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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97B1D8 it is the complementary color #684E27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97B1D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97B1D8 shade: #9CB1D3, #ADC3E6, #BED5F9, #CFE7FF and #E0F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97B1D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97B1D8 shade: #97B1D8, #869FC5, #758DB2, #647B9F and #53698C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97B1D8 shade: #97B1D7, #979FD7, #A097D7, #B197D7 and #C397D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97B1D8 shade: #97B1D7, #979FD7 and #9797D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97B1D8 shade matches the following richer shades: #97B1D7, #8BAEE3, #80ACEE and #74AAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97B1D8 shade: #97B1D7, #A3B3CC, #AEB5C0, #BAB8B5 and #C5BAA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97B1D8 shade: #97D3D7, #97C2D7, #97B1D7, #97A0D7 and #A097D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97B1D8 shade: #5B84C1, #799ACC, #97B1D7, #B5C7E3 and #D3DEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97B1D8 shade: #97B1D8, #CA97D7 and #CAD797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97B1D8 shade: #97B1D8, #D797B1 and #B1D797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97B1D8 shade: #97B1D8, #CA97D7, #D7BE97 and #A4D797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97B1D8 shade: #97B1D8, #D797D1, #D7BE97 and #97D79D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

Complementary color

CMYK 0 / 25 / 63 / 59

HEX #684E27

RGB 104 78 39

HSL 36, 0.45%, 0.28%

LAB 35.08, 6.02, 26.97

 

CMYK 26 / 16 / 0 / 17

HEX #9CB1D3

RGB 156 177 211

HSL 217.09, 0.38%, 0.72%

LAB 71.7, 0.35, -19.58

 

CMYK 25 / 15 / 0 / 10

HEX #ADC3E6

RGB 173 195 230

HSL 216.84, 0.53%, 0.79%

LAB 78.24, 0.16, -19.86

 

CMYK 24 / 14 / 0 / 2

HEX #BED5F9

RGB 190 213 249

HSL 216.61, 0.83%, 0.86%

LAB 84.68, -0.02, -20.15

 

CMYK 19 / 9 / 0 / 0

HEX #CFE7FF

RGB 207 231 255

HSL 210, 1%, 0.91%

LAB 90.61, -3, -14.26

 

CMYK 12 / 2 / 0 / 0

HEX #E0F9FF

RGB 224 249 255

HSL 191.61, 1%, 0.94%

LAB 96.34, -6.93, -5.64

 

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

CMYK 32 / 19 / 0 / 23

HEX #869FC5

RGB 134 159 197

HSL 216.19, 0.35%, 0.65%

LAB 64.88, 0.33, -22.36

 

CMYK 34 / 21 / 0 / 30

HEX #758DB2

RGB 117 141 178

HSL 216.39, 0.28%, 0.58%

LAB 58.08, 0.6, -22.17

 

CMYK 37 / 23 / 0 / 38

HEX #647B9F

RGB 100 123 159

HSL 216.61, 0.24%, 0.51%

LAB 51.13, 0.93, -22

 

CMYK 41 / 25 / 0 / 45

HEX #53698C

RGB 83 105 140

HSL 216.84, 0.26%, 0.44%

LAB 44, 1.32, -21.86

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 30 / 26 / 0 / 16

HEX #979FD7

RGB 151 159 215

HSL 232.5, 0.44%, 0.72%

LAB 66.73, 9.86, -29.41

 

CMYK 26 / 30 / 0 / 16

HEX #A097D7

RGB 160 151 215

HSL 248.44, 0.44%, 0.72%

LAB 65.37, 17.07, -31.46

 

CMYK 18 / 30 / 0 / 16

HEX #B197D7

RGB 177 151 215

HSL 264.38, 0.44%, 0.72%

LAB 66.81, 22.25, -29.11

 

CMYK 9 / 30 / 0 / 16

HEX #C397D7

RGB 195 151 215

HSL 281.25, 0.44%, 0.72%

LAB 68.49, 27.92, -26.39

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 30 / 26 / 0 / 16

HEX #979FD7

RGB 151 159 215

HSL 232.5, 0.44%, 0.72%

LAB 66.73, 9.86, -29.41

 

CMYK 30 / 30 / 0 / 16

HEX #9797D7

RGB 151 151 215

HSL 240, 0.44%, 0.72%

LAB 64.66, 14.41, -32.62

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 39 / 23 / 0 / 11

HEX #8BAEE3

RGB 139 174 227

HSL 216.14, 0.61%, 0.72%

LAB 70.39, 1.22, -30.43

 

CMYK 46 / 28 / 0 / 7

HEX #80ACEE

RGB 128 172 238

HSL 216, 0.76%, 0.72%

LAB 69.66, 2.6, -37.62

 

