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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97C409 it is the complementary color #683BF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97C409. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97C409 shade: #9CC404, #ADD617, #BEE82A, #CFFA3D and #E0FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97C409. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97C409 shade: #97C409, #86B200, #75A000, #648E00 and #537C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97C409 shade: #96C209, #C2BD09, #C28B09, #C25909 and #C22709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97C409 shade: #96C209, #64C209, #32C209, #09C212 and #09C244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97C409 shade matches the following richer shades: #96C209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97C409 shade: #96C209, #8DB219, #85A12A, #7C913A and #73804B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97C409 shade: #C28B09, #C2BC09, #97C209, #66C209 and #34C209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97C409 shade: #597405, #779B07, #96C209, #B4EA0B and #C3F429

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97C409 shade: #97C409, #09C259 and #A309C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97C409 shade: #97C409, #0997C2 and #C20997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97C409 shade: #97C409, #09C259, #3409C2 and #C20972

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97C409 shade: #97C409, #09C291, #3409C2 and #C2093A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

Complementary color

CMYK 58 / 76 / 0 / 4

HEX #683BF6

RGB 104 59 246

HSL 254.44, 0.91%, 0.6%

LAB 42.35, 64.13, -85.97

 

CMYK 20 / 0 / 98 / 23

HEX #9CC404

RGB 156 196 4

HSL 72.5, 0.96%, 0.39%

LAB 73.91, -34.43, 73.62

 

CMYK 19 / 0 / 89 / 16

HEX #ADD617

RGB 173 214 23

HSL 72.88, 0.81%, 0.46%

LAB 80.2, -35.54, 76.74

 

CMYK 18 / 0 / 82 / 9

HEX #BEE82A

RGB 190 232 42

HSL 73.26, 0.81%, 0.54%

LAB 86.42, -36.47, 78.58

 

CMYK 17 / 0 / 76 / 2

HEX #CFFA3D

RGB 207 250 61

HSL 73.65, 0.95%, 0.61%

LAB 92.56, -37.22, 79.41

 

CMYK 12 / 0 / 69 / 0

HEX #E0FF50

RGB 224 255 80

HSL 70.63, 1%, 0.66%

LAB 95.14, -31.97, 76.09

 

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

CMYK 25 / 0 / 100 / 30

HEX #86B200

RGB 134 178 0

HSL 74.83, 1%, 0.35%

LAB 67.21, -35.12, 68.35

 

CMYK 27 / 0 / 100 / 37

HEX #75A000

RGB 117 160 0

HSL 76.13, 1%, 0.31%

LAB 60.71, -33.73, 62.95

 

CMYK 30 / 0 / 100 / 44

HEX #648E00

RGB 100 142 0

HSL 77.75, 1%, 0.28%

LAB 54.09, -32.32, 57.43

 

CMYK 33 / 0 / 100 / 51

HEX #537C00

RGB 83 124 0

HSL 79.84, 1%, 0.24%

LAB 47.31, -30.88, 51.78

 

CMYK 23 / 0 / 95 / 24

HEX #96C209

RGB 150 194 9

HSL 74.27, 0.91%, 0.4%

LAB 72.95, -35.86, 72.19

 

CMYK 0 / 3 / 95 / 24

HEX #C2BD09

RGB 194 189 9

HSL 58.38, 0.91%, 0.4%

LAB 74.75, -14.94, 74.97

 

CMYK 0 / 28 / 95 / 24

HEX #C28B09

RGB 194 139 9

HSL 42.16, 0.91%, 0.4%

LAB 61.61, 11.58, 65.3

 

CMYK 0 / 54 / 95 / 24

HEX #C25909

RGB 194 89 9

HSL 25.95, 0.91%, 0.4%

LAB 50.26, 38.45, 57.45

 

CMYK 0 / 80 / 95 / 24

HEX #C22709

RGB 194 39 9

HSL 9.73, 0.91%, 0.4%

LAB 42.67, 58.78, 52.76

 

CMYK 23 / 0 / 95 / 24

HEX #96C209

RGB 150 194 9

HSL 74.27, 0.91%, 0.4%

LAB 72.95, -35.86, 72.19

 

CMYK 48 / 0 / 95 / 24

HEX #64C209

RGB 100 194 9

HSL 90.49, 0.91%, 0.4%

LAB 70.39, -53.76, 69.08

 

CMYK 74 / 0 / 95 / 24

HEX #32C209

RGB 50 194 9

HSL 106.7, 0.91%, 0.4%

LAB 68.95, -65.57, 67.31

 

CMYK 95 / 0 / 91 / 24

HEX #09C212

RGB 9 194 18

HSL 122.92, 0.91%, 0.4%

LAB 68.52, -69.36, 65.57

 

CMYK 95 / 0 / 65 / 24

HEX #09C244

RGB 9 194 68

HSL 139.14, 0.91%, 0.4%

LAB 68.79, -65.89, 50.49

 

CMYK 23 / 0 / 95 / 24

HEX #96C209

RGB 150 194 9

HSL 74.27, 0.91%, 0.4%

LAB 72.95, -35.86, 72.19

 

