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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #940063 it is the complementary color #6BFF9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #940063. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #940063 shade: #99005E, #AA1271, #BB2484, #CC3697 and #DD48AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #940063. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #940063 shade: #940063, #830050, #72003D, #61002A and #500017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #940063 shade: #930062, #93003B, #930013 and #930000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #940063 shade: #930062, #93008A, #750093, #4D0093 and #250093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #940063 shade matches the following richer shades: #930062

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #940063 shade: #930062, #870B5E, #7B175A, #702356 and #642F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #940063 shade: #730093, #93008C, #930065, #93003D and #930016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #940063 shade: #41002B, #6A0047, #930062, #BD007E and #E6009A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #940063 shade: #940063, #934C00 and #009387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #940063 shade: #940063, #659300 and #006593

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #940063 shade: #940063, #934C00, #00932E and #004793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #940063 shade: #940063, #937800, #00932E and #001B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

Complementary color

CMYK 58 / 0 / 39 / 0

HEX #6BFF9C

RGB 107 255 156

HSL 139.86, 1%, 0.71%

LAB 90.34, -60.69, 35.71

 

CMYK 0 / 100 / 39 / 40

HEX #99005E

RGB 153 0 94

HSL 323.14, 1%, 0.3%

LAB 33.09, 59.53, -9.22

 

CMYK 0 / 89 / 34 / 33

HEX #AA1271

RGB 170 18 113

HSL 322.5, 0.81%, 0.37%

LAB 38.15, 62.88, -13.36

 

CMYK 0 / 81 / 29 / 27

HEX #BB2484

RGB 187 36 132

HSL 321.85, 0.68%, 0.44%

LAB 43.5, 65.14, -16.71

 

CMYK 0 / 74 / 26 / 20

HEX #CC3697

RGB 204 54 151

HSL 321.2, 0.6%, 0.51%

LAB 49.14, 66.35, -19.29

 

CMYK 0 / 67 / 23 / 13

HEX #DD48AA

RGB 221 72 170

HSL 320.54, 0.69%, 0.57%

LAB 54.98, 66.84, -21.31

 

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

CMYK 0 / 100 / 39 / 49

HEX #830050

RGB 131 0 80

HSL 323.36, 1%, 0.26%

LAB 27.86, 53.2, -8.37

 

CMYK 0 / 100 / 46 / 55

HEX #72003D

RGB 114 0 61

HSL 327.89, 1%, 0.22%

LAB 23.39, 47.34, -2.55

 

CMYK 0 / 100 / 57 / 62

HEX #61002A

RGB 97 0 42

HSL 334.02, 1%, 0.19%

LAB 18.84, 41.43, 3.74

 

CMYK 0 / 100 / 71 / 69

HEX #500017

RGB 80 0 23

HSL 342.75, 1%, 0.16%

LAB 14.22, 35.52, 10.65

 

CMYK 0 / 100 / 33 / 42

HEX #930062

RGB 147 0 98

HSL 320, 1%, 0.29%

LAB 32, 58.65, -13.59

 

CMYK 0 / 100 / 60 / 42

HEX #93003B

RGB 147 0 59

HSL 335.92, 1%, 0.29%

LAB 30.69, 55.2, 10.23

 

CMYK 0 / 100 / 87 / 42

HEX #930013

RGB 147 0 19

HSL 352.24, 1%, 0.29%

LAB 30.03, 53.45, 35.08

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 33 / 42

HEX #930062

RGB 147 0 98

HSL 320, 1%, 0.29%

LAB 32, 58.65, -13.59

 

CMYK 0 / 100 / 6 / 42

HEX #93008A

RGB 147 0 138

HSL 303.67, 1%, 0.29%

LAB 34.06, 63.81, -35.7

 

CMYK 20 / 100 / 0 / 42

HEX #750093

RGB 117 0 147

HSL 287.76, 1%, 0.29%

LAB 29.13, 60.44, -49.49

 

CMYK 48 / 100 / 0 / 42

HEX #4D0093

RGB 77 0 147

HSL 271.43, 1%, 0.29%

LAB 22.6, 55.69, -60.44

 

CMYK 75 / 100 / 0 / 42

HEX #250093

RGB 37 0 147

HSL 255.1, 1%, 0.29%

LAB 17.92, 53.21, -68.35

 

CMYK 0 / 100 / 33 / 42

HEX #930062

RGB 147 0 98

HSL 320, 1%, 0.29%

LAB 32, 58.65, -13.59

 

CMYK 0 / 100 / 33 / 42

HEX #930062

RGB 147 0 98

HSL 320, 1%, 0.29%

LAB 32, 58.65, -13.59

 

