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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97CE32 it is the complementary color #6831CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97CE32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97CE32 shade: #9CCE2D, #ADE040, #BEF253, #CFFF66 and #E0FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97CE32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97CE32 shade: #97CE32, #86BC1F, #75AA0C, #649800 and #538600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97CE32 shade: #96CD31, #C0CD31, #CDB031, #CD8631 and #CD5C31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97CE32 shade: #96CD31, #6CCD31, #42CD31, #31CD4A and #31CD74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97CE32 shade matches the following richer shades: #96CD31, #9CE11D and #A2F608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97CE32 shade: #96CD31, #90B846, #8AA45A, #848F6F and #7E7A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97CE32 shade: #CDB031, #C0CD31, #96CD31, #6DCD31 and #43CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97CE32 shade: #658A21, #7EAC29, #96CD31, #A7D552 and #B8DD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97CE32 shade: #97CE32, #31CD87 and #C531CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97CE32 shade: #97CE32, #3196CD and #CD3196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97CE32 shade: #97CE32, #31CD87, #6831CD and #CD3177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97CE32 shade: #97CE32, #31CDB5, #6831CD and #CD3149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

Complementary color

CMYK 49 / 76 / 0 / 20

HEX #6831CD

RGB 104 49 205

HSL 261.15, 0.61%, 0.5%

LAB 37.02, 57.68, -71.33

 

CMYK 24 / 0 / 78 / 19

HEX #9CCE2D

RGB 156 206 45

HSL 78.63, 0.64%, 0.49%

LAB 76.92, -37.9, 68.51

 

CMYK 23 / 0 / 71 / 12

HEX #ADE040

RGB 173 224 64

HSL 79.13, 0.72%, 0.56%

LAB 83.21, -38.48, 68.77

 

CMYK 21 / 0 / 66 / 5

HEX #BEF253

RGB 190 242 83

HSL 79.62, 0.86%, 0.64%

LAB 89.43, -38.92, 68.46

 

CMYK 19 / 0 / 60 / 0

HEX #CFFF66

RGB 207 255 102

HSL 78.82, 1%, 0.7%

LAB 94.2, -37.02, 66.32

 

CMYK 12 / 0 / 53 / 0

HEX #E0FF79

RGB 224 255 121

HSL 73.88, 1%, 0.74%

LAB 95.47, -29.07, 59.88

 

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

CMYK 29 / 0 / 84 / 26

HEX #86BC1F

RGB 134 188 31

HSL 80.64, 0.72%, 0.43%

LAB 70.27, -38.91, 65.83

 

CMYK 31 / 0 / 93 / 33

HEX #75AA0C

RGB 117 170 12

HSL 80.13, 0.87%, 0.36%

LAB 63.8, -38.02, 63.73

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 38 / 0 / 100 / 47

HEX #538600

RGB 83 134 0

HSL 82.84, 1%, 0.26%

LAB 50.56, -35.41, 54.29

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 6 / 0 / 76 / 20

HEX #C0CD31

RGB 192 205 49

HSL 65, 0.61%, 0.5%

LAB 79.09, -22.73, 70.21

 

CMYK 0 / 14 / 76 / 20

HEX #CDB031

RGB 205 176 49

HSL 48.85, 0.61%, 0.5%

LAB 72.4, -2.44, 64.42

 

CMYK 0 / 35 / 76 / 20

HEX #CD8631

RGB 205 134 49

HSL 32.69, 0.61%, 0.5%

LAB 61.87, 20.18, 54.37

 

CMYK 0 / 55 / 76 / 20

HEX #CD5C31

RGB 205 92 49

HSL 16.54, 0.61%, 0.5%

LAB 52.79, 42.24, 45.24

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 47 / 0 / 76 / 20

HEX #6CCD31

RGB 108 205 49

HSL 97.31, 0.61%, 0.5%

LAB 74.24, -54.01, 63.91

 

CMYK 68 / 0 / 76 / 20

HEX #42CD31

RGB 66 205 49

HSL 113.46, 0.61%, 0.5%

LAB 72.92, -64.49, 62.18

 

CMYK 76 / 0 / 64 / 20

HEX #31CD4A

RGB 49 205 74

HSL 129.62, 0.61%, 0.5%

LAB 72.77, -65.13, 52.47

 

CMYK 76 / 0 / 43 / 20

HEX #31CD74

RGB 49 205 116

HSL 145.77, 0.61%, 0.5%

LAB 73.27, -59.17, 33.21

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 31 / 0 / 87 / 12

HEX #9CE11D

RGB 156 225 29

HSL 81.12, 0.77%, 0.5%

LAB 82.38, -46.71, 77.09

 

