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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97E7CC it is the complementary color #681833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97E7CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97E7CC shade: #9CE7C7, #ADF9DA, #BEFFED, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97E7CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97E7CC shade: #97E7CC, #86D5B9, #75C3A6, #64B193 and #539F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97E7CC shade: #97E7CC, #97E7B6, #97E7A0, #A2E797 and #B8E797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97E7CC shade: #97E7CC, #97E7E1, #97D7E7, #97C1E7 and #97ABE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97E7CC shade matches the following richer shades: #97E7CC, #8CF1CF and #82FCD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97E7CC shade: #97E7CC, #A1DDC8, #ABD2C5, #B6C8C2 and #C0BEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97E7CC shade: #97E7A0, #97E7B5, #97E7CB, #97E7E0 and #97D8E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97E7CC shade: #53D8AB, #75DFBB, #97E7CC, #B8EFDC and #DAF6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97E7CC shade: #97E7CC, #97A3E7 and #E7AB97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97E7CC shade: #97E7CC, #CB97E7 and #E7CB97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97E7CC shade: #97E7CC, #97A3E7, #E797B3 and #E7DB97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97E7CC shade: #97E7CC, #A397E7, #E797B3 and #DBE797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

Complementary color

CMYK 0 / 77 / 51 / 59

HEX #681833

RGB 104 24 51

HSL 339.75, 0.63%, 0.25%

LAB 23.12, 37.24, 3.72

 

CMYK 32 / 0 / 14 / 9

HEX #9CE7C7

RGB 156 231 199

HSL 154.4, 0.61%, 0.76%

LAB 86.18, -29.93, 8.24

 

CMYK 31 / 0 / 12 / 2

HEX #ADF9DA

RGB 173 249 218

HSL 155.53, 0.86%, 0.83%

LAB 92.44, -29.71, 7.45

 

CMYK 25 / 0 / 7 / 0

HEX #BEFFED

RGB 190 255 237

HSL 163.38, 1%, 0.87%

LAB 95.41, -23.81, 2.04

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 37 / 0 / 13 / 16

HEX #86D5B9

RGB 134 213 185

HSL 158.73, 0.48%, 0.68%

LAB 79.7, -30.53, 6.21

 

CMYK 40 / 0 / 15 / 24

HEX #75C3A6

RGB 117 195 166

HSL 157.69, 0.39%, 0.61%

LAB 73.26, -30.74, 7.06

 

CMYK 44 / 0 / 17 / 31

HEX #64B193

RGB 100 177 147

HSL 156.62, 0.33%, 0.54%

LAB 66.72, -30.96, 7.98

 

CMYK 48 / 0 / 19 / 38

HEX #539F80

RGB 83 159 128

HSL 155.53, 0.31%, 0.47%

LAB 60.06, -31.15, 8.97

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 35 / 0 / 21 / 9

HEX #97E7B6

RGB 151 231 182

HSL 143.25, 0.63%, 0.75%

LAB 85.56, -34.71, 16.22

 

CMYK 35 / 0 / 31 / 9

HEX #97E7A0

RGB 151 231 160

HSL 126.75, 0.63%, 0.75%

LAB 85.13, -38.63, 27.03

 

CMYK 30 / 0 / 35 / 9

HEX #A2E797

RGB 162 231 151

HSL 111.75, 0.63%, 0.75%

LAB 85.54, -36.58, 32.26

 

CMYK 20 / 0 / 35 / 9

HEX #B8E797

RGB 184 231 151

HSL 95.25, 0.63%, 0.75%

LAB 86.79, -29.12, 34.14

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 35 / 0 / 3 / 9

HEX #97E7E1

RGB 151 231 225

HSL 175.5, 0.63%, 0.75%

LAB 86.59, -25.71, -4.86

 

CMYK 35 / 7 / 0 / 9

HEX #97D7E7

RGB 151 215 231

HSL 192, 0.63%, 0.75%

LAB 82.35, -16.34, -14.33

 

CMYK 35 / 16 / 0 / 9

HEX #97C1E7

RGB 151 193 231

HSL 208.5, 0.63%, 0.75%

LAB 76.37, -4.85, -23.38

 

CMYK 35 / 26 / 0 / 9

HEX #97ABE7

RGB 151 171 231

HSL 225, 0.63%, 0.75%

LAB 70.51, 7.2, -32.37

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 42 / 0 / 14 / 5

HEX #8CF1CF

RGB 140 241 207

HSL 159.8, 0.78%, 0.75%

LAB 88.44, -37.27, 7.22

 

