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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #936C9D it is the complementary color #6C9362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #936C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #936C9D shade: #986C98, #A97EAB, #BA90BE, #CBA2D1 and #DCB4E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #936C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #936C9D shade: #936C9D, #825A8A, #714877, #603664 and #4F2451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #936C9D shade: #936C9D, #9D6C99, #9D6C8C, #9D6C7F and #9D6C72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #936C9D shade: #936C9D, #856C9D, #786C9D and #6C6C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #936C9D shade matches the following richer shades: #936C9D, #9E58B0, #AA44C4, #B630D8 and #C11CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #936C9D shade: #936C9D, #877F89, #7B9375, #6FA761 and #64BB4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #936C9D shade: #786C9D, #856C9D, #926C9D, #9D6C9A and #9D6C8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #936C9D shade: #66496D, #7D5986, #936C9D, #A584AD and #B79DBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #936C9D shade: #936C9D, #9D6C6C and #6C9D7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #936C9D shade: #936C9D, #9D926C and #6C9D92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #936C9D shade: #936C9D, #9D6C6C, #769D6C and #6C9D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #936C9D shade: #936C9D, #9D796C, #769D6C and #6C8F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

Complementary color

CMYK 27 / 0 / 33 / 42

HEX #6C9362

RGB 108 147 98

HSL 107.76, 0.2%, 0.48%

LAB 57.01, -23.28, 21.74

 

CMYK 0 / 29 / 0 / 40

HEX #986C98

RGB 152 108 152

HSL 300, 0.18%, 0.51%

LAB 51.46, 25.16, -16.99

 

CMYK 1 / 26 / 0 / 33

HEX #A97EAB

RGB 169 126 171

HSL 297.33, 0.21%, 0.58%

LAB 58.32, 24.48, -17.41

 

CMYK 2 / 24 / 0 / 25

HEX #BA90BE

RGB 186 144 190

HSL 294.78, 0.26%, 0.65%

LAB 65.04, 23.85, -17.81

 

CMYK 3 / 22 / 0 / 18

HEX #CBA2D1

RGB 203 162 209

HSL 292.34, 0.34%, 0.73%

LAB 71.65, 23.27, -18.19

 

CMYK 4 / 21 / 0 / 11

HEX #DCB4E4

RGB 220 180 228

HSL 290, 0.47%, 0.8%

LAB 78.15, 22.74, -18.57

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 6 / 35 / 0 / 46

HEX #825A8A

RGB 130 90 138

HSL 290, 0.21%, 0.45%

LAB 44.08, 25.21, -20.19

 

CMYK 5 / 39 / 0 / 53

HEX #714877

RGB 113 72 119

HSL 292.34, 0.25%, 0.37%

LAB 36.89, 26.01, -19.84

 

CMYK 4 / 46 / 0 / 61

HEX #603664

RGB 96 54 100

HSL 294.78, 0.3%, 0.3%

LAB 29.53, 26.86, -19.43

 

CMYK 2 / 56 / 0 / 68

HEX #4F2451

RGB 79 36 81

HSL 297.33, 0.38%, 0.23%

LAB 22.01, 27.67, -18.86

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 0 / 31 / 3 / 38

HEX #9D6C99

RGB 157 108 153

HSL 304.9, 0.2%, 0.52%

LAB 52.05, 27.09, -16.62

 

CMYK 0 / 31 / 11 / 38

HEX #9D6C8C

RGB 157 108 140

HSL 320.82, 0.2%, 0.52%

LAB 51.6, 24.67, -9.67

 

CMYK 0 / 31 / 19 / 38

HEX #9D6C7F

RGB 157 108 127

HSL 336.73, 0.2%, 0.52%

LAB 51.18, 22.44, -2.61

 

CMYK 0 / 31 / 27 / 38

HEX #9D6C72

RGB 157 108 114

HSL 352.65, 0.2%, 0.52%

LAB 50.81, 20.42, 4.56

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 15 / 31 / 0 / 38

HEX #856C9D

RGB 133 108 157

HSL 270.61, 0.2%, 0.52%

LAB 49.67, 19.78, -22.84

 

CMYK 24 / 31 / 0 / 38

HEX #786C9D

RGB 120 108 157

HSL 254.69, 0.2%, 0.52%

LAB 48.45, 15.54, -24.82

 

CMYK 31 / 31 / 0 / 38

HEX #6C6C9D

RGB 108 108 157

HSL 240, 0.2%, 0.52%

LAB 47.43, 11.77, -26.49

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 10 / 50 / 0 / 31

HEX #9E58B0

RGB 158 88 176

HSL 287.73, 0.36%, 0.52%

LAB 48.74, 43.12, -35.22

 

CMYK 13 / 65 / 0 / 23

HEX #AA44C4

RGB 170 68 196

HSL 287.81, 0.52%, 0.52%

LAB 47.84, 59.93, -48.18

 

