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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93813C it is the complementary color #6C7EC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93813C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93813C shade: #988137, #A9934A, #BAA55D, #CBB770 and #DCC983

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93813C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93813C shade: #93813C, #826F29, #715D16, #604B03 and #4F3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93813C shade: #94823C, #946A3C, #94523C and #943C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93813C shade: #94823C, #8E943C, #77943C, #5F943C and #47943C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93813C shade matches the following richer shades: #94823C, #A58C2B, #B6961A and #C7A009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93813C shade: #94823C, #83784D, #726E5E, #61646F and #505A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93813C shade: #94523C, #946A3C, #94813C, #90943C and #78943C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93813C shade: #594E24, #776830, #94823C, #B19C48 and #BFAC63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93813C shade: #93813C, #3E943C and #5E3C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93813C shade: #93813C, #3C9481 and #813C94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93813C shade: #93813C, #3E943C, #3C4F94 and #923C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93813C shade: #93813C, #3C9455, #3C4F94 and #943C7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

Complementary color

CMYK 45 / 35 / 0 / 24

HEX #6C7EC3

RGB 108 126 195

HSL 227.59, 0.42%, 0.59%

LAB 54.08, 11.73, -38.11

 

CMYK 0 / 15 / 64 / 40

HEX #988137

RGB 152 129 55

HSL 45.77, 0.47%, 0.41%

LAB 54.71, -0.19, 42.36

 

CMYK 0 / 13 / 56 / 34

HEX #A9934A

RGB 169 147 74

HSL 46.11, 0.39%, 0.48%

LAB 61.48, -1.14, 41.14

 

CMYK 0 / 11 / 50 / 27

HEX #BAA55D

RGB 186 165 93

HSL 46.45, 0.4%, 0.55%

LAB 68.12, -1.91, 39.86

 

CMYK 0 / 10 / 45 / 20

HEX #CBB770

RGB 203 183 112

HSL 46.81, 0.47%, 0.62%

LAB 74.66, -2.55, 38.59

 

CMYK 0 / 9 / 40 / 14

HEX #DCC983

RGB 220 201 131

HSL 47.19, 0.56%, 0.69%

LAB 81.09, -3.09, 37.37

 

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

CMYK 0 / 15 / 68 / 49

HEX #826F29

RGB 130 111 41

HSL 47.19, 0.52%, 0.34%

LAB 47.33, -1.05, 40.39

 

CMYK 0 / 18 / 81 / 56

HEX #715D16

RGB 113 93 22

HSL 46.81, 0.67%, 0.26%

LAB 40.24, 0.27, 41

 

CMYK 0 / 22 / 97 / 62

HEX #604B03

RGB 96 75 3

HSL 46.45, 0.94%, 0.19%

LAB 32.97, 1.98, 40.55

 

CMYK 0 / 28 / 100 / 69

HEX #4F3900

RGB 79 57 0

HSL 43.29, 1%, 0.15%

LAB 25.53, 4.36, 34.88

 

CMYK 0 / 12 / 59 / 42

HEX #94823C

RGB 148 130 60

HSL 47.73, 0.42%, 0.41%

LAB 54.64, -2.18, 39.72

 

CMYK 0 / 28 / 59 / 42

HEX #946A3C

RGB 148 106 60

HSL 31.36, 0.42%, 0.41%

LAB 48.17, 11.5, 32.14

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 59 / 59 / 42

HEX #943C3C

RGB 148 60 60

HSL 0, 0.42%, 0.41%

LAB 37.58, 37.1, 18.87

 

CMYK 0 / 12 / 59 / 42

HEX #94823C

RGB 148 130 60

HSL 47.73, 0.42%, 0.41%

LAB 54.64, -2.18, 39.72

 

CMYK 4 / 0 / 59 / 42

HEX #8E943C

RGB 142 148 60

HSL 64.09, 0.42%, 0.41%

LAB 59.21, -14.6, 44.71

 

CMYK 20 / 0 / 59 / 42

HEX #77943C

RGB 119 148 60

HSL 79.77, 0.42%, 0.41%

LAB 57.49, -24.35, 42.31

 

CMYK 36 / 0 / 59 / 42

HEX #5F943C

RGB 95 148 60

HSL 96.14, 0.42%, 0.41%

LAB 56.03, -33.67, 40.26

 

CMYK 52 / 0 / 59 / 42

HEX #47943C

RGB 71 148 60

HSL 112.5, 0.42%, 0.41%

LAB 54.91, -41.58, 38.68

 

CMYK 0 / 12 / 59 / 42

HEX #94823C

RGB 148 130 60

HSL 47.73, 0.42%, 0.41%

LAB 54.64, -2.18, 39.72

 

CMYK 0 / 15 / 74 / 35

HEX #A58C2B

RGB 165 140 43

HSL 47.7, 0.59%, 0.41%

LAB 58.91, -1.12, 52.42

 

CMYK 0 / 18 / 86 / 29

HEX #B6961A

RGB 182 150 26

HSL 47.69, 0.75%, 0.41%

LAB 63.2, 0.48, 62.54

 