CMYK 48 / 0 / 16 / 1

HEX #82FCD3

RGB 130 252 211

HSL 159.84, 0.95%, 0.75%

LAB 91.27, -43.75, 9.14

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 27 / 0 / 10 / 13

HEX #A1DDC8

RGB 161 221 200

HSL 159, 0.47%, 0.75%

LAB 83.68, -23.43, 4.16

 

CMYK 19 / 0 / 6 / 18

HEX #ABD2C5

RGB 171 210 197

HSL 160, 0.3%, 0.75%

LAB 81.17, -15.43, 2.18

 

CMYK 9 / 0 / 3 / 22

HEX #B6C8C2

RGB 182 200 194

HSL 160, 0.14%, 0.75%

LAB 79.13, -7.26, 0.9

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBE

RGB 192 190 190

HSL 0, 0.02%, 0.75%

LAB 77.13, 0.7, 0.24

 

CMYK 35 / 0 / 31 / 9

HEX #97E7A0

RGB 151 231 160

HSL 126.75, 0.63%, 0.75%

LAB 85.13, -38.63, 27.03

 

CMYK 35 / 0 / 22 / 9

HEX #97E7B5

RGB 151 231 181

HSL 142.5, 0.63%, 0.75%

LAB 85.54, -34.9, 16.71

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CB

RGB 151 231 203

HSL 159, 0.63%, 0.75%

LAB 86.03, -30.53, 5.89

 

CMYK 35 / 0 / 3 / 9

HEX #97E7E0

RGB 151 231 224

HSL 174.75, 0.63%, 0.75%

LAB 86.56, -25.94, -4.37

 

CMYK 35 / 6 / 0 / 9

HEX #97D8E7

RGB 151 216 231

HSL 191.25, 0.63%, 0.75%

LAB 82.63, -16.85, -13.92

 

CMYK 62 / 0 / 21 / 15

HEX #53D8AB

RGB 83 216 171

HSL 159.7, 0.63%, 0.59%

LAB 78.4, -46.9, 11.54

 

CMYK 48 / 0 / 16 / 13

HEX #75DFBB

RGB 117 223 187

HSL 159.62, 0.62%, 0.67%

LAB 81.92, -39.13, 8.23

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 23 / 0 / 8 / 6

HEX #B8EFDC

RGB 184 239 220

HSL 159.27, 0.63%, 0.83%

LAB 90.36, -21.24, 3.49

 

CMYK 11 / 0 / 4 / 4

HEX #DAF6ED

RGB 218 246 237

HSL 160.71, 0.61%, 0.91%

LAB 94.71, -10.77, 1.23

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 35 / 29 / 0 / 9

HEX #97A3E7

RGB 151 163 231

HSL 231, 0.63%, 0.75%

LAB 68.42, 11.7, -35.61

 

CMYK 0 / 26 / 35 / 9

HEX #E7AB97

RGB 231 171 151

HSL 15, 0.63%, 0.75%

LAB 75.04, 19.38, 18.92

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 12 / 35 / 0 / 9

HEX #CB97E7

RGB 203 151 231

HSL 279, 0.63%, 0.75%

LAB 69.89, 33.71, -32.97

 

CMYK 0 / 12 / 35 / 9

HEX #E7CB97

RGB 231 203 151

HSL 39, 0.63%, 0.75%

LAB 82.88, 2.47, 29.58

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 35 / 29 / 0 / 9

HEX #97A3E7

RGB 151 163 231

HSL 231, 0.63%, 0.75%

LAB 68.42, 11.7, -35.61

 

CMYK 0 / 35 / 23 / 9

HEX #E797B3

RGB 231 151 179

HSL 339, 0.63%, 0.75%

LAB 71.13, 33.79, -2.07

 

CMYK 0 / 5 / 35 / 9

HEX #E7DB97

RGB 231 219 151

HSL 51, 0.63%, 0.75%

LAB 86.94, -5.76, 34.96

 

CMYK 35 / 0 / 12 / 9

HEX #97E7CC

RGB 151 231 204

HSL 159.75, 0.63%, 0.75%

LAB 86.05, -30.32, 5.4

 

CMYK 29 / 35 / 0 / 9

HEX #A397E7

RGB 163 151 231

HSL 249, 0.63%, 0.75%

LAB 66.28, 21.88, -38.87

 

CMYK 0 / 35 / 23 / 9

HEX #E797B3

RGB 231 151 179

HSL 339, 0.63%, 0.75%

LAB 71.13, 33.79, -2.07

 

CMYK 5 / 0 / 35 / 9

HEX #DBE797

RGB 219 231 151

HSL 69, 0.63%, 0.75%

LAB 89.13, -16.34, 37.66

 

Description

Color code: HEX #97E7CC | qconv.com Color code: HEX #97E7CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 231 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 231 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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