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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93702D it is the complementary color #6C8FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93702D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93702D shade: #987028, #A9823B, #BA944E, #CBA661 and #DCB874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93702D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93702D shade: #93702D, #825E1A, #714C07, #603A00 and #4F2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93702D shade: #94712D, #94552D, #94392D and #942D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93702D shade: #94712D, #948C2D, #80942D, #64942D and #48942D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93702D shade matches the following richer shades: #94712D, #A3751D and #B37A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93702D shade: #94712D, #846C3D, #74674C, #65625C and #555D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93702D shade: #94392D, #94542D, #94702D, #948B2D and #81942D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93702D shade: #55401A, #745823, #94712D, #B38937 and #C89D4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93702D shade: #93702D, #3C942D and #472D94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93702D shade: #93702D, #2D9470 and #702D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93702D shade: #93702D, #3C942D, #2D5194 and #842D94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93702D shade: #93702D, #2D943C, #2D5194 and #942D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

Complementary color

CMYK 49 / 32 / 0 / 18

HEX #6C8FD2

RGB 108 143 210

HSL 219.41, 0.53%, 0.62%

LAB 59.42, 6.17, -38.21

 

CMYK 0 / 26 / 74 / 40

HEX #987028

RGB 152 112 40

HSL 38.57, 0.58%, 0.38%

LAB 50, 8.52, 44.36

 

CMYK 0 / 23 / 65 / 34

HEX #A9823B

RGB 169 130 59

HSL 38.73, 0.48%, 0.45%

LAB 56.8, 7.15, 43.23

 

CMYK 0 / 20 / 58 / 27

HEX #BA944E

RGB 186 148 78

HSL 38.89, 0.44%, 0.52%

LAB 63.48, 6.02, 41.9

 

CMYK 0 / 18 / 52 / 20

HEX #CBA661

RGB 203 166 97

HSL 39.06, 0.5%, 0.59%

LAB 70.06, 5.07, 40.55

 

CMYK 0 / 16 / 47 / 14

HEX #DCB874

RGB 220 184 116

HSL 39.23, 0.6%, 0.66%

LAB 76.53, 4.27, 39.24

 

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

CMYK 0 / 28 / 80 / 49

HEX #825E1A

RGB 130 94 26

HSL 39.23, 0.67%, 0.31%

LAB 42.5, 8.05, 42.2

 

CMYK 0 / 33 / 94 / 56

HEX #714C07

RGB 113 76 7

HSL 39.06, 0.88%, 0.24%

LAB 35.39, 9.98, 41.95

 

CMYK 0 / 40 / 100 / 62

HEX #603A00

RGB 96 58 0

HSL 36.25, 1%, 0.19%

LAB 28.15, 12.45, 38.09

 

CMYK 0 / 49 / 100 / 69

HEX #4F2800

RGB 79 40 0

HSL 30.38, 1%, 0.15%

LAB 20.75, 15.27, 30

 

CMYK 0 / 24 / 70 / 42

HEX #94712D

RGB 148 113 45

HSL 39.61, 0.53%, 0.38%

LAB 49.85, 6.4, 41.76

 

CMYK 0 / 43 / 70 / 42

HEX #94552D

RGB 148 85 45

HSL 23.3, 0.53%, 0.38%

LAB 42.74, 22.53, 33.97

 

CMYK 0 / 61 / 70 / 42

HEX #94392D

RGB 148 57 45

HSL 6.99, 0.53%, 0.38%

LAB 36.77, 37.56, 27.06

 

CMYK 0 / 70 / 70 / 42

HEX #942D2D

RGB 148 45 45

HSL 0, 0.53%, 0.38%

LAB 34.73, 43.03, 24.61

 

CMYK 0 / 24 / 70 / 42

HEX #94712D

RGB 148 113 45

HSL 39.61, 0.53%, 0.38%

LAB 49.85, 6.4, 41.76

 

CMYK 0 / 5 / 70 / 42

HEX #948C2D

RGB 148 140 45

HSL 55.34, 0.53%, 0.38%

LAB 57.31, -8.7, 49.49

 

CMYK 14 / 0 / 70 / 42

HEX #80942D

RGB 128 148 45

HSL 71.65, 0.53%, 0.38%

LAB 58, -21.73, 49.65

 

CMYK 32 / 0 / 70 / 42

HEX #64942D

RGB 100 148 45

HSL 87.96, 0.53%, 0.38%

LAB 56.17, -33.16, 47.19

 

CMYK 51 / 0 / 70 / 42

HEX #48942D

RGB 72 148 45

HSL 104.27, 0.53%, 0.38%

LAB 54.81, -42.83, 45.35

 

CMYK 0 / 24 / 70 / 42

HEX #94712D

RGB 148 113 45

HSL 39.61, 0.53%, 0.38%

LAB 49.85, 6.4, 41.76

 

CMYK 0 / 28 / 82 / 36

HEX #A3751D

RGB 163 117 29

HSL 39.4, 0.7%, 0.38%

LAB 52.51, 10.25, 51.66

 

CMYK 0 / 32 / 92 / 30

HEX #B37A0E

RGB 179 122 14

HSL 39.27, 0.85%, 0.38%

LAB 55.62, 14.32, 59.25

 