CMYK 0 / 20 / 95 / 22

HEX #C7A009

RGB 199 160 9

HSL 47.68, 0.91%, 0.41%

LAB 67.5, 2.41, 69.81

 

CMYK 0 / 12 / 59 / 42

HEX #94823C

RGB 148 130 60

HSL 47.73, 0.42%, 0.41%

LAB 54.64, -2.18, 39.72

 

CMYK 0 / 8 / 41 / 49

HEX #83784D

RGB 131 120 77

HSL 47.78, 0.26%, 0.41%

LAB 50.45, -2.41, 25.14

 

CMYK 0 / 4 / 18 / 55

HEX #726E5E

RGB 114 110 94

HSL 48, 0.1%, 0.41%

LAB 46.36, -1.42, 9.49

 

CMYK 13 / 10 / 0 / 56

HEX #61646F

RGB 97 100 111

HSL 227.14, 0.07%, 0.41%

LAB 42.47, 1.28, -6.59

 

CMYK 38 / 30 / 0 / 50

HEX #505A80

RGB 80 90 128

HSL 227.5, 0.23%, 0.41%

LAB 38.86, 6.17, -22.58

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 28 / 59 / 42

HEX #946A3C

RGB 148 106 60

HSL 31.36, 0.42%, 0.41%

LAB 48.17, 11.5, 32.14

 

CMYK 0 / 13 / 59 / 42

HEX #94813C

RGB 148 129 60

HSL 47.05, 0.42%, 0.41%

LAB 54.37, -1.62, 39.4

 

CMYK 3 / 0 / 59 / 42

HEX #90943C

RGB 144 148 60

HSL 62.73, 0.42%, 0.41%

LAB 59.38, -13.74, 44.94

 

CMYK 19 / 0 / 59 / 42

HEX #78943C

RGB 120 148 60

HSL 79.09, 0.42%, 0.41%

LAB 57.56, -23.94, 42.41

 

CMYK 0 / 12 / 60 / 65

HEX #594E24

RGB 89 78 36

HSL 47.55, 0.42%, 0.25%

LAB 33.35, -1.52, 26.21

 

CMYK 0 / 13 / 60 / 53

HEX #776830

RGB 119 104 48

HSL 47.32, 0.43%, 0.33%

LAB 44.28, -1.63, 33.21

 

CMYK 0 / 12 / 59 / 42

HEX #94823C

RGB 148 130 60

HSL 47.73, 0.42%, 0.41%

LAB 54.64, -2.18, 39.72

 

CMYK 0 / 12 / 59 / 31

HEX #B19C48

RGB 177 156 72

HSL 48, 0.42%, 0.49%

LAB 64.64, -2.7, 45.96

 

CMYK 0 / 10 / 48 / 25

HEX #BFAC63

RGB 191 172 99

HSL 47.61, 0.42%, 0.57%

LAB 70.51, -2.98, 39.84

 

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

CMYK 58 / 0 / 59 / 42

HEX #3E943C

RGB 62 148 60

HSL 118.64, 0.42%, 0.41%

LAB 54.59, -44.07, 38.22

 

CMYK 36 / 59 / 0 / 42

HEX #5E3C94

RGB 94 60 148

HSL 263.18, 0.42%, 0.41%

LAB 33.46, 34.68, -43.27

 

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

CMYK 59 / 0 / 13 / 42

HEX #3C9481

RGB 60 148 129

HSL 167.05, 0.42%, 0.41%

LAB 55.81, -31.09, 2.2

 

CMYK 13 / 59 / 0 / 42

HEX #813C94

RGB 129 60 148

HSL 287.05, 0.42%, 0.41%

LAB 37.91, 43.8, -35.9

 

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

CMYK 58 / 0 / 59 / 42

HEX #3E943C

RGB 62 148 60

HSL 118.64, 0.42%, 0.41%

LAB 54.59, -44.07, 38.22

 

CMYK 59 / 47 / 0 / 42

HEX #3C4F94

RGB 60 79 148

HSL 227.05, 0.42%, 0.41%

LAB 35.38, 14.61, -40.34

 

CMYK 1 / 59 / 0 / 42

HEX #923C94

RGB 146 60 148

HSL 298.64, 0.42%, 0.41%

LAB 40.38, 48.39, -31.83

 

CMYK 0 / 12 / 59 / 42

HEX #93813C

RGB 147 129 60

HSL 47.59, 0.42%, 0.41%

LAB 54.27, -2.07, 39.26

 

CMYK 59 / 0 / 43 / 42

HEX #3C9455

RGB 60 148 85

HSL 137.05, 0.42%, 0.41%

LAB 54.86, -40.8, 25.62

 

CMYK 59 / 47 / 0 / 42

HEX #3C4F94

RGB 60 79 148

HSL 227.05, 0.42%, 0.41%

LAB 35.38, 14.61, -40.34

 

CMYK 0 / 59 / 17 / 42

HEX #943C7B

RGB 148 60 123

HSL 317.05, 0.42%, 0.41%

LAB 39.51, 44.66, -17.86

 

Description

Color code: HEX #93813C | qconv.com Color code: HEX #93813C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 129 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 129 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 59% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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