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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97CDE7 it is the complementary color #683218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97CDE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97CDE7 shade: #9CCDE2, #ADDFF5, #BEF1FF, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97CDE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97CDE7 shade: #97CDE7, #86BBD4, #75A9C1, #6497AE and #53859B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97CDE7 shade: #97CDE7, #97B7E7, #97A1E7, #A197E7 and #B797E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97CDE7 shade: #97CDE7, #97B7E7, #97A1E7 and #9797E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97CDE7 shade matches the following richer shades: #97CDE7, #8CD0F1 and #82D4FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97CDE7 shade: #97CDE7, #A1C9DD, #ABC6D2, #B6C2C8 and #C0BEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97CDE7 shade: #97E7D6, #97E3E7, #97CDE7, #97B8E7 and #97A3E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97CDE7 shade: #53ADD8, #75BDDF, #97CDE7, #B8DDEF and #DAEDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97CDE7 shade: #97CDE7, #C097E7 and #E7E097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97CDE7 shade: #97CDE7, #E797CD and #CDE797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97CDE7 shade: #97CDE7, #C097E7, #E7B097 and #BDE797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97CDE7 shade: #97CDE7, #D897E7, #E7B097 and #A5E797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

Complementary color

CMYK 0 / 52 / 77 / 59

HEX #683218

RGB 104 50 24

HSL 19.5, 0.63%, 0.25%

LAB 27.55, 22.03, 26.97

 

CMYK 31 / 9 / 0 / 11

HEX #9CCDE2

RGB 156 205 226

HSL 198, 0.55%, 0.75%

LAB 79.74, -11.02, -15.56

 

CMYK 29 / 9 / 0 / 4

HEX #ADDFF5

RGB 173 223 245

HSL 198.33, 0.78%, 0.82%

LAB 86.13, -11.06, -15.95

 

CMYK 25 / 5 / 0 / 0

HEX #BEF1FF

RGB 190 241 255

HSL 192.92, 1%, 0.87%

LAB 92.17, -13.11, -12.05

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 37 / 12 / 0 / 17

HEX #86BBD4

RGB 134 187 212

HSL 199.23, 0.48%, 0.68%

LAB 73.13, -11.1, -18.08

 

CMYK 39 / 12 / 0 / 24

HEX #75A9C1

RGB 117 169 193

HSL 198.95, 0.38%, 0.61%

LAB 66.53, -10.99, -17.73

 

CMYK 43 / 13 / 0 / 32

HEX #6497AE

RGB 100 151 174

HSL 198.65, 0.31%, 0.54%

LAB 59.8, -10.85, -17.37

 

CMYK 46 / 14 / 0 / 39

HEX #53859B

RGB 83 133 155

HSL 198.33, 0.3%, 0.47%

LAB 52.93, -10.66, -17

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 35 / 21 / 0 / 9

HEX #97B7E7

RGB 151 183 231

HSL 216, 0.63%, 0.75%

LAB 73.69, 0.57, -27.48

 

CMYK 35 / 30 / 0 / 9

HEX #97A1E7

RGB 151 161 231

HSL 232.5, 0.63%, 0.75%

LAB 67.9, 12.84, -36.41

 

CMYK 30 / 35 / 0 / 9

HEX #A197E7

RGB 161 151 231

HSL 247.5, 0.63%, 0.75%

LAB 66.12, 21.31, -39.13

 

CMYK 21 / 35 / 0 / 9

HEX #B797E7

RGB 183 151 231

HSL 264, 0.63%, 0.75%

LAB 68, 27.69, -36.06

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 35 / 21 / 0 / 9

HEX #97B7E7

RGB 151 183 231

HSL 216, 0.63%, 0.75%

LAB 73.69, 0.57, -27.48

 

CMYK 35 / 30 / 0 / 9

HEX #97A1E7

RGB 151 161 231

HSL 232.5, 0.63%, 0.75%

LAB 67.9, 12.84, -36.41

 

CMYK 35 / 35 / 0 / 9

HEX #9797E7

RGB 151 151 231

HSL 240, 0.63%, 0.75%

LAB 65.34, 18.54, -40.4

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 42 / 14 / 0 / 5

HEX #8CD0F1

RGB 140 208 241

HSL 199.6, 0.78%, 0.75%

LAB 80.2, -13.07, -22.96

 