CMYK 23 / 0 / 95 / 24

HEX #96C209

RGB 150 194 9

HSL 74.27, 0.91%, 0.4%

LAB 72.95, -35.86, 72.19

 

CMYK 21 / 0 / 86 / 30

HEX #8DB219

RGB 141 178 25

HSL 74.51, 0.75%, 0.4%

LAB 67.71, -31.79, 65.18

 

CMYK 17 / 0 / 74 / 37

HEX #85A12A

RGB 133 161 42

HSL 74.12, 0.59%, 0.4%

LAB 62.21, -26.26, 55.09

 

CMYK 14 / 0 / 60 / 43

HEX #7C913A

RGB 124 145 58

HSL 74.48, 0.43%, 0.4%

LAB 56.92, -20.93, 42.71

 

CMYK 10 / 0 / 41 / 50

HEX #73804B

RGB 115 128 75

HSL 74.72, 0.26%, 0.4%

LAB 51.37, -13.98, 27.17

 

CMYK 0 / 28 / 95 / 24

HEX #C28B09

RGB 194 139 9

HSL 42.16, 0.91%, 0.4%

LAB 61.61, 11.58, 65.3

 

CMYK 0 / 3 / 95 / 24

HEX #C2BC09

RGB 194 188 9

HSL 58.05, 0.91%, 0.4%

LAB 74.48, -14.43, 74.77

 

CMYK 22 / 0 / 95 / 24

HEX #97C209

RGB 151 194 9

HSL 73.95, 0.91%, 0.4%

LAB 73.01, -35.46, 72.27

 

CMYK 47 / 0 / 95 / 24

HEX #66C209

RGB 102 194 9

HSL 89.84, 0.91%, 0.4%

LAB 70.47, -53.15, 69.18

 

CMYK 73 / 0 / 95 / 24

HEX #34C209

RGB 52 194 9

HSL 106.05, 0.91%, 0.4%

LAB 68.99, -65.24, 67.36

 

CMYK 23 / 0 / 96 / 55

HEX #597405

RGB 89 116 5

HSL 74.59, 0.92%, 0.24%

LAB 45.12, -24.34, 49.15

 

CMYK 23 / 0 / 95 / 39

HEX #779B07

RGB 119 155 7

HSL 74.59, 0.91%, 0.32%

LAB 59.32, -30.45, 60.9

 

CMYK 23 / 0 / 95 / 24

HEX #96C209

RGB 150 194 9

HSL 74.27, 0.91%, 0.4%

LAB 72.95, -35.86, 72.19

 

CMYK 23 / 0 / 95 / 8

HEX #B4EA0B

RGB 180 234 11

HSL 74.53, 0.91%, 0.48%

LAB 86.29, -41.9, 83.2

 

CMYK 20 / 0 / 83 / 4

HEX #C3F429

RGB 195 244 41

HSL 74.48, 0.9%, 0.56%

LAB 90.07, -39.91, 82.07

 

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

CMYK 95 / 0 / 54 / 24

HEX #09C259

RGB 9 194 89

HSL 145.95, 0.91%, 0.4%

LAB 69.01, -63.17, 41.19

 

CMYK 16 / 95 / 0 / 24

HEX #A309C2

RGB 163 9 194

HSL 289.95, 0.91%, 0.4%

LAB 41.02, 74.33, -58.04

 

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

CMYK 95 / 22 / 0 / 24

HEX #0997C2

RGB 9 151 194

HSL 193.95, 0.91%, 0.4%

LAB 58.12, -17.61, -31.46

 

CMYK 0 / 95 / 22 / 24

HEX #C20997

RGB 194 9 151

HSL 313.95, 0.91%, 0.4%

LAB 44.09, 73.42, -27.25

 

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

CMYK 95 / 0 / 54 / 24

HEX #09C259

RGB 9 194 89

HSL 145.95, 0.91%, 0.4%

LAB 69.01, -63.17, 41.19

 

CMYK 73 / 95 / 0 / 24

HEX #3409C2

RGB 52 9 194

HSL 253.95, 0.91%, 0.4%

LAB 26.22, 63.53, -82.92

 

CMYK 0 / 95 / 41 / 24

HEX #C20972

RGB 194 9 114

HSL 325.95, 0.91%, 0.4%

LAB 42.58, 69.48, -6.84

 

CMYK 23 / 0 / 95 / 23

HEX #97C409

RGB 151 196 9

HSL 74.44, 0.91%, 0.4%

LAB 73.6, -36.37, 72.72

 

CMYK 95 / 0 / 25 / 24

HEX #09C291

RGB 9 194 145

HSL 164.11, 0.91%, 0.4%

LAB 69.96, -52.22, 13.38

 

CMYK 73 / 95 / 0 / 24

HEX #3409C2

RGB 52 9 194

HSL 253.95, 0.91%, 0.4%

LAB 26.22, 63.53, -82.92

 

CMYK 0 / 95 / 70 / 24

HEX #C2093A

RGB 194 9 58

HSL 344.11, 0.91%, 0.4%

LAB 41.17, 65.65, 26.49

 

Description

Color code: HEX #97C409 | qconv.com Color code: HEX #97C409 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 196 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 196 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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