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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9377D3 it is the complementary color #6C882C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9377D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9377D3 shade: #9877CE, #A989E1, #BA9BF4, #CBADFF and #DCBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9377D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9377D3 shade: #9377D3, #8265C0, #7153AD, #60419A and #4F2F87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9377D3 shade: #9378D3, #AC78D3, #C578D3, #D378C8 and #D378B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9377D3 shade: #9378D3, #7B78D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9377D3 shade matches the following richer shades: #9378D3, #8E69E1, #885BF0 and #824CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9377D3 shade: #9378D3, #9986C4, #9F95B6, #A4A3A7 and #AAB199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9377D3 shade: #788DD3, #7B78D3, #9378D3, #AB78D3 and #C478D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9377D3 shade: #633DBB, #7B59C9, #9378D3, #AC97DD and #C5B6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9377D3 shade: #9377D3, #D378A5 and #81D378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9377D3 shade: #9377D3, #D39378 and #78D393

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9377D3 shade: #9377D3, #D378A5, #B7D378 and #78D3A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9377D3 shade: #9377D3, #D3788A, #B7D378 and #78D3C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

Complementary color

CMYK 21 / 0 / 68 / 47

HEX #6C882C

RGB 108 136 44

HSL 78.26, 0.51%, 0.35%

LAB 52.93, -24.26, 44.38

 

CMYK 26 / 42 / 0 / 19

HEX #9877CE

RGB 152 119 206

HSL 262.76, 0.47%, 0.64%

LAB 56.41, 30.89, -40.45

 

CMYK 25 / 39 / 0 / 12

HEX #A989E1

RGB 169 137 225

HSL 261.82, 0.59%, 0.71%

LAB 63.15, 30.08, -40.42

 

CMYK 24 / 36 / 0 / 4

HEX #BA9BF4

RGB 186 155 244

HSL 260.9, 0.8%, 0.78%

LAB 69.76, 29.33, -40.41

 

CMYK 20 / 32 / 0 / 0

HEX #CBADFF

RGB 203 173 255

HSL 261.95, 1%, 0.84%

LAB 75.95, 26.85, -36.64

 

CMYK 14 / 25 / 0 / 0

HEX #DCBFFF

RGB 220 191 255

HSL 267.19, 1%, 0.87%

LAB 81.67, 22.2, -27.7

 

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

CMYK 32 / 47 / 0 / 25

HEX #8265C0

RGB 130 101 192

HSL 259.12, 0.42%, 0.57%

LAB 49.32, 31.69, -43.79

 

CMYK 35 / 52 / 0 / 32

HEX #7153AD

RGB 113 83 173

HSL 260, 0.35%, 0.5%

LAB 42.33, 32.74, -43.94

 

CMYK 38 / 58 / 0 / 40

HEX #60419A

RGB 96 65 154

HSL 260.9, 0.41%, 0.43%

LAB 35.2, 33.88, -44.09

 

CMYK 41 / 65 / 0 / 47

HEX #4F2F87

RGB 79 47 135

HSL 261.82, 0.48%, 0.36%

LAB 27.97, 35.09, -44.2

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 18 / 43 / 0 / 17

HEX #AC78D3

RGB 172 120 211

HSL 274.29, 0.51%, 0.65%

LAB 58.89, 37.25, -39.24

 

CMYK 7 / 43 / 0 / 17

HEX #C578D3

RGB 197 120 211

HSL 290.77, 0.51%, 0.65%

LAB 61.66, 44.58, -34.71

 

CMYK 0 / 43 / 5 / 17

HEX #D378C8

RGB 211 120 200

HSL 307.25, 0.51%, 0.65%

LAB 62.89, 46.77, -26.48

 

CMYK 0 / 43 / 17 / 17

HEX #D378B0

RGB 211 120 176

HSL 323.08, 0.51%, 0.65%

LAB 62.01, 42.81, -14.21

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 42 / 43 / 0 / 17

HEX #7B78D3

RGB 123 120 211

HSL 241.98, 0.51%, 0.65%

LAB 54.39, 23.81, -46.63

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 37 / 53 / 0 / 12

HEX #8E69E1

RGB 142 105 225

HSL 258.5, 0.67%, 0.65%

LAB 53.27, 41.11, -56.24

 

CMYK 43 / 62 / 0 / 6

HEX #885BF0

RGB 136 91 240

HSL 258.12, 0.83%, 0.65%

LAB 50.7, 51.52, -68.83

 

