYK 13 / 35 / 0 / 41

HEX #836297

RGB 131 98 151

HSL 277.36, 0.21%, 0.49%

LAB 46.7, 23.68, -23.9

 

CMYK 4 / 10 / 0 / 49

HEX #7E7683

RGB 126 118 131

HSL 276.92, 0.05%, 0.49%

LAB 50.72, 5.67, -6

 

CMYK 75 / 83 / 0 / 17

HEX #3425D4

RGB 52 37 212

HSL 245.14, 0.7%, 0.49%

LAB 31.36, 59.67, -84.88

 

CMYK 54 / 83 / 0 / 17

HEX #6225D4

RGB 98 37 212

HSL 260.91, 0.7%, 0.49%

LAB 35.35, 63.57, -78.16

 

CMYK 32 / 83 / 0 / 17

HEX #9125D4

RGB 145 37 212

HSL 277.03, 0.7%, 0.49%

LAB 41.37, 69.72, -68.05

 

CMYK 9 / 83 / 0 / 17

HEX #C025D4

RGB 192 37 212

HSL 293.14, 0.7%, 0.49%

LAB 48.61, 77.41, -55.97

 

CMYK 0 / 83 / 12 / 17

HEX #D425BA

RGB 212 37 186

HSL 308.91, 0.7%, 0.49%

LAB 50.53, 77.25, -37.68

 

CMYK 31 / 82 / 0 / 44

HEX #62198E

RGB 98 25 142

HSL 277.44, 0.7%, 0.33%

LAB 27.42, 50.96, -49.31

 

CMYK 31 / 82 / 0 / 31

HEX #7B1FB1

RGB 123 31 177

HSL 277.81, 0.7%, 0.41%

LAB 34.73, 60.78, -58.5

 

CMYK 31 / 83 / 0 / 17

HEX #9325D4

RGB 147 37 212

HSL 277.71, 0.7%, 0.49%

LAB 41.66, 70.02, -67.57

 

CMYK 26 / 69 / 0 / 13

HEX #A544DE

RGB 165 68 222

HSL 277.79, 0.7%, 0.57%

LAB 48.77, 64.14, -61.63

 

CMYK 20 / 54 / 0 / 11

HEX #B668E4

RGB 182 104 228

HSL 277.74, 0.7%, 0.65%

LAB 57.51, 52.29, -50.9

 

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

CMYK 0 / 83 / 67 / 17

HEX #D42545

RGB 212 37 69

HSL 349.03, 0.7%, 0.49%

LAB 46.64, 66.15, 27.33

 

CMYK 83 / 0 / 65 / 17

HEX #25D44B

RGB 37 212 75

HSL 133.03, 0.7%, 0.49%

LAB 74.82, -68.65, 54.28

 

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

CMYK 0 / 32 / 83 / 17

HEX #D49125

RGB 212 145 37

HSL 37.03, 0.7%, 0.49%

LAB 65.26, 16.8, 62.33

 

CMYK 83 / 0 / 32 / 17

HEX #25D491

RGB 37 212 145

HSL 157.03, 0.7%, 0.49%

LAB 75.78, -57.37, 21.5

 

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

CMYK 0 / 83 / 67 / 17

HEX #D42545

RGB 212 37 69

HSL 349.03, 0.7%, 0.49%

LAB 46.64, 66.15, 27.33

 

CMYK 51 / 0 / 83 / 17

HEX #68D425

RGB 104 212 37

HSL 97.03, 0.7%, 0.49%

LAB 76.17, -58.42, 69.06

 

CMYK 83 / 0 / 15 / 17

HEX #25D4B4

RGB 37 212 180

HSL 169.03, 0.7%, 0.49%

LAB 76.54, -49.09, 3.97

 

CMYK 31 / 82 / 0 / 16

HEX #9426D5

RGB 148 38 213

HSL 277.71, 0.7%, 0.49%

LAB 41.98, 70.09, -67.61

 

CMYK 0 / 73 / 83 / 17

HEX #D43925

RGB 212 57 37

HSL 6.86, 0.7%, 0.49%

LAB 48.33, 59.12, 47.22

 

CMYK 51 / 0 / 83 / 17

HEX #68D425

RGB 104 212 37

HSL 97.03, 0.7%, 0.49%

LAB 76.17, -58.42, 69.06

 

CMYK 83 / 9 / 0 / 17

HEX #25C0D4

RGB 37 192 212

HSL 186.86, 0.7%, 0.49%

LAB 71.45, -30.94, -20.93

 

Description

Color code: HEX #9426D5 | qconv.com Color code: HEX #9426D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 38 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 38 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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