CMYK 16 / 78 / 0 / 15

HEX #B630D8

RGB 182 48 216

HSL 287.86, 0.68%, 0.52%

LAB 48.28, 73.43, -58.88

 

CMYK 18 / 88 / 0 / 7

HEX #C11CEC

RGB 193 28 236

HSL 287.6, 0.85%, 0.52%

LAB 49.77, 83.4, -67.75

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 1 / 7 / 0 / 46

HEX #877F89

RGB 135 127 137

HSL 288, 0.04%, 0.52%

LAB 54.17, 4.98, -4.32

 

CMYK 16 / 0 / 20 / 42

HEX #7B9375

RGB 123 147 117

HSL 108, 0.12%, 0.52%

LAB 58.38, -14.48, 13.11

 

CMYK 34 / 0 / 42 / 35

HEX #6FA761

RGB 111 167 97

HSL 108, 0.28%, 0.52%

LAB 63.24, -32.12, 30.49

 

CMYK 47 / 0 / 59 / 27

HEX #64BB4D

RGB 100 187 77

HSL 107.45, 0.45%, 0.52%

LAB 68.6, -47.01, 46.81

 

CMYK 24 / 31 / 0 / 38

HEX #786C9D

RGB 120 108 157

HSL 254.69, 0.2%, 0.52%

LAB 48.45, 15.54, -24.82

 

CMYK 15 / 31 / 0 / 38

HEX #856C9D

RGB 133 108 157

HSL 270.61, 0.2%, 0.52%

LAB 49.67, 19.78, -22.84

 

CMYK 7 / 31 / 0 / 38

HEX #926C9D

RGB 146 108 157

HSL 286.53, 0.2%, 0.52%

LAB 51, 24.14, -20.68

 

CMYK 0 / 31 / 2 / 38

HEX #9D6C9A

RGB 157 108 154

HSL 303.67, 0.2%, 0.52%

LAB 52.09, 27.28, -17.15

 

CMYK 0 / 31 / 10 / 38

HEX #9D6C8D

RGB 157 108 141

HSL 319.59, 0.2%, 0.52%

LAB 51.63, 24.85, -10.21

 

CMYK 6 / 33 / 0 / 57

HEX #66496D

RGB 102 73 109

HSL 288.33, 0.2%, 0.36%

LAB 35.39, 19.34, -16.02

 

CMYK 7 / 34 / 0 / 47

HEX #7D5986

RGB 125 89 134

HSL 288, 0.2%, 0.44%

LAB 43.1, 23.23, -19.33

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 5 / 24 / 0 / 32

HEX #A584AD

RGB 165 132 173

HSL 288.29, 0.2%, 0.6%

LAB 59.45, 20.1, -16.87

 

CMYK 4 / 17 / 0 / 25

HEX #B79DBE

RGB 183 157 190

HSL 287.27, 0.2%, 0.68%

LAB 67.95, 15.58, -13.45

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 31 / 0 / 20 / 38

HEX #6C9D7E

RGB 108 157 126

HSL 142.04, 0.2%, 0.52%

LAB 60.61, -23.2, 11.04

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 0 / 7 / 31 / 38

HEX #9D926C

RGB 157 146 108

HSL 46.53, 0.2%, 0.52%

LAB 60.61, -1.99, 21.66

 

CMYK 31 / 0 / 7 / 38

HEX #6C9D92

RGB 108 157 146

HSL 166.53, 0.2%, 0.52%

LAB 61.11, -18.88, 0.5

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 25 / 0 / 31 / 38

HEX #769D6C

RGB 118 157 108

HSL 107.76, 0.2%, 0.52%

LAB 60.82, -23.05, 21.44

 

CMYK 31 / 0 / 1 / 38

HEX #6C9D9C

RGB 108 157 156

HSL 178.78, 0.2%, 0.52%

LAB 61.4, -16.52, -4.74

 

CMYK 6 / 31 / 0 / 38

HEX #936C9D

RGB 147 108 157

HSL 287.76, 0.2%, 0.52%

LAB 51.11, 24.47, -20.51

 

CMYK 0 / 23 / 31 / 38

HEX #9D796C

RGB 157 121 108

HSL 15.92, 0.2%, 0.52%

LAB 53.95, 12.09, 12.52

 

CMYK 25 / 0 / 31 / 38

HEX #769D6C

RGB 118 157 108

HSL 107.76, 0.2%, 0.52%

LAB 60.82, -23.05, 21.44

 

CMYK 31 / 9 / 0 / 38

HEX #6C8F9D

RGB 108 143 157

HSL 197.14, 0.2%, 0.52%

LAB 57.34, -8.67, -11.36

 

Description

Color code: HEX #936C9D | qconv.com Color code: HEX #936C9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 108 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 108 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 31 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 31% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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