CMYK 49 / 70 / 0 / 0

HEX #824CFE

RGB 130 76 254

HSL 258.2, 0.99%, 0.65%

LAB 48.35, 61.85, -80.5

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 22 / 32 / 0 / 23

HEX #9986C4

RGB 153 134 196

HSL 258.39, 0.34%, 0.65%

LAB 59.71, 20.12, -29.63

 

CMYK 13 / 18 / 0 / 29

HEX #9F95B6

RGB 159 149 182

HSL 258.18, 0.18%, 0.65%

LAB 63.54, 10.29, -15.82

 

CMYK 2 / 2 / 0 / 35

HEX #A4A3A7

RGB 164 163 167

HSL 255, 0.02%, 0.65%

LAB 67.18, 1.13, -1.95

 

CMYK 4 / 0 / 14 / 31

HEX #AAB199

RGB 170 177 153

HSL 77.5, 0.13%, 0.65%

LAB 71.07, -6.8, 11.45

 

CMYK 43 / 33 / 0 / 17

HEX #788DD3

RGB 120 141 211

HSL 226.15, 0.51%, 0.65%

LAB 59.66, 10.6, -38.35

 

CMYK 42 / 43 / 0 / 17

HEX #7B78D3

RGB 123 120 211

HSL 241.98, 0.51%, 0.65%

LAB 54.39, 23.81, -46.63

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 19 / 43 / 0 / 17

HEX #AB78D3

RGB 171 120 211

HSL 273.63, 0.51%, 0.65%

LAB 58.78, 36.96, -39.41

 

CMYK 7 / 43 / 0 / 17

HEX #C478D3

RGB 196 120 211

HSL 290.11, 0.51%, 0.65%

LAB 61.54, 44.29, -34.9

 

CMYK 47 / 67 / 0 / 27

HEX #633DBB

RGB 99 61 187

HSL 258.1, 0.51%, 0.49%

LAB 37.07, 46.06, -60.74

 

CMYK 39 / 56 / 0 / 21

HEX #7B59C9

RGB 123 89 201

HSL 258.21, 0.51%, 0.57%

LAB 46.41, 39.3, -53.67

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 22 / 32 / 0 / 13

HEX #AC97DD

RGB 172 151 221

HSL 258, 0.51%, 0.73%

LAB 66.61, 22.09, -32.78

 

CMYK 15 / 21 / 0 / 9

HEX #C5B6E7

RGB 197 182 231

HSL 258.37, 0.51%, 0.81%

LAB 76.74, 14.84, -22.52

 

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

CMYK 0 / 43 / 22 / 17

HEX #D378A5

RGB 211 120 165

HSL 330.33, 0.51%, 0.65%

LAB 61.65, 41.14, -8.47

 

CMYK 39 / 0 / 43 / 17

HEX #81D378

RGB 129 211 120

HSL 114.07, 0.51%, 0.65%

LAB 77.65, -42.76, 37.31

 

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

CMYK 0 / 30 / 43 / 17

HEX #D39378

RGB 211 147 120

HSL 17.8, 0.51%, 0.65%

LAB 66.58, 20.9, 23.98

 

CMYK 43 / 0 / 30 / 17

HEX #78D393

RGB 120 211 147

HSL 137.8, 0.51%, 0.65%

LAB 77.69, -41.05, 23.42

 

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

CMYK 0 / 43 / 22 / 17

HEX #D378A5

RGB 211 120 165

HSL 330.33, 0.51%, 0.65%

LAB 61.65, 41.14, -8.47

 

CMYK 13 / 0 / 43 / 17

HEX #B7D378

RGB 183 211 120

HSL 78.46, 0.51%, 0.65%

LAB 80.75, -23.84, 41.88

 

CMYK 43 / 0 / 22 / 17

HEX #78D3A5

RGB 120 211 165

HSL 149.67, 0.51%, 0.65%

LAB 78.05, -37.59, 14.42

 

CMYK 30 / 44 / 0 / 17

HEX #9377D3

RGB 147 119 211

HSL 258.26, 0.51%, 0.65%

LAB 56.19, 30.74, -43.66

 

CMYK 0 / 43 / 35 / 17

HEX #D3788A

RGB 211 120 138

HSL 348.13, 0.51%, 0.65%

LAB 60.88, 37.49, 5.9

 

CMYK 13 / 0 / 43 / 17

HEX #B7D378

RGB 183 211 120

HSL 78.46, 0.51%, 0.65%

LAB 80.75, -23.84, 41.88

 

CMYK 43 / 0 / 9 / 17

HEX #78D3C1

RGB 120 211 193

HSL 168.13, 0.51%, 0.65%

LAB 78.71, -31.48, 0.42

 

Description

Color code: HEX #9377D3 | qconv.com Color code: HEX #9377D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 119 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 119 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 44 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 44% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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