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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97ECBC it is the complementary color #681343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97ECBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97ECBC shade: #9CECB7, #ADFECA, #BEFFDD, #CFFFF0 and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97ECBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97ECBC shade: #97ECBC, #86DAA9, #75C896, #64B683 and #53A470

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97ECBC shade: #97ECBC, #97ECA5, #A0EC97, #B7EC97 and #CDEC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97ECBC shade: #97ECBC, #97ECD3, #97ECE9, #97D7EC and #97C0EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97ECBC shade matches the following richer shades: #97ECBC and #8DF5BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97ECBC shade: #97ECBC, #A1E2BD, #ABD8BE, #B5CEC0 and #BFC4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97ECBC shade: #A0EC97, #97ECA5, #97ECBC, #97ECD2 and #97ECE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97ECBC shade: #51DF8F, #74E5A5, #97ECBC, #BAF2D2 and #DDF8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97ECBC shade: #97ECBC, #97B6EC and #EC9A97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97ECBC shade: #97ECBC, #BC97EC and #ECBC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97ECBC shade: #97ECBC, #97B6EC, #EC97C7 and #ECCD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97ECBC shade: #97ECBC, #979DEC, #EC97C7 and #ECE697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

Complementary color

CMYK 0 / 82 / 36 / 59

HEX #681343

RGB 104 19 67

HSL 326.12, 0.69%, 0.24%

LAB 23.05, 40.83, -7.41

 

CMYK 34 / 0 / 22 / 7

HEX #9CECB7

RGB 156 236 183

HSL 140.25, 0.68%, 0.77%

LAB 87.23, -35.36, 18.08

 

CMYK 32 / 0 / 20 / 0

HEX #ADFECA

RGB 173 254 202

HSL 141.48, 0.98%, 0.84%

LAB 93.46, -35.11, 17.14

 

CMYK 25 / 0 / 13 / 0

HEX #BEFFDD

RGB 190 255 221

HSL 148.62, 1%, 0.87%

LAB 95.03, -26.94, 9.73

 

CMYK 19 / 0 / 6 / 0

HEX #CFFFF0

RGB 207 255 240

HSL 161.25, 1%, 0.91%

LAB 96.44, -18.11, 2.12

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 39 / 0 / 22 / 15

HEX #86DAA9

RGB 134 218 169

HSL 145, 0.53%, 0.69%

LAB 80.78, -36.13, 16.22

 

CMYK 42 / 0 / 25 / 22

HEX #75C896

RGB 117 200 150

HSL 143.86, 0.43%, 0.62%

LAB 74.38, -36.38, 17.25

 

CMYK 45 / 0 / 28 / 29

HEX #64B683

RGB 100 182 131

HSL 142.68, 0.36%, 0.55%

LAB 67.88, -36.63, 18.35

 

CMYK 49 / 0 / 32 / 36

HEX #53A470

RGB 83 164 112

HSL 141.48, 0.33%, 0.48%

LAB 61.27, -36.83, 19.55

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 0 / 30 / 7

HEX #97ECA5

RGB 151 236 165

HSL 129.88, 0.69%, 0.76%

LAB 86.65, -40.03, 26.52

 

CMYK 32 / 0 / 36 / 7

HEX #A0EC97

RGB 160 236 151

HSL 113.65, 0.69%, 0.76%

LAB 86.85, -39.48, 33.98

 

CMYK 22 / 0 / 36 / 7

HEX #B7EC97

RGB 183 236 151

HSL 97.41, 0.69%, 0.76%

LAB 88.11, -31.81, 35.87

 

CMYK 13 / 0 / 36 / 7

HEX #CDEC97

RGB 205 236 151

HSL 81.88, 0.69%, 0.76%

LAB 89.49, -23.98, 37.93

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 0 / 11 / 7

HEX #97ECD3

RGB 151 236 211

HSL 162.35, 0.69%, 0.76%

LAB 87.62, -31.2, 4

 

CMYK 36 / 0 / 1 / 7

HEX #97ECE9

RGB 151 236 233

HSL 177.88, 0.69%, 0.76%

LAB 88.19, -26.29, -6.7

 

CMYK 36 / 9 / 0 / 7

HEX #97D7EC

RGB 151 215 236

HSL 194.82, 0.69%, 0.76%

LAB 82.51, -15.12, -16.76

 

CMYK 36 / 19 / 0 / 7

HEX #97C0EC

RGB 151 192 236

HSL 211.06, 0.69%, 0.76%

LAB 76.27, -3.04, -26.22

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 42 / 0 / 24 / 4

HEX #8DF5BB

RGB 141 245 187

HSL 146.54, 0.84%, 0.76%

LAB 89.18, -42.86, 18.64

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 29 / 0 / 16 / 11

HEX #A1E2BD

RGB 161 226 189

HSL 145.85, 0.53%, 0.76%

LAB 84.81, -28.03, 11.58

 

