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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #940EDC it is the complementary color #6BF123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #940EDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #940EDC shade: #990ED7, #AA20EA, #BB32FD, #CC44FF and #DD56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #940EDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #940EDC shade: #940EDC, #8300C9, #7200B6, #6100A3 and #500090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #940EDC shade: #940EDC, #CC0EDC, #DC0EB5, #DC0E7D and #DC0E45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #940EDC shade: #940EDC, #5C0EDC, #250EDC and #0E0EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #940EDC shade matches the following richer shades: #940EDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #940EDC shade: #940EDC, #8E21C9, #8834B6, #8347A3 and #7D5990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #940EDC shade: #260EDC, #5D0EDC, #940EDC, #CB0EDC and #DC0EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #940EDC shade: #60098E, #7A0BB5, #940EDC, #A822F0 and #B849F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #940EDC shade: #940EDC, #DC0E2D and #0EDC41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #940EDC shade: #940EDC, #DC940E and #0EDC94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #940EDC shade: #940EDC, #DC0E2D, #56DC0E and #0EDCBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #940EDC shade: #940EDC, #DC2D0E, #56DC0E and #0EBDDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

Complementary color

CMYK 56 / 0 / 85 / 5

HEX #6BF123

RGB 107 241 35

HSL 99.03, 0.88%, 0.54%

LAB 85.08, -67.91, 77.41

 

CMYK 29 / 93 / 0 / 16

HEX #990ED7

RGB 153 14 215

HSL 281.49, 0.88%, 0.45%

LAB 41.2, 76.16, -70

 

CMYK 27 / 86 / 0 / 8

HEX #AA20EA

RGB 170 32 234

HSL 280.99, 0.83%, 0.52%

LAB 46.34, 78.94, -72.35

 

CMYK 26 / 80 / 0 / 1

HEX #BB32FD

RGB 187 50 253

HSL 280.49, 0.98%, 0.59%

LAB 51.77, 80.6, -74.07

 

CMYK 20 / 73 / 0 / 0

HEX #CC44FF

RGB 204 68 255

HSL 283.64, 1%, 0.63%

LAB 56.28, 78.2, -67.76

 

CMYK 13 / 66 / 0 / 0

HEX #DD56FF

RGB 221 86 255

HSL 287.93, 1%, 0.67%

LAB 61, 74.93, -60.05

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 35 / 100 / 0 / 21

HEX #8300C9

RGB 131 0 201

HSL 279.1, 1%, 0.39%

LAB 36.07, 72.49, -70.43

 

CMYK 37 / 100 / 0 / 29

HEX #7200B6

RGB 114 0 182

HSL 277.58, 1%, 0.36%

LAB 31.7, 66.86, -66.49

 

CMYK 40 / 100 / 0 / 36

HEX #6100A3

RGB 97 0 163

HSL 275.71, 1%, 0.32%

LAB 27.26, 61.14, -62.48

 

CMYK 44 / 100 / 0 / 44

HEX #500090

RGB 80 0 144

HSL 273.33, 1%, 0.28%

LAB 22.72, 55.31, -58.37

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 7 / 94 / 0 / 14

HEX #CC0EDC

RGB 204 14 220

HSL 295.34, 0.88%, 0.46%

LAB 49.88, 84.3, -58.4

 

CMYK 0 / 94 / 18 / 14

HEX #DC0EB5

RGB 220 14 181

HSL 311.36, 0.88%, 0.46%

LAB 50.53, 81.62, -34.66

 

CMYK 0 / 94 / 43 / 14

HEX #DC0E7D

RGB 220 14 125

HSL 327.67, 0.88%, 0.46%

LAB 48.27, 75.7, -4.6

 

CMYK 0 / 94 / 69 / 14

HEX #DC0E45

RGB 220 14 69

HSL 343.98, 0.88%, 0.46%

LAB 46.92, 72.02, 28.02

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 58 / 94 / 0 / 14

HEX #5C0EDC

RGB 92 14 220

HSL 262.72, 0.88%, 0.46%

LAB 33.47, 71.15, -85.9

 

CMYK 83 / 94 / 0 / 14

HEX #250EDC

RGB 37 14 220

HSL 246.7, 0.88%, 0.46%

LAB 29.09, 68.67, -93.3

 

CMYK 94 / 94 / 0 / 14

HEX #0E0EDC

RGB 14 14 220

HSL 240, 0.88%, 0.46%

LAB 28.31, 68.29, -94.63

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 29 / 84 / 0 / 21

HEX #8E21C9

RGB 142 33 201

HSL 278.93, 0.72%, 0.46%

LAB 39.67, 68.14, -64.46

 