CMYK 54 / 32 / 0 / 2

HEX #74AAFA

RGB 116 170 250

HSL 215.82, 0.93%, 0.72%

LAB 69.01, 4.57, -45.2

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 20 / 12 / 0 / 20

HEX #A3B3CC

RGB 163 179 204

HSL 216.59, 0.29%, 0.72%

LAB 72.49, -0.19, -14.51

 

CMYK 9 / 6 / 0 / 25

HEX #AEB5C0

RGB 174 181 192

HSL 216.67, 0.13%, 0.72%

LAB 73.45, -0.26, -6.42

 

CMYK 0 / 1 / 3 / 27

HEX #BAB8B5

RGB 186 184 181

HSL 36, 0.03%, 0.72%

LAB 74.86, 0.16, 1.76

 

CMYK 0 / 6 / 14 / 23

HEX #C5BAA9

RGB 197 186 169

HSL 36.43, 0.19%, 0.72%

LAB 75.98, 1.01, 10

 

CMYK 30 / 2 / 0 / 16

HEX #97D3D7

RGB 151 211 215

HSL 183.75, 0.44%, 0.72%

LAB 80.78, -18.09, -8.15

 

CMYK 30 / 10 / 0 / 16

HEX #97C2D7

RGB 151 194 215

HSL 199.69, 0.44%, 0.72%

LAB 76.11, -9.31, -15.12

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 30 / 26 / 0 / 16

HEX #97A0D7

RGB 151 160 215

HSL 231.56, 0.44%, 0.72%

LAB 67, 9.3, -29

 

CMYK 26 / 30 / 0 / 16

HEX #A097D7

RGB 160 151 215

HSL 248.44, 0.44%, 0.72%

LAB 65.37, 17.07, -31.46

 

CMYK 53 / 32 / 0 / 24

HEX #5B84C1

RGB 91 132 193

HSL 215.88, 0.45%, 0.56%

LAB 54.63, 3.43, -36.17

 

CMYK 41 / 25 / 0 / 20

HEX #799ACC

RGB 121 154 204

HSL 216.14, 0.45%, 0.64%

LAB 62.96, 1.38, -29.29

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 20 / 12 / 0 / 11

HEX #B5C7E3

RGB 181 199 227

HSL 216.52, 0.45%, 0.8%

LAB 79.74, -0.23, -15.94

 

CMYK 11 / 7 / 0 / 7

HEX #D3DEEE

RGB 211 222 238

HSL 215.56, 0.44%, 0.88%

LAB 88.1, -0.58, -9.07

 

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

CMYK 6 / 30 / 0 / 16

HEX #CA97D7

RGB 202 151 215

HSL 287.81, 0.44%, 0.72%

LAB 69.18, 30.15, -25.27

 

CMYK 6 / 0 / 30 / 16

HEX #CAD797

RGB 202 215 151

HSL 72.19, 0.44%, 0.72%

LAB 83.65, -14.78, 30.19

 

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

CMYK 0 / 30 / 18 / 16

HEX #D797B1

RGB 215 151 177

HSL 335.63, 0.44%, 0.72%

LAB 69.29, 27.81, -3.87

 

CMYK 18 / 0 / 30 / 16

HEX #B1D797

RGB 177 215 151

HSL 95.63, 0.44%, 0.72%

LAB 81.94, -23.92, 27.6

 

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

CMYK 6 / 30 / 0 / 16

HEX #CA97D7

RGB 202 151 215

HSL 287.81, 0.44%, 0.72%

LAB 69.18, 30.15, -25.27

 

CMYK 0 / 12 / 30 / 16

HEX #D7BE97

RGB 215 190 151

HSL 36.56, 0.44%, 0.72%

LAB 78.17, 3.08, 22.97

 

CMYK 24 / 0 / 30 / 16

HEX #A4D797

RGB 164 215 151

HSL 107.81, 0.44%, 0.72%

LAB 81.14, -28.45, 26.39

 

CMYK 30 / 18 / 0 / 15

HEX #97B1D8

RGB 151 177 216

HSL 216, 0.45%, 0.72%

LAB 71.54, 0.08, -22.58

 

CMYK 0 / 30 / 3 / 16

HEX #D797D1

RGB 215 151 209

HSL 305.63, 0.44%, 0.72%

LAB 70.3, 33.23, -20.12

 

CMYK 0 / 12 / 30 / 16

HEX #D7BE97

RGB 215 190 151

HSL 36.56, 0.44%, 0.72%

LAB 78.17, 3.08, 22.97

 

CMYK 30 / 0 / 27 / 16

HEX #97D79D

RGB 151 215 157

HSL 125.63, 0.44%, 0.72%

LAB 80.52, -31.77, 22.3

 

Description

Color code: HEX #97B1D8 | qconv.com Color code: HEX #97B1D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 177 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 177 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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