CMYK 21 / 0 / 12 / 15

HEX #ABD8BE

RGB 171 216 190

HSL 145.33, 0.37%, 0.76%

LAB 82.64, -19.82, 8.02

 

CMYK 12 / 0 / 7 / 19

HEX #B5CEC0

RGB 181 206 192

HSL 146.4, 0.2%, 0.76%

LAB 80.61, -11.08, 4.12

 

CMYK 3 / 0 / 2 / 23

HEX #BFC4C1

RGB 191 196 193

HSL 144, 0.04%, 0.76%

LAB 78.7, -2.28, 0.89

 

CMYK 32 / 0 / 36 / 7

HEX #A0EC97

RGB 160 236 151

HSL 113.65, 0.69%, 0.76%

LAB 86.85, -39.48, 33.98

 

CMYK 36 / 0 / 30 / 7

HEX #97ECA5

RGB 151 236 165

HSL 129.88, 0.69%, 0.76%

LAB 86.65, -40.03, 26.52

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 0 / 11 / 7

HEX #97ECD2

RGB 151 236 210

HSL 161.65, 0.69%, 0.76%

LAB 87.59, -31.41, 4.49

 

CMYK 36 / 0 / 1 / 7

HEX #97ECE9

RGB 151 236 233

HSL 177.88, 0.69%, 0.76%

LAB 88.19, -26.29, -6.7

 

CMYK 64 / 0 / 36 / 13

HEX #51DF8F

RGB 81 223 143

HSL 146.2, 0.69%, 0.6%

LAB 79.9, -55.88, 28.26

 

CMYK 49 / 0 / 28 / 10

HEX #74E5A5

RGB 116 229 165

HSL 146.02, 0.68%, 0.68%

LAB 83.16, -46.54, 21.51

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 23 / 0 / 13 / 5

HEX #BAF2D2

RGB 186 242 210

HSL 145.71, 0.68%, 0.84%

LAB 91.05, -24.02, 9.69

 

CMYK 11 / 0 / 6 / 3

HEX #DDF8E9

RGB 221 248 233

HSL 146.67, 0.66%, 0.92%

LAB 95.32, -11.54, 4.22

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 23 / 0 / 7

HEX #97B6EC

RGB 151 182 236

HSL 218.12, 0.69%, 0.76%

LAB 73.6, 2.4, -30.31

 

CMYK 0 / 35 / 36 / 7

HEX #EC9A97

RGB 236 154 151

HSL 2.12, 0.69%, 0.76%

LAB 71.68, 30.33, 14.31

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 20 / 36 / 0 / 7

HEX #BC97EC

RGB 188 151 236

HSL 266.12, 0.69%, 0.76%

LAB 68.66, 30.3, -37.74

 

CMYK 0 / 20 / 36 / 7

HEX #ECBC97

RGB 236 188 151

HSL 26.12, 0.69%, 0.76%

LAB 79.63, 12.28, 25.28

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 23 / 0 / 7

HEX #97B6EC

RGB 151 182 236

HSL 218.12, 0.69%, 0.76%

LAB 73.6, 2.4, -30.31

 

CMYK 0 / 36 / 16 / 7

HEX #EC97C7

RGB 236 151 199

HSL 326.12, 0.69%, 0.76%

LAB 72.29, 38.53, -11.38

 

CMYK 0 / 13 / 36 / 7

HEX #ECCD97

RGB 236 205 151

HSL 38.12, 0.69%, 0.76%

LAB 83.82, 3.37, 30.92

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBC

RGB 151 236 188

HSL 146.12, 0.69%, 0.76%

LAB 87.1, -35.87, 15.26

 

CMYK 36 / 33 / 0 / 7

HEX #979DEC

RGB 151 157 236

HSL 235.76, 0.69%, 0.76%

LAB 67.09, 16.43, -40.42

 

CMYK 0 / 36 / 16 / 7

HEX #EC97C7

RGB 236 151 199

HSL 326.12, 0.69%, 0.76%

LAB 72.29, 38.53, -11.38

 

CMYK 0 / 3 / 36 / 7

HEX #ECE697

RGB 236 230 151

HSL 55.76, 0.69%, 0.76%

LAB 90.17, -9.38, 39.25

 

Description

Color code: HEX #97ECBC | qconv.com Color code: HEX #97ECBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 236 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 236 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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