CMYK 48 / 16 / 0 / 1

HEX #82D4FC

RGB 130 212 252

HSL 199.67, 0.95%, 0.75%

LAB 81.22, -14.54, -27.31

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 27 / 9 / 0 / 13

HEX #A1C9DD

RGB 161 201 221

HSL 200, 0.47%, 0.75%

LAB 78.79, -8.67, -14.27

 

CMYK 19 / 6 / 0 / 18

HEX #ABC6D2

RGB 171 198 210

HSL 198.46, 0.3%, 0.75%

LAB 78.29, -6.52, -9.04

 

CMYK 9 / 3 / 0 / 22

HEX #B6C2C8

RGB 182 194 200

HSL 200, 0.14%, 0.75%

LAB 77.7, -2.92, -4.43

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBE

RGB 192 190 190

HSL 0, 0.02%, 0.75%

LAB 77.13, 0.7, 0.24

 

CMYK 35 / 0 / 7 / 9

HEX #97E7D6

RGB 151 231 214

HSL 167.25, 0.63%, 0.75%

LAB 86.3, -28.17, 0.51

 

CMYK 35 / 2 / 0 / 9

HEX #97E3E7

RGB 151 227 231

HSL 183, 0.63%, 0.75%

LAB 85.65, -22.36, -9.41

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 35 / 20 / 0 / 9

HEX #97B8E7

RGB 151 184 231

HSL 215.25, 0.63%, 0.75%

LAB 73.95, 0.02, -27.07

 

CMYK 35 / 29 / 0 / 9

HEX #97A3E7

RGB 151 163 231

HSL 231, 0.63%, 0.75%

LAB 68.42, 11.7, -35.61

 

CMYK 62 / 20 / 0 / 15

HEX #53ADD8

RGB 83 173 216

HSL 199.4, 0.63%, 0.59%

LAB 67.04, -14.1, -29.79

 

CMYK 48 / 15 / 0 / 13

HEX #75BDDF

RGB 117 189 223

HSL 199.25, 0.62%, 0.67%

LAB 73.22, -13.5, -24

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 23 / 8 / 0 / 6

HEX #B8DDEF

RGB 184 221 239

HSL 199.64, 0.63%, 0.83%

LAB 86.07, -8.21, -12.8

 

CMYK 11 / 4 / 0 / 4

HEX #DAEDF6

RGB 218 237 246

HSL 199.29, 0.61%, 0.91%

LAB 92.63, -4.5, -6.49

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 17 / 35 / 0 / 9

HEX #C097E7

RGB 192 151 231

HSL 270.75, 0.63%, 0.75%

LAB 68.83, 30.38, -34.71

 

CMYK 0 / 3 / 35 / 9

HEX #E7E097

RGB 231 224 151

HSL 54.75, 0.63%, 0.75%

LAB 88.23, -8.29, 36.65

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 0 / 35 / 11 / 9

HEX #E797CD

RGB 231 151 205

HSL 319.5, 0.63%, 0.75%

LAB 71.91, 37.82, -15.31

 

CMYK 11 / 0 / 35 / 9

HEX #CDE797

RGB 205 231 151

HSL 79.5, 0.63%, 0.75%

LAB 88.14, -21.56, 36.18

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 17 / 35 / 0 / 9

HEX #C097E7

RGB 192 151 231

HSL 270.75, 0.63%, 0.75%

LAB 68.83, 30.38, -34.71

 

CMYK 0 / 24 / 35 / 9

HEX #E7B097

RGB 231 176 151

HSL 18.75, 0.63%, 0.75%

LAB 76.24, 16.71, 20.56

 

CMYK 18 / 0 / 35 / 9

HEX #BDE797

RGB 189 231 151

HSL 91.5, 0.63%, 0.75%

LAB 87.1, -27.35, 34.61

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 6 / 35 / 0 / 9

HEX #D897E7

RGB 216 151 231

HSL 288.75, 0.63%, 0.75%

LAB 71.22, 37.7, -30.82

 

CMYK 0 / 24 / 35 / 9

HEX #E7B097

RGB 231 176 151

HSL 18.75, 0.63%, 0.75%

LAB 76.24, 16.71, 20.56

 

CMYK 29 / 0 / 35 / 9

HEX #A5E797

RGB 165 231 151

HSL 109.5, 0.63%, 0.75%

LAB 85.7, -35.59, 32.5

 

Description

Color code: HEX #97CDE7 | qconv.com Color code: HEX #97CDE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 205 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 205 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 11 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 11% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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