CMYK 34 / 0 / 97 / 4

HEX #A2F608

RGB 162 246 8

HSL 81.18, 0.94%, 0.5%

LAB 88.74, -53.56, 84.92

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 22 / 0 / 62 / 28

HEX #90B846

RGB 144 184 70

HSL 81.05, 0.45%, 0.5%

LAB 69.93, -30.92, 52.07

 

CMYK 16 / 0 / 45 / 36

HEX #8AA45A

RGB 138 164 90

HSL 81.08, 0.29%, 0.5%

LAB 63.91, -21.53, 35.33

 

CMYK 8 / 0 / 22 / 44

HEX #848F6F

RGB 132 143 111

HSL 80.63, 0.13%, 0.5%

LAB 57.75, -9.93, 15.73

 

CMYK 5 / 8 / 0 / 48

HEX #7E7A84

RGB 126 122 132

HSL 264, 0.04%, 0.5%

LAB 51.86, 3.54, -4.9

 

CMYK 0 / 14 / 76 / 20

HEX #CDB031

RGB 205 176 49

HSL 48.85, 0.61%, 0.5%

LAB 72.4, -2.44, 64.42

 

CMYK 6 / 0 / 76 / 20

HEX #C0CD31

RGB 192 205 49

HSL 65, 0.61%, 0.5%

LAB 79.09, -22.73, 70.21

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 47 / 0 / 76 / 20

HEX #6DCD31

RGB 109 205 49

HSL 96.92, 0.61%, 0.5%

LAB 74.28, -53.71, 63.96

 

CMYK 67 / 0 / 76 / 20

HEX #43CD31

RGB 67 205 49

HSL 113.08, 0.61%, 0.5%

LAB 72.94, -64.3, 62.21

 

CMYK 27 / 0 / 76 / 46

HEX #658A21

RGB 101 138 33

HSL 81.14, 0.61%, 0.34%

LAB 53.01, -28.88, 48.69

 

CMYK 27 / 0 / 76 / 33

HEX #7EAC29

RGB 126 172 41

HSL 81.07, 0.62%, 0.42%

LAB 65.04, -34.36, 58.01

 

CMYK 27 / 0 / 76 / 20

HEX #96CD31

RGB 150 205 49

HSL 81.15, 0.61%, 0.5%

LAB 76.29, -39.57, 66.59

 

CMYK 22 / 0 / 62 / 16

HEX #A7D552

RGB 167 213 82

HSL 81.07, 0.61%, 0.58%

LAB 79.85, -34.57, 58.2

 

CMYK 17 / 0 / 48 / 13

HEX #B8DD74

RGB 184 221 116

HSL 81.14, 0.61%, 0.66%

LAB 83.53, -28.7, 47.29

 

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

CMYK 76 / 0 / 34 / 20

HEX #31CD87

RGB 49 205 135

HSL 153.08, 0.61%, 0.5%

LAB 73.59, -55.57, 23.79

 

CMYK 4 / 76 / 0 / 20

HEX #C531CD

RGB 197 49 205

HSL 296.92, 0.61%, 0.5%

LAB 50.07, 74.1, -49.58

 

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

CMYK 76 / 27 / 0 / 20

HEX #3196CD

RGB 49 150 205

HSL 201.15, 0.61%, 0.5%

LAB 58.86, -10.22, -36.46

 

CMYK 0 / 76 / 27 / 20

HEX #CD3196

RGB 205 49 150

HSL 321.15, 0.61%, 0.5%

LAB 48.73, 68.02, -19.3

 

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

CMYK 76 / 0 / 34 / 20

HEX #31CD87

RGB 49 205 135

HSL 153.08, 0.61%, 0.5%

LAB 73.59, -55.57, 23.79

 

CMYK 49 / 76 / 0 / 20

HEX #6831CD

RGB 104 49 205

HSL 261.15, 0.61%, 0.5%

LAB 37.02, 57.68, -71.33

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 27 / 0 / 76 / 19

HEX #97CE32

RGB 151 206 50

HSL 81.15, 0.61%, 0.5%

LAB 76.65, -39.58, 66.63

 

CMYK 76 / 0 / 12 / 20

HEX #31CDB5

RGB 49 205 181

HSL 170.77, 0.61%, 0.5%

LAB 74.6, -44.75, 0.63

 

CMYK 49 / 76 / 0 / 20

HEX #6831CD

RGB 104 49 205

HSL 261.15, 0.61%, 0.5%

LAB 37.02, 57.68, -71.33

 

CMYK 0 / 76 / 64 / 20

HEX #CD3149

RGB 205 49 73

HSL 350.77, 0.61%, 0.5%

LAB 46.52, 61.12, 24.46

 

Description

Color code: HEX #97CE32 | qconv.com Color code: HEX #97CE32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 206 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 206 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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