CMYK 0 / 24 / 70 / 42

HEX #94712D

RGB 148 113 45

HSL 39.61, 0.53%, 0.38%

LAB 49.85, 6.4, 41.76

 

CMYK 0 / 18 / 54 / 48

HEX #846C3D

RGB 132 108 61

HSL 39.72, 0.37%, 0.38%

LAB 46.93, 3.2, 29.67

 

CMYK 0 / 11 / 34 / 55

HEX #74674C

RGB 116 103 76

HSL 40.5, 0.21%, 0.38%

LAB 44.14, 0.73, 17.14

 

CMYK 0 / 3 / 9 / 60

HEX #65625C

RGB 101 98 92

HSL 40, 0.05%, 0.38%

LAB 41.65, -0, 3.83

 

CMYK 21 / 14 / 0 / 58

HEX #555D6C

RGB 85 93 108

HSL 219.13, 0.12%, 0.38%

LAB 39.31, 0.48, -9.58

 

CMYK 0 / 61 / 70 / 42

HEX #94392D

RGB 148 57 45

HSL 6.99, 0.53%, 0.38%

LAB 36.77, 37.56, 27.06

 

CMYK 0 / 43 / 70 / 42

HEX #94542D

RGB 148 84 45

HSL 22.72, 0.53%, 0.38%

LAB 42.5, 23.1, 33.7

 

CMYK 0 / 24 / 70 / 42

HEX #94702D

RGB 148 112 45

HSL 39.03, 0.53%, 0.38%

LAB 49.59, 6.97, 41.47

 

CMYK 0 / 6 / 70 / 42

HEX #948B2D

RGB 148 139 45

HSL 54.76, 0.53%, 0.38%

LAB 57.03, -8.15, 49.2

 

CMYK 13 / 0 / 70 / 42

HEX #81942D

RGB 129 148 45

HSL 71.07, 0.53%, 0.38%

LAB 58.07, -21.3, 49.75

 

CMYK 0 / 25 / 69 / 67

HEX #55401A

RGB 85 64 26

HSL 38.64, 0.53%, 0.22%

LAB 28.57, 4.35, 26.2

 

CMYK 0 / 24 / 70 / 55

HEX #745823

RGB 116 88 35

HSL 39.26, 0.54%, 0.3%

LAB 39.27, 5.42, 34.23

 

CMYK 0 / 24 / 70 / 42

HEX #94712D

RGB 148 113 45

HSL 39.61, 0.53%, 0.38%

LAB 49.85, 6.4, 41.76

 

CMYK 0 / 23 / 69 / 30

HEX #B38937

RGB 179 137 55

HSL 39.68, 0.53%, 0.46%

LAB 59.66, 7.45, 48.53

 

CMYK 0 / 22 / 62 / 22

HEX #C89D4C

RGB 200 157 76

HSL 39.19, 0.53%, 0.54%

LAB 67.21, 7, 47.57

 

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

CMYK 59 / 0 / 70 / 42

HEX #3C942D

RGB 60 148 45

HSL 111.26, 0.53%, 0.38%

LAB 54.38, -46.21, 44.76

 

CMYK 52 / 70 / 0 / 42

HEX #472D94

RGB 71 45 148

HSL 255.15, 0.53%, 0.38%

LAB 27.72, 38.44, -52.68

 

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

CMYK 70 / 0 / 24 / 42

HEX #2D9470

RGB 45 148 112

HSL 159.03, 0.53%, 0.38%

LAB 54.98, -38.18, 10.65

 

CMYK 24 / 70 / 0 / 42

HEX #702D94

RGB 112 45 148

HSL 279.03, 0.53%, 0.38%

LAB 32.83, 46.91, -44.15

 

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

CMYK 59 / 0 / 70 / 42

HEX #3C942D

RGB 60 148 45

HSL 111.26, 0.53%, 0.38%

LAB 54.38, -46.21, 44.76

 

CMYK 70 / 45 / 0 / 42

HEX #2D5194

RGB 45 81 148

HSL 219.03, 0.53%, 0.38%

LAB 35.16, 10.44, -40.73

 

CMYK 11 / 70 / 0 / 42

HEX #842D94

RGB 132 45 148

HSL 290.68, 0.53%, 0.38%

LAB 35.83, 51.51, -39.18

 

CMYK 0 / 24 / 69 / 42

HEX #93702D

RGB 147 112 45

HSL 39.41, 0.53%, 0.38%

LAB 49.47, 6.51, 41.32

 

CMYK 70 / 0 / 59 / 42

HEX #2D943C

RGB 45 148 60

HSL 128.74, 0.53%, 0.38%

LAB 54.09, -47.95, 37.52

 

CMYK 70 / 45 / 0 / 42

HEX #2D5194

RGB 45 81 148

HSL 219.03, 0.53%, 0.38%

LAB 35.16, 10.44, -40.73

 

CMYK 0 / 70 / 11 / 42

HEX #942D84

RGB 148 45 132

HSL 309.32, 0.53%, 0.38%

LAB 37.55, 52.62, -26.46

 

Description

Color code: HEX #93702D | qconv.com Color code: HEX #93702D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 112 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 112 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 69 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 69% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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