CMYK 0 / 92 / 30 / 47

HEX #870B5E

RGB 135 11 94

HSL 319.84, 0.85%, 0.29%

LAB 29.91, 53.87, -14.41

 

CMYK 0 / 81 / 27 / 52

HEX #7B175A

RGB 123 23 90

HSL 319.8, 0.68%, 0.29%

LAB 28.28, 47.68, -14.5

 

CMYK 0 / 69 / 23 / 56

HEX #702356

RGB 112 35 86

HSL 320.26, 0.52%, 0.29%

LAB 27.62, 39.55, -13.05

 

CMYK 0 / 53 / 18 / 61

HEX #642F52

RGB 100 47 82

HSL 320.38, 0.36%, 0.29%

LAB 27.71, 28.81, -10.46

 

CMYK 22 / 100 / 0 / 42

HEX #730093

RGB 115 0 147

HSL 286.94, 1%, 0.29%

LAB 28.78, 60.16, -50.08

 

CMYK 0 / 100 / 5 / 42

HEX #93008C

RGB 147 0 140

HSL 302.86, 1%, 0.29%

LAB 34.18, 64.11, -36.74

 

CMYK 0 / 100 / 31 / 42

HEX #930065

RGB 147 0 101

HSL 318.78, 1%, 0.29%

LAB 32.13, 58.98, -15.33

 

CMYK 0 / 100 / 59 / 42

HEX #93003D

RGB 147 0 61

HSL 335.1, 1%, 0.29%

LAB 30.74, 55.34, 8.97

 

CMYK 0 / 100 / 85 / 42

HEX #930016

RGB 147 0 22

HSL 351.02, 1%, 0.29%

LAB 30.06, 53.52, 33.41

 

CMYK 0 / 100 / 34 / 75

HEX #41002B

RGB 65 0 43

HSL 320.31, 1%, 0.13%

LAB 11.26, 33.45, -9.06

 

CMYK 0 / 100 / 33 / 58

HEX #6A0047

RGB 106 0 71

HSL 319.81, 1%, 0.21%

LAB 22.01, 46.54, -11.68

 

CMYK 0 / 100 / 33 / 42

HEX #930062

RGB 147 0 98

HSL 320, 1%, 0.29%

LAB 32, 58.65, -13.59

 

CMYK 0 / 100 / 33 / 26

HEX #BD007E

RGB 189 0 126

HSL 320, 1%, 0.37%

LAB 41.73, 70.47, -15.68

 

CMYK 0 / 100 / 33 / 10

HEX #E6009A

RGB 230 0 154

HSL 319.83, 1%, 0.45%

LAB 50.87, 81.61, -18.01

 

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

CMYK 0 / 48 / 100 / 42

HEX #934C00

RGB 147 76 0

HSL 31.02, 1%, 0.29%

LAB 40.2, 25.64, 49.77

 

CMYK 100 / 0 / 8 / 42

HEX #009387

RGB 0 147 135

HSL 175.1, 1%, 0.29%

LAB 54.68, -35.6, -3.03

 

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

CMYK 31 / 0 / 100 / 42

HEX #659300

RGB 101 147 0

HSL 78.78, 1%, 0.29%

LAB 55.72, -34.21, 58.7

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

CMYK 0 / 48 / 100 / 42

HEX #934C00

RGB 147 76 0

HSL 31.02, 1%, 0.29%

LAB 40.2, 25.64, 49.77

 

CMYK 100 / 0 / 69 / 42

HEX #00932E

RGB 0 147 46

HSL 138.78, 1%, 0.29%

LAB 53.02, -54.38, 42.58

 

CMYK 100 / 52 / 0 / 42

HEX #004793

RGB 0 71 147

HSL 211.02, 1%, 0.29%

LAB 30.91, 12.45, -47.03

 

CMYK 0 / 100 / 33 / 42

HEX #940063

RGB 148 0 99

HSL 319.86, 1%, 0.29%

LAB 32.25, 58.97, -13.83

 

CMYK 0 / 18 / 100 / 42

HEX #937800

RGB 147 120 0

HSL 48.98, 1%, 0.29%

LAB 51.42, 0.44, 57.2

 

CMYK 100 / 0 / 69 / 42

HEX #00932E

RGB 0 147 46

HSL 138.78, 1%, 0.29%

LAB 53.02, -54.38, 42.58

 

CMYK 100 / 82 / 0 / 42

HEX #001B93

RGB 0 27 147

HSL 228.98, 1%, 0.29%

LAB 19.6, 41.79, -65.6

 

Description

Color code: HEX #940063 | qconv.com Color code: HEX #940063 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, none green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 0 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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