CMYK 25 / 71 / 0 / 29

HEX #8834B6

RGB 136 52 182

HSL 278.77, 0.56%, 0.46%

LAB 39.69, 56.46, -53.33

 

CMYK 20 / 56 / 0 / 36

HEX #8347A3

RGB 131 71 163

HSL 279.13, 0.39%, 0.46%

LAB 41.18, 41.86, -39.72

 

CMYK 13 / 38 / 0 / 44

HEX #7D5990

RGB 125 89 144

HSL 279.27, 0.24%, 0.46%

LAB 43.53, 25.45, -24.68

 

CMYK 83 / 94 / 0 / 14

HEX #260EDC

RGB 38 14 220

HSL 246.99, 0.88%, 0.46%

LAB 29.14, 68.69, -93.22

 

CMYK 58 / 94 / 0 / 14

HEX #5D0EDC

RGB 93 14 220

HSL 263.01, 0.88%, 0.46%

LAB 33.58, 71.22, -85.71

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 8 / 94 / 0 / 14

HEX #CB0EDC

RGB 203 14 220

HSL 295.05, 0.88%, 0.46%

LAB 49.71, 84.15, -58.68

 

CMYK 0 / 94 / 17 / 14

HEX #DC0EB6

RGB 220 14 182

HSL 311.07, 0.88%, 0.46%

LAB 50.58, 81.74, -35.17

 

CMYK 32 / 94 / 0 / 44

HEX #60098E

RGB 96 9 142

HSL 279.25, 0.88%, 0.3%

LAB 25.67, 54.88, -52.19

 

CMYK 33 / 94 / 0 / 29

HEX #7A0BB5

RGB 122 11 181

HSL 279.18, 0.89%, 0.38%

LAB 33.38, 66.01, -63.1

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 30 / 86 / 0 / 6

HEX #A822F0

RGB 168 34 240

HSL 279.03, 0.87%, 0.54%

LAB 46.66, 79.37, -75.23

 

CMYK 24 / 70 / 0 / 5

HEX #B849F3

RGB 184 73 243

HSL 279.18, 0.88%, 0.62%

LAB 53.41, 70.2, -65.85

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 0 / 94 / 80 / 14

HEX #DC0E2D

RGB 220 14 45

HSL 350.97, 0.88%, 0.46%

LAB 46.6, 71.14, 41.85

 

CMYK 94 / 0 / 70 / 14

HEX #0EDC41

RGB 14 220 65

HSL 134.85, 0.88%, 0.46%

LAB 77.08, -73.62, 60.59

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 0 / 33 / 94 / 14

HEX #DC940E

RGB 220 148 14

HSL 39.03, 0.88%, 0.46%

LAB 66.85, 18.18, 69.68

 

CMYK 94 / 0 / 33 / 14

HEX #0EDC94

RGB 14 220 148

HSL 159.03, 0.88%, 0.46%

LAB 78.12, -61.08, 23.11

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 0 / 94 / 80 / 14

HEX #DC0E2D

RGB 220 14 45

HSL 350.97, 0.88%, 0.46%

LAB 46.6, 71.14, 41.85

 

CMYK 61 / 0 / 94 / 14

HEX #56DC0E

RGB 86 220 14

HSL 99.03, 0.88%, 0.46%

LAB 77.99, -66.56, 74.52

 

CMYK 94 / 0 / 14 / 14

HEX #0EDCBD

RGB 14 220 189

HSL 170.97, 0.88%, 0.46%

LAB 79.01, -51.3, 2.72

 

CMYK 33 / 94 / 0 / 14

HEX #940EDC

RGB 148 14 220

HSL 279.03, 0.88%, 0.46%

LAB 40.86, 76.5, -73.46

 

CMYK 0 / 80 / 94 / 14

HEX #DC2D0E

RGB 220 45 14

HSL 9.03, 0.88%, 0.46%

LAB 48.42, 64.78, 57.33

 

CMYK 61 / 0 / 94 / 14

HEX #56DC0E

RGB 86 220 14

HSL 99.03, 0.88%, 0.46%

LAB 77.99, -66.56, 74.52

 

CMYK 94 / 14 / 0 / 14

HEX #0EBDDC

RGB 14 189 220

HSL 189.03, 0.88%, 0.46%

LAB 70.63, -28.15, -26.55

 

Description

Color code: HEX #940EDC | qconv.com Color code: HEX #940EDC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 14 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 14 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 94 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 94% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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