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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93917A it is the complementary color #6C6E85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93917A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93917A shade: #989175, #A9A388, #BAB59B, #CBC7AE and #DCD9C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93917A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93917A shade: #93917A, #827F67, #716D54, #605B41 and #4F492E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93917A shade: #93917B, #938A7B, #93847B, #937D7B and #937B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93917A shade: #93917B, #8E937B, #88937B, #81937B and #7B937B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93917A shade matches the following richer shades: #93917B, #A6A167, #B9B154, #CDC240 and #E0D22D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93917A shade: #93917B, #7F808E, #6C70A1, #5860B5 and #4550C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93917A shade: #93847B, #938A7B, #93917B, #8E937B and #88937B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93917A shade: #676554, #7D7C67, #93917B, #A5A491 and #B8B7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93917A shade: #93917A, #7B937D and #877B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93917A shade: #93917A, #7B9391 and #917B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93917A shade: #93917A, #7B937D, #7B7D93 and #937B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93917A shade: #93917A, #7B9385, #7B7D93 and #937B89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

Complementary color

CMYK 19 / 17 / 0 / 48

HEX #6C6E85

RGB 108 110 133

HSL 235.2, 0.1%, 0.47%

LAB 47.02, 4.41, -12.9

 

CMYK 0 / 5 / 23 / 40

HEX #989175

RGB 152 145 117

HSL 48, 0.15%, 0.53%

LAB 60.08, -2.17, 15.82

 

CMYK 0 / 4 / 20 / 34

HEX #A9A388

RGB 169 163 136

HSL 49.09, 0.16%, 0.6%

LAB 66.83, -2.43, 14.82

 

CMYK 0 / 3 / 17 / 27

HEX #BAB59B

RGB 186 181 155

HSL 50.32, 0.18%, 0.67%

LAB 73.45, -2.65, 13.9

 

CMYK 0 / 2 / 14 / 20

HEX #CBC7AE

RGB 203 199 174

HSL 51.72, 0.22%, 0.74%

LAB 79.95, -2.85, 13.02

 

CMYK 0 / 1 / 12 / 14

HEX #DCD9C1

RGB 220 217 193

HSL 53.33, 0.28%, 0.81%

LAB 86.35, -3.03, 12.19

 

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

CMYK 0 / 2 / 21 / 49

HEX #827F67

RGB 130 127 103

HSL 53.33, 0.12%, 0.46%

LAB 52.84, -3.14, 13.48

 

CMYK 0 / 4 / 26 / 56

HEX #716D54

RGB 113 109 84

HSL 51.72, 0.15%, 0.39%

LAB 45.75, -2.89, 14.56

 

CMYK 0 / 5 / 32 / 62

HEX #605B41

RGB 96 91 65

HSL 50.32, 0.19%, 0.32%

LAB 38.46, -2.56, 15.75

 

CMYK 0 / 8 / 42 / 69

HEX #4F492E

RGB 79 73 46

HSL 49.09, 0.26%, 0.25%

LAB 30.94, -2.13, 17.08

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 0 / 6 / 16 / 42

HEX #938A7B

RGB 147 138 123

HSL 37.5, 0.1%, 0.53%

LAB 57.86, 0.71, 9.24

 

CMYK 0 / 10 / 16 / 42

HEX #93847B

RGB 147 132 123

HSL 22.5, 0.1%, 0.53%

LAB 56.22, 4.1, 6.92

 

CMYK 0 / 15 / 16 / 42

HEX #937D7B

RGB 147 125 123

HSL 5, 0.1%, 0.53%

LAB 54.34, 8.11, 4.22

 

CMYK 0 / 16 / 16 / 42

HEX #937B7B

RGB 147 123 123

HSL 0, 0.1%, 0.53%

LAB 53.81, 9.26, 3.45

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 3 / 0 / 16 / 42

HEX #8E937B

RGB 142 147 123

HSL 72.5, 0.1%, 0.53%

LAB 59.93, -6.24, 12.11

 

CMYK 7 / 0 / 16 / 42

HEX #88937B

RGB 136 147 123

HSL 87.5, 0.1%, 0.53%

LAB 59.46, -8.53, 11.38

 

CMYK 12 / 0 / 16 / 42

HEX #81937B

RGB 129 147 123

HSL 105, 0.1%, 0.53%

LAB 58.94, -11.17, 10.57

 

CMYK 16 / 0 / 16 / 42

HEX #7B937B

RGB 123 147 123

HSL 120, 0.1%, 0.53%

LAB 58.52, -13.37, 9.91

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 0 / 3 / 38 / 35

HEX #A6A167

RGB 166 161 103

HSL 55.24, 0.26%, 0.53%

LAB 65.42, -7.06, 30.86

 

CMYK 0 / 4 / 55 / 27

HEX #B9B154

RGB 185 177 84

HSL 55.25, 0.42%, 0.53%

LAB 71.14, -9.46, 47.87

 

CMYK 0 / 5 / 69 / 20

HEX #CDC240

RGB 205 194 64

HSL 55.32, 0.59%, 0.53%

LAB 77.24, -11.07, 63.6

 

CMYK 0 / 6 / 80 / 12

HEX #E0D22D

RGB 224 210 45

HSL 55.31, 0.74%, 0.53%

LAB 82.98, -11.87, 75.81

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 11 / 10 / 0 / 44

HEX #7F808E

RGB 127 128 142

HSL 236, 0.06%, 0.53%

LAB 53.92, 2.56, -7.67

 

CMYK 33 / 30 / 0 / 37

HEX #6C70A1

RGB 108 112 161

HSL 235.47, 0.22%, 0.53%

LAB 48.7, 10.43, -26.87

 

CMYK 51 / 47 / 0 / 29

HEX #5860B5

RGB 88 96 181

HSL 234.84, 0.39%, 0.53%

LAB 43.91, 20.96, -46.23

 

CMYK 66 / 60 / 0 / 22

HEX #4550C8

RGB 69 80 200

HSL 234.96, 0.54%, 0.53%

LAB 39.87, 33.8, -63.88

 

CMYK 0 / 10 / 16 / 42

HEX #93847B

RGB 147 132 123

HSL 22.5, 0.1%, 0.53%

LAB 56.22, 4.1, 6.92

 

CMYK 0 / 6 / 16 / 42

HEX #938A7B

RGB 147 138 123

HSL 37.5, 0.1%, 0.53%

LAB 57.86, 0.71, 9.24

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 3 / 0 / 16 / 42

HEX #8E937B

RGB 142 147 123

HSL 72.5, 0.1%, 0.53%

LAB 59.93, -6.24, 12.11

 

CMYK 7 / 0 / 16 / 42

HEX #88937B

RGB 136 147 123

HSL 87.5, 0.1%, 0.53%

LAB 59.46, -8.53, 11.38

 

CMYK 0 / 2 / 18 / 60

HEX #676554

RGB 103 101 84

HSL 53.68, 0.1%, 0.37%

LAB 42.51, -2.42, 9.92

 

CMYK 0 / 1 / 18 / 51

HEX #7D7C67

RGB 125 124 103

HSL 57.27, 0.1%, 0.45%

LAB 51.56, -3.47, 11.63

 

CMYK 0 / 1 / 16 / 42

HEX #93917B

RGB 147 145 123

HSL 55, 0.1%, 0.53%

LAB 59.78, -3.19, 11.96

 

CMYK 0 / 1 / 12 / 35

HEX #A5A491

RGB 165 164 145

HSL 57, 0.1%, 0.61%

LAB 66.97, -3.04, 9.99

 

CMYK 0 / 1 / 9 / 28

HEX #B8B7A8

RGB 184 183 168

HSL 56.25, 0.1%, 0.69%

LAB 74.12, -2.32, 7.75

 

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

CMYK 16 / 0 / 15 / 42

HEX #7B937D

RGB 123 147 125

HSL 125, 0.1%, 0.53%

LAB 58.56, -12.99, 8.84

 

CMYK 8 / 16 / 0 / 42

HEX #877B93

RGB 135 123 147

HSL 270, 0.1%, 0.53%

LAB 53.41, 9.39, -11.28

 

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

CMYK 16 / 0 / 1 / 42

HEX #7B9391

RGB 123 147 145

HSL 175, 0.1%, 0.53%

LAB 59.09, -8.89, -1.79

 

CMYK 1 / 16 / 0 / 42

HEX #917B93

RGB 145 123 147

HSL 295, 0.1%, 0.53%

LAB 54.34, 12.97, -9.79

 

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

CMYK 16 / 0 / 15 / 42

HEX #7B937D

RGB 123 147 125

HSL 125, 0.1%, 0.53%

LAB 58.56, -12.99, 8.84

 

CMYK 16 / 15 / 0 / 42

HEX #7B7D93

RGB 123 125 147

HSL 235, 0.1%, 0.53%

LAB 52.93, 4.03, -12.1

 

CMYK 0 / 16 / 2 / 42

HEX #937B90

RGB 147 123 144

HSL 307.5, 0.1%, 0.53%

LAB 54.43, 13.1, -7.88

 

CMYK 0 / 1 / 17 / 42

HEX #93917A

RGB 147 145 122

HSL 55.2, 0.1%, 0.53%

LAB 59.76, -3.36, 12.49

 

CMYK 16 / 0 / 10 / 42

HEX #7B9385

RGB 123 147 133

HSL 145, 0.1%, 0.53%

LAB 58.76, -11.42, 4.58

 

CMYK 16 / 15 / 0 / 42

HEX #7B7D93

RGB 123 125 147

HSL 235, 0.1%, 0.53%

LAB 52.93, 4.03, -12.1

 

CMYK 0 / 16 / 7 / 42

HEX #937B89

RGB 147 123 137

HSL 325, 0.1%, 0.53%

LAB 54.21, 11.76, -4.13

 

Description

Color code: HEX #93917A | qconv.com Color code: HEX #93917A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 145 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 145 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 17 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 17% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

95% - Alexis Marcou| Home
Link: http://www.alexismarcou.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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