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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9383E1 it is the complementary color #6C7C1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9383E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9383E1 shade: #9883DC, #A995EF, #BAA7FF, #CBB9FF and #DCCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9383E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9383E1 shade: #9383E1, #8271CE, #715FBB, #604DA8 and #4F3B95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9383E1 shade: #9383E1, #AC83E1, #C683E1, #DF83E1 and #E183C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9383E1 shade: #9383E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9383E1 shade matches the following richer shades: #9383E1, #8B77ED and #836BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9383E1 shade: #9383E1, #9B90D4, #A49CC8, #ACA8BC and #B4B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9383E1 shade: #83A6E1, #838DE1, #9383E1, #AC83E1 and #C583E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9383E1 shade: #5941D1, #7662D9, #9383E1, #B0A5E9 and #CDC6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9383E1 shade: #9383E1, #E183BE and #99E183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9383E1 shade: #9383E1, #E19383 and #83E193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9383E1 shade: #9383E1, #E183BE, #D1E183 and #83E1A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9383E1 shade: #9383E1, #E183A2, #D1E183 and #83E1C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

Complementary color

CMYK 13 / 0 / 76 / 51

HEX #6C7C1E

RGB 108 124 30

HSL 70.21, 0.61%, 0.3%

LAB 49.13, -19.03, 46.21

 

CMYK 31 / 40 / 0 / 14

HEX #9883DC

RGB 152 131 220

HSL 254.16, 0.56%, 0.69%

LAB 59.96, 27.48, -42.75

 

CMYK 29 / 38 / 0 / 6

HEX #A995EF

RGB 169 149 239

HSL 253.33, 0.74%, 0.76%

LAB 66.64, 26.69, -42.67

 

CMYK 27 / 35 / 0 / 0

HEX #BAA7FF

RGB 186 167 255

HSL 252.95, 1%, 0.83%

LAB 73.09, 25.25, -41.2

 

CMYK 20 / 27 / 0 / 0

HEX #CBB9FF

RGB 203 185 255

HSL 255.43, 1%, 0.86%

LAB 78.82, 20.28, -32.2

 

CMYK 14 / 20 / 0 / 0

HEX #DCCBFF

RGB 220 203 255

HSL 259.62, 1%, 0.9%

LAB 84.56, 15.75, -23.3

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 37 / 45 / 0 / 19

HEX #8271CE

RGB 130 113 206

HSL 250.97, 0.49%, 0.63%

LAB 52.96, 28.36, -46.03

 

CMYK 40 / 49 / 0 / 27

HEX #715FBB

RGB 113 95 187

HSL 251.74, 0.4%, 0.55%

LAB 46.02, 29.43, -46.25

 

CMYK 43 / 54 / 0 / 34

HEX #604DA8

RGB 96 77 168

HSL 252.53, 0.37%, 0.48%

LAB 38.94, 30.65, -46.5

 

CMYK 47 / 60 / 0 / 42

HEX #4F3B95

RGB 79 59 149

HSL 253.33, 0.43%, 0.41%

LAB 31.72, 32.04, -46.76

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 24 / 42 / 0 / 12

HEX #AC83E1

RGB 172 131 225

HSL 266.17, 0.61%, 0.7%

LAB 62.03, 34.31, -42.15

 

CMYK 12 / 42 / 0 / 12

HEX #C683E1

RGB 198 131 225

HSL 282.77, 0.61%, 0.7%

LAB 64.7, 41.83, -37.77

 

CMYK 1 / 42 / 0 / 12

HEX #DF83E1

RGB 223 131 225

HSL 298.72, 0.61%, 0.7%

LAB 67.54, 49.2, -33.13

 

CMYK 0 / 42 / 11 / 12

HEX #E183C9

RGB 225 131 201

HSL 315.32, 0.61%, 0.7%

LAB 66.87, 45.66, -20.8

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 41 / 50 / 0 / 7

HEX #8B77ED

RGB 139 119 237

HSL 250.17, 0.77%, 0.7%

LAB 56.88, 35.62, -57.19

 

CMYK 47 / 57 / 0 / 2

HEX #836BF9

RGB 131 107 249

HSL 250.14, 0.92%, 0.7%

LAB 54.22, 44.14, -68.17

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 27 / 32 / 0 / 17

HEX #9B90D4

RGB 155 144 212

HSL 249.71, 0.44%, 0.7%

LAB 63.07, 18.85, -33.39

 

CMYK 18 / 22 / 0 / 22

HEX #A49CC8

RGB 164 156 200

HSL 250.91, 0.29%, 0.7%

LAB 66.4, 11.96, -21.52

 

CMYK 9 / 11 / 0 / 26

HEX #ACA8BC

RGB 172 168 188

HSL 252, 0.13%, 0.7%

LAB 69.76, 5.34, -9.73

 

CMYK 1 / 0 / 3 / 29

HEX #B4B5AF

RGB 180 181 175

HSL 70, 0.04%, 0.7%

LAB 73.45, -1.45, 2.92

 

CMYK 42 / 26 / 0 / 12

HEX #83A6E1

RGB 131 166 225

HSL 217.66, 0.61%, 0.7%

LAB 67.68, 3.05, -33.57

 

CMYK 42 / 37 / 0 / 12

HEX #838DE1

RGB 131 141 225

HSL 233.62, 0.61%, 0.7%

LAB 61.06, 17.41, -43.92

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 24 / 42 / 0 / 12

HEX #AC83E1

RGB 172 131 225

HSL 266.17, 0.61%, 0.7%

LAB 62.03, 34.31, -42.15

 

CMYK 12 / 42 / 0 / 12

HEX #C583E1

RGB 197 131 225

HSL 282.13, 0.61%, 0.7%

LAB 64.6, 41.53, -37.95

 

CMYK 57 / 69 / 0 / 18

HEX #5941D1

RGB 89 65 209

HSL 250, 0.61%, 0.54%

LAB 38.74, 48.61, -70.88

 

CMYK 46 / 55 / 0 / 15

HEX #7662D9

RGB 118 98 217

HSL 250.08, 0.61%, 0.62%

LAB 49, 37.43, -58.68

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 24 / 29 / 0 / 9

HEX #B0A5E9

RGB 176 165 233

HSL 249.71, 0.61%, 0.78%

LAB 70.89, 18.24, -32.73

 

CMYK 15 / 18 / 0 / 5

HEX #CDC6F1

RGB 205 198 241

HSL 249.77, 0.61%, 0.86%

LAB 81.68, 10.82, -20.32

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 0 / 42 / 16 / 12

HEX #E183BE

RGB 225 131 190

HSL 322.34, 0.61%, 0.7%

LAB 66.49, 43.89, -15.21

 

CMYK 32 / 0 / 42 / 12

HEX #99E183

RGB 153 225 131

HSL 105.96, 0.61%, 0.7%

LAB 83.05, -39.69, 38.98

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 0 / 35 / 42 / 12

HEX #E19383

RGB 225 147 131

HSL 10.21, 0.61%, 0.7%

LAB 68.4, 27.59, 20.64

 

CMYK 42 / 0 / 35 / 12

HEX #83E193

RGB 131 225 147

HSL 130.21, 0.61%, 0.7%

LAB 82.26, -44.06, 29.67

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 0 / 42 / 16 / 12

HEX #E183BE

RGB 225 131 190

HSL 322.34, 0.61%, 0.7%

LAB 66.49, 43.89, -15.21

 

CMYK 7 / 0 / 42 / 12

HEX #D1E183

RGB 209 225 131

HSL 70.21, 0.61%, 0.7%

LAB 86.53, -19.5, 44.1

 

CMYK 42 / 0 / 26 / 12

HEX #83E1A6

RGB 131 225 166

HSL 142.34, 0.61%, 0.7%

LAB 82.61, -40.7, 20.32

 

CMYK 35 / 42 / 0 / 12

HEX #9383E1

RGB 147 131 225

HSL 250.21, 0.61%, 0.7%

LAB 59.77, 27.42, -45.86

 

CMYK 0 / 42 / 28 / 12

HEX #E183A2

RGB 225 131 162

HSL 340.21, 0.61%, 0.7%

LAB 65.63, 39.82, -0.68

 

CMYK 7 / 0 / 42 / 12

HEX #D1E183

RGB 209 225 131

HSL 70.21, 0.61%, 0.7%

LAB 86.53, -19.5, 44.1

 

CMYK 42 / 0 / 14 / 12

HEX #83E1C2

RGB 131 225 194

HSL 160.21, 0.61%, 0.7%

LAB 83.22, -35.03, 6.47

 

Description

Color code: HEX #9383E1 | qconv.com Color code: HEX #9383E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 